Crafting Mexico: Intellectuals, Artisans, and the State after the Revolution
After Mexico's revolution of 1910-1920, intellectuals sought to forge a unified cultural nation out of the country's diverse populace. Their efforts resulted in an "ethnicized" interpretation of Mexicanness that intentionally incorporated elements of folk and indigenous culture....
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2010]
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| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-859 DE-860 DE-473 DE-739 DE-858 URL des Erstveröffentlichers |
| Zusammenfassung: | After Mexico's revolution of 1910-1920, intellectuals sought to forge a unified cultural nation out of the country's diverse populace. Their efforts resulted in an "ethnicized" interpretation of Mexicanness that intentionally incorporated elements of folk and indigenous culture. In this rich history, Rick A. López explains how thinkers and artists, including the anthropologist Manuel Gamio, the composer Carlos Chávez, the educator Moisés Sáenz, the painter Diego Rivera, and many less-known figures, formulated and promoted a notion of nationhood in which previously denigrated vernacular arts-dance, music, and handicrafts such as textiles, basketry, ceramics, wooden toys, and ritual masks-came to be seen as symbolic of Mexico's modernity and national distinctiveness. López examines how the nationalist project intersected with transnational intellectual and artistic currents, as well as how it was adapted in rural communities. He provides an in-depth account of artisanal practices in the village of Olinalá, located in the mountainous southern state of Guerrero. Since the 1920s, Olinalá has been renowned for its lacquered boxes and gourds, which have been considered to be among the "most Mexican" of the nation's arts. Crafting Mexico illuminates the role of cultural politics and visual production in Mexico's transformation from a regionally and culturally fragmented country into a modern nation-state with an inclusive and compelling national identity |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
| Beschreibung: | 1 online resource (436 pages) 16 color illustrations, 23 b&w, 1 map |
| ISBN: | 9780822391739 |
| DOI: | 10.1515/9780822391739 |
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| 520 | |a After Mexico's revolution of 1910-1920, intellectuals sought to forge a unified cultural nation out of the country's diverse populace. Their efforts resulted in an "ethnicized" interpretation of Mexicanness that intentionally incorporated elements of folk and indigenous culture. In this rich history, Rick A. López explains how thinkers and artists, including the anthropologist Manuel Gamio, the composer Carlos Chávez, the educator Moisés Sáenz, the painter Diego Rivera, and many less-known figures, formulated and promoted a notion of nationhood in which previously denigrated vernacular arts-dance, music, and handicrafts such as textiles, basketry, ceramics, wooden toys, and ritual masks-came to be seen as symbolic of Mexico's modernity and national distinctiveness. López examines how the nationalist project intersected with transnational intellectual and artistic currents, as well as how it was adapted in rural communities. He provides an in-depth account of artisanal practices in the village of Olinalá, located in the mountainous southern state of Guerrero. Since the 1920s, Olinalá has been renowned for its lacquered boxes and gourds, which have been considered to be among the "most Mexican" of the nation's arts. Crafting Mexico illuminates the role of cultural politics and visual production in Mexico's transformation from a regionally and culturally fragmented country into a modern nation-state with an inclusive and compelling national identity | ||
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Datensatz im Suchindex
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| author | López, Rick A. |
| author_facet | López, Rick A. |
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| dewey-full | 972.08/2 |
| dewey-hundreds | 900 - History & geography |
| dewey-ones | 972 - Mexico, Central America, West Indies |
| dewey-raw | 972.08/2 |
| dewey-search | 972.08/2 |
| dewey-sort | 3972.08 12 |
| dewey-tens | 970 - History of North America |
| discipline | Geschichte |
| discipline_str_mv | Geschichte |
| doi_str_mv | 10.1515/9780822391739 |
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| isbn | 9780822391739 |
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| spelling | López, Rick A. Verfasser aut Crafting Mexico Intellectuals, Artisans, and the State after the Revolution Rick A. López Durham Duke University Press [2010] © 2010 1 online resource (436 pages) 16 color illustrations, 23 b&w, 1 map txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) After Mexico's revolution of 1910-1920, intellectuals sought to forge a unified cultural nation out of the country's diverse populace. Their efforts resulted in an "ethnicized" interpretation of Mexicanness that intentionally incorporated elements of folk and indigenous culture. In this rich history, Rick A. López explains how thinkers and artists, including the anthropologist Manuel Gamio, the composer Carlos Chávez, the educator Moisés Sáenz, the painter Diego Rivera, and many less-known figures, formulated and promoted a notion of nationhood in which previously denigrated vernacular arts-dance, music, and handicrafts such as textiles, basketry, ceramics, wooden toys, and ritual masks-came to be seen as symbolic of Mexico's modernity and national distinctiveness. López examines how the nationalist project intersected with transnational intellectual and artistic currents, as well as how it was adapted in rural communities. He provides an in-depth account of artisanal practices in the village of Olinalá, located in the mountainous southern state of Guerrero. Since the 1920s, Olinalá has been renowned for its lacquered boxes and gourds, which have been considered to be among the "most Mexican" of the nation's arts. Crafting Mexico illuminates the role of cultural politics and visual production in Mexico's transformation from a regionally and culturally fragmented country into a modern nation-state with an inclusive and compelling national identity In English HISTORY / Latin America / Mexico bisacsh National characteristics, Mexican Nationalism Mexico History 20th century Popular culture Mexico History 20th century https://doi.org/10.1515/9780822391739 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | López, Rick A. Crafting Mexico Intellectuals, Artisans, and the State after the Revolution HISTORY / Latin America / Mexico bisacsh National characteristics, Mexican Nationalism Mexico History 20th century Popular culture Mexico History 20th century |
| title | Crafting Mexico Intellectuals, Artisans, and the State after the Revolution |
| title_auth | Crafting Mexico Intellectuals, Artisans, and the State after the Revolution |
| title_exact_search | Crafting Mexico Intellectuals, Artisans, and the State after the Revolution |
| title_exact_search_txtP | Crafting Mexico Intellectuals, Artisans, and the State after the Revolution |
| title_full | Crafting Mexico Intellectuals, Artisans, and the State after the Revolution Rick A. López |
| title_fullStr | Crafting Mexico Intellectuals, Artisans, and the State after the Revolution Rick A. López |
| title_full_unstemmed | Crafting Mexico Intellectuals, Artisans, and the State after the Revolution Rick A. López |
| title_short | Crafting Mexico |
| title_sort | crafting mexico intellectuals artisans and the state after the revolution |
| title_sub | Intellectuals, Artisans, and the State after the Revolution |
| topic | HISTORY / Latin America / Mexico bisacsh National characteristics, Mexican Nationalism Mexico History 20th century Popular culture Mexico History 20th century |
| topic_facet | HISTORY / Latin America / Mexico National characteristics, Mexican Nationalism Mexico History 20th century Popular culture Mexico History 20th century |
| url | https://doi.org/10.1515/9780822391739 |
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