Historical performance and new music: aesthetics and practices
"The worlds of new music and historically informed performance might seem quite distant from one another. Yet, upon closer consideration, clear points of convergence emerge. Not only do many contemporary performers move easily between these two worlds, but they often do so using a shared ethos...
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | , , |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
[2024]
|
| Schriftenreihe: | Studies in contemporary music and culture series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The worlds of new music and historically informed performance might seem quite distant from one another. Yet, upon closer consideration, clear points of convergence emerge. Not only do many contemporary performers move easily between these two worlds, but they often do so using a shared ethos of flexibility, improvisation, curiosity, and collaboration-collaboration with composers past and present, with other performers, and with audiences. Bringing together expert scholars and performers considering a wide range of issues and case studies, Historical Performance and New Music-the first book of its kind-addresses the synergies in aesthetics and practices in historical performance and new music. The essays treat matters including technologies and media such as laptops, printing presses, and graphic notation; new music written for period instruments from natural horns to the clavichord; personalities such as the pioneering singer Cathy Berberian; the musically "omnivorous" ensembles A Far Cry and Roomful of Teeth; and composers Luciano Berio, David Lang, Molly Herron, Caroline Shaw, and many others. Historical Performance and New Music presents pathbreaking ideas in an accessible style that speaks to performers, composers, scholars, and music lovers alike. Richly documented and diverse in its methods and subject matter, this book will open new conversations about contemporary musical life"-- |
| Beschreibung: | xv, 233 Seiten Illustrationen, Notenbeispiele 24 cm |
| ISBN: | 9781032291420 |
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| 505 | 8 | |a Part One. Aesthetics and Media. Open-Source Performance Practice : The Laptop as an Instrument of Musical Democracy / Drake Andersen ; Unfixed Media : On the Aesthetics of HIP and Interactive Computer Music / Kimary Fick and Jason Fick ; Minimalism and the Post-War Early Music Revival / Loren Ludwig ; Historical Performance and the Ethos of Graphic Notation : Reading Pre-Twentieth-Century Scores Through the Lens of an Avant-Garde Notation / Rebecca Cypess David Hyun-su Kim, and Elly Toyoda -- Part Two. New Music for Old Instruments. Parallel and Contemporary Vocal Practices : Vibrato, Historically Informed Performance, and New Music / Rachael Lansang and Eric Rice ; A Contemporary Lesson from an Ancient Flute : Tradition as a Key to Innovation / Matteo Gemolo ; The Evolution of Modern Clavichord Music / Francis Knights ; A Natural Horn Revival in Contemporary Composition and Performance / J. Drew Stephen ; Technology and/as Community in Molly Herron's Through Lines (2021) / Rebecca Cypess -- Part Three. Case Studies. Feeding the Flexible Omnivore : Collaborative Systems in A Far Cry and Roomful of Teeth / Estelí Gomez and Sarah Darling ; The Early Music Vocality of Cathy Berberian / Kailan R. Rubinoff ; The Confrontation of Old and New in Lost Objects / Victoria Aschheim | |
