Media industries in crisis: what COVID unmasked
This edited volume offers a global overview that impact the COVID-19 pandemic, and other significant crises, have had on media industries and how they've responded.
Gespeichert in:
| Hauptverfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2024
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| Ausgabe: | 1st ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | This edited volume offers a global overview that impact the COVID-19 pandemic, and other significant crises, have had on media industries and how they've responded. |
| Beschreibung: | x, 269 Seiten Illustrationen |
| ISBN: | 9781032481906 |
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Datensatz im Suchindex
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CONTENTS Introduction: CO VID Strikes: The Makings of Crisis within a Crisis Industry Vicki Mayer 1 PARTI Defining Stakes and Stakeholders in Crises 15 1 Insider Stakeholders: Hollywood in Crisis Miranda Banks 17 2 Essential Stakeholders: Is Kirsten Dunst’s Nanny an “Essential” Worker? Dispatches from Studio New Zealand Bridget Conor 3 Policy Stakeholders: Political Pivots and Precarity in Colombia’s Orange Economy Enrique Uribe-JongHoed and César Mora Moreo 4 Cultural Stakeholders: Solidarity in Finland for Creative Justice Anne Soronen 31 43 55
viil Contents 5 External Stakeholders: How Hollywood’s U.S. Boosters Normalized Risk Kate Fortmueller 6 Stakeholders in Troubled Times: Understanding the Scene of Egyptian Media Production in Two Time Frames Mariz Kelada and Chihab El Khachab 6g 7g PART II From the Headlines: Crisis Management and Communications 89 91 7 Polish Perspectives on Netflix COVID Relief Funds Michal Pabis-Orzeszyna 8 Studio Construction in Ireland: Boom, Bubble—or Both? Pill Grantham 9 Indian Pandemic Entertainment Aesthetics and Infrastructure Darshana Sreedhar Mini 102 110 10 “Not Essential”: The Controversial Status of Turkish Dizis Zeynep Sertbulut 120 11 COVID Variants and Colonial Remnants in South African Media Industries Jessica Dickson 127 12 Shooting with a Long Lens: Three Interviews on Filmmaking in an Age of US Racial Reckonings Angela Tucker and Vicki Mayer 136 13 Work Contracts and Creative Justice for Turkey Ergin Bulut 144
Contents 14 Working from Home for Abroad: (Re)configurations of the Brazilian Animation Industry Elena Altheman 152 15 Fraught Gathering: Studio-Exhibitor Reckoning at CinemaCon 2021 Charlotte Orzel 161 16 Collaborative Networks for Streaming Film Festivals as Crisis Responses in Germany Skadi Loist 170 17 Multi-Cinemas and the Moment of Meme Capitalism Toby Miller Ix 180 PART lit Lessons Learned about Crises 18 Combat Lessons on the Decline of Democracy in/on Israeli Television News Noa Lavie 189 191 19 Taking a Cue from the COVID Lobby: Lessons for Greening Dutch Film Production Judith Keilbach 201 20 COVID Choreography in the UK: Redefining Intimacy on Set Tanya Horeck and Susan Berridge 212 21 Lessons from Mumbai: Managing the Lockdowns in Two Media Industries Te/astvini Ganti 224 22 Riding the Roller Coaster: Scenes from the Chinese Film Industry Ying Zhu 238
X Contents 23 Epilogue: Learning from the Pandemic of 1918 Miranda Banks, Vicki Mayer, and Noa Lavie 248 List of Contributors Index 253 257
This edited volume offers a global overview of the immediate impacts the COVID pandemic had on local and national film, television, streaming, and social media industries—examining in compelling detail how these industries managed the crisis. With accounts from the frontlines, Media Industries in Crisis provides readers with a stakeholder framework, management lessons, and urgent commentaries to unpack the nature of crisis management and communications. The authors show how these industries have not only survived, but often thrive amidst a backdrop of critical national and regional emergencies, wars, financial meltdowns, and climate disasters. This international collection—featuring case studies from 16 countries—examines how media industries managed all of these crises, successfully rebranding themselves as "essential" while making power plays in politics, economics, and culture. The chapters reveal key lessons for the meltdowns, tectonic shifts, and struggles ahead. This collection will be of interest to media and communication students, particularly those focused on media industries, crisis communications, and management, as well as to practitioners working in media industries. Vicki Mayer is Professor of Communication at Tulane University. She is author or editor of several books about media and communication, especially cultures of production. Her edited/authored books include Production Studies: Cultural Studies of Media Industries (2009), Below the Line: Producers and Production Studies in the New Television Economy (2011) and Almost Hollywood, Neady New Orleans: The
Lure of the Local Film Economy (2017). Noa Lavie is Senior Lecturer and Head of the Communication and Media Unit at Academic College of Tel Aviv-Jaffa. Her work on the sociology of culture, media industries and television studies has led to prestigious grants (ISF 2017, BSF 2021) publications in Ethnicities, Media Culture and Society, Sociology, Television and New Media, and Poetics. Miranda Banks is Associate Professor and Chair of Film, Television, and Media Studies at Loyola Marymounf University. She is author of The Writers: A History of American Screenwriters and Their Guild (2015) and coeditor of Production Studies (2009) and Production Studies, The Sequel! (2016). |
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