Iconographic Method in New World Prehistory.:
This book offers an overview of iconographic methods and their application to archaeological analysis.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge :
Cambridge University Press,
2012.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This book offers an overview of iconographic methods and their application to archaeological analysis. |
| Beschreibung: | Ways of Getting It Wrong. |
| Beschreibung: | 1 online resource (222 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781139842655 113984265X 9781139840279 1139840274 9781139136914 1139136917 |
Internformat
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| 100 | 1 | |a Knight, Vernon James. | |
| 245 | 1 | 0 | |a Iconographic Method in New World Prehistory. |
| 260 | |a Cambridge : |b Cambridge University Press, |c 2012. | ||
| 300 | |a 1 online resource (222 pages) | ||
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| 505 | 0 | |a Cover; ICONOGRAPHIC METHOD IN NEW WORLD PREHISTORY; Title; Copyright; Contents; Illustrations; Preface; Acknowledgments; CHAPTER 1 Preliminaries: An Iconography of Prehistoric Images; The Domain of Iconography; Is an Iconography of Prehistoric Objects Possible?; Character of the Work; Prehistoric Iconography as Cognitive Archaeology; CHAPTER 2 Style; Definitions of Style; Models Governing the Formal Properties of Images; Models Governing the Execution of Images; Models Governing the Significance of Referents; Models Governing the Correct Reading of Referents; "Naturalism" of Style. | |
| 505 | 8 | |a Engagement of Style and Subject MatterMethod of Study; Assembly of the Corpus; Organization of the Corpus by Genre; Chronological Organization of the Corpus; Categories of Stylistic Canons; 1. Genres; 2. Media; 3. Decorative Effects; 4. Layout; 5. Use of Positive and Negative Space; 6. Scale; 7. Relative Size; 8. Depth Cues in Two-Dimensional Representation; 9. Conventions of Perspective and Proportion; 10. Dimensionality; 11. Degree of Elaboration; 12. Aesthetic Quality; How Style Informs Iconography; What Is What?; What Is Contemporaneous with What?; What Is Local? | |
| 505 | 8 | |a CHAPTER 3 Form and ReferentStyle and Meaning; "It Seems to Me" Iconography; The Problem of Analytical Distance; Recognition of Natural Prototypes; Reductive Style Systems and Their Referents; Disjunction; The Primacy of Genres in Reference; Referents at Personal and Collective Scales; Reference and Ornament; CHAPTER 4 Configurational Analysis; Where to Begin?; Units of Form or of Reference?; Analytical Procedures; Suprastylistic Analytical Concepts; Compositions, Larger Compositional Configurations, and Subcompositional Elements; Visual Themes; Salient and Nonsalient Features. | |
| 505 | 8 | |a Discrete and Nondiscrete Salient FeaturesMotifs; Identifying and Classifying Attributes; Ideographs; Filler Motifs; Narratives and the Passage of Time; The Problem of Shifting Frames of Reference; Describing Configurations; On Naming Motifs and Themes; Limits of Configurational Analysis; CHAPTER 5 Ethnographic Analogy; Distinct Roles of Analogy; General Comparative Analogy; Historical Homology; Proximity in Time; Breadth of the Comparative Base; Goodness of Fit; Generative Quality; The Direct Historical Approach; The Role of Cognates; Disjunction and the Social Contexts of Production. | |
| 505 | 8 | |a Myth as a Source of Iconographic InterpretationMastery of the Ethnographic Sources; The Status of Ethnographically Informed Iconographic Models; Constructing and Testing an Iconographic Model; CHAPTER 6 The Logic of Iconographic Method in Prehistory; An Ordered Approach to Prehistoric Iconography; 1. Assembly of the Corpus; 2. Stylistic Analysis; 3. Incorporation of Natural History and Archaeological Field Data; 4. Configurational Analysis of Suprastylistic Formal Units; 5. Application of Ethnographic Analogy; 6. Building Iconographic Models; 7. Testing Iconographic Models. | |
| 500 | |a Ways of Getting It Wrong. | ||
| 520 | |a This book offers an overview of iconographic methods and their application to archaeological analysis. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 650 | 0 | |a Indian art |z America. | |
| 650 | 0 | |a Art, Prehistoric |z America. | |
| 650 | 0 | |a Archaeology and art |z America |x Methodology. | |