| 520 | 3 | |a "The worlds of new music and historically informed performance might seem quite distant from one another. Yet, upon closer consideration, clear points of convergence emerge. Not only do many contemporary performers move easily between these two worlds, but they often do so using a shared ethos of flexibility, improvisation, curiosity, and collaboration-collaboration with composers past and present, with other performers, and with audiences. Bringing together expert scholars and performers considering a wide range of issues and case studies, Historical Performance and New Music-the first book of its kind-addresses the synergies in aesthetics and practices in historical performance and new music. The essays treat matters including technologies and media such as laptops, printing presses, and graphic notation; new music written for period instruments from natural horns to the clavichord; personalities such as the pioneering singer Cathy Berberian; the musically "omnivorous" ensembles A Far Cry and Roomful of Teeth; and composers Luciano Berio, David Lang, Molly Herron, Caroline Shaw, and many others. Historical Performance and New Music presents pathbreaking ideas in an accessible style that speaks to performers, composers, scholars, and music lovers alike. Richly documented and diverse in its methods and subject matter, this book will open new conversations about contemporary musical life"-- | |
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Contents List ofFigures List ofMusic Examples List of Tables List of Contributors xi xH xiii xiv Introduction 1 REBECCA CYPESS PART I Aesthetics and Media 1 Unfixed Media: On the Aesthetics of HIP and Interactive Computer Music 11 13 KIMARY FICK AND JASON FICK 2 Open-Source Performance Practice: The Laptop as an Instrument of Musical Democracy 27 DRAKE ANDERSEN 3 Minimalism and the Post-War Early Music Revival 42 LOREN LUDWIG 4 Historical Performance and the Ethos of Graphic Notation: Reading Pre-Twentieth-Century Scores through the Lens of an Avant-Garde Notation DAVID HYUN-SU KIM, ELLY TOYODA, AND REBECCA CYPESS 61
X Contents PART II Old Instruments for New Music 5 Parallel and Contemporary Vocal Practices: Vibrato, Historically Informed Performance, and New Music 77 79 RACHAEL LANSANG AND ERIC RICE 6 A Contemporary Lesson from an Ancient Flute: Tradition as a Key to Innovation 95 MATTEO GEM0L0 7 The Evolution of Modern Clavichord Music 106 FRANCIS KNIGHTS 8 A Natural Horn Revival in Contemporary Composition and Performance 118 J. DREW STEPHEN 9 Technology and/as Community in Molly Herron’s Through Lines(202]) 135 REBECCA CYPESS PART III Case Studies 10 Feeding the Flexible Omnivore: Collaborative Systems in A Far Cry and Roomful of Teeth 147 149 ESTELI GOMEZ AND SARAH DARLING 11 The Early Music Vocality of Cathy Berberian 166 KAILAN R. RUBINOFF 12 The Confrontation of Old and New in Lost Objects 189 VICTORIA ASCHHEIM Bibliography, Audio, and Audio-Visual Sources Index 209 228 |
| adam_txt |
Contents List ofFigures List ofMusic Examples List of Tables List of Contributors xi xH xiii xiv Introduction 1 REBECCA CYPESS PART I Aesthetics and Media 1 Unfixed Media: On the Aesthetics of HIP and Interactive Computer Music 11 13 KIMARY FICK AND JASON FICK 2 Open-Source Performance Practice: The Laptop as an Instrument of Musical Democracy 27 DRAKE ANDERSEN 3 Minimalism and the Post-War Early Music Revival 42 LOREN LUDWIG 4 Historical Performance and the Ethos of Graphic Notation: Reading Pre-Twentieth-Century Scores through the Lens of an Avant-Garde Notation DAVID HYUN-SU KIM, ELLY TOYODA, AND REBECCA CYPESS 61
X Contents PART II Old Instruments for New Music 5 Parallel and Contemporary Vocal Practices: Vibrato, Historically Informed Performance, and New Music 77 79 RACHAEL LANSANG AND ERIC RICE 6 A Contemporary Lesson from an Ancient Flute: Tradition as a Key to Innovation 95 MATTEO GEM0L0 7 The Evolution of Modern Clavichord Music 106 FRANCIS KNIGHTS 8 A Natural Horn Revival in Contemporary Composition and Performance 118 J. DREW STEPHEN 9 Technology and/as Community in Molly Herron’s Through Lines(202]) 135 REBECCA CYPESS PART III Case Studies 10 Feeding the Flexible Omnivore: Collaborative Systems in A Far Cry and Roomful of Teeth 147 149 ESTELI GOMEZ AND SARAH DARLING 11 The Early Music Vocality of Cathy Berberian 166 KAILAN R. RUBINOFF 12 The Confrontation of Old and New in Lost Objects 189 VICTORIA ASCHHEIM Bibliography, Audio, and Audio-Visual Sources Index 209 228 |
