Evlogii v sosudach: v poiskach utračennogo promysla = Eulogias in bottles : in search of a lost handicraft
Евлогии в сосудах в поисках утраченного промысла
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | Russian |
| Veröffentlicht: |
Moskva ; Ivanovo ; Šuja
Izdatelʹskij dom "Referent"
2020
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract |
| Beschreibung: | 249 Seiten Illustrationen |
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| 880 | 1 | 0 | |6 245-03/(N |a Евлогии в сосудах |b в поисках утраченного промысла |c В.В. Возилов, А.Т. Калинина |
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Datensatz im Suchindex
| _version_ | 1804181785592987648 |
|---|---|
| adam_text | СОДЕРЖАНИЕ Предисловие...............................................................................................................................................5 О чём эта
книга.......................................................................................................................................... 5 Коллекция сосудов с секретами и евлогий в сосудах в Шуйском историко-художественном и мемориальном музее имени М. В.
Фрунзе........................................... 8 «Игры разума»: «евлогии в сосудах» в классификации сосудов с секретами................................. 14 Часть 1. Христианские композиции в стеклянных сосудах Малоизученная часть русского декоративно-прикладного
искусства............................................. 18 Происхождение евлогий.........................................................................................................................22 Евлогии в сосудах: к вопросу о
терминологии....................................................................................25 Евлогии в сосудах в музейных фондах и частных коллекциях.........................................................28 Духовный смысл евлогий в стеклянных
сосудах................................................................................ 33 Сосуды с внутренними композициями как часть мирового культурного наследия..................... 38 Технология сборки евлогий в
сосудах.................................................................................................. 48 Изготовление евлогий в стеклянных сосудах: увлечение, послушание или
промысел?................................................................................................ 51 Труд коллективный и индивидуальный............................................................................................... 55 Часть 2. Русские евлогии в стеклянных сосудах: история
промысла и классификация изделий Хронология развития евлогий в сосудах в России........................................ .....................................62 Ранние евлогии в штофах (начало XVIII — середина XIX века)..............................................62 Евлогии в различных стеклянных
сосудах (середина XIX — начало XXI века).............................................................................................. 70 Стеклянные евлогии из Свято-Троицкой Сергиевой Лавры (1860-1910-е
годы)................................................................................................................................... 80 Возникновение евлогий в стеклянных сосудах для Свято-Троицко-Сергиевой
Лавры.........................................................................................80 Ранние резные «Голгофы» из окрестностей Свято-Троицкой Сергиевой Лавры (1860-е
годы)....................................................................................................................................91 Двухъярусные многосторонние композиции (1860-1870-е годы).......................................... 97 Виды резных «Голгоф» (1870-1890-е
годы)................................................................................107 Резные композиции в упрощённом исполнении
(1870-1910-е годы)................................... 114 Сергиевопосадские «иконы в бутылке» (1870-1910-е годы)............................................................ 119 Сергиевопосадские сосуды с сюжетом «Явление Пресвятой Богородицы преподобному Сергию Радонежскому» (1870-1910-е годы)............................................................ 124 Резные «Голгофы» для иных обителей (1890-е годы)........................................................................ 129
Хромолитографии в стеклянных сосудах (1880-1910-е годы)......................................................... 132 Стеклянные подвески к паникадилам (1880-1910-е годы).............................................................. 144 Стеклянные пасхальные яйца с внутренними композициями
(1880-1910-е годы).................................................................................................................................147 Часть 3. Каталог шуйской коллекции сосудов с объёмными христианскими композициями внутри I. Сосуды-евлогии с внутренними объёмными резными
композициями из дерева «Голгофский крест»...............................................................................................................154 II. Ев логин с иконами в деревянных киотах....................................................................................... 184 III.