| 650 | 6 | |a Art préhistorique |z Amérique. | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn818883390 |
|---|---|
| _version_ | 1816882215475216385 |
| adam_text | |
| any_adam_object | |
| author | Knight, Vernon James |
| author_facet | Knight, Vernon James |
| author_role | |
| author_sort | Knight, Vernon James |
| author_variant | v j k vj vjk |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | E - United States History |
| callnumber-label | E59 |
| callnumber-raw | E59.A7 K65 2013 |
| callnumber-search | E59.A7 K65 2013 |
| callnumber-sort | E 259 A7 K65 42013 |
| callnumber-subject | E - United States History |
| collection | ZDB-4-EBA |
| contents | Cover; ICONOGRAPHIC METHOD IN NEW WORLD PREHISTORY; Title; Copyright; Contents; Illustrations; Preface; Acknowledgments; CHAPTER 1 Preliminaries: An Iconography of Prehistoric Images; The Domain of Iconography; Is an Iconography of Prehistoric Objects Possible?; Character of the Work; Prehistoric Iconography as Cognitive Archaeology; CHAPTER 2 Style; Definitions of Style; Models Governing the Formal Properties of Images; Models Governing the Execution of Images; Models Governing the Significance of Referents; Models Governing the Correct Reading of Referents; "Naturalism" of Style. Engagement of Style and Subject MatterMethod of Study; Assembly of the Corpus; Organization of the Corpus by Genre; Chronological Organization of the Corpus; Categories of Stylistic Canons; 1. Genres; 2. Media; 3. Decorative Effects; 4. Layout; 5. Use of Positive and Negative Space; 6. Scale; 7. Relative Size; 8. Depth Cues in Two-Dimensional Representation; 9. Conventions of Perspective and Proportion; 10. Dimensionality; 11. Degree of Elaboration; 12. Aesthetic Quality; How Style Informs Iconography; What Is What?; What Is Contemporaneous with What?; What Is Local? CHAPTER 3 Form and ReferentStyle and Meaning; "It Seems to Me" Iconography; The Problem of Analytical Distance; Recognition of Natural Prototypes; Reductive Style Systems and Their Referents; Disjunction; The Primacy of Genres in Reference; Referents at Personal and Collective Scales; Reference and Ornament; CHAPTER 4 Configurational Analysis; Where to Begin?; Units of Form or of Reference?; Analytical Procedures; Suprastylistic Analytical Concepts; Compositions, Larger Compositional Configurations, and Subcompositional Elements; Visual Themes; Salient and Nonsalient Features. Discrete and Nondiscrete Salient FeaturesMotifs; Identifying and Classifying Attributes; Ideographs; Filler Motifs; Narratives and the Passage of Time; The Problem of Shifting Frames of Reference; Describing Configurations; On Naming Motifs and Themes; Limits of Configurational Analysis; CHAPTER 5 Ethnographic Analogy; Distinct Roles of Analogy; General Comparative Analogy; Historical Homology; Proximity in Time; Breadth of the Comparative Base; Goodness of Fit; Generative Quality; The Direct Historical Approach; The Role of Cognates; Disjunction and the Social Contexts of Production. Myth as a Source of Iconographic InterpretationMastery of the Ethnographic Sources; The Status of Ethnographically Informed Iconographic Models; Constructing and Testing an Iconographic Model; CHAPTER 6 The Logic of Iconographic Method in Prehistory; An Ordered Approach to Prehistoric Iconography; 1. Assembly of the Corpus; 2. Stylistic Analysis; 3. Incorporation of Natural History and Archaeological Field Data; 4. Configurational Analysis of Suprastylistic Formal Units; 5. Application of Ethnographic Analogy; 6. Building Iconographic Models; 7. Testing Iconographic Models. |
| ctrlnum | (OCoLC)818883390 |
| dewey-full | 700.93 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 700 - The arts |
| dewey-raw | 700.93 |
| dewey-search | 700.93 |
| dewey-sort | 3700.93 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| genre | Electronic books. |
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| geographic | America fast |
| geographic_facet | America |
| id | ZDB-4-EBA-ocn818883390 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:25:04Z |
| institution | BVB |
| isbn | 9781139842655 113984265X 9781139840279 1139840274 9781139136914 1139136917 |
| language | English |
| oclc_num | 818883390 |
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| physical | 1 online resource (222 pages) |