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| contents | Part One. Aesthetics and Media. Open-Source Performance Practice : The Laptop as an Instrument of Musical Democracy / Drake Andersen ; Unfixed Media : On the Aesthetics of HIP and Interactive Computer Music / Kimary Fick and Jason Fick ; Minimalism and the Post-War Early Music Revival / Loren Ludwig ; Historical Performance and the Ethos of Graphic Notation : Reading Pre-Twentieth-Century Scores Through the Lens of an Avant-Garde Notation / Rebecca Cypess David Hyun-su Kim, and Elly Toyoda -- Part Two. New Music for Old Instruments. Parallel and Contemporary Vocal Practices : Vibrato, Historically Informed Performance, and New Music / Rachael Lansang and Eric Rice ; A Contemporary Lesson from an Ancient Flute : Tradition as a Key to Innovation / Matteo Gemolo ; The Evolution of Modern Clavichord Music / Francis Knights ; A Natural Horn Revival in Contemporary Composition and Performance / J. Drew Stephen ; Technology and/as Community in Molly Herron's Through Lines (2021) / Rebecca Cypess -- Part Three. Case Studies. Feeding the Flexible Omnivore : Collaborative Systems in A Far Cry and Roomful of Teeth / Estelí Gomez and Sarah Darling ; The Early Music Vocality of Cathy Berberian / Kailan R. Rubinoff ; The Confrontation of Old and New in Lost Objects / Victoria Aschheim |
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| spelling | Historical performance and new music aesthetics and practices edited by Rebecca Cypess, Estelí Gomez, and Rachael Lansang ; contributors: Drake Andersen [und zahlreiche weitere] London ; New York Routledge [2024] xv, 233 Seiten Illustrationen, Notenbeispiele 24 cm txt rdacontent n rdamedia nc rdacarrier Studies in contemporary music and culture series Part One. Aesthetics and Media. Open-Source Performance Practice : The Laptop as an Instrument of Musical Democracy / Drake Andersen ; Unfixed Media : On the Aesthetics of HIP and Interactive Computer Music / Kimary Fick and Jason Fick ; Minimalism and the Post-War Early Music Revival / Loren Ludwig ; Historical Performance and the Ethos of Graphic Notation : Reading Pre-Twentieth-Century Scores Through the Lens of an Avant-Garde Notation / Rebecca Cypess David Hyun-su Kim, and Elly Toyoda -- Part Two. New Music for Old Instruments. Parallel and Contemporary Vocal Practices : Vibrato, Historically Informed Performance, and New Music / Rachael Lansang and Eric Rice ; A Contemporary Lesson from an Ancient Flute : Tradition as a Key to Innovation / Matteo Gemolo ; The Evolution of Modern Clavichord Music / Francis Knights ; A Natural Horn Revival in Contemporary Composition and Performance / J. Drew Stephen ; Technology and/as Community in Molly Herron's Through Lines (2021) / Rebecca Cypess -- Part Three. Case Studies. Feeding the Flexible Omnivore : Collaborative Systems in A Far Cry and Roomful of Teeth / Estelí Gomez and Sarah Darling ; The Early Music Vocality of Cathy Berberian / Kailan R. Rubinoff ; The Confrontation of Old and New in Lost Objects / Victoria Aschheim "The worlds of new music and historically informed performance might seem quite distant from one another. Yet, upon closer consideration, clear points of convergence emerge. Not only do many contemporary performers move easily between these two worlds, but they often do so using a shared ethos of flexibility, improvisation, curiosity, and collaboration-collaboration with composers past and present, with other performers, and with audiences. Bringing together expert scholars and performers considering a wide range of issues and case studies, Historical Performance and New Music-the first book of its kind-addresses the synergies in aesthetics and practices in historical performance and new music. The essays treat matters including technologies and media such as laptops, printing presses, and graphic notation; new music written for period instruments from natural horns to the clavichord; personalities such as the pioneering singer Cathy Berberian; the musically "omnivorous" ensembles A Far Cry and Roomful of Teeth; and composers Luciano Berio, David Lang, Molly Herron, Caroline Shaw, and many others. Historical Performance and New Music presents pathbreaking ideas in an accessible style that speaks to