Евлогии с хромолитографиями.......................................................................................................189 IV. Сосуды-евлогии с крестами внутри...............................................................................................207 V. Пасхальные яйца с
внутренними композициями 214 VI. Современные сосуды с объёмными композициями на христианские темы 216 Заключение............................................................................................................................................ 220 От
авторов.............................................................................................................................................. 222 Сосуды с объёмными
христианскими композициями внутри в Музейном фонде Российской Федерации 228 Список использованной литературы 234 Список принятых сокращений 239 Благодарности лицам, оказавшим помощь в подготовке книги..................................................... 241 Сведения об авторах.............................................................................................................................. 248 Summary.................................................................................................................................................. 249
SUMMARY The core of this illustrated publication is a description of one of the biggest museum collections of “eulogias in bottles” in Russia. The word “eulogia” (εύλογία) means “a blessing” in the Greek language. In the Christian tradition this term is used for pilgrimage souvenirs. This books focus is on unusual eulogias - those in the form of glass vessels containing carved three-dimensional compositions created either entirely of wood or with paper icons made on a printing press (in Europe and the USA - “Cross in a Bottle”, “Bottle cross”, “Bottle crucifixion with Symbols”). As can be derived from the definition of the term, not all glass vessels with Christian compositions inside can be called “eulogias”, but only the ones that were originally created as souvenirs meant for pilgrims. However, from the point of view of scientific classification, all of such vessels are part of the “vessels with a secret” group (in Europe and the USA ֊ “Impossible object” or “Patience bottles”), which the authors offer to call “vessels with assembled constructions inside them”. The tradition of creating eulogias in bottles had been developing in Russia as a handicraft of its own till 1917. Having almost entirely disappeared after the October Revolution, this part of Russian material and spiritual culture has slipped out of the researchers’ focus. Nowadays studying bottles with carved three-dimensional Christian installations inside is difficult due to the limited amount of reliable data about their origin and development. By means of this publication, about 90 items from more than 30
Russian museum collections and 40 items from private collections are introduced for the first time as objects of general scientific research. The book consists of several parts. The preface tells about the Mikhail V. Frunze History and Art Memorial Museum located in the town of Shuya, where at the moment the biggest in Russia museum collection of eulogias in bottles is exhibited. In addition, it is in the preface where the authors offer their classification of vessels with a secret. The relevant theoretical and methodological matters are examined in the first part of the book. The authors believe that the Russian handicraft of making eulogias in bottles is a part of the world cultural heritage but with its own aesthetic characteristics and artistic modes. Developing on Russian soil, the eulogia handicraft not only absorbed the specifics of the Russian Orthodox tradition, but also became a remarkable element of the national tradition of creating vessels with a secret. The book is devoted to studying such matters as authorship, the time and place of producing, as well as the technology of assembling eulogias in glass bottles. The second part of the book examines the question of evolution of eulogias in bottles in Russia. The authors have classified the vessels available to them (including those from the Sergiev-Posad group and from the group of unknown authorship) and identified the main groups of these objects. The authors looked at the eulogias in bottles in their unity, as the attribution of these items should include not only the analysis of the internal composition, but
also the attribution of the glass vessels themselves due to the fact that a eulogia cannot be dated earlier than the vessel itself was made. The last part of the book presents a catalogue of the eulogias in bottles from the collection of the Mikhail V. Frunze History and Art Memorial museum in the town of Shuya. It also includes three items from the collection of the Konstantin Balmont Literature and Local History Museum located in Shuya. The catalogue has been created as a model for collectors and museum specialists. This section is intended for professionals as well as for all those who would like to take a closer look at the issue of icon compositions in vessels, the issue still posing a number of unanswered questions as it is. The authors’ search for the lost handicraft of making eulogias in glass vessels has been in progress for several years. By completing this book the authors in no way put an end to exploring the issue in question since there still exist groups of items that remain unstudied. 249
|
| adam_txt |
СОДЕРЖАНИЕ Предисловие.5 О чём эта
книга. 5 Коллекция сосудов с секретами и евлогий в сосудах в Шуйском историко-художественном и мемориальном музее имени М. В.
Фрунзе. 8 «Игры разума»: «евлогии в сосудах» в классификации сосудов с секретами. 14 Часть 1. Христианские композиции в стеклянных сосудах Малоизученная часть русского декоративно-прикладного
искусства. 18 Происхождение евлогий.22 Евлогии в сосудах: к вопросу о
терминологии.25 Евлогии в сосудах в музейных фондах и частных коллекциях.28 Духовный смысл евлогий в стеклянных
сосудах. 33 Сосуды с внутренними композициями как часть мирового культурного наследия. 38 Технология сборки евлогий в
сосудах. 48 Изготовление евлогий в стеклянных сосудах: увлечение, послушание или
промысел?. 51 Труд коллективный и индивидуальный. 55 Часть 2. Русские евлогии в стеклянных сосудах: история
промысла и классификация изделий Хронология развития евлогий в сосудах в России. .62 Ранние евлогии в штофах (начало XVIII — середина XIX века).62 Евлогии в различных стеклянных
сосудах (середина XIX — начало XXI века). 70 Стеклянные евлогии из Свято-Троицкой Сергиевой Лавры (1860-1910-е
годы). 80 Возникновение евлогий в стеклянных сосудах для Свято-Троицко-Сергиевой
Лавры.80 Ранние резные «Голгофы» из окрестностей Свято-Троицкой Сергиевой Лавры (1860-е
годы).91 Двухъярусные многосторонние композиции (1860-1870-е годы). 97 Виды резных «Голгоф» (1870-1890-е
годы).107 Резные композиции в упрощённом исполнении
(1870-1910-е годы). 114 Сергиевопосадские «иконы в бутылке» (1870-1910-е годы). 119 Сергиевопосадские сосуды с сюжетом «Явление Пресвятой Богородицы преподобному Сергию Радонежскому» (1870-1910-е годы). 124 Резные «Голгофы» для иных обителей (1890-е годы). 129
Хромолитографии в стеклянных сосудах (1880-1910-е годы). 132 Стеклянные подвески к паникадилам (1880-1910-е годы). 144 Стеклянные пасхальные яйца с внутренними композициями
(1880-1910-е годы).147 Часть 3. Каталог шуйской коллекции сосудов с объёмными христианскими композициями внутри I. Сосуды-евлогии с внутренними объёмными резными
композициями из дерева «Голгофский крест».154 II. Ев логин с иконами в деревянных киотах. 184 III.
