Modern sounds: the artistry of contemporary jazz
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Dubuque, Iowa
Kendall/Hunt
2008
|
| Ausgabe: | [Student ed.] |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | LC copy imperfect: accompanying sound recordings wanting. Includes bibliographical references (p. 279-282), glossary (p. 275-278) and index |
| Beschreibung: | XIII, 292 S. Ill. 2 CDs (digital ; 4 3/4 in.) |
| ISBN: | 9780757543531 0757543537 |
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| 245 | 1 | 0 | |a Modern sounds |b the artistry of contemporary jazz |c Thomas E. Larson |
| 246 | 1 | 3 | |a Artistry of contemporary jazz |
| 250 | |a [Student ed.] | ||
| 264 | 1 | |a Dubuque, Iowa |b Kendall/Hunt |c 2008 | |
| 300 | |a XIII, 292 S. |b Ill. |e 2 CDs (digital ; 4 3/4 in.) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
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| 500 | |a LC copy imperfect: accompanying sound recordings wanting. | ||
| 500 | |a Includes bibliographical references (p. 279-282), glossary (p. 275-278) and index | ||
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| 650 | 4 | |a Jazz |x Analysis, appreciation | |
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Datensatz im Suchindex
| _version_ | 1804141009109516288 |
|---|---|
| adam_text | Contents
About the Author
Preface
Acknowledgments
їх
xi
XV
Chapter
2
Chapter
1
You Say You Want a Revolution
. . .
From
Dancehall
to Concert Hall
A Quick Look Back at the Early Years
ofJazz
New Orleans
Chicago
New York, Kansas City, and the
Swing Era
The Emergence of Bebop
Minton s and the Harlem Jam Session
Scene
The Bebop Esprit
de
Corps
Defining Bebop
Bebop Repertoire
The Architects
Charlie Parker: Tormented Genius
Music Analysis:
Koko
Dizzy Gillespie: The Schoolmaster
Thelonious Monk: The High Priest
Music Analysis:
Cubana
Be,
Cubana Bop
Music Analysis:
Round Midnight
Other Bebop Pioneers
Music Analysis:
Seven Come Eleven
Music Analysis:
Tempus
Fugit
Bebop: Initial Reaction and Lasting
Impact
3
3
4
4
6
6
7
9
10
11
11
13
14
15
16
18
19
20
21
21
Let s Cool One
29
Beyond Bebop
30
Jazz Matures
30
Jazz in Film and Festival
32
Miles Davis and the Birth of the Cool
33
The Birth of the Cool
33
Music Analysis:
Venus
de Milo
35
Miles: The Early Years
36
The Euro Connection: Kenton, Russell,
and
Schuller 37
Music Analysis:
City of Glass—Dance Before the
Mirror
39
West Coast Jazz
40
The Scene
40
Black and White
41
Gerry Mulligan/Chet Baker:
Pianoless
on the Pacific
42
Music Analysis:
Lines for Lyons
43
Dave Brubeck/Paul Desmond:
2+2+2+3=Swing
44
Music Analysis:
Blue Rondo
á la
Turk
46
Art Pepper: Tormented Storyteller
46
Other Cool Jazz Artists
47
Lennie
Tristano: Sightless Visionary
47
The MJQ: Fugues and Formality
48
Music Analysis:
Verndome
50
Contents
Chapter
3
The Soul of Jazz
Sounds of the Inner City
The Other Side of Cool
A New Mainstream
Blue Note: The Sound of Hard Bop
Important Hard Bop Artists
Art Blakey and the Jazz Messengers:
Jazz Academy
Music Analysis:
Doodlin
Horace Silver: Hard Bop Tunesmith
The Clifford Brown-Max Roach
Quintet
Music Analysis:
Love Is
а
Many Splendored Thing
Miles Davis/Sonny Rollins/John
Coltrane
The First Quintet
The Bridge
Workin
,
Steamin
, Cookin ,
and
Relaxin
Spiritual Awakening
Kind of Blue
Music Analysis:
Flamenco Sketches
Charles Mingus: Voice of the Apocalypse
Shouts, Cries, and Moans
The Jazz Workshop
Music Analysis:
Freedom
—
Part Two
The Underdog
Freedom Now!
