Music from the hilltop: organs and organists at Southern Methodist University
"In Music from the Hilltop, Benjamin A. Kolodziej studies three significant academic musical figures to weave a narrative that not only details the role musical studies played in the development of Southern Methodist University but also relates a history of church music and pipe organs in Dalla...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Denton, Texas
University of North Texas Press
[2023]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "In Music from the Hilltop, Benjamin A. Kolodziej studies three significant academic musical figures to weave a narrative that not only details the role musical studies played in the development of Southern Methodist University but also relates a history of church music and pipe organs in Dallas, Texas. Bertha Stevens Cassidy (1876-1959), the first organ professor and the only woman on the faculty of the new university, established herself as a leader and veritable dean of the church music community, managing a career of significant performances and teaching. Her student and protégé, Dora Poteet Barclay (1903-1961), a Waco native, exhibited such musical potential that she was hired by SMU the day after her graduation. Taking over the organ program upon Cassidy's retirement, Barclay broadened the pedagogical horizons for her students. The great French composer Marcel Dupré, with whom she briefly studied, extolled Barclay's talents: "She is my best American student!" Many of her own students achieved great professional heights as performers and church musicians. With the hiring of Robert Theodore Anderson (1934-2009), SMU solidified its reputation as a school able to provide excellence not only in performance training but also in scholarship. A Chicago native who studied in New York and in Germany, Anderson represented a new, modern outlook to teaching and performance. He was intellectually able to bridge the gap between the theologians of the Methodist seminary and the performers at the Meadows School of the Arts. Through his example and guidance, organists were taught to think critically, whether about music or any other subject, and to attain excellence in the craft of organ performance. During the 1980s Anderson consulted with the Dallas Symphony to prepare for the installation of an organ in the new Meyerson Symphony Center, an organ that would influence concert hall instruments in subsequent decades. These three pedagogues played important roles in the development of the musical curriculum as well as the building of important organs on the SMU campus and around the city, each in their own ways nurturing the practice of sacred music in North Texas"-- |
| Beschreibung: | XV, 335 Seiten Illustrationen, Porträts |
| ISBN: | 9781574419108 |
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| 520 | 3 | |a "In Music from the Hilltop, Benjamin A. Kolodziej studies three significant academic musical figures to weave a narrative that not only details the role musical studies played in the development of Southern Methodist University but also relates a history of church music and pipe organs in Dallas, Texas. Bertha Stevens Cassidy (1876-1959), the first organ professor and the only woman on the faculty of the new university, established herself as a leader and veritable dean of the church music community, managing a career of significant performances and teaching. Her student and protégé, Dora Poteet Barclay (1903-1961), a Waco native, exhibited such musical potential that she was hired by SMU the day after her graduation. Taking over the organ program upon Cassidy's retirement, Barclay broadened the pedagogical horizons for her students. | |
| 520 | 3 | |a The great French composer Marcel Dupré, with whom she briefly studied, extolled Barclay's talents: "She is my best American student!" Many of her own students achieved great professional heights as performers and church musicians. With the hiring of Robert Theodore Anderson (1934-2009), SMU solidified its reputation as a school able to provide excellence not only in performance training but also in scholarship. A Chicago native who studied in New York and in Germany, Anderson represented a new, modern outlook to teaching and performance. He was intellectually able to bridge the gap between the theologians of the Methodist seminary and the performers at the Meadows School of the Arts. Through his example and guidance, organists were taught to think critically, whether about music or any other subject, and to attain excellence in the craft of organ performance. | |