performers, composers, scholars, and music lovers alike. Richly documented and diverse in its methods and subject matter, this book will open new conversations about contemporary musical life"-- Neue Musik (DE-588)4428235-7 gnd rswk-swf Historische Musikpraxis (DE-588)4197967-9 gnd rswk-swf Music / Performance / History / 21st century Music / Performance / History / 20th century Historically informed performance (Music) Music / Performance 1900-2099 History (DE-588)4143413-4 Aufsatzsammlung gnd-content Historische Musikpraxis (DE-588)4197967-9 s Neue Musik (DE-588)4428235-7 s DE-604 Cypess, Rebecca (DE-588)1023867311 edt Gomez, Estelí edt Lansang, Rachael edt Andersen, Drake 1987- (DE-588)1286974984 aut Äquivalent Druck-Ausgabe, Paperback 978-1-032-29143-7 Erscheint auch als Online-Ausgabe 978-1-003-30022-9 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034948875&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Andersen, Drake 1987- Historical performance and new music aesthetics and practices Part One. Aesthetics and Media. Open-Source Performance Practice : The Laptop as an Instrument of Musical Democracy / Drake Andersen ; Unfixed Media : On the Aesthetics of HIP and Interactive Computer Music / Kimary Fick and Jason Fick ; Minimalism and the Post-War Early Music Revival / Loren Ludwig ; Historical Performance and the Ethos of Graphic Notation : Reading Pre-Twentieth-Century Scores Through the Lens of an Avant-Garde Notation / Rebecca Cypess David Hyun-su Kim, and Elly Toyoda -- Part Two. New Music for Old Instruments. Parallel and Contemporary Vocal Practices : Vibrato, Historically Informed Performance, and New Music / Rachael Lansang and Eric Rice ; A Contemporary Lesson from an Ancient Flute : Tradition as a Key to Innovation / Matteo Gemolo ; The Evolution of Modern Clavichord Music / Francis Knights ; A Natural Horn Revival in Contemporary Composition and Performance / J. Drew Stephen ; Technology and/as Community in Molly Herron's Through Lines (2021) / Rebecca Cypess -- Part Three. Case Studies. Feeding the Flexible Omnivore : Collaborative Systems in A Far Cry and Roomful of Teeth / Estelí Gomez and Sarah Darling ; The Early Music Vocality of Cathy Berberian / Kailan R. Rubinoff ; The Confrontation of Old and New in Lost Objects / Victoria Aschheim Neue Musik (DE-588)4428235-7 gnd Historische Musikpraxis (DE-588)4197967-9 gnd |
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| title | Historical performance and new music aesthetics and practices |
| title_auth | Historical performance and new music aesthetics and practices |
| title_exact_search | Historical performance and new music aesthetics and practices |
| title_exact_search_txtP | Historical performance and new music aesthetics and practices |
| title_full | Historical performance and new music aesthetics and practices edited by Rebecca Cypess, Estelí Gomez, and Rachael Lansang ; contributors: Drake Andersen [und zahlreiche weitere] |
| title_fullStr | Historical performance and new music aesthetics and practices edited by Rebecca Cypess, Estelí Gomez, and Rachael Lansang ; contributors: Drake Andersen [und zahlreiche weitere] |
| title_full_unstemmed | Historical performance and new music aesthetics and practices edited by Rebecca Cypess, Estelí Gomez, and Rachael Lansang ; contributors: Drake Andersen [und zahlreiche weitere] |
| title_short | Historical performance and new music |
| title_sort | historical performance and new music aesthetics and practices |
| title_sub | aesthetics and practices |
| topic | Neue Musik (DE-588)4428235-7 gnd Historische Musikpraxis (DE-588)4197967-9 gnd |
| topic_facet | Neue Musik Historische Musikpraxis Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034948875&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT cypessrebecca historicalperformanceandnewmusicaestheticsandpractices AT gomezesteli historicalperformanceandnewmusicaestheticsandpractices AT lansangrachael historicalperformanceandnewmusicaestheticsandpractices AT andersendrake historicalperformanceandnewmusicaestheticsandpractices |