National performance :: representing Quebec from Expo 67 to Céline Dion /
In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ne...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English French |
| Veröffentlicht: |
Toronto [Ont.] :
University of Toronto Press,
©2010
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| Schriftenreihe: | Cultural spaces.
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone's writing practices, Cľine Dion's popular music, and feminist performance of the 1970s and 80s, Hurley reveals the ways in which certain performances come to be understood as 'national' while others are relegated to sub-national or outsider status. Each chapter focuses on a particular historical moment in Quebec's modern history and a genre of performance emblematic of the moment, and uses these to elaborate the nature of the national performances. Winner of the Northeast Modern Language Association's Book Prize, National Performance is sophisticated yet accessible, seeking to enlarge the parameters of what counts as 'Quebecois' performance, while providing a thorough introduction to changing discourses of nation-ness in Quebec. |
| Beschreibung: | 1 online resource (ix, 244 pages) : illustrations, portraits, digital file. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781442686342 1442686340 |
Internformat
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| 100 | 1 | |a Hurley, Erin, |d 1969- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjFvTyw6xbXtVh3H783b3P |0 http://id.loc.gov/authorities/names/n2010036990 | |
| 245 | 1 | 0 | |a National performance : |b representing Quebec from Expo 67 to Céline Dion / |c Erin Hurley. |
| 260 | |a Toronto [Ont.] : |b University of Toronto Press, |c ©2010 |e (Saint-Lazare, Quebec : |f Canadian Electronic Library, |g 2011) | ||
| 300 | |a 1 online resource (ix, 244 pages) : |b illustrations, portraits, digital file. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Cultural spaces | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction -- Marginals, metaphors, and mimesis -- National construction : Quebec's modernity at Expo 67 -- National reflection : Michel Tremblay's Les belles-soeurs and le nouvesu théâtre québécois -- National simulation : Marco Micone's culture imigrée -- National metonymy : arresting images in the devised works of Carbone 14 -- Naional affection : Céline Dion -- Conclusion : feminist (re)production. | |
| 520 | |a In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone's writing practices, Cľine Dion's popular music, and feminist performance of the 1970s and 80s, Hurley reveals the ways in which certain performances come to be understood as 'national' while others are relegated to sub-national or outsider status. Each chapter focuses on a particular historical moment in Quebec's modern history and a genre of performance emblematic of the moment, and uses these to elaborate the nature of the national performances. Winner of the Northeast Modern Language Association's Book Prize, National Performance is sophisticated yet accessible, seeking to enlarge the parameters of what counts as 'Quebecois' performance, while providing a thorough introduction to changing discourses of nation-ness in Quebec. | ||
| 546 | |a Includes some text in French. | ||
| 650 | 0 | |a Theater audiences |z Québec (Province) |x Psychology. | |
| 650 | 0 | |a Theater and society |z Québec (Province) | |
| 650 | 0 | |a Performing arts |x Social aspects |z Québec (Province) | |
| 650 | 0 | |a Performing arts |x Audiences |z Québec (Province) | |
| 650 | 0 | |a Nationalism |z Québec (Province) | |
| 650 | 6 | |a Théâtre et société |z Québec (Province) | |
| 650 | 6 | |a Arts du spectacle |x Aspect social |z Québec (Province) | |
| 650 | 6 | |a Arts du spectacle |x Publics |z Québec (Province) | |
| 650 | 6 | |a Nationalisme |z Québec (Province) | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Nationalism |2 fast | |
| 650 | 7 | |a Performing arts |x Audiences |2 fast | |
| 650 | 7 | |a Performing arts |x Social aspects |2 fast | |
| 650 | 7 | |a Theater and society |2 fast | |
| 650 | 7 | |a Theater audiences |x Psychology |2 fast | |
