Conjuring freedom: music and masculinity in the Civil War's "Gospel Army"
Conjuring Freedom: Music and Masculinity in the Civil War's "Gospel Army" analyzes the songs of the 1st South Carolina Volunteers, a regiment of Black soldiers who met nightly in the performance of the ring shout. In this study, acknowledging the importance of conjure as a religious,...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Columbus
The Ohio State University Press
[2017]
|
| Schriftenreihe: | Black performance and cultural criticism
|
| Schlagworte: | |
| Online-Zugang: | Contributor biographical information Publisher description Inhaltsverzeichnis |
| Zusammenfassung: | Conjuring Freedom: Music and Masculinity in the Civil War's "Gospel Army" analyzes the songs of the 1st South Carolina Volunteers, a regiment of Black soldiers who met nightly in the performance of the ring shout. In this study, acknowledging the importance of conjure as a religious, political, and epistemological practice, Johari Jabir demonstrates how the musical performance allowed troop members to embody new identities in relation to national citizenship, militarism, and masculinity in more inclusive ways. Jabir also establishes how these musical practices of the regiment persisted long after the Civil War in Black culture, resisting, for instance, the paternalism and co-optive state antiracism of the film Glory, and the assumption that Blacks need to be deracinated to be full citizens. Reflecting the structure of the ring shout...the counterclockwise song, dance, drum, and story in African American history and culture...Conjuring Freedom offers three new concepts to cultural studies in order to describe the practices, techniques, and implications of the troop's performance: (1) Black Communal Conservatories, borrowing from Robert Farris Thompson's "invisible academies" to describe the structural but spontaneous quality of black music-making, (2) Listening Hermeneutics, which accounts for the generative and material affects of sound on meaning-making, and (3) Sonic Politics, which points to the political implications of music's use in contemporary representations of race and history |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | ix, 181 Seiten |
| ISBN: | 9780814213308 0814213308 |
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| 520 | |a Conjuring Freedom: Music and Masculinity in the Civil War's "Gospel Army" analyzes the songs of the 1st South Carolina Volunteers, a regiment of Black soldiers who met nightly in the performance of the ring shout. In this study, acknowledging the importance of conjure as a religious, political, and epistemological practice, Johari Jabir demonstrates how the musical performance allowed troop members to embody new identities in relation to national citizenship, militarism, and masculinity in more inclusive ways. Jabir also establishes how these musical practices of the regiment persisted long after the Civil War in Black culture, resisting, for instance, the paternalism and co-optive state antiracism of the film Glory, and the assumption that Blacks need to be deracinated to be full citizens. Reflecting the structure of the ring shout...the counterclockwise song, dance, drum, and story in African American history and culture...Conjuring Freedom offers three new concepts to cultural studies in order to describe the practices, techniques, and implications of the troop's performance: (1) Black Communal Conservatories, borrowing from Robert Farris Thompson's "invisible academies" to describe the structural but spontaneous quality of black music-making, (2) Listening Hermeneutics, which accounts for the generative and material affects of sound on meaning-making, and (3) Sonic Politics, which points to the political implications of music's use in contemporary representations of race and history | ||
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Datensatz im Suchindex
| _version_ | 1804177377907965952 |
|---|---|
| adam_text | CONJURING FREEDOM
/ JABIR, JOHARIYYEAUTHOR
: 2017
TABLE OF CONTENTS / INHALTSVERZEICHNIS
A STRANGE FULFILLMENT OF DREAMS: RACIAL FETISH AND FANTASY IN THOMAS
WENTWORTH HIGGINSON S ARMY LIFE IN A BLACK REGIMENT
THE COLLECTIVE WILL TO CONJURE: RELIGION, RING SHOUT, AND SPIRITUAL
MILITANCY IN A BLACK REGIMENT
ONE MORE VALIANT SOLDIER: MUSIC AND MASCULINITY IN A BLACK REGIMENT
MOON RISE: SONGS OF LOSS, LAMENT, AND LIBERATION IN A BLACK REGIMENT
MILITARY GLORY OR RACIAL HORROR
POSTLUDE: MY ARMY CROSS OVER
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
