Sonic Pasts: Acoustical Heritage and Historical Soundscapes
Sonic Pasts explores the fields of acoustical heritage and historical soundscapes through an interdisciplinary perspective. Reflecting on different methods of research and dissemination, it critiques biases related to race, ethnicity, gender, socioeconomics, and disability that are intrinsic to thes...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Taylor & Francis
2024
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| Schlagworte: | |
| Zusammenfassung: | Sonic Pasts explores the fields of acoustical heritage and historical soundscapes through an interdisciplinary perspective. Reflecting on different methods of research and dissemination, it critiques biases related to race, ethnicity, gender, socioeconomics, and disability that are intrinsic to these fields.Academically rigorous while also deeply personal, Sonic Pasts introduces readers to how various disciplines have studied the sounds of the past, the connection those studies have to heritage more widely, including the concept of Intangible Cultural Heritage (ICH), and how sound is represented within UNESCO heritage listings. It offers a novel theoretical and practical framework on different approaches to the design of sound installations and online experiences on the topic, including the ethical challenges presented by different techniques.This book is essential reading for students and researchers considering sounds of the past, as well as sound and heritage practitioners seeking to reflect on their current or future practices |
| Beschreibung: | 1. On Definitions and Who We Are 2. From Vitruvius to Archaeoacoustics: Studying Sonic Pasts 3. The Intangibility of It All 4. The Intangible in the Tangible 5. Sharing the Sounds of the Past: Installations and Experiences 6. Reverberations: Pasts and Futures |
| Beschreibung: | 236 Seiten 453 gr |
| ISBN: | 9781032300054 |
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| 520 | |a Sonic Pasts explores the fields of acoustical heritage and historical soundscapes through an interdisciplinary perspective. Reflecting on different methods of research and dissemination, it critiques biases related to race, ethnicity, gender, socioeconomics, and disability that are intrinsic to these fields.Academically rigorous while also deeply personal, Sonic Pasts introduces readers to how various disciplines have studied the sounds of the past, the connection those studies have to heritage more widely, including the concept of Intangible Cultural Heritage (ICH), and how sound is represented within UNESCO heritage listings. It offers a novel theoretical and practical framework on different approaches to the design of sound installations and online experiences on the topic, including the ethical challenges presented by different techniques.This book is essential reading for students and researchers considering sounds of the past, as well as sound and heritage practitioners seeking to reflect on their current or future practices | ||
| 650 | 4 | |a bicssc / Museology & heritage studies | |
| 650 | 4 | |a bicssc / The arts | |
| 650 | 4 | |a bicssc / History | |
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Datensatz im Suchindex
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| indexdate | 2025-02-03T23:00:18Z |
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| isbn | 9781032300054 |
| language | English |
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| physical | 236 Seiten 453 gr |
| publishDate | 2024 |
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| publisher | Taylor & Francis |
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| spelling | López, Mariana J Verfasser aut Sonic Pasts Acoustical Heritage and Historical Soundscapes Oxford Taylor & Francis 2024 236 Seiten 453 gr txt rdacontent n rdamedia nc rdacarrier 1. On Definitions and Who We Are 2. From Vitruvius to Archaeoacoustics: Studying Sonic Pasts 3. The Intangibility of It All 4. The Intangible in the Tangible 5. Sharing the Sounds of the Past: Installations and Experiences 6. Reverberations: Pasts and Futures Sonic Pasts explores the fields of acoustical heritage and historical soundscapes through an interdisciplinary perspective. Reflecting on different methods of research and dissemination, it critiques biases related to race, ethnicity, gender, socioeconomics, and disability that are intrinsic to these fields.Academically rigorous while also deeply personal, Sonic Pasts introduces readers to how various disciplines have studied the sounds of the past, the connection those studies have to heritage more widely, including the concept of Intangible Cultural Heritage (ICH), and how sound is represented within UNESCO heritage listings. It offers a novel theoretical and practical framework on different approaches to the design of sound installations and online experiences on the topic, including the ethical challenges presented by different techniques.This book is essential reading for students and researchers considering sounds of the past, as well as sound and heritage practitioners seeking to reflect on their current or future practices bicssc / Museology & heritage studies bicssc / The arts bicssc / History |
| spellingShingle | López, Mariana J Sonic Pasts Acoustical Heritage and Historical Soundscapes bicssc / Museology & heritage studies bicssc / The arts bicssc / History |
| title | Sonic Pasts Acoustical Heritage and Historical Soundscapes |
| title_auth | Sonic Pasts Acoustical Heritage and Historical Soundscapes |
| title_exact_search | Sonic Pasts Acoustical Heritage and Historical Soundscapes |
| title_full | Sonic Pasts Acoustical Heritage and Historical Soundscapes |
| title_fullStr | Sonic Pasts Acoustical Heritage and Historical Soundscapes |
| title_full_unstemmed | Sonic Pasts Acoustical Heritage and Historical Soundscapes |
| title_short | Sonic Pasts |
| title_sort | sonic pasts acoustical heritage and historical soundscapes |
| title_sub | Acoustical Heritage and Historical Soundscapes |
| topic | bicssc / Museology & heritage studies bicssc / The arts bicssc / History |
| topic_facet | bicssc / Museology & heritage studies bicssc / The arts bicssc / History |
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