Евлогии с хромолитографиями.189 IV. Сосуды-евлогии с крестами внутри.207 V. Пасхальные яйца с
внутренними композициями 214 VI. Современные сосуды с объёмными композициями на христианские темы 216 Заключение. 220 От
авторов. 222 Сосуды с объёмными
христианскими композициями внутри в Музейном фонде Российской Федерации 228 Список использованной литературы 234 Список принятых сокращений 239 Благодарности лицам, оказавшим помощь в подготовке книги. 241 Сведения об авторах. 248 Summary. 249
SUMMARY The core of this illustrated publication is a description of one of the biggest museum collections of “eulogias in bottles” in Russia. The word “eulogia” (εύλογία) means “a blessing” in the Greek language. In the Christian tradition this term is used for pilgrimage souvenirs. This books focus is on unusual eulogias - those in the form of glass vessels containing carved three-dimensional compositions created either entirely of wood or with paper icons made on a printing press (in Europe and the USA - “Cross in a Bottle”, “Bottle cross”, “Bottle crucifixion with Symbols”). As can be derived from the definition of the term, not all glass vessels with Christian compositions inside can be called “eulogias”, but only the ones that were originally created as souvenirs meant for pilgrims. However, from the point of view of scientific classification, all of such vessels are part of the “vessels with a secret” group (in Europe and the USA ֊ “Impossible object” or “Patience bottles”), which the authors offer to call “vessels with assembled constructions inside them”. The tradition of creating eulogias in bottles had been developing in Russia as a handicraft of its own till 1917. Having almost entirely disappeared after the October Revolution, this part of Russian material and spiritual culture has slipped out of the researchers’ focus. Nowadays studying bottles with carved three-dimensional Christian installations inside is difficult due to the limited amount of reliable data about their origin and development. By means of this publication, about 90 items from more than 30
Russian museum collections and 40 items from private collections are introduced for the first time as objects of general scientific research. The book consists of several parts. The preface tells about the Mikhail V. Frunze History and Art Memorial Museum located in the town of Shuya, where at the moment the biggest in Russia museum collection of eulogias in bottles is exhibited. In addition, it is in the preface where the authors offer their classification of vessels with a secret. The relevant theoretical and methodological matters are examined in the first part of the book. The authors believe that the Russian handicraft of making eulogias in bottles is a part of the world cultural heritage but with its own aesthetic characteristics and artistic modes. Developing on Russian soil, the eulogia handicraft not only absorbed the specifics of the Russian Orthodox tradition, but also became a remarkable element of the national tradition of creating vessels with a secret. The book is devoted to studying such matters as authorship, the time and place of producing, as well as the technology of assembling eulogias in glass bottles. The second part of the book examines the question of evolution of eulogias in bottles in Russia. The authors have classified the vessels available to them (including those from the Sergiev-Posad group and from the group of unknown authorship) and identified the main groups of these objects. The authors looked at the eulogias in bottles in their unity, as the attribution of these items should include not only the analysis of the internal composition, but
also the attribution of the glass vessels themselves due to the fact that a eulogia cannot be dated earlier than the vessel itself was made. The last part of the book presents a catalogue of the eulogias in bottles from the collection of the Mikhail V. Frunze History and Art Memorial museum in the town of Shuya. It also includes three items from the collection of the Konstantin Balmont Literature and Local History Museum located in Shuya. The catalogue has been created as a model for collectors and museum specialists. This section is intended for professionals as well as for all those who would like to take a closer look at the issue of icon compositions in vessels, the issue still posing a number of unanswered questions as it is. The authors’ search for the lost handicraft of making eulogias in glass vessels has been in progress for several years. By completing this book the authors in no way put an end to exploring the issue in question since there still exist groups of items that remain unstudied. 249 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Vozilov, Vladimir Vladimirovič 1973- Kalinin, Anatolij Timofeevič 1939- |
