Aestheticism, evil, homosexuality, and Hannibal: if Oscar Wilde ate people
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lanham ; Boulder ; New York ; London
Lexington Books
[2017]
|
| Schlagworte: | |
| Beschreibung: | Includes bibliographical references (pages 129-140) and index |
| Beschreibung: | xxxiv, 148 Seiten 24 cm |
| ISBN: | 9781498548489 9781498548502 |
Internformat
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| 082 | 1 | |a In late 19th century England, Oscar Wilde popularized aestheticism, also known as art-for-art's-sake - the idea that art, that beauty, should not be a vehicle for morality or truth, but an end in-and-of-itself. Rothko and Jackson Pollock enthroned the idea, creating paintings that are barely graded panels of color or wild splashes. Today, pop culture is aestheticism's true heir, from the perfect charismatic emptiness of Ocean's Eleven to the hyper-choreographed essentially balletic movements in the best martial arts movies. But aestheticism has a dark core, one that Social Justice Activists are now gathering to combat, revealing the damaging ideology reflected in or concealed by our most beloved pop culture icons. Taking Bryan Fuller's television version of Hannibal "The Cannibal" Lecter as its main text - and taking Zizek-style illustrative detours into Malcolm in the Middle, Dark Knight Rises, Harry Potter, Interview with a Vampire, Dexter and more - this book marshals Walter Pater, Camille Paglia, Nietzsche, the Marquis de Sade, Kant and Plato, as well as Dante, Shakespeare, Milton, Blake, Baudelaire, Beckett, Wallace Stevens and David Mamet to argue that Fuller's show is a deceptively brilliant advance of aestheticism, both in form and content - one that investigates how deeply art-for-art's-sake, and those of us who consciously or unconsciously worship at its teat, are necessarily entwined with evil. | |
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| 264 | 1 | |a Lanham ; Boulder ; New York ; London |b Lexington Books |c [2017] | |
| 264 | 4 | |c © 2017 | |
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| 653 | 0 | |a Good and evil / Philosophy | |
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| author | Klock, Geoff 1979- |
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| dewey-raw | In late 19th century England, Oscar Wilde popularized aestheticism, also known as art-for-art's-sake - the idea that art, that beauty, should not be a vehicle for morality or truth, but an end in-and-of-itself. Rothko and Jackson Pollock enthroned the idea, creating paintings that are barely graded panels of color or wild splashes. Today, pop culture is aestheticism's true heir, from the perfect charismatic emptiness of Ocean's Eleven to the hyper-choreographed essentially balletic movements in the best martial arts movies. But aestheticism has a dark core, one that Social Justice Activists are now gathering to combat, revealing the damaging ideology reflected in or concealed by our most beloved pop culture icons. Taking Bryan Fuller's television version of Hannibal "The Cannibal" Lecter as its main text - and taking Zizek-style illustrative detours into Malcolm in the Middle, Dark Knight Rises, Harry Potter, Interview with a Vampire, Dexter and more - this book marshals Walter Pater, Camille Paglia, Nietzsche, the Marquis de Sade, Kant and Plato, as well as Dante, Shakespeare, Milton, Blake, Baudelaire, Beckett, Wallace Stevens and David Mamet to argue that Fuller's show is a deceptively brilliant advance of aestheticism, both in form and content - one that investigates how deeply art-for-art's-sake, and those of us who consciously or unconsciously worship at its teat, are necessarily entwined with evil. |