| 651 | 7 | |a Québec |2 fast |1 https://id.oclc.org/worldcat/entity/E39QbtfRCQp8M3whjghQmqVPXM | |
| 758 | |i has work: |a National performance (Text) |1 https://id.oclc.org/worldcat/entity/E39PCG7kPVcJDfgDVw88k8pWym |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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| 830 | 0 | |a Cultural spaces. |0 http://id.loc.gov/authorities/names/no2004059693 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn755882630 |
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| _version_ | 1816881772450807808 |
| adam_text | |
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| author | Hurley, Erin, 1969- |
| author_GND | http://id.loc.gov/authorities/names/n2010036990 |
| author_facet | Hurley, Erin, 1969- |
| author_role | aut |
| author_sort | Hurley, Erin, 1969- |
| author_variant | e h eh |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN2305 |
| callnumber-raw | PN2305.Q4 H87 2010eb |
| callnumber-search | PN2305.Q4 H87 2010eb |
| callnumber-sort | PN 42305 Q4 H87 42010EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Introduction -- Marginals, metaphors, and mimesis -- National construction : Quebec's modernity at Expo 67 -- National reflection : Michel Tremblay's Les belles-soeurs and le nouvesu théâtre québécois -- National simulation : Marco Micone's culture imigrée -- National metonymy : arresting images in the devised works of Carbone 14 -- Naional affection : Céline Dion -- Conclusion : feminist (re)production. |
| ctrlnum | (OCoLC)755882630 |
| dewey-full | 792.09714 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.09714 |
| dewey-search | 792.09714 |
| dewey-sort | 3792.09714 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| geographic | Québec fast https://id.oclc.org/worldcat/entity/E39QbtfRCQp8M3whjghQmqVPXM |
| geographic_facet | Québec |
| id | ZDB-4-EBA-ocn755882630 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:18:02Z |
| institution | BVB |
| isbn | 9781442686342 1442686340 |
| language | English French |
| oclc_num | 755882630 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (ix, 244 pages) : illustrations, portraits, digital file. |
| psigel | ZDB-4-EBA |
| publishDate | 2010 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | University of Toronto Press, |
| record_format | marc |
| series | Cultural spaces. |
| series2 | Cultural spaces |
| spelling | Hurley, Erin, 1969- author. https://id.oclc.org/worldcat/entity/E39PCjFvTyw6xbXtVh3H783b3P http://id.loc.gov/authorities/names/n2010036990 National performance : representing Quebec from Expo 67 to Céline Dion / Erin Hurley. Toronto [Ont.] : University of Toronto Press, ©2010 (Saint-Lazare, Quebec : Canadian Electronic Library, 2011) 1 online resource (ix, 244 pages) : illustrations, portraits, digital file. text txt rdacontent computer c rdamedia online resource cr rdacarrier Cultural spaces Includes bibliographical references and index. Introduction -- Marginals, metaphors, and mimesis -- National construction : Quebec's modernity at Expo 67 -- National reflection : Michel Tremblay's Les belles-soeurs and le nouvesu théâtre québécois -- National simulation : Marco Micone's culture imigrée -- National metonymy : arresting images in the devised works of Carbone 14 -- Naional affection : Céline Dion -- Conclusion : feminist (re)production. In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone's writing practices, Cľine Dion's popular music, and feminist performance of the 1970s and 80s, Hurley reveals the ways in which certain performances come to be understood as 'national' while others are relegated to sub-national or outsider status. Each chapter focuses on a particular historical moment in Quebec's modern history and a genre of performance emblematic of the moment, and uses these to elaborate the nature of the national performances. Winner of the Northeast Modern Language Association's Book Prize, National Performance is sophisticated yet accessible, seeking to enlarge the parameters of what counts as 'Quebecois' performance, while providing a thorough introduction to changing discourses of nation-ness in Quebec. Includes some