The colour of anxiety race, sexuality and disorder in Victorian sculpture von Jennings, Nicola, Childs, Adrienne L.

Imitation, inspiration or innovation? Juan de Flandes and the use of models from illuminated manuscripts von Jennings, Nicola

Made in Iberia a new look at the retable of Contador Saldaña in Santa Clara de Tordesillas von Jennings, Nicola

[Rezension von: Renaissance Gothic : architecture and the arts in northern Europe, 1470 - 1540 / Ethan Matt Kavaler. - 2012] von Jennings, Nicola

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The use of colour and the "femme fatale" in late Victorian sculpture von Jennings, Nicola

[Rezension von: El Colegio de San Gregorio de Valladolid : saber y magnificencia en el tardogótico castellano / Diana Olivares Martínez. - 2020] von Jennings, Nicola

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Making a virtue out of necessity Lorenzo Mercadante's use of terracotta in Seville cathedral von Jennings, Nicola

Terracotta warrior von Jennings, Nicola

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Bermejo's Granada panel and the travelling altarpiece of Isabella of Castile von Jennings, Nicola

Bermejo: the 15th-century rebel genius Museu Nacional d'Art de Catalunya, Barcelona : 15th February - 19th May von Jennings, Nicola

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Converso patronage, self-fashioning, and Late-Gothic art and architecture in 15th-century Castile von Jennings, Nicola

"Middle-class" men who would be nobles in fifteenth-century Castile, Flanders, and Burgundy von Adams, Ann, Jennings, Nicola

[Rezension von: Ferdinandus Dei gracia Rex Aragonum / Marta Serrano Coll, 2014 // Effigies Regis Aragonum / Marta Serrano Coll, 2015] von Jennings, Nicola

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Identifying the hand involved in a Man of Sorrows produced in the workshop of the Artés Master von Jennings, Nicola, Puig, Isidre 1969-

Gothic architecture in Spain invention and imitation

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The colour of anxiety

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David Bowie's Tintoretto angel foretelling the martyrdom of Saint Catherine of Alexandria

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Late medieval panel paintings II materials, methods, meanings

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Late medieval panel paintings materials, methods, meanings

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