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| publisher | Cambridge University Press, |
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| spelling | Knight, Vernon James. Iconographic Method in New World Prehistory. Cambridge : Cambridge University Press, 2012. 1 online resource (222 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Print version record. Cover; ICONOGRAPHIC METHOD IN NEW WORLD PREHISTORY; Title; Copyright; Contents; Illustrations; Preface; Acknowledgments; CHAPTER 1 Preliminaries: An Iconography of Prehistoric Images; The Domain of Iconography; Is an Iconography of Prehistoric Objects Possible?; Character of the Work; Prehistoric Iconography as Cognitive Archaeology; CHAPTER 2 Style; Definitions of Style; Models Governing the Formal Properties of Images; Models Governing the Execution of Images; Models Governing the Significance of Referents; Models Governing the Correct Reading of Referents; "Naturalism" of Style. Engagement of Style and Subject MatterMethod of Study; Assembly of the Corpus; Organization of the Corpus by Genre; Chronological Organization of the Corpus; Categories of Stylistic Canons; 1. Genres; 2. Media; 3. Decorative Effects; 4. Layout; 5. Use of Positive and Negative Space; 6. Scale; 7. Relative Size; 8. Depth Cues in Two-Dimensional Representation; 9. Conventions of Perspective and Proportion; 10. Dimensionality; 11. Degree of Elaboration; 12. Aesthetic Quality; How Style Informs Iconography; What Is What?; What Is Contemporaneous with What?; What Is Local? CHAPTER 3 Form and ReferentStyle and Meaning; "It Seems to Me" Iconography; The Problem of Analytical Distance; Recognition of Natural Prototypes; Reductive Style Systems and Their Referents; Disjunction; The Primacy of Genres in Reference; Referents at Personal and Collective Scales; Reference and Ornament; CHAPTER 4 Configurational Analysis; Where to Begin?; Units of Form or of Reference?; Analytical Procedures; Suprastylistic Analytical Concepts; Compositions, Larger Compositional Configurations, and Subcompositional Elements; Visual Themes; Salient and Nonsalient Features. Discrete and Nondiscrete Salient FeaturesMotifs; Identifying and Classifying Attributes; Ideographs; Filler Motifs; Narratives and the Passage of Time; The Problem of Shifting Frames of Reference; Describing Configurations; On Naming Motifs and Themes; Limits of Configurational Analysis; CHAPTER 5 Ethnographic Analogy; Distinct Roles of Analogy; General Comparative Analogy; Historical Homology; Proximity in Time; Breadth of the Comparative Base; Goodness of Fit; Generative Quality; The Direct Historical Approach; The Role of Cognates; Disjunction and the Social Contexts of Production. Myth as a Source of Iconographic InterpretationMastery of the Ethnographic Sources; The Status of Ethnographically Informed Iconographic Models; Constructing and Testing an Iconographic Model; CHAPTER 6 The Logic of Iconographic Method in Prehistory; An Ordered Approach to Prehistoric Iconography; 1. Assembly of the Corpus; 2. Stylistic Analysis; 3. Incorporation of Natural History and Archaeological Field Data; 4. Configurational Analysis of Suprastylistic Formal Units; 5. Application of Ethnographic Analogy; 6. Building Iconographic Models; 7. Testing Iconographic Models. Ways of Getting It Wrong. This book offers an overview of iconographic methods and their application to archaeological analysis. Includes bibliographical references and index. Indian art America. Art, Prehistoric America. Archaeology and art America Methodology. Art préhistorique Amérique. Archéologie et art Amérique Méthodologie. SOCIAL SCIENCE Archaeology. bisacsh ART Performance. bisacsh ART Reference. bisacsh Art, Prehistoric fast Indian art fast America fast Electronic books. has work: Iconographic method in new world prehistory (Text) https://id.oclc.org/worldcat/entity/E39PCGRTMbCYtmQbQJ7793Yr4q https://id.oclc.org/worldcat/ontology/hasWork Print version: Knight, Vernon James. Iconographic Method in New World Prehistory. Cambridge : Cambridge University Press, ©2012 9781107022638 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=498327 Volltext |