Jazz and the Movement
Music Analysis:
Triptych: Prayer/Protest/Peace
Anti-Festival
Chapter
4
The New Thing
The Shape of Jazz to Come
1959:
The Beginning of Beyond
Omette
Coleman:
Patron Saint of Freedom
Paid Not to Play
Music Analysis:
Invisible
Fury at the Five Spot
93
The Crude Stables
94
57
Cecil Taylor: The Seer
95
Imaginary Concerts
95
58
CO
Ρ Κ
Music Analysis:
59
J
Enter, Evening (Soft Line Structure)
97
61
John
Coltrane:
Avant-Garde Avatar
98
62
The
Coltrane
Quartet
98
A Love Supreme
99
62
¿>
К
Music Analysis:
J
Chasin
the
Trane
100
64
The Final Chapter
101
65
Eric Dolphy: Out to Lunch
102
Making Music with the Birds
102
65
ƒ>
К
Music Analysis:
J
The Baron
104
66
Sun Ra: Intergalactic Traveller
104
61
Saturn Catling
104
61
¿>
К
Music Analysis:
TO
J
A Call for All Demons
106
69
Archie Shepp and Albert Ayler
107
70
The
1960s
Free Jazz Collectives
108
71
The October Revolution
108
72
73
73
14
76
76
78
79
88
89
91
91
93
TheAACM and the New York
Loft Scene
Chapter
5
The Other Side of the
60s
and
70s
Meanwhile, Behind the Bluster of the
New Thing
. . .
Stan Getz:
Bossa
Nova Man
A Nice Bunch of Guys
The New Flair
Music Analysis:
Desafinado
Soul Jazz: Hard Bop Meets Soul
Jimmy Smith
Music Analysis:
Back at the Chicken Shack
Cannonball and Nat Adderley
Wes Montgomery
Bill Evans: The Art of the Trio
Jazz Zen Master
Triumph and Tragedy
109
117
118
119
119
120
121
122
122
124
124
125
126
126
127
Contents
Music Analysis:
Milestones
Miles
Davis: The Second Quintet
Miles in Transition
E.S.P
Music Analysis:
E.S.P
Sonny Rollins and Dexter Gordon:
Tenor Titans
Detour Ahead
Homecoming
Keith Jarrett: Spontaneous Invention
Music Analysis:
Suite Sioux
CTI
and ECM: Redefining Jazz Marketing
Chapter
6
Sleeping with the Enemy
128
129
129
130
130
134
135
Ш
Jazz in the Sixties: Stuck Between a Rock
and a Hard Place
144
Jazz Exodus
144
Strange Bedfellows
145
Music Analysis:
A Trip
146
Miles Davis: To the Rescue
147
Bitches Brew
147
The Blueprint
148
Music Analysis:
Bitches Brew
149
Important
1
970s Jazz/Rock Fusionists
150
Tony Williams Lifetime: The New
Organ Trio
150
Music Analysis:
Spectrum
151
The Mahavishnu Orchestra: Jazz Goes
International
151
Weather Report: Heavy Weathermen
153
Music Analysis:
Havona
155
Chick
Corea
and Return to Forever:
Emerging Jazz and Art Rock
156
Herbie
Hancock: Mwandishi Turns
to Head Hunting
157
Music Analysis:
Sly
159
Fusion Evolves: Can We Still Call This Jazz?
160
Chapter
7
Neocons, Fusionists, and the New Left
167
Morning in America
Wynton
Marsalis: Jazz
Messiah or Prophet
of Death?