| 520 | 3 | |a During the 1980s Anderson consulted with the Dallas Symphony to prepare for the installation of an organ in the new Meyerson Symphony Center, an organ that would influence concert hall instruments in subsequent decades. These three pedagogues played important roles in the development of the musical curriculum as well as the building of important organs on the SMU campus and around the city, each in their own ways nurturing the practice of sacred music in North Texas"-- | |
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Datensatz im Suchindex
| _version_ | 1816797643703058432 |
|---|---|
| adam_text |
Contents Illustrations vii Foreword ix Acknowledgments xiii Chapter 1 Music amid the Johnson Grass Chapter 2 A Center of Artistic Performance Chapter 3 Dora Poteet Barclay Chapter 4 Optimism and Transition Chapter 5 New Directions: Robert Theodore Anderson 127 Chapter 6 A Flourishing Establishment Chapter 7 Halcyon Days and New Opportunities Chapter 8 An Enduring Legacy Glossary 261 Endnotes 267 Bibliography 317 Index 325 1 69 199 231 95 171 37 |
| adam_txt |
Contents Illustrations vii Foreword ix Acknowledgments xiii Chapter 1 Music amid the Johnson Grass Chapter 2 A Center of Artistic Performance Chapter 3 Dora Poteet Barclay Chapter 4 Optimism and Transition Chapter 5 New Directions: Robert Theodore Anderson 127 Chapter 6 A Flourishing Establishment Chapter 7 Halcyon Days and New Opportunities Chapter 8 An Enduring Legacy Glossary 261 Endnotes 267 Bibliography 317 Index 325 1 69 199 231 95 171 37 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Kolodziej, Benjamin |
| author_GND | (DE-588)1318313481 |
| author_facet | Kolodziej, Benjamin |
| author_role | aut |
| author_sort | Kolodziej, Benjamin |
| author_variant | b k bk |
| building | Verbundindex |
| bvnumber | BV049431334 |
| contents | Music amid the Johnson Grass -- A Center of Artistic Performance -- Dora Poteet Barclay -- Optimism and Transition -- New Directions: Robert Theodore Anderson -- A Flourishing Establishment -- Halcyon Days and New Opportunities -- An Enduring Legacy |
| ctrlnum | (OCoLC)1417285051 (DE-599)BVBBV049431334 |
| era | Geschichte 1911- gnd |
| era_facet | Geschichte 1911- |
| format | Book |
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| id | DE-604.BV049431334 |
| illustrated | Illustrated |
| index_date | 2024-07-03T23:10:21Z |
| indexdate | 2024-11-26T15:00:50Z |
| institution | BVB |
| isbn | 9781574419108 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034777440 |
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| owner_facet | DE-12 |
| physical | XV, 335 Seiten Illustrationen, Porträts |
| psigel | BSB_NED_20240208 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | University of North Texas Press |
| record_format | marc |
| spelling | Kolodziej, Benjamin Verfasser (DE-588)1318313481 aut Music from the hilltop organs and organists at Southern Methodist University Benjamin A. Kolodziej Denton, Texas University of North Texas Press [2023] © 2023 XV, 335 Seiten Illustrationen, Porträts txt rdacontent n rdamedia nc rdacarrier Music amid the Johnson Grass -- A Center of Artistic Performance -- Dora Poteet Barclay -- Optimism and Transition -- New Directions: Robert Theodore Anderson -- A Flourishing Establishment -- Halcyon Days and New Opportunities -- An Enduring Legacy "In Music from the Hilltop, Benjamin A. Kolodziej studies three significant academic musical figures to weave a narrative that not only details the role musical studies played in the development of Southern Methodist University but also relates a history of church music and pipe organs in Dallas, Texas. Bertha Stevens Cassidy (1876-1959), the first organ professor and the only woman on the faculty of the new university, established herself as a leader and veritable dean of the church music community, managing a career of significant performances and teaching. Her student and protégé, Dora Poteet Barclay (1903-1961), a Waco native, exhibited such musical potential that she was hired by SMU the day after her graduation. Taking over the organ program upon Cassidy's retirement, Barclay broadened the pedagogical horizons for her students. The great French composer Marcel Dupré, with whom she briefly studied, extolled Barclay's talents: "She is my best American student!" Many of her own students achieved great professional heights as performers and church musicians. With the hiring of Robert Theodore Anderson (1934-2009), SMU solidified its reputation as a school able to provide excellence not only in performance training but also in scholarship. A Chicago native who studied in New York and in Germany, Anderson represented a