Piero di Cosimo : painter of faith and fable /

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Leonardo da Vinci's drawings of busts of old men and women with monstruous faces satire as moral criticism von Kwakkelstein, Michael W. 1963-

The limited impact of Leonardo da Vinci's ideas on painting in Sforza Milan von Kwakkelstein, Michael W. 1963-

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Leonardo: "Leerling van ervaring" en boeken von Kwakkelstein, Michael W. 1963-

Het gelaat als spiegel van de ziel Leonardo en de morele betekenis van schoonheid en lelijkheid von Kwakkelstein, Michael W. 1963-

Fra Bartolommeo The divine Renaissance von Elen, Albert J. 1955-, Fischer, Chris 1950-, Klerck, Bram de 1965-, Kwakkelstein, Michael W. 1963-

"... dui suoi garzoni fano retrati" a new reading of fra Pietro da Novellara's account of Leonardo da Vinci's workshop practices in Florence (1501) von Kwakkelstein, Michael W. 1963-

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Did Leonardo always practice what he preached? discrepancies between Leonardo's didactic views on the painting and his artistic practice von Kwakkelstein, Michael W. 1963-

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Willem Goeree and Leonardo's theories on painting von Kwakkelstein, Michael W. 1963-

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Leonardo da Vinci en de fysionomie von Kwakkelstein, Michael W. 1963-

Heads in histories from likeness to type in Verrochio, Leonardo, Dürer, Massys and a follower of Bosch von Kwakkelstein, Michael W. 1963-

Leonardo Vinci the language of faces von Kwakkelstein, Michael W. 1963-

Leonardo da Vinci's drawings of busts of old men and women with monstrous faces satire as moral criticism von Kwakkelstein, Michael W. 1963-

The development of the figure study in the early work of Raphael von Kwakkelstein, Michael W. 1963-

New copies by Leonardo after Pollaiuolo and Verrocchio and his use of an "écorché" model some notes on his working method as an anatomist von Kwakkelstein, Michael W. 1963-

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Perugino in Verrocchio's workshop the transmission of an antique striding stance von Kwakkelstein, Michael W. 1963-

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The meaning of the Luigi Gallandt terracotta attributed to Leonardo reconsidered von Kwakkelstein, Michael W. 1963-

The use of sculptural models by the Master of the Pala Sforzesca von Kwakkelstein, Michael W. 1963-

The model's pose Raphael's early use of antique and Italian art von Kwakkelstein, Michael W. 1963-

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Verrocchio's drawing of infants at the Louvre sources and influence von Kwakkelstein, Michael W. 1963-