text in French. Theater audiences Québec (Province) Psychology. Theater and society Québec (Province) Performing arts Social aspects Québec (Province) Performing arts Audiences Québec (Province) Nationalism Québec (Province) Théâtre et société Québec (Province) Arts du spectacle Aspect social Québec (Province) Arts du spectacle Publics Québec (Province) Nationalisme Québec (Province) PERFORMING ARTS Theater History & Criticism. bisacsh Nationalism fast Performing arts Audiences fast Performing arts Social aspects fast Theater and society fast Theater audiences Psychology fast Québec fast https://id.oclc.org/worldcat/entity/E39QbtfRCQp8M3whjghQmqVPXM has work: National performance (Text) https://id.oclc.org/worldcat/entity/E39PCG7kPVcJDfgDVw88k8pWym https://id.oclc.org/worldcat/ontology/hasWork Print version: 1442640952 9781442640955 Cultural spaces. http://id.loc.gov/authorities/names/no2004059693 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=483327 Volltext |
| spellingShingle | Hurley, Erin, 1969- National performance : representing Quebec from Expo 67 to Céline Dion / Cultural spaces. Introduction -- Marginals, metaphors, and mimesis -- National construction : Quebec's modernity at Expo 67 -- National reflection : Michel Tremblay's Les belles-soeurs and le nouvesu théâtre québécois -- National simulation : Marco Micone's culture imigrée -- National metonymy : arresting images in the devised works of Carbone 14 -- Naional affection : Céline Dion -- Conclusion : feminist (re)production. Theater audiences Québec (Province) Psychology. Theater and society Québec (Province) Performing arts Social aspects Québec (Province) Performing arts Audiences Québec (Province) Nationalism Québec (Province) Théâtre et société Québec (Province) Arts du spectacle Aspect social Québec (Province) Arts du spectacle Publics Québec (Province) Nationalisme Québec (Province) PERFORMING ARTS Theater History & Criticism. bisacsh Nationalism fast Performing arts Audiences fast Performing arts Social aspects fast Theater and society fast Theater audiences Psychology fast |
| title | National performance : representing Quebec from Expo 67 to Céline Dion / |
| title_auth | National performance : representing Quebec from Expo 67 to Céline Dion / |
| title_exact_search | National performance : representing Quebec from Expo 67 to Céline Dion / |
| title_full | National performance : representing Quebec from Expo 67 to Céline Dion / Erin Hurley. |
| title_fullStr | National performance : representing Quebec from Expo 67 to Céline Dion / Erin Hurley. |
| title_full_unstemmed | National performance : representing Quebec from Expo 67 to Céline Dion / Erin Hurley. |
| title_short | National performance : |
| title_sort | national performance representing quebec from expo 67 to celine dion |
| title_sub | representing Quebec from Expo 67 to Céline Dion / |
| topic | Theater audiences Québec (Province) Psychology. Theater and society Québec (Province) Performing arts Social aspects Québec (Province) Performing arts Audiences Québec (Province) Nationalism Québec (Province) Théâtre et société Québec (Province) Arts du spectacle Aspect social Québec (Province) Arts du spectacle Publics Québec (Province) Nationalisme Québec (Province) PERFORMING ARTS Theater History & Criticism. bisacsh Nationalism fast Performing arts Audiences fast Performing arts Social aspects fast Theater and society fast Theater audiences Psychology fast |
| topic_facet | Theater audiences Québec (Province) Psychology. Theater and society Québec (Province) Performing arts Social aspects Québec (Province) Performing arts Audiences Québec (Province) Nationalism Québec (Province) Théâtre et société Québec (Province) Arts du spectacle Aspect social Québec (Province) Arts du spectacle Publics Québec (Province) Nationalisme Québec (Province) PERFORMING ARTS Theater History & Criticism. Nationalism Performing arts Audiences Performing arts Social aspects Theater and society Theater audiences Psychology Québec |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=483327 |
| work_keys_str_mv | AT hurleyerin nationalperformancerepresentingquebecfromexpo67tocelinedion |