Divided Lenses: Screen Memories of War in East Asia
Divided Lenses: Screen Memories of War in East Asia is the first attempt to explore how the tumultuous years between 1931 and 1953 have been recreated and renegotiated in cinema. This period saw traumatic conflicts such as the Sino-Japanese War, the Pacific War, and the Korean War, and pivotal event...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawaii Press
[2016]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Divided Lenses: Screen Memories of War in East Asia is the first attempt to explore how the tumultuous years between 1931 and 1953 have been recreated and renegotiated in cinema. This period saw traumatic conflicts such as the Sino-Japanese War, the Pacific War, and the Korean War, and pivotal events such as the Rape of Nanjing, Pearl Harbor, the Battle of Iwo Jima, and the bombings of Hiroshima and Nagasaki, all of which left a lasting imprint on East Asia and the world. By bringing together a variety of specialists in the cinemas of East Asia and offering divergent yet complementary perspectives, the book explores how the legacies of war have been reimagined through the lens of film.This turbulent era opened with the Mukden Incident of 1931, which signaled a new page in Japanese militaristic aggression in East Asia, and culminated with the Korean War (1950-1953), a protracted conflict that broke out in the wake of Japan's post-World War II withdrawal from Korea. Divided Lenses explores the ways in which events of the intervening decades have continued to shape politics and popular culture throughout East Asia and the world. The essays in part I examine historical trends at work in various "national" cinemas, including China, Taiwan, Japan, Korea, and the United States. Those in part 2 focus on specific themes present in the cinema portraying this period-such as comfort women in Chinese film, the Nanjing Massacre, or nationalism-and how they have been depicted or renegotiated in contemporary films. Of particular interest are contributions drawing from other forms of screen culture, such as television and video games.Divided Lenses builds on the growing interest in East Asian cinema by examining how these historic conflicts have been imagined, framed, and revisited through the lens of cinema and screen culture. It will interest later generations living in the shadow of these events, as well as students and scholars in the fields of cinema studies, cultural studies, cold war studies, and World War II history |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
| Beschreibung: | 1 online resource (336 pages) 32 b&w illustrations |
| ISBN: | 9780824858179 |
| DOI: | 10.1515/9780824858179 |
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| 520 | |a Divided Lenses: Screen Memories of War in East Asia is the first attempt to explore how the tumultuous years between 1931 and 1953 have been recreated and renegotiated in cinema. This period saw traumatic conflicts such as the Sino-Japanese War, the Pacific War, and the Korean War, and pivotal events such as the Rape of Nanjing, Pearl Harbor, the Battle of Iwo Jima, and the bombings of Hiroshima and Nagasaki, all of which left a lasting imprint on East Asia and the world. By bringing together a variety of specialists in the cinemas of East Asia and offering divergent yet complementary perspectives, the book explores how the legacies of war have been reimagined through the lens of film.This turbulent era opened with the Mukden Incident of 1931, which signaled a new page in Japanese militaristic aggression in East Asia, and culminated with the Korean War (1950-1953), a protracted conflict that broke out in the wake of Japan's post-World War II withdrawal from Korea. | ||
| 520 | |a Divided Lenses explores the ways in which events of the intervening decades have continued to shape politics and popular culture throughout East Asia and the world. The essays in part I examine historical trends at work in various "national" cinemas, including China, Taiwan, Japan, Korea, and the United States. Those in part 2 focus on specific themes present in the cinema portraying this period-such as comfort women in Chinese film, the Nanjing Massacre, or nationalism-and how they have been depicted or renegotiated in contemporary films. Of particular interest are contributions drawing from other forms of screen culture, such as television and video games.Divided Lenses builds on the growing interest in East Asian cinema by examining how these historic conflicts have been imagined, framed, and revisited through the lens of cinema and screen culture. | ||
| 520 | |a It will interest later generations living in the shadow of these events, as well as students and scholars in the fields of cinema studies, cultural studies, cold war studies, and World War II history | ||
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| id | DE-604.BV047415619 |
| illustrated | Illustrated |
| index_date | 2024-07-03T17:55:39Z |
| indexdate | 2024-07-10T09:11:31Z |
| institution | BVB |
| isbn | 9780824858179 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032816498 |