| dewey-search | In late 19th century England, Oscar Wilde popularized aestheticism, also known as art-for-art's-sake - the idea that art, that beauty, should not be a vehicle for morality or truth, but an end in-and-of-itself. Rothko and Jackson Pollock enthroned the idea, creating paintings that are barely graded panels of color or wild splashes. Today, pop culture is aestheticism's true heir, from the perfect charismatic emptiness of Ocean's Eleven to the hyper-choreographed essentially balletic movements in the best martial arts movies. But aestheticism has a dark core, one that Social Justice Activists are now gathering to combat, revealing the damaging ideology reflected in or concealed by our most beloved pop culture icons. Taking Bryan Fuller's television version of Hannibal "The Cannibal" Lecter as its main text - and taking Zizek-style illustrative detours into Malcolm in the Middle, Dark Knight Rises, Harry Potter, Interview with a Vampire, Dexter and more - this book marshals Walter Pater, Camille Paglia, Nietzsche, the Marquis de Sade, Kant and Plato, as well as Dante, Shakespeare, Milton, Blake, Baudelaire, Beckett, Wallace Stevens and David Mamet to argue that Fuller's show is a deceptively brilliant advance of aestheticism, both in form and content - one that investigates how deeply art-for-art's-sake, and those of us who consciously or unconsciously worship at its teat, are necessarily entwined with evil. |
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| id | DE-604.BV046839162 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:07:30Z |
| indexdate | 2024-07-10T08:55:17Z |
| institution | BVB |
| isbn | 9781498548489 9781498548502 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032248167 |
| oclc_num | 1154668470 |
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| physical | xxxiv, 148 Seiten 24 cm |
| publishDate | 2017 |
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| publisher | Lexington Books |
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| spelling | Klock, Geoff 1979- Verfasser (DE-588)1072587262 aut Aestheticism, evil, homosexuality, and Hannibal if Oscar Wilde ate people Geoff Klock Lanham ; Boulder ; New York ; London Lexington Books [2017] © 2017 xxxiv, 148 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (pages 129-140) and index Literatur (DE-588)4035964-5 gnd rswk-swf Massenmedien (DE-588)4037877-9 gnd rswk-swf Das Böse (DE-588)4007524-2 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Ästhetizismus (DE-588)4000629-3 gnd rswk-swf Hannibal (Television program : 2013-2015) Television / Aesthetics Mass media / Aesthetics Good and evil / Philosophy Art and popular culture Cannibalism in art Ästhetizismus (DE-588)4000629-3 s Das Böse (DE-588)4007524-2 s Kunst (DE-588)4114333-4 s Literatur (DE-588)4035964-5 s Film (DE-588)4017102-4 s Massenmedien (DE-588)4037877-9 s DE-604 Erscheint auch als Online-Ausgabe, ebk 978-1-4985-4849-6 |
| spellingShingle | Klock, Geoff 1979- Aestheticism, evil, homosexuality, and Hannibal if Oscar Wilde ate people Literatur (DE-588)4035964-5 gnd Massenmedien (DE-588)4037877-9 gnd Das Böse (DE-588)4007524-2 gnd Film (DE-588)4017102-4 gnd Kunst (DE-588)4114333-4 gnd Ästhetizismus (DE-588)4000629-3 gnd |
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| title | Aestheticism, evil, homosexuality, and Hannibal if Oscar Wilde ate people |
| title_auth | Aestheticism, evil, homosexuality, and Hannibal if Oscar Wilde ate people |
| title_exact_search | Aestheticism, evil, homosexuality, and Hannibal if Oscar Wilde ate people |
| title_exact_search_txtP | Aestheticism, evil, homosexuality, and Hannibal if Oscar Wilde ate people |
| title_full | Aestheticism, evil, homosexuality, and Hannibal if Oscar Wilde ate people Geoff Klock |
| title_fullStr | Aestheticism, evil, homosexuality, and Hannibal if Oscar Wilde ate people Geoff Klock |
| title_full_unstemmed | Aestheticism, evil, homosexuality, and Hannibal if Oscar Wilde ate people Geoff Klock |
| title_short | Aestheticism, evil, homosexuality, and Hannibal |
| title_sort | aestheticism evil homosexuality and hannibal if oscar wilde ate people |
| title_sub | if Oscar Wilde ate people |
| topic | Literatur (DE-588)4035964-5 gnd Massenmedien (DE-588)4037877-9 gnd Das Böse (DE-588)4007524-2 gnd Film (DE-588)4017102-4 gnd Kunst (DE-588)4114333-4 gnd Ästhetizismus (DE-588)4000629-3 gnd |
| topic_facet | Literatur Massenmedien Das Böse Film Kunst Ästhetizismus |
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