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| spelling | Jabir, Johari Verfasser (DE-588)1131743512 aut Conjuring freedom music and masculinity in the Civil War's "Gospel Army" Johari Jabir Columbus The Ohio State University Press [2017] © 2017 ix, 181 Seiten txt rdacontent n rdamedia nc rdacarrier Black performance and cultural criticism Includes bibliographical references and index Conjuring Freedom: Music and Masculinity in the Civil War's "Gospel Army" analyzes the songs of the 1st South Carolina Volunteers, a regiment of Black soldiers who met nightly in the performance of the ring shout. In this study, acknowledging the importance of conjure as a religious, political, and epistemological practice, Johari Jabir demonstrates how the musical performance allowed troop members to embody new identities in relation to national citizenship, militarism, and masculinity in more inclusive ways. Jabir also establishes how these musical practices of the regiment persisted long after the Civil War in Black culture, resisting, for instance, the paternalism and co-optive state antiracism of the film Glory, and the assumption that Blacks need to be deracinated to be full citizens. Reflecting the structure of the ring shout...the counterclockwise song, dance, drum, and story in African American history and culture...Conjuring Freedom offers three new concepts to cultural studies in order to describe the practices, techniques, and implications of the troop's performance: (1) Black Communal Conservatories, borrowing from Robert Farris Thompson's "invisible academies" to describe the structural but spontaneous quality of black music-making, (2) Listening Hermeneutics, which accounts for the generative and material affects of sound on meaning-making, and (3) Sonic Politics, which points to the political implications of music's use in contemporary representations of race and history Higginson, Thomas Wentworth 1823-1911 United States Army South Carolina Volunteers, 1st (1862-1864) United States Army African American troops Geschichte Musik Schwarze. USA Sezessionskrieg (1861-1865) African Americans Music History and criticism Spirituals (Songs) History and criticism Ring shout (Dance) Masculinity USA United States History Civil War, 1861-1865 African Americans https://www.loc.gov/catdir/enhancements/fy1703/2016046333-b.html Contributor biographical information https://www.loc.gov/catdir/enhancements/fy1703/2016046333-d.html Publisher description LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029632257&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Jabir, Johari Conjuring freedom music and masculinity in the Civil War's "Gospel Army" Higginson, Thomas Wentworth 1823-1911 United States Army South Carolina Volunteers, 1st (1862-1864) United States Army African American troops Geschichte Musik Schwarze. USA Sezessionskrieg (1861-1865) African Americans Music History and criticism Spirituals (Songs) History and criticism Ring shout (Dance) Masculinity |
| title | Conjuring freedom music and masculinity in the Civil War's "Gospel Army" |
| title_auth | Conjuring freedom music and masculinity in the Civil War's "Gospel Army" |
| title_exact_search | Conjuring freedom music and masculinity in the Civil War's "Gospel Army" |
| title_full | Conjuring freedom music and masculinity in the Civil War's "Gospel Army" Johari Jabir |
| title_fullStr | Conjuring freedom music and masculinity in the Civil War's "Gospel Army" Johari Jabir |
| title_full_unstemmed | Conjuring freedom music and masculinity in the Civil War's "Gospel Army" Johari Jabir |
| title_short | Conjuring freedom |
| title_sort | conjuring freedom music and masculinity in the civil war s gospel army |
| title_sub | music and masculinity in the Civil War's "Gospel Army" |
| topic | Higginson, Thomas Wentworth 1823-1911 United States Army South Carolina Volunteers, 1st (1862-1864) United States Army African American troops Geschichte Musik Schwarze. USA Sezessionskrieg (1861-1865) African Americans Music History and criticism Spirituals (Songs) History and criticism Ring shout (Dance) Masculinity |
| topic_facet | Higginson, Thomas Wentworth 1823-1911 United States Army South Carolina Volunteers, 1st (1862-1864) United States Army African American troops Geschichte Musik Schwarze. USA Sezessionskrieg (1861-1865) African Americans Music History and criticism Spirituals (Songs) History and criticism Ring shout (Dance) Masculinity USA United States History Civil War, 1861-1865 African Americans |
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