| oclc_num | 1165489164 |
| open_access_boolean | |
| owner | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| owner_facet | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| physical | 1 online resource (336 pages) 32 b&w illustrations |
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| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | University of Hawaii Press |
| record_format | marc |
| spelling | Divided Lenses Screen Memories of War in East Asia ed. by Michael Berry, Chiho Sawada Honolulu University of Hawaii Press [2016] © 2016 1 online resource (336 pages) 32 b&w illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) Divided Lenses: Screen Memories of War in East Asia is the first attempt to explore how the tumultuous years between 1931 and 1953 have been recreated and renegotiated in cinema. This period saw traumatic conflicts such as the Sino-Japanese War, the Pacific War, and the Korean War, and pivotal events such as the Rape of Nanjing, Pearl Harbor, the Battle of Iwo Jima, and the bombings of Hiroshima and Nagasaki, all of which left a lasting imprint on East Asia and the world. By bringing together a variety of specialists in the cinemas of East Asia and offering divergent yet complementary perspectives, the book explores how the legacies of war have been reimagined through the lens of film.This turbulent era opened with the Mukden Incident of 1931, which signaled a new page in Japanese militaristic aggression in East Asia, and culminated with the Korean War (1950-1953), a protracted conflict that broke out in the wake of Japan's post-World War II withdrawal from Korea. Divided Lenses explores the ways in which events of the intervening decades have continued to shape politics and popular culture throughout East Asia and the world. The essays in part I examine historical trends at work in various "national" cinemas, including China, Taiwan, Japan, Korea, and the United States. Those in part 2 focus on specific themes present in the cinema portraying this period-such as comfort women in Chinese film, the Nanjing Massacre, or nationalism-and how they have been depicted or renegotiated in contemporary films. Of particular interest are contributions drawing from other forms of screen culture, such as television and video games.Divided Lenses builds on the growing interest in East Asian cinema by examining how these historic conflicts have been imagined, framed, and revisited through the lens of cinema and screen culture. It will interest later generations living in the shadow of these events, as well as students and scholars in the fields of cinema studies, cultural studies, cold war studies, and World War II history In English HISTORY / Asia / General bisacsh Motion pictures Political aspects East Asia History 20th century Motion pictures East Asia History 20th century World War, 1939-1945 Motion pictures and the war Berry, Michael ctb Berry, Michael edt Berry, Michael Sonstige oth Desser, David ctb Desser, David Sonstige oth Gerow, Aaron ctb Gerow, Aaron Sonstige oth Hayot, Eric ctb Hayot, Eric Sonstige oth Kim, Kyu Hyun ctb Kim, Kyu Hyun Sonstige oth Lee, Hyangjin ctb Lee, Hyangjin Sonstige oth Lin, Wenchi ctb Lin, Wenchi Sonstige oth Sawada, Chiho ctb Sawada, Chiho edt Sawada, Chiho Sonstige oth Toplin, Robert Brent ctb Toplin, Robert Brent Sonstige oth Wong, Lily ctb Wong, Lily Sonstige oth Zhang, YingjinXXecontributorXX4ctbXX4https://id.loc.gov/vocabulary/relators/ctb Sonstige oth Zhang, Yingjin Sonstige oth https://doi.org/10.1515/9780824858179 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Divided Lenses Screen Memories of War in East Asia HISTORY / Asia / General bisacsh Motion pictures Political aspects East Asia History 20th century Motion pictures East Asia History 20th century World War, 1939-1945 Motion pictures and the war |
| title | Divided Lenses Screen Memories of War in East Asia |
| title_auth | Divided Lenses Screen Memories of War in East Asia |
| title_exact_search | Divided Lenses Screen Memories of War in East Asia |
| title_exact_search_txtP | Divided Lenses Screen Memories of War in East Asia |
| title_full | Divided Lenses Screen Memories of War in East Asia ed. by Michael Berry, Chiho Sawada |
| title_fullStr | Divided Lenses Screen Memories of War in East Asia ed. by Michael Berry, Chiho Sawada |
| title_full_unstemmed | Divided Lenses Screen Memories of War in East Asia ed. by Michael Berry, Chiho Sawada |
| title_short | Divided Lenses |
| title_sort | divided lenses screen memories of war in east asia |
| title_sub | Screen Memories of War in East Asia |
| topic | HISTORY / Asia / General bisacsh Motion pictures Political aspects East Asia History 20th century Motion pictures East Asia History 20th century World War, 1939-1945 Motion pictures and the war |
| topic_facet | HISTORY / Asia / General Motion pictures Political aspects East Asia History 20th century Motion pictures East Asia History 20th century World War, 1939-1945 Motion pictures and the war |
| url | https://doi.org/10.1515/9780824858179 |
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