Interpreting Chopin :: analysis and performance /
Alison Hood combines significant aspects of current analytical approaches and applies that unique synthetic method to selected works by Chopin. The specific combination of five aspects distinguishes Hood's method from previous analytical approaches. These five methods are attention to the rhyth...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Surrey, England ; Burlington, Vermont :
Ashgate,
2014.
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Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Alison Hood combines significant aspects of current analytical approaches and applies that unique synthetic method to selected works by Chopin. The specific combination of five aspects distinguishes Hood's method from previous analytical approaches. These five methods are attention to the rhythms created by pitch events on all structural levels; a detailed accounting of the musical surface; 'strict use' of analytical notation; a continual concern with 'strategies' or 'premises'; and an exploration of how recorded performances might be viewed in terms of analytical decisions, or might even shap. |
Beschreibung: | 1 online resource (257 pages) : illustrations |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781409452102 1409452107 1317113594 9781317113591 1315589583 9781315589589 |
Internformat
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100 | 1 | |a Hood, Alison |c (Musician) |1 https://id.oclc.org/worldcat/entity/E39PCjxDvvxqd4wRhxjrx6CrVP |0 http://id.loc.gov/authorities/names/no2006004972 | |
245 | 1 | 0 | |a Interpreting Chopin : |b analysis and performance / |c Alison Hood ; foreword by Robert S. Hatten. |
264 | 1 | |a Surrey, England ; |a Burlington, Vermont : |b Ashgate, |c 2014. | |
264 | 4 | |c ©2014 | |
300 | |a 1 online resource (257 pages) : |b illustrations | ||
336 | |a text |b txt |2 rdacontent | ||
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338 | |a online resource |b cr |2 rdacarrier | ||
504 | |a Includes bibliographical references and index. | ||
588 | 0 | |a Print version record. | |
505 | 0 | |a Revealing the hidden dimensions. Rhythm ; Foreground emphasis ; Strict use ; Strategy/premise ; Dialogue with performance -- Preludes op. 28. A comparative review of analytical approaches : Prelude no. 5 ; Phrase structure and metric ambiguity : Prelude no. 12 ; Tonal and rhythmic hidden repetition in Prelude no. 14 ; Contour and flux : Prelude no. 16 ; Figuration in Prelude no. 21 ; Ambiguity of tonal meaning : Prelude no. 22 -- Nocturnes. Shared compositional strategies in Chopin's Nocturnes op. 48 ; Intra-opus connections in Chopin's Nocturne op. 27 -- The Barcarolle. Structural coupling in the coda of Chopin's Barcarolle. | |
520 | |a Alison Hood combines significant aspects of current analytical approaches and applies that unique synthetic method to selected works by Chopin. The specific combination of five aspects distinguishes Hood's method from previous analytical approaches. These five methods are attention to the rhythms created by pitch events on all structural levels; a detailed accounting of the musical surface; 'strict use' of analytical notation; a continual concern with 'strategies' or 'premises'; and an exploration of how recorded performances might be viewed in terms of analytical decisions, or might even shap. | ||
546 | |a English. | ||
600 | 1 | 0 | |a Chopin, Frédéric, |d 1810-1849. |t Preludes, |m piano, |n op. 28. |0 http://id.loc.gov/authorities/names/n81085483 |
600 | 1 | 0 | |a Chopin, Frédéric, |d 1810-1849. |t Nocturnes, |m piano, |n op. 48. |0 http://id.loc.gov/authorities/names/no00047909 |
600 | 1 | 0 | |a Chopin, Frédéric, |d 1810-1849. |t Nocturnes, |m piano, |n op. 27. |0 http://id.loc.gov/authorities/names/no2001061987 |
600 | 1 | 0 | |a Chopin, Frédéric, |d 1810-1849. |t Barcarolle, |m piano, |n op. 60, |r F♯ major. |0 http://id.loc.gov/authorities/names/no95032889 |
630 | 0 | 7 | |a Barcarolle (Chopin, Frédéric) |2 fast |
630 | 0 | 7 | |a Nocturnes (Chopin, Frédéric) |2 fast |
630 | 0 | 7 | |a Preludes (Chopin, Frédéric) |2 fast |
650 | 0 | |a Piano music |x Analysis, appreciation. |0 http://id.loc.gov/authorities/subjects/sh85101783 | |
650 | 6 | |a Piano, Musique de |x Analyse et appréciation. | |
650 | 7 | |a MUSIC |x Musical Instruments |x Piano & Keyboard. |2 bisacsh | |
650 | 7 | |a MUSIC |x Printed Music |x Percussion. |2 bisacsh | |
650 | 7 | |a Piano music |x Analysis, appreciation |2 fast | |
700 | 1 | |a Hatten, Robert S. | |