| spellingShingle | Knight, Vernon James Iconographic Method in New World Prehistory. Cover; ICONOGRAPHIC METHOD IN NEW WORLD PREHISTORY; Title; Copyright; Contents; Illustrations; Preface; Acknowledgments; CHAPTER 1 Preliminaries: An Iconography of Prehistoric Images; The Domain of Iconography; Is an Iconography of Prehistoric Objects Possible?; Character of the Work; Prehistoric Iconography as Cognitive Archaeology; CHAPTER 2 Style; Definitions of Style; Models Governing the Formal Properties of Images; Models Governing the Execution of Images; Models Governing the Significance of Referents; Models Governing the Correct Reading of Referents; "Naturalism" of Style. Engagement of Style and Subject MatterMethod of Study; Assembly of the Corpus; Organization of the Corpus by Genre; Chronological Organization of the Corpus; Categories of Stylistic Canons; 1. Genres; 2. Media; 3. Decorative Effects; 4. Layout; 5. Use of Positive and Negative Space; 6. Scale; 7. Relative Size; 8. Depth Cues in Two-Dimensional Representation; 9. Conventions of Perspective and Proportion; 10. Dimensionality; 11. Degree of Elaboration; 12. Aesthetic Quality; How Style Informs Iconography; What Is What?; What Is Contemporaneous with What?; What Is Local? CHAPTER 3 Form and ReferentStyle and Meaning; "It Seems to Me" Iconography; The Problem of Analytical Distance; Recognition of Natural Prototypes; Reductive Style Systems and Their Referents; Disjunction; The Primacy of Genres in Reference; Referents at Personal and Collective Scales; Reference and Ornament; CHAPTER 4 Configurational Analysis; Where to Begin?; Units of Form or of Reference?; Analytical Procedures; Suprastylistic Analytical Concepts; Compositions, Larger Compositional Configurations, and Subcompositional Elements; Visual Themes; Salient and Nonsalient Features. Discrete and Nondiscrete Salient FeaturesMotifs; Identifying and Classifying Attributes; Ideographs; Filler Motifs; Narratives and the Passage of Time; The Problem of Shifting Frames of Reference; Describing Configurations; On Naming Motifs and Themes; Limits of Configurational Analysis; CHAPTER 5 Ethnographic Analogy; Distinct Roles of Analogy; General Comparative Analogy; Historical Homology; Proximity in Time; Breadth of the Comparative Base; Goodness of Fit; Generative Quality; The Direct Historical Approach; The Role of Cognates; Disjunction and the Social Contexts of Production. Myth as a Source of Iconographic InterpretationMastery of the Ethnographic Sources; The Status of Ethnographically Informed Iconographic Models; Constructing and Testing an Iconographic Model; CHAPTER 6 The Logic of Iconographic Method in Prehistory; An Ordered Approach to Prehistoric Iconography; 1. Assembly of the Corpus; 2. Stylistic Analysis; 3. Incorporation of Natural History and Archaeological Field Data; 4. Configurational Analysis of Suprastylistic Formal Units; 5. Application of Ethnographic Analogy; 6. Building Iconographic Models; 7. Testing Iconographic Models. Indian art America. Art, Prehistoric America. Archaeology and art America Methodology. Art préhistorique Amérique. Archéologie et art Amérique Méthodologie. SOCIAL SCIENCE Archaeology. bisacsh ART Performance. bisacsh ART Reference. bisacsh Art, Prehistoric fast Indian art fast |
| title | Iconographic Method in New World Prehistory. |
| title_auth | Iconographic Method in New World Prehistory. |
| title_exact_search | Iconographic Method in New World Prehistory. |
| title_full | Iconographic Method in New World Prehistory. |
| title_fullStr | Iconographic Method in New World Prehistory. |
| title_full_unstemmed | Iconographic Method in New World Prehistory. |
| title_short | Iconographic Method in New World Prehistory. |
| title_sort | iconographic method in new world prehistory |
| topic | Indian art America. Art, Prehistoric America. Archaeology and art America Methodology. Art préhistorique Amérique. Archéologie et art Amérique Méthodologie. SOCIAL SCIENCE Archaeology. bisacsh ART Performance. bisacsh ART Reference. bisacsh Art, Prehistoric fast Indian art fast |
| topic_facet | Indian art America. Art, Prehistoric America. Archaeology and art America Methodology. Art préhistorique Amérique. Archéologie et art Amérique Méthodologie. SOCIAL SCIENCE Archaeology. ART Performance. ART Reference. Art, Prehistoric Indian art America Electronic books. |
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| work_keys_str_mv | AT knightvernonjames iconographicmethodinnewworldprehistory |