The
Marsalis
Invasion
Neocon Controversy
M-C-M
Music Analysis:
The Majesty of the Blues
(The Puheeman Strut)
The Neo-Conservative Movement
The Young Lions
Fusion Evolves in the
1980s
Miles Returns
Music Analysis:
Fried Bananas
Pat Metheny
Music Analysis:
San Lorenzo
Michael Brecker
Music Analysis:
Itsbynne Reel
Other
1980s
Fusionists
The New Left:
Avant-Garde
Jazz
in the
1980s
Steve Coleman and M-Base
Music Analysis:
Strange Fruit
The World Saxophone Quartet
Chapter
8
Qoina Downtown
Jazz in the Nineties: A Brave New World
Canonic Breakdown
Death of a Legend
No Man s Land
Uptown/Downtown
The Knitting Factory
Important Downtown Performers
John
Zorn
Bill Frisell
Music Analysis:
Hackensack
Dave Douglas
168
170
170
172
173
174
175
176
177
177
178
178
180
181
183
183
185
185
187
188
195
196
196
197
198
199
200
201
201
202
203
204
viii
Contents
Music Analysis:
Shards
206
Other Downtown Artists
206
Other Important Jazz Artists from
the
90s
208
Medeski, Martin, and Wood: Jam
Session Warriors
208
v
Music Analysis:
Uncle Chubb
210
Don Byron: Attacking Stereotypes
with a Clarinet
211
Maria Schneider: Continuing the Big
Band Tradition
212
Music Analysis:
Wyrgly
215
Saxophone Superiority: Lovano,
Garrett, and Potter
215
Music Analysis:
Fishy
217
Chapter
9
Nu
Jazz
225
At the Millennium: The Death of Jazz
226
Ken Burns to the Rescue
226
Is Jazz Really Dead This Time?
227
City of Glass
228
Important Jazz Musicians at the Turn
of the Century
229
The Pianists: Mehldau, Iverson, Iyer,
and
Moran
229
Music Analysis:
Heart of Glass
231
Music Analysis:
Three Lotto Stories
233
The Guitarists:
Monder,
Rosenwinkel,
and
Stryker
233
Women in Jazz: Jensen, Carter, and
Carrington
235
The Norah Effect
236
Is It Jazz, or Is It Pop?
236
Beyond Norah: Karrin and Kurt
238
Music Analysis:
Downtown
240
Jazz
+
Technology
240
A New Guy in the Band
240
Turntablists,
DJs,
and Laptops
242
Music Analysis:
Prismatica
243
Globalization: Outsourcing Jazz
244
TheWorldlsFlat
244
Scandinavian Jazz: Dangerous Art
245
Music Analysis:
Rambler
246
Future Jazz
247
The Challenges Ahead
247
Old School/New School
248
Beyond the Big Apple/The Promise
of the Future
249
Appendix A: Understanding and
Defining Jazz
267
Glossary
275
References
279
Index
283
|
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| language | English |
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| spelling | Larson, Tom Verfasser (DE-588)1017952353 aut Modern sounds the artistry of contemporary jazz Thomas E. Larson Artistry of contemporary jazz [Student ed.] Dubuque, Iowa Kendall/Hunt 2008 XIII, 292 S. Ill. 2 CDs (digital ; 4 3/4 in.) txt rdacontent n rdamedia nc rdacarrier LC copy imperfect: accompanying sound recordings wanting. Includes bibliographical references (p. 279-282), glossary (p. 275-278) and index Jazz History and criticism Jazz Analysis, appreciation Jazz (DE-588)4028532-7 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content (DE-588)4074111-4 Lehrmittel gnd-content Jazz (DE-588)4028532-7 s DE-604 Digitalisierung BSB Muenchen 4 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018879747&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis (DE-588)4035088-5 Lehrer gnd |
| spellingShingle | Larson, Tom Modern sounds the artistry of contemporary jazz Jazz History and criticism Jazz Analysis, appreciation Jazz (DE-588)4028532-7 gnd |
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| title | Modern sounds the artistry of contemporary jazz |
| title_alt | Artistry of contemporary jazz |
| title_auth | Modern sounds the artistry of contemporary jazz |
| title_exact_search | Modern sounds the artistry of contemporary jazz |
| title_full | Modern sounds the artistry of contemporary jazz Thomas E. Larson |
| title_fullStr | Modern sounds the artistry of contemporary jazz Thomas E. Larson |
| title_full_unstemmed | Modern sounds the artistry of contemporary jazz Thomas E. Larson |
| title_short | Modern sounds |
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