Postcolonial Repercussions :: On Sound Ontologies and Decolonised Listening /
Can sound be perceived independently of its social dimension? Or is it always embedded in a discursive network? "Postcolonial Repercussions" explores these questions in form of a collective conversation. The contributors have collected sound stories and sound knowledge from Brazil to Moroc...
Gespeichert in:
| Weitere Verfasser: | , , , , , , , , , , , , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bielefeld :
Transcript Verlag,
[2022]
|
| Schriftenreihe: | Sound studies ;
v. 6. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Can sound be perceived independently of its social dimension? Or is it always embedded in a discursive network? "Postcolonial Repercussions" explores these questions in form of a collective conversation. The contributors have collected sound stories and sound knowledge from Brazil to Morocco, listened to resonances from the Underground and the Pacific Ocean, from Popular Music and speech recognition.The anthology gathers heterogeneous approaches to emancipatory forms of ontological listening as well as pleas for critical fabulation and a practice of care. It tells us about opportunities, perspectives and the (im)possibility of decolonised listening. |
| Beschreibung: | 1 online resource. |
| ISBN: | 9783839462522 3839462525 |
Internformat
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| 245 | 0 | 0 | |a Postcolonial Repercussions : |b On Sound Ontologies and Decolonised Listening / |c Johannes Salim Ismaiel-Wendt, Andi Schoon (eds.). |
| 264 | 1 | |a Bielefeld : |b Transcript Verlag, |c [2022] | |
| 264 | 4 | |c ©2022 | |
| 300 | |a 1 online resource. | ||
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| 490 | 1 | |a Sound Studies Series ; |v volume 6 | |
| 520 | |a Can sound be perceived independently of its social dimension? Or is it always embedded in a discursive network? "Postcolonial Repercussions" explores these questions in form of a collective conversation. The contributors have collected sound stories and sound knowledge from Brazil to Morocco, listened to resonances from the Underground and the Pacific Ocean, from Popular Music and speech recognition.The anthology gathers heterogeneous approaches to emancipatory forms of ontological listening as well as pleas for critical fabulation and a practice of care. It tells us about opportunities, perspectives and the (im)possibility of decolonised listening. | ||
| 536 | |a funded by Swiss National Science Foundation (SNSF) | ||
| 546 | |a In English. | ||
| 505 | 0 | |a Cover -- Contents -- Instead of an Editorial -- Salam Godzilla. Unsounding the 1960 Agadir Earthquake -- A Conversation on Race, Sound, and the Im/possibility of Decolonised Listening -- Playing it Back. Critical Reflections on Curating Sound -- "offensichtlich unbegründet": a work in progress meditation on sonic biometry, migration and the archive -- From a Postmodernist Sound to a Decolonized Dancefloor. From Glitch to Deconstructed Club Music | |
| 505 | 8 | |a Meandering Feuilleton Essay about two concerts that I did not see. Or: About how I read Hall, Mignolo and Walsh instead because I want to write an article for an anthology on Decolonizing Arts and think about whether it is possible to decolonialize Popular Music -- (Post) Colonial Streaming: The Social Reproduction of Listening and Deafness in the Anthropocene -- Buried in the Colonial Graveyard? Indigenous Sound Ontologies, Repatriation and the Ethics of Curating Ethnographic Sounds -- Tangier 1999. In search of authenticity. Paul Bowles longs for something and insists on its existence | |
| 505 | 8 | |a Passageways of Knowing. Music, Movement, Reconnection -- Authors -- List of Illustrations | |
| 588 | |a Description based on online resource; title from digital title page (viewed on December 21, 2022). | ||
| 650 | 0 | |a Sound |x Sociological aspects. | |
| 650 | 0 | |a Postcolonialism and music. |0 http://id.loc.gov/authorities/subjects/sh2016002124 | |
| 650 | 4 | |a Decolonization. | |
| 650 | 4 | |a Music. | |
| 650 | 4 | |a Musicology. | |
| 650 | 4 | |a Pop Music. | |
| 650 | 4 | |a Postcolonial Theory. | |
| 650 | 4 | |a Postcolonialism. | |
| 650 | 4 | |a Sound. | |
| 650 | 6 | |a Postcolonialisme et musique. | |
| 650 | 7 | |a MUSIC / History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Postcolonialism and music |2 fast | |
| 653 | |a Decolonization. | ||
| 653 | |a Music. | ||
| 653 | |a Musicology. | ||
| 653 | |a Pop Music. | ||
| 653 | |a Postcolonial Theory. | ||
| 653 | |a Postcolonialism. | ||
| 653 | |a Sound. | ||
| 700 | 1 | |a Ismaiel-Wendt, Johannes Salim, |e editor, |e contributor. | |
| 700 | 1 | |a Schoon, Andi, |e editor, |e contributor. | |
| 700 | 1 | |a Abels, Birgit, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Aubry, Gilles, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Fuhr, Michael, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Lee, Peggy Kyoungwon, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Lewy, Matthias, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Oliveira, Pedro, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Osman, Shanti Suki, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Panchia, Bhavisha, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
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| 700 | 1 | |a Souza Lima, Henrique, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Thompson, Marie, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
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Datensatz im Suchindex
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| _version_ | 1816882561436090369 |
| adam_text | |
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| author2 | Ismaiel-Wendt, Johannes Salim Ismaiel-Wendt, Johannes Salim Schoon, Andi Schoon, Andi Abels, Birgit Aubry, Gilles Fuhr, Michael Lee, Peggy Kyoungwon Lewy, Matthias Oliveira, Pedro Osman, Shanti Suki Panchia, Bhavisha Schildhauer, Nadine Souza Lima, Henrique Thompson, Marie Vieira de Oliveira, Pedro J. S. |
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| author_facet | Ismaiel-Wendt, Johannes Salim Ismaiel-Wendt, Johannes Salim Schoon, Andi Schoon, Andi Abels, Birgit Aubry, Gilles Fuhr, Michael Lee, Peggy Kyoungwon Lewy, Matthias Oliveira, Pedro Osman, Shanti Suki Panchia, Bhavisha Schildhauer, Nadine Souza Lima, Henrique Thompson, Marie Vieira de Oliveira, Pedro J. S. |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | P96 |
| callnumber-raw | P96.S66 P67 2022 PN56.P555 |
| callnumber-search | P96.S66 P67 2022 PN56.P555 |
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| callnumber-subject | P - Philology and Linguistics |
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| contents | Cover -- Contents -- Instead of an Editorial -- Salam Godzilla. Unsounding the 1960 Agadir Earthquake -- A Conversation on Race, Sound, and the Im/possibility of Decolonised Listening -- Playing it Back. Critical Reflections on Curating Sound -- "offensichtlich unbegründet": a work in progress meditation on sonic biometry, migration and the archive -- From a Postmodernist Sound to a Decolonized Dancefloor. From Glitch to Deconstructed Club Music Meandering Feuilleton Essay about two concerts that I did not see. Or: About how I read Hall, Mignolo and Walsh instead because I want to write an article for an anthology on Decolonizing Arts and think about whether it is possible to decolonialize Popular Music -- (Post) Colonial Streaming: The Social Reproduction of Listening and Deafness in the Anthropocene -- Buried in the Colonial Graveyard? Indigenous Sound Ontologies, Repatriation and the Ethics of Curating Ethnographic Sounds -- Tangier 1999. In search of authenticity. Paul Bowles longs for something and insists on its existence Passageways of Knowing. Music, Movement, Reconnection -- Authors -- List of Illustrations |
| ctrlnum | (OCoLC)1322125405 |
| dewey-full | 302.23 780 |
| dewey-hundreds | 300 - Social sciences 700 - The arts |
| dewey-ones | 302 - Social interaction 780 - Music |
| dewey-raw | 302.23 780 |
| dewey-search | 302.23 780 |
| dewey-sort | 3302.23 |
| dewey-tens | 300 - Social sciences 780 - Music |
| discipline | Soziologie Musikwissenschaft |
| format | Electronic eBook |
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| id | ZDB-4-EBA-on1322125405 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:30:34Z |
| institution | BVB |
| isbn | 9783839462522 3839462525 |
| language | English |
| oclc_num | 1322125405 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource. |
| psigel | ZDB-4-EBA |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Transcript Verlag, |
| record_format | marc |
| series | Sound studies ; |
| series2 | Sound Studies Series ; |
| spelling | Postcolonial Repercussions : On Sound Ontologies and Decolonised Listening / Johannes Salim Ismaiel-Wendt, Andi Schoon (eds.). Bielefeld : Transcript Verlag, [2022] ©2022 1 online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier Sound Studies Series ; volume 6 Can sound be perceived independently of its social dimension? Or is it always embedded in a discursive network? "Postcolonial Repercussions" explores these questions in form of a collective conversation. The contributors have collected sound stories and sound knowledge from Brazil to Morocco, listened to resonances from the Underground and the Pacific Ocean, from Popular Music and speech recognition.The anthology gathers heterogeneous approaches to emancipatory forms of ontological listening as well as pleas for critical fabulation and a practice of care. It tells us about opportunities, perspectives and the (im)possibility of decolonised listening. funded by Swiss National Science Foundation (SNSF) In English. Cover -- Contents -- Instead of an Editorial -- Salam Godzilla. Unsounding the 1960 Agadir Earthquake -- A Conversation on Race, Sound, and the Im/possibility of Decolonised Listening -- Playing it Back. Critical Reflections on Curating Sound -- "offensichtlich unbegründet": a work in progress meditation on sonic biometry, migration and the archive -- From a Postmodernist Sound to a Decolonized Dancefloor. From Glitch to Deconstructed Club Music Meandering Feuilleton Essay about two concerts that I did not see. Or: About how I read Hall, Mignolo and Walsh instead because I want to write an article for an anthology on Decolonizing Arts and think about whether it is possible to decolonialize Popular Music -- (Post) Colonial Streaming: The Social Reproduction of Listening and Deafness in the Anthropocene -- Buried in the Colonial Graveyard? Indigenous Sound Ontologies, Repatriation and the Ethics of Curating Ethnographic Sounds -- Tangier 1999. In search of authenticity. Paul Bowles longs for something and insists on its existence Passageways of Knowing. Music, Movement, Reconnection -- Authors -- List of Illustrations Description based on online resource; title from digital title page (viewed on December 21, 2022). Sound Sociological aspects. Postcolonialism and music. http://id.loc.gov/authorities/subjects/sh2016002124 Decolonization. Music. Musicology. Pop Music. Postcolonial Theory. Postcolonialism. Sound. Postcolonialisme et musique. MUSIC / History & Criticism. bisacsh Postcolonialism and music fast Ismaiel-Wendt, Johannes Salim, editor, contributor. Schoon, Andi, editor, contributor. Abels, Birgit, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Aubry, Gilles, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Fuhr, Michael, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lee, Peggy Kyoungwon, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lewy, Matthias, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Oliveira, Pedro, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Osman, Shanti Suki, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Panchia, Bhavisha, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Schildhauer, Nadine, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Souza Lima, Henrique, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Thompson, Marie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Vieira de Oliveira, Pedro J. S., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Swiss National Science Foundation (SNSF) funder. fnd http://id.loc.gov/vocabulary/relators/fnd Sound studies ; v. 6. http://id.loc.gov/authorities/names/no2014032788 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3360613 Volltext |
| spellingShingle | Postcolonial Repercussions : On Sound Ontologies and Decolonised Listening / Sound studies ; Cover -- Contents -- Instead of an Editorial -- Salam Godzilla. Unsounding the 1960 Agadir Earthquake -- A Conversation on Race, Sound, and the Im/possibility of Decolonised Listening -- Playing it Back. Critical Reflections on Curating Sound -- "offensichtlich unbegründet": a work in progress meditation on sonic biometry, migration and the archive -- From a Postmodernist Sound to a Decolonized Dancefloor. From Glitch to Deconstructed Club Music Meandering Feuilleton Essay about two concerts that I did not see. Or: About how I read Hall, Mignolo and Walsh instead because I want to write an article for an anthology on Decolonizing Arts and think about whether it is possible to decolonialize Popular Music -- (Post) Colonial Streaming: The Social Reproduction of Listening and Deafness in the Anthropocene -- Buried in the Colonial Graveyard? Indigenous Sound Ontologies, Repatriation and the Ethics of Curating Ethnographic Sounds -- Tangier 1999. In search of authenticity. Paul Bowles longs for something and insists on its existence Passageways of Knowing. Music, Movement, Reconnection -- Authors -- List of Illustrations Sound Sociological aspects. Postcolonialism and music. http://id.loc.gov/authorities/subjects/sh2016002124 Decolonization. Music. Musicology. Pop Music. Postcolonial Theory. Postcolonialism. Sound. Postcolonialisme et musique. MUSIC / History & Criticism. bisacsh Postcolonialism and music fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2016002124 |
| title | Postcolonial Repercussions : On Sound Ontologies and Decolonised Listening / |
| title_auth | Postcolonial Repercussions : On Sound Ontologies and Decolonised Listening / |
| title_exact_search | Postcolonial Repercussions : On Sound Ontologies and Decolonised Listening / |
| title_full | Postcolonial Repercussions : On Sound Ontologies and Decolonised Listening / Johannes Salim Ismaiel-Wendt, Andi Schoon (eds.). |
| title_fullStr | Postcolonial Repercussions : On Sound Ontologies and Decolonised Listening / Johannes Salim Ismaiel-Wendt, Andi Schoon (eds.). |
| title_full_unstemmed | Postcolonial Repercussions : On Sound Ontologies and Decolonised Listening / Johannes Salim Ismaiel-Wendt, Andi Schoon (eds.). |
| title_short | Postcolonial Repercussions : |
| title_sort | postcolonial repercussions on sound ontologies and decolonised listening |
| title_sub | On Sound Ontologies and Decolonised Listening / |
| topic | Sound Sociological aspects. Postcolonialism and music. http://id.loc.gov/authorities/subjects/sh2016002124 Decolonization. Music. Musicology. Pop Music. Postcolonial Theory. Postcolonialism. Sound. Postcolonialisme et musique. MUSIC / History & Criticism. bisacsh Postcolonialism and music fast |
| topic_facet | Sound Sociological aspects. Postcolonialism and music. Decolonization. Music. Musicology. Pop Music. Postcolonial Theory. Postcolonialism. Sound. Postcolonialisme et musique. MUSIC / History & Criticism. Postcolonialism and music |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3360613 |
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