Form, monothematicism, variation and symmetry in Béla Bartók's string quartets:
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Helsinki
Univ.
2012
|
Schriftenreihe: | Studia musicologica Universitatis Helsingiensis
22 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | XII, 375 S. Notenbeisp. |
ISBN: | 9789521080401 |
Internformat
MARC
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100 | 1 | |a Jyrkiäinen, Reijo |d 1934- |e Verfasser |0 (DE-588)129290114 |4 aut | |
245 | 1 | 0 | |a Form, monothematicism, variation and symmetry in Béla Bartók's string quartets |c Reijo Jyrkiäinen |
264 | 1 | |a Helsinki |b Univ. |c 2012 | |
300 | |a XII, 375 S. |b Notenbeisp. | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 1 | |a Studia musicologica Universitatis Helsingiensis |v 22 | |
600 | 1 | 7 | |a Bartók, Béla |d 1881-1945 |0 (DE-588)118506900 |2 gnd |9 rswk-swf |
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650 | 0 | 7 | |a Streichquartett |0 (DE-588)4058023-4 |2 gnd |9 rswk-swf |
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Datensatz im Suchindex
_version_ | 1812815171426451456 |
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adam_text |
TABLE
OF
CONTENTS
ABSTRACT
ix
PREFACE
χ
1
INTRODUCTION
1
1.1
Research
subject and research problem
1
1.1.1
Form
4
1.1.2
Monothematicism
5
1.1.3
Variation
6
1.1.4
Symmetry
8
1.2
Earlier
Bartok
research
10
1.3
Theoretical background and research methods
17
1.4
Overview of the study
23
2
THE STRING QUARTET: HOW THE GENRE TOOK SHAPE
25
2.1
Historical background
25
2.2
Haydn-Mozart-Beethoven
27
2.3
From the 1800s to
Bartok's
contemporaries
30
2.4
Development over two centuries
37
3
BARTOK'S
STARTING POINTS
39
3.1
Musical tradition and sources of inspiration
39
3.1.1
Folk music
40
3.1.2
Legacy of Beethoven
42
3.1.3
Immediate predecessors and contemporaries
45
3.2
The first compositions
1889-1907 48
3.3
Establishing of the mature style
1908-1911 50
4
THE FIRST QUARTET: REFLECTIONS FROM THE
57
LATE ROMANTICS
4.1
First movement: Lento
57
4.1.1
Form
58
4.1.2
Analysis
59
4.2
Second movement: Allegretto
66
4.2.1
Form
66
4.2.2
Analysis
68
4.3
Third movement:
Introduzione:
Allegro
-
Allegro vivace
75
4.3.1
Form
75
4.3.2
Analysis
77
4.4
General form and results of the analysis
81
VI
4.5
Years of the extension
1911-1924 87
THE SECOND QUARTET: FOLK-MUSIC INFLUENCES
89
ON MATURE STYLE
5.1
First movement:
Moderato
90
5.1.1
Form
90
5.1.2
Analysis
- 91
5.2
Second movement: Allegro
molto capriccioso
97
5.2.1
Form
97
5.2.2
Analysis
99
5.3
Third movement: Lento
109
5.3.1
Form
109
5.3.2
Analysis
110
5.4
General form and results of the analysis
113
5.5
Classic middle period
1926-1937 119
THE THIRD QUARTET: TRANSITION FROM THE OLD
122
TO THE NEW
6.1
Prima parte: Moderato
123
6.1.1
Form
124
6.1.2
Analysis
125
6.2
Seconda parte: Allegro
131
6.2.1
Form
131
6.2.2
Analysis
132
6.3
Ricapitolazione della prima parte: Moderato
141
6.3.1
Form
141
6.3.2
Analysis
142
6.4
Coda: Allegro molto
144
6.4.1
Form
144
6.4.2
Analysis
145
6.5
General
form and results of the analysis
147
THE FOURTH QUARTET: SYMMETRY BASED ON THE
160
CORE MOTIVE
7.1
First movement: Allegro
165
7.1.1
Form
165
7.1.2
Analysis
167
7.2
Second movement: Prestissimo, con sordino
180
7.2.1
Form
180
7.2.2
Analysis
181
7.3
Third movement:
Non troppo
lento
188
7.3.1
Form
188
7.3.2
Analysis
190
7.4
Fourth movement: Allegretto pizzicato
194
7.4.1
Form
195
7.4.2
Analysis
198
7.5
Fifth movement: Allegro
molto
202
7.5.1
Form
202
7.5.2
Analysis
206
7.6
General form and results of the analysis
211
THE FIFTH QUARTET: PALINDROMIC FORMS
220
8.1
First movement: Allegro
222
8.1.1
Form
222
8.1.2
Analysis
227
8.2
Second movement: Adagio
molto
237
8.2.1
Form
237
8.2.2
Analysis
239
8.3
Third movement: Scherzo: Alia bulgarese
245
8.3.1
Form
245
8.3.2
Analysis
249
8.4
Fourth movement: Andante
256
8.4.1
Form
257
8.4.2
