Reading Cy Twombly: Poetry in Paint
Many of Cy Twombly’s paintings and drawings include handwritten words and phrases—naming or "ing poets ranging from Sappho, Homer, and Virgil to Mallarmé, Rilke, and Cavafy. Enigmatic and sometimes hard to decipher, these inscriptions are a distinctive feature of his work. Reading Cy Twombly po...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, NJ
Princeton University Press
[2017]
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| Schlagworte: | |
| Online-Zugang: | FHA01 FKE01 FLA01 UPA01 FAW01 FAB01 FCO01 Volltext |
| Zusammenfassung: | Many of Cy Twombly’s paintings and drawings include handwritten words and phrases—naming or "ing poets ranging from Sappho, Homer, and Virgil to Mallarmé, Rilke, and Cavafy. Enigmatic and sometimes hard to decipher, these inscriptions are a distinctive feature of his work. Reading Cy Twombly poses both literary and art historical questions. How does poetic reference in largely abstract works affect their interpretation? Reading Cy Twombly is the first book to focus specifically on the artist’s use of poetry. Twombly’s library formed an extension of his studio and he sometimes painted with a book open in front of him. Drawing on original research in an archive that includes his paint-stained and annotated books, Mary Jacobus’s account—richly illustrated with more than 125 color and black-and-white images—unlocks an important aspect of Twombly’s practice. Jacobus shows that poetry was an indispensable source of reference throughout Twombly’s career; as he said, he "never really separated painting and literature." Among much else, she explores the influence of Ezra Pound and Charles Olson; Twombly’s fondness for Greek pastoral poetry and Virgil’s Eclogues; the inspiration of the Iliad and Ovid’s Metamorphoses; and Twombly’s love of Keats and his collaboration with Octavio Paz. Twombly’s art reveals both his distinctive relationship to poetry and his use of "ation to solve formal problems. A modern painter, he belongs in a critical tradition that goes back, by way of Roland Barthes, to Baudelaire. Reading Cy Twombly opens up fascinating new readings of some of the most important paintings and drawings of the twentieth century |
| Beschreibung: | 1 online resource 96 color illus. 37 halftones |
| ISBN: | 9781400883288 |
| DOI: | 10.1515/9781400883288 |
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| 505 | 8 | |a Frontmatter -- - Contents -- - Preface and Acknowledgments -- - Introduction: Twombly’s Books -- - Mediterranean Passages: Retrospect -- - Psychogram and Parnassus: How (Not) to Read a Twombly -- - Twombly’s Vagueness: The Poetics of Abstraction -- - Achilles′ Horses, Twombly’s War -- - Romantic Twombly -- - The Pastoral Stain -- - Psyche: The Double Door -- - Twombly’s Lapse -- - Postscript: Writing in Light -- - Notes -- - Bibliography -- - Index. - Mode of access: Internet via World Wide Web | |
| 520 | |a Many of Cy Twombly’s paintings and drawings include handwritten words and phrases—naming or "ing poets ranging from Sappho, Homer, and Virgil to Mallarmé, Rilke, and Cavafy. Enigmatic and sometimes hard to decipher, these inscriptions are a distinctive feature of his work. Reading Cy Twombly poses both literary and art historical questions. How does poetic reference in largely abstract works affect their interpretation? Reading Cy Twombly is the first book to focus specifically on the artist’s use of poetry. Twombly’s library formed an extension of his studio and he sometimes painted with a book open in front of him. Drawing on original research in an archive that includes his paint-stained and annotated books, Mary Jacobus’s account—richly illustrated with more than 125 color and black-and-white images—unlocks an important aspect of Twombly’s practice. Jacobus shows that poetry was an indispensable source of reference throughout Twombly’s career; as he said, he "never really separated painting and literature." Among much else, she explores the influence of Ezra Pound and Charles Olson; Twombly’s fondness for Greek pastoral poetry and Virgil’s Eclogues; the inspiration of the Iliad and Ovid’s Metamorphoses; and Twombly’s love of Keats and his collaboration with Octavio Paz. Twombly’s art reveals both his distinctive relationship to poetry and his use of "ation to solve formal problems. A modern painter, he belongs in a critical tradition that goes back, by way of Roland Barthes, to Baudelaire. Reading Cy Twombly opens up fascinating new readings of some of the most important paintings and drawings of the twentieth century | ||