758 | |i has work: |a Interpreting Chopin (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFXfpWtj77JpHyBrJ3GHQ3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |a Hood, Alison (Musician). |t Interpreting Chopin : analysis and performance. |d Surrey, England ; Burlington, Vermont : Ashgate, ©2014 |h xx, 236 pages |z 9781409452096 |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn876042811 |
---|---|
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adam_text | |
any_adam_object | |
author | Hood, Alison (Musician) |
author2 | Hatten, Robert S. |
author2_role | |
author2_variant | r s h rs rsh |
author_GND | http://id.loc.gov/authorities/names/no2006004972 |
author_facet | Hood, Alison (Musician) Hatten, Robert S. |
author_role | |
author_sort | Hood, Alison (Musician) |
author_variant | a h ah |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | M - Music |
callnumber-label | MT145 |
callnumber-raw | MT145.C5 .H66 2014eb |
callnumber-search | MT145.C5 .H66 2014eb |
callnumber-sort | MT 3145 C5 H66 42014EB |
callnumber-subject | MT - Instruction and Study |
collection | ZDB-4-EBA |
contents | Revealing the hidden dimensions. Rhythm ; Foreground emphasis ; Strict use ; Strategy/premise ; Dialogue with performance -- Preludes op. 28. A comparative review of analytical approaches : Prelude no. 5 ; Phrase structure and metric ambiguity : Prelude no. 12 ; Tonal and rhythmic hidden repetition in Prelude no. 14 ; Contour and flux : Prelude no. 16 ; Figuration in Prelude no. 21 ; Ambiguity of tonal meaning : Prelude no. 22 -- Nocturnes. Shared compositional strategies in Chopin's Nocturnes op. 48 ; Intra-opus connections in Chopin's Nocturne op. 27 -- The Barcarolle. Structural coupling in the coda of Chopin's Barcarolle. |
ctrlnum | (OCoLC)876042811 |
dewey-full | 786.2092 |
dewey-hundreds | 700 - The arts |
dewey-ones | 786 - Keyboard & other instruments |
dewey-raw | 786.2092 |
dewey-search | 786.2092 |
dewey-sort | 3786.2092 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Electronic eBook |
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id | ZDB-4-EBA-ocn876042811 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:25:54Z |
institution | BVB |
isbn | 9781409452102 1409452107 1317113594 9781317113591 1315589583 9781315589589 |
language | English |
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oclc_num | 876042811 |
open_access_boolean | |
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owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (257 pages) : illustrations |
psigel | ZDB-4-EBA |
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publisher | Ashgate, |
record_format | marc |
spelling | Hood, Alison (Musician) https://id.oclc.org/worldcat/entity/E39PCjxDvvxqd4wRhxjrx6CrVP http://id.loc.gov/authorities/names/no2006004972 Interpreting Chopin : analysis and performance / Alison Hood ; foreword by Robert S. Hatten. Surrey, England ; Burlington, Vermont : Ashgate, 2014. ©2014 1 online resource (257 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Print version record. Revealing the hidden dimensions. Rhythm ; Foreground emphasis ; Strict use ; Strategy/premise ; Dialogue with performance -- Preludes op. 28. A comparative review of analytical approaches : Prelude no. 5 ; Phrase structure and metric ambiguity : Prelude no. 12 ; Tonal and rhythmic hidden repetition in Prelude no. 14 ; Contour and flux : Prelude no. 16 ; Figuration in Prelude no. 21 ; Ambiguity of tonal meaning : Prelude no. 22 -- Nocturnes. Shared compositional strategies in Chopin's Nocturnes op. 48 ; Intra-opus connections in Chopin's Nocturne op. 27 -- The Barcarolle. Structural coupling in the coda of Chopin's Barcarolle. Alison Hood combines significant aspects of current analytical approaches and applies that unique synthetic method to selected works by Chopin. The specific combination of five aspects distinguishes Hood's method from previous analytical approaches. These five methods are attention to the rhythms created by pitch events on all structural levels; a detailed accounting of the musical surface; 'strict use' of analytical notation; a continual concern with 'strategies' or 'premises'; and an exploration of how recorded performances might be viewed in terms of analytical decisions, or might even shap. English. Chopin, Frédéric, 1810-1849. Preludes, piano, op. 28. http://id.loc.gov/authorities/names/n81085483 Chopin, Frédéric, 1810-1849. Nocturnes, piano, op. 48. http://id.loc.gov/authorities/names/no00047909 Chopin, Frédéric, 1810-1849. Nocturnes, piano, op. 27. http://id.loc.gov/authorities/names/no2001061987 Chopin, Frédéric, 1810-1849. Barcarolle, piano, op. 60, F♯ major. http://id.loc.gov/authorities/names/no95032889 Barcarolle (Chopin, Frédéric) fast Nocturnes (Chopin, Frédéric) fast Preludes (Chopin, Frédéric) fast Piano music Analysis, appreciation. http://id.loc.gov/authorities/subjects/sh85101783 Piano, Musique de Analyse et appréciation. MUSIC Musical Instruments Piano & Keyboard. bisacsh MUSIC Printed Music Percussion. bisacsh Piano music Analysis, appreciation fast Hatten, Robert S. has work: Interpreting Chopin (Text) https://id.oclc.org/worldcat/entity/E39PCFXfpWtj77JpHyBrJ3GHQ3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Hood, Alison (Musician). Interpreting Chopin : analysis and performance. Surrey, England ; Burlington, Vermont : Ashgate, ©2014 xx, 236 pages 9781409452096 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=679840 Volltext |
spellingShingle | Hood, Alison (Musician) Interpreting Chopin : analysis and performance / Revealing the hidden dimensions. Rhythm ; Foreground emphasis ; Strict use ; Strategy/premise ; Dialogue with performance -- Preludes op. 28. A comparative review of analytical approaches : Prelude no. 5 ; Phrase structure and metric ambiguity : Prelude no. 12 ; Tonal and rhythmic hidden repetition in Prelude no. 14 ; Contour and flux : Prelude no. 16 ; Figuration in Prelude no. 21 ; Ambiguity of tonal meaning : Prelude no. 22 -- Nocturnes. Shared compositional strategies in Chopin's Nocturnes op. 48 ; Intra-opus connections in Chopin's Nocturne op. 27 -- The Barcarolle. Structural coupling in the coda of Chopin's Barcarolle. Chopin, Frédéric, 1810-1849. Preludes, piano, op. 28. http://id.loc.gov/authorities/names/n81085483 Chopin, Frédéric, 1810-1849. Nocturnes, piano, op. 48. http://id.loc.gov/authorities/names/no00047909 Chopin, Frédéric, 1810-1849. Nocturnes, piano, op. 27. http://id.loc.gov/authorities/names/no2001061987 Chopin, Frédéric, 1810-1849. Barcarolle, piano, op. 60, F♯ major. http://id.loc.gov/authorities/names/no95032889 Barcarolle (Chopin, Frédéric) fast Nocturnes (Chopin, Frédéric) fast Preludes (Chopin, Frédéric) fast Piano music Analysis, appreciation. http://id.loc.gov/authorities/subjects/sh85101783 Piano, Musique de Analyse et appréciation. MUSIC Musical Instruments Piano & Keyboard. bisacsh MUSIC Printed Music Percussion. bisacsh Piano music Analysis, appreciation fast |
subject_GND | http://id.loc.gov/authorities/names/n81085483 http://id.loc.gov/authorities/names/no00047909 http://id.loc.gov/authorities/names/no2001061987 http://id.loc.gov/authorities/names/no95032889 http://id.loc.gov/authorities/subjects/sh85101783 |
title | Interpreting Chopin : analysis and performance / |
title_auth | Interpreting Chopin : analysis and performance / |
title_exact_search | Interpreting Chopin : analysis and performance / |
title_full | Interpreting Chopin : analysis and performance / Alison Hood ; foreword by Robert S. Hatten. |
title_fullStr | Interpreting Chopin : analysis and performance / Alison Hood ; foreword by Robert S. Hatten. |
title_full_unstemmed | Interpreting Chopin : analysis and performance / Alison Hood ; foreword by Robert S. Hatten. |
title_short | Interpreting Chopin : |
title_sort | interpreting chopin analysis and performance |
title_sub | analysis and performance / |
topic | Chopin, Frédéric, 1810-1849. Preludes, piano, op. 28. http://id.loc.gov/authorities/names/n81085483 Chopin, Frédéric, 1810-1849. Nocturnes, piano, op. 48. http://id.loc.gov/authorities/names/no00047909 Chopin, Frédéric, 1810-1849. Nocturnes, piano, op. 27. http://id.loc.gov/authorities/names/no2001061987 Chopin, Frédéric, 1810-1849. Barcarolle, piano, op. 60, F♯ major. http://id.loc.gov/authorities/names/no95032889 Barcarolle (Chopin, Frédéric) fast Nocturnes (Chopin, Frédéric) fast Preludes (Chopin, Frédéric) fast Piano music Analysis, appreciation. http://id.loc.gov/authorities/subjects/sh85101783 Piano, Musique de Analyse et appréciation. MUSIC Musical Instruments Piano & Keyboard. bisacsh MUSIC Printed Music Percussion. bisacsh Piano music Analysis, appreciation fast |
topic_facet | Chopin, Frédéric, 1810-1849. Preludes, piano, op. 28. Chopin, Frédéric, 1810-1849. Nocturnes, piano, op. 48. Chopin, Frédéric, 1810-1849. Nocturnes, piano, op. 27. Chopin, Frédéric, 1810-1849. Barcarolle, piano, op. 60, F♯ major. Barcarolle (Chopin, Frédéric) Nocturnes (Chopin, Frédéric) Preludes (Chopin, Frédéric) Piano music Analysis, appreciation. Piano, Musique de Analyse et appréciation. MUSIC Musical Instruments Piano & Keyboard. MUSIC Printed Music Percussion. Piano music Analysis, appreciation |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=679840 |
work_keys_str_mv | AT hoodalison interpretingchopinanalysisandperformance AT hattenroberts interