Living Color: Race and Television in the United States
Recent media events like the confirmation hearings for Clarence Thomas, the beating of Rodney King and its aftermath, and the murder trial of O.J. Simpson have trained our collective eye on the televised spectacle of race. Living Color combines media studies, cultural studies, and critical race theo...
Gespeichert in:
| Weitere Verfasser: | , , , , , , , , , , , |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[1998]
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| Schriftenreihe: | Console-ing passions: television and cultural power
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Recent media events like the confirmation hearings for Clarence Thomas, the beating of Rodney King and its aftermath, and the murder trial of O.J. Simpson have trained our collective eye on the televised spectacle of race. Living Color combines media studies, cultural studies, and critical race theory to investigate the representation of race on American TV.Ranging across television genres, historical periods, and racial formations, Living Color-as it positions race as a key element of television's cultural influence-moves the discussion out of a black-and-white binary and illustrates how class, gender, and sexuality interact with images of race. In addition to essays on representations of "Oriental" performers and African Americans in the early years of television, this collection also examines how the celebrity of the late MTV star Pedro Zamora countered racist and homophobic discourses; reveals how news coverage on drug use shifted from the white middle-class cocaine user in the early 1980s to the black "crack mother" of the 1990s; and takes on TV coverage of the Rodney King beating and the subsequent unrest in Los Angeles. Other essays consider O.J. Simpson's murder trial, comparing television's treatment of Simpson to that of Michael Jackson, Magic Johnson, Michael Jordan, and Clarence Thomas and look at the racism directed at Asian Americans by the recurring "Dancing Itos" on Jay Leno's Tonight Show |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (288 pages) 54 b&w photographs |
| ISBN: | 9780822378105 |
| DOI: | 10.1515/9780822378105 |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:26:53Z |
| indexdate | 2024-07-10T09:02:57Z |
| institution | BVB |
| isbn | 9780822378105 |
| language | English |
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| physical | 1 online resource (288 pages) 54 b&w photographs |
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| series2 | Console-ing passions: television and cultural power |
| spelling | Living Color Race and Television in the United States Sasha Torres Durham Duke University Press [1998] © 1998 1 online resource (288 pages) 54 b&w photographs txt rdacontent c rdamedia cr rdacarrier Console-ing passions: television and cultural power Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) Recent media events like the confirmation hearings for Clarence Thomas, the beating of Rodney King and its aftermath, and the murder trial of O.J. Simpson have trained our collective eye on the televised spectacle of race. Living Color combines media studies, cultural studies, and critical race theory to investigate the representation of race on American TV.Ranging across television genres, historical periods, and racial formations, Living Color-as it positions race as a key element of television's cultural influence-moves the discussion out of a black-and-white binary and illustrates how class, gender, and sexuality interact with images of race. In addition to essays on representations of "Oriental" performers and African Americans in the early years of television, this collection also examines how the celebrity of the late MTV star Pedro Zamora countered racist and homophobic discourses; reveals how news coverage on drug use shifted from the white middle-class cocaine user in the early 1980s to the black "crack mother" of the 1990s; and takes on TV coverage of the Rodney King beating and the subsequent unrest in Los Angeles. Other essays consider O.J. Simpson's murder trial, comparing television's treatment of Simpson to that of Michael Jackson, Magic Johnson, Michael Jordan, and Clarence Thomas and look at the racism directed at Asian Americans by the recurring "Dancing Itos" on Jay Leno's Tonight Show In English SOCIAL SCIENCE / Minority Studies bisacsh Brian, Locke ctb Hamid, Naficy ctb Jimmie L., Reeves ctb John, Caldwell ctb Jose Esteban, Munoz ctb Mark, Williams ctb Mimi, White ctb Pamela, Wilson ctb Phillip Brian, Harper ctb Sasha, Torres ctb Stephen Michael, Best ctb Torres, Sasha edt https://doi.org/10.1515/9780822378105 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Living Color Race and Television in the United States SOCIAL SCIENCE / Minority Studies bisacsh |
| title | Living Color Race and Television in the United States |
| title_auth | Living Color Race and Television in the United States |
| title_exact_search | Living Color Race and Television in the United States |
| title_exact_search_txtP | Living Color Race and Television in the United States |
| title_full | Living Color Race and Television in the United States Sasha Torres |
| title_fullStr | Living Color Race and Television in the United States Sasha Torres |
| title_full_unstemmed | Living Color Race and Television in the United States Sasha Torres |
| title_short | Living Color |
| title_sort | living color race and television in the united states |
| title_sub | Race and Television in the United States |
| topic | SOCIAL SCIENCE / Minority Studies bisacsh |
| topic_facet | SOCIAL SCIENCE / Minority Studies |
| url | https://doi.org/10.1515/9780822378105 |
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