Analysis
258
8.5
Fifth movement: Finale: Allegro vivace
263
8.5.1
Form
263
8.5.2
Analysis
267
8.6
General form and results of the analysis
279
8.7
Last works
1938-1945 285
THE SIXTH QUARTET: RETURN TO THE OLD
289
WITHIN A NEW GENERAL FORM
9.1
First movement:
Mesto
-
Vivace
292
9.1.1
Form
292
9.1.2
Analysis
294
9.2
Second movement:
Mesto - Marcia
306
9.2.1
Form
306
9.2.2
Analysis
309
9.3
Third movement:
Mesto - Burletta
314
9.3.1
Form
316
9.3.2
Analysis
317
9.4
Fourth movement:
Mesto
322
9.4.1
Form
323
9.4.2
Analysis
324
Vlil
9.5
General
form and results of the
analysis
327
10
BARTÓK'S
QUARTETS: CONCLUSIONS
334
10.1
Form
335
10.2
Monothematicism
342
10.3
Variation
345
10.4
Symmetry
347
11
RESEARCH MATERIAL AND SOURCES
350
11.1
Note sources
350
11.2
Literature
351
12
APPENDIX
363
12.1
Glossary of abbreviations, basic terms, and markings
363
12.2
Catalogue of
Bartók'
s
works
367
12.3
Pitch-class sets
372 |
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id | DE-604.BV040960223 |
illustrated | Illustrated |
indexdate | 2024-10-13T16:01:09Z |
institution | BVB |
isbn | 9789521080401 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-025938595 |
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owner | DE-12 |
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physical | XII, 375 S. Notenbeisp. |
publishDate | 2012 |
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series | Studia musicologica Universitatis Helsingiensis |
series2 | Studia musicologica Universitatis Helsingiensis |
spelling | Jyrkiäinen, Reijo 1934- Verfasser (DE-588)129290114 aut Form, monothematicism, variation and symmetry in Béla Bartók's string quartets Reijo Jyrkiäinen Helsinki Univ. 2012 XII, 375 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Studia musicologica Universitatis Helsingiensis 22 Bartók, Béla 1881-1945 (DE-588)118506900 gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Streichquartett (DE-588)4058023-4 gnd rswk-swf Bartók, Béla 1881-1945 (DE-588)118506900 p Streichquartett (DE-588)4058023-4 s Musikalische Analyse (DE-588)4040814-0 s DE-604 Studia musicologica Universitatis Helsingiensis 22 (DE-604)BV010346576 22 Digitalisierung BSB Muenchen 4 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025938595&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Jyrkiäinen, Reijo 1934- Form, monothematicism, variation and symmetry in Béla Bartók's string quartets Studia musicologica Universitatis Helsingiensis Bartók, Béla 1881-1945 (DE-588)118506900 gnd Musikalische Analyse (DE-588)4040814-0 gnd Streichquartett (DE-588)4058023-4 gnd |
subject_GND | (DE-588)118506900 (DE-588)4040814-0 (DE-588)4058023-4 |
title | Form, monothematicism, variation and symmetry in Béla Bartók's string quartets |
title_auth | Form, monothematicism, variation and symmetry in Béla Bartók's string quartets |
title_exact_search | Form, monothematicism, variation and symmetry in Béla Bartók's string quartets |
title_full | Form, monothematicism, variation and symmetry in Béla Bartók's string quartets Reijo Jyrkiäinen |
title_fullStr | Form, monothematicism, variation and symmetry in Béla Bartók's string quartets Reijo Jyrkiäinen |
title_full_unstemmed | Form, monothematicism, variation and symmetry in Béla Bartók's string quartets Reijo Jyrkiäinen |
title_short | Form, monothematicism, variation and symmetry in Béla Bartók's string quartets |
title_sort | form monothematicism variation and symmetry in bela bartok s string quartets |
topic | Bartók, Béla 1881-1945 (DE-588)118506900 gnd Musikalische Analyse (DE-588)4040814-0 gnd Streichquartett (DE-588)4058023-4 gnd |
topic_facet | Bartók, Béla 1881-1945 Musikalische Analyse Streichquartett |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025938595&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV010346576 |
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