new, modern outlook to teaching and performance. He was intellectually able to bridge the gap between the theologians of the Methodist seminary and the performers at the Meadows School of the Arts. Through his example and guidance, organists were taught to think critically, whether about music or any other subject, and to attain excellence in the craft of organ performance. During the 1980s Anderson consulted with the Dallas Symphony to prepare for the installation of an organ in the new Meyerson Symphony Center, an organ that would influence concert hall instruments in subsequent decades. These three pedagogues played important roles in the development of the musical curriculum as well as the building of important organs on the SMU campus and around the city, each in their own ways nurturing the practice of sacred music in North Texas"-- Southern Methodist University (DE-588)1011969-3 gnd rswk-swf Geschichte 1911- gnd rswk-swf Orgel (DE-588)4043844-2 gnd rswk-swf Organist (DE-588)4172793-9 gnd rswk-swf Organistin (DE-588)7553351-0 gnd rswk-swf Orgelunterricht (DE-588)4208236-5 gnd rswk-swf Dallas, Tex. (DE-588)4085382-2 gnd rswk-swf Cassidy, Bertha Stevens / 1876-1959 Barclay, Dora Poteet / 1903-1961 Anderson, Robert T. / (Robert Theodore) / 1934-2009 Southern Methodist University / Organs / History / 20th century Southern Methodist University / School of Music / History Organ (Musical instrument) / Instruction and study / Texas / Dallas / History / 20th century Organ (Musical instrument) / Performance / Texas / Dallas / History / 20th century Church music / Texas / Methodist Church Organ teachers / Texas / Dallas / Biography Organists / Texas / Dallas / Biography Orgue / Étude et enseignement / Texas / Dallas / Histoire / 20e siècle Organistes / Texas / Dallas / Biographies MUSIC / History & Criticism BIOGRAPHY & AUTOBIOGRAPHY / Music Southern Methodist University Church music / Methodist Church Organ (Musical instrument) Organ (Musical instrument) / Instruction and study Organ (Musical instrument) / Performance Organ teachers Organists Texas Texas / Dallas 1900-1999 Biographies History (DE-588)4006804-3 Biografie gnd-content Dallas, Tex. (DE-588)4085382-2 g Southern Methodist University (DE-588)1011969-3 b Orgel (DE-588)4043844-2 s Organist (DE-588)4172793-9 s Organistin (DE-588)7553351-0 s Orgelunterricht (DE-588)4208236-5 s Geschichte 1911- z DE-604 Erscheint auch als Online-Ausgabe 9781574419214 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034777440&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Kolodziej, Benjamin Music from the hilltop organs and organists at Southern Methodist University Music amid the Johnson Grass -- A Center of Artistic Performance -- Dora Poteet Barclay -- Optimism and Transition -- New Directions: Robert Theodore Anderson -- A Flourishing Establishment -- Halcyon Days and New Opportunities -- An Enduring Legacy Southern Methodist University (DE-588)1011969-3 gnd Orgel (DE-588)4043844-2 gnd Organist (DE-588)4172793-9 gnd Organistin (DE-588)7553351-0 gnd Orgelunterricht (DE-588)4208236-5 gnd |
| subject_GND | (DE-588)1011969-3 (DE-588)4043844-2 (DE-588)4172793-9 (DE-588)7553351-0 (DE-588)4208236-5 (DE-588)4085382-2 (DE-588)4006804-3 |
| title | Music from the hilltop organs and organists at Southern Methodist University |
| title_auth | Music from the hilltop organs and organists at Southern Methodist University |
| title_exact_search | Music from the hilltop organs and organists at Southern Methodist University |
| title_exact_search_txtP | Music from the hilltop organs and organists at Southern Methodist University |
| title_full | Music from the hilltop organs and organists at Southern Methodist University Benjamin A. Kolodziej |
| title_fullStr | Music from the hilltop organs and organists at Southern Methodist University Benjamin A. Kolodziej |
| title_full_unstemmed | Music from the hilltop organs and organists at Southern Methodist University Benjamin A. Kolodziej |
| title_short | Music from the hilltop |
| title_sort | music from the hilltop organs and organists at southern methodist university |
| title_sub | organs and organists at Southern Methodist University |
| topic | Southern Methodist University (DE-588)1011969-3 gnd Orgel (DE-588)4043844-2 gnd Organist (DE-588)4172793-9 gnd Organistin (DE-588)7553351-0 gnd Orgelunterricht (DE-588)4208236-5 gnd |
| topic_facet | Southern Methodist University Orgel Organist Organistin Orgelunterricht Dallas, Tex. Biografie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034777440&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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