| author_GND | (DE-588)1074765478 (DE-588)1228173303 |
| author_facet | Vozilov, Vladimir Vladimirovič 1973- Kalinin, Anatolij Timofeevič 1939- |
| author_role | aut aut |
| author_sort | Vozilov, Vladimir Vladimirovič 1973- |
| author_variant | v v v vv vvv a t k at atk |
| building | Verbundindex |
| bvnumber | BV046907796 |
| ctrlnum | (OCoLC)1240398055 (DE-599)BVBBV046907796 |
| era | Geschichte 1860-1917 gnd |
| era_facet | Geschichte 1860-1917 |
| format | Book |
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| id | DE-604.BV046907796 |
| illustrated | Illustrated |
| index_date | 2024-07-03T15:27:00Z |
| indexdate | 2024-07-10T08:57:11Z |
| institution | BVB |
| language | Russian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032317325 |
| oclc_num | 1240398055 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 249 Seiten Illustrationen |
| psigel | BSB_NED_20210413 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Izdatelʹskij dom "Referent" |
| record_format | marc |
| spelling | 880-01 Vozilov, Vladimir Vladimirovič 1973- Verfasser (DE-588)1074765478 aut 880-03 Evlogii v sosudach v poiskach utračennogo promysla = Eulogias in bottles : in search of a lost handicraft V.V. Vozilov, A.T. Kalinina Eulogias in bottles 880-04 Moskva ; Ivanovo ; Šuja Izdatelʹskij dom "Referent" 2020 249 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Text russisch. - Zusammenfassung in englischer Sprache In kyrillischer Schrift Russisch-Orthodoxe Kirche (DE-588)4051042-6 gnd rswk-swf Geschichte 1860-1917 gnd rswk-swf Kreuzigung (DE-588)4165653-2 gnd rswk-swf Religiöse Kunst (DE-588)4193793-4 gnd rswk-swf Glasflasche (DE-588)4208861-6 gnd rswk-swf Kreuzigung (DE-588)4165653-2 s Religiöse Kunst (DE-588)4193793-4 s Glasflasche (DE-588)4208861-6 s Russisch-Orthodoxe Kirche (DE-588)4051042-6 b Geschichte 1860-1917 z DE-604 880-02 Kalinin, Anatolij Timofeevič 1939- Verfasser (DE-588)1228173303 aut Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032317325&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032317325&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract 100-01/(N Возилов, Владимир Владимирович ut 700-02/(N Калинин, Анатолий Тимофеевич ut 245-03/(N Евлогии в сосудах в поисках утраченного промысла В.В. Возилов, А.Т. Калинина 264-04/(N Москва ; Иваново ; Шуя Издательский дом "Референт" 2020 |
| spellingShingle | Vozilov, Vladimir Vladimirovič 1973- Kalinin, Anatolij Timofeevič 1939- Evlogii v sosudach v poiskach utračennogo promysla = Eulogias in bottles : in search of a lost handicraft Russisch-Orthodoxe Kirche (DE-588)4051042-6 gnd Kreuzigung (DE-588)4165653-2 gnd Religiöse Kunst (DE-588)4193793-4 gnd Glasflasche (DE-588)4208861-6 gnd |
| subject_GND | (DE-588)4051042-6 (DE-588)4165653-2 (DE-588)4193793-4 (DE-588)4208861-6 |
| title | Evlogii v sosudach v poiskach utračennogo promysla = Eulogias in bottles : in search of a lost handicraft |
| title_alt | Eulogias in bottles |
| title_auth | Evlogii v sosudach v poiskach utračennogo promysla = Eulogias in bottles : in search of a lost handicraft |
| title_exact_search | Evlogii v sosudach v poiskach utračennogo promysla = Eulogias in bottles : in search of a lost handicraft |
| title_exact_search_txtP | Evlogii v sosudach v poiskach utračennogo promysla = Eulogias in bottles : in search of a lost handicraft |
| title_full | Evlogii v sosudach v poiskach utračennogo promysla = Eulogias in bottles : in search of a lost handicraft V.V. Vozilov, A.T. Kalinina |
| title_fullStr | Evlogii v sosudach v poiskach utračennogo promysla = Eulogias in bottles : in search of a lost handicraft V.V. Vozilov, A.T. Kalinina |
| title_full_unstemmed | Evlogii v sosudach v poiskach utračennogo promysla = Eulogias in bottles : in search of a lost handicraft V.V. Vozilov, A.T. Kalinina |
| title_short | Evlogii v sosudach |
| title_sort | evlogii v sosudach v poiskach utracennogo promysla eulogias in bottles in search of a lost handicraft |
| title_sub | v poiskach utračennogo promysla = Eulogias in bottles : in search of a lost handicraft |
| topic | Russisch-Orthodoxe Kirche (DE-588)4051042-6 gnd Kreuzigung (DE-588)4165653-2 gnd Religiöse Kunst (DE-588)4193793-4 gnd Glasflasche (DE-588)4208861-6 gnd |
| topic_facet | Russisch-Orthodoxe Kirche Kreuzigung Religiöse Kunst Glasflasche |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032317325&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032317325&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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