Tragedy and Comedy von Knight, Deborah

Personal identity von Knight, Deborah

What is it to be human? Blade Runner and Dark City von Knight, Deborah, McKnight, George

In fictional shoes mental simulation and fiction von Knight, Deborah

Popular parody The Simpsons meets the crime film von Knight, Deborah

The proper object of emotion memorial art, grief, remembrance von Knight, Deborah

Reconfiguring the past Memento and neo-noir von Knight, Deborah, McKnight, George

CSI and the art of forensic detection von Knight, Deborah, McKnight, George

On reason and passion in The Maltese Falcon von Knight, Deborah

[Rezension von:] Bermúdez, José Luis; Gardner, Sebastian: Art and morality. - New York : Routledge, 2003 von Knight, Deborah

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Real genre and virtual philosphy von Knight, Deborah, McKnight, George

Suspense and its master von Knight, Deborah, McKnight, George

Aristotelians on Speed paradoxes of genre in the context of cinema von Knight, Deborah

Thinking with film on John Carvalho's reading of Godard's "Le Mépris" von Knight, Deborah

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Narrative, aesthetics, and cultural imperatives in recent science fiction films von Knight, Deborah, McKnight, George

The third man ethics, aesthetics, irony von Knight, Deborah

The age of innocence social semiotics, desire, and constraint von Knight, Deborah

[Rezension von:] Harrison, Andrew: Philosophy and the arts : seeing and believing. - Bristol : Thoemmes, 1997 von Knight, Deborah

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Why we enjoy condemning sentimentality a meta-aesthetic perspective von Knight, Deborah

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Naturalism, narration and critical perspective Ken Loach and the experimental method von Knight, Deborah