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| contents | Frontmatter -- - Contents -- - Preface and Acknowledgments -- - Introduction: Twombly’s Books -- - Mediterranean Passages: Retrospect -- - Psychogram and Parnassus: How (Not) to Read a Twombly -- - Twombly’s Vagueness: The Poetics of Abstraction -- - Achilles′ Horses, Twombly’s War -- - Romantic Twombly -- - The Pastoral Stain -- - Psyche: The Double Door -- - Twombly’s Lapse -- - Postscript: Writing in Light -- - Notes -- - Bibliography -- - Index. - Mode of access: Internet via World Wide Web |
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| discipline | Kunstgeschichte |
| doi_str_mv | 10.1515/9781400883288 |
| format | Electronic eBook |
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| institution | BVB |
| isbn | 9781400883288 |
| language | English |
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| spelling | Jacobus, MaryYYeauthor Verfasser aut Reading Cy Twombly Poetry in Paint Mary Jacobus Princeton, NJ Princeton University Press [2017] 1 online resource 96 color illus. 37 halftones txt rdacontent c rdamedia cr rdacarrier Frontmatter -- - Contents -- - Preface and Acknowledgments -- - Introduction: Twombly’s Books -- - Mediterranean Passages: Retrospect -- - Psychogram and Parnassus: How (Not) to Read a Twombly -- - Twombly’s Vagueness: The Poetics of Abstraction -- - Achilles′ Horses, Twombly’s War -- - Romantic Twombly -- - The Pastoral Stain -- - Psyche: The Double Door -- - Twombly’s Lapse -- - Postscript: Writing in Light -- - Notes -- - Bibliography -- - Index. - Mode of access: Internet via World Wide Web Many of Cy Twombly’s paintings and drawings include handwritten words and phrases—naming or "ing poets ranging from Sappho, Homer, and Virgil to Mallarmé, Rilke, and Cavafy. Enigmatic and sometimes hard to decipher, these inscriptions are a distinctive feature of his work. Reading Cy Twombly poses both literary and art historical questions. How does poetic reference in largely abstract works affect their interpretation? Reading Cy Twombly is the first book to focus specifically on the artist’s use of poetry. Twombly’s library formed an extension of his studio and he sometimes painted with a book open in front of him. Drawing on original research in an archive that includes his paint-stained and annotated books, Mary Jacobus’s account—richly illustrated with more than 125 color and black-and-white images—unlocks an important aspect of Twombly’s practice. Jacobus shows that poetry was an indispensable source of reference throughout Twombly’s career; as he said, he "never really separated painting and literature." Among much else, she explores the influence of Ezra Pound and Charles Olson; Twombly’s fondness for Greek pastoral poetry and Virgil’s Eclogues; the inspiration of the Iliad and Ovid’s Metamorphoses; and Twombly’s love of Keats and his collaboration with Octavio Paz. Twombly’s art reveals both his distinctive relationship to poetry and his use of "ation to solve formal problems. A modern painter, he belongs in a critical tradition that goes back, by way of Roland Barthes, to Baudelaire. Reading Cy Twombly opens up fascinating new readings of some of the most important paintings and drawings of the twentieth century In English Twombly, Cy 1928-2011 (DE-588)118624865 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Twombly, Cy 1928-2011 (DE-588)118624865 p Malerei (DE-588)4037220-0 s 1\p DE-604 https://doi.org/10.1515/9781400883288 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Jacobus, MaryYYeauthor Reading Cy Twombly Poetry in Paint Frontmatter -- - Contents -- - Preface and Acknowledgments -- - Introduction: Twombly’s Books -- - Mediterranean Passages: Retrospect -- - Psychogram and Parnassus: How (Not) to Read a Twombly -- - Twombly’s Vagueness: The Poetics of Abstraction -- - Achilles′ Horses, Twombly’s War -- - Romantic Twombly -- - The Pastoral Stain -- - Psyche: The Double Door -- - Twombly’s Lapse -- - Postscript: Writing in Light -- - Notes -- - Bibliography -- - Index. - Mode of access: Internet via World Wide Web Twombly, Cy 1928-2011 (DE-588)118624865 gnd Malerei (DE-588)4037220-0 gnd |
| subject_GND | (DE-588)118624865 (DE-588)4037220-0 |
| title | Reading Cy Twombly Poetry in Paint |
| title_auth | Reading Cy Twombly Poetry in Paint |
| title_exact_search | Reading Cy Twombly Poetry in Paint |
| title_full | Reading Cy Twombly Poetry in Paint Mary Jacobus |
| title_fullStr | Reading Cy Twombly Poetry in Paint Mary Jacobus |
| title_full_unstemmed | Reading Cy Twombly Poetry in Paint Mary Jacobus |
| title_short | Reading Cy Twombly |
| title_sort | reading cy twombly poetry in paint |
| title_sub | Poetry in Paint |
| topic | Twombly, Cy 1928-2011 (DE-588)118624865 gnd Malerei (DE-588)4037220-0 gnd |
| topic_facet | Twombly, Cy 1928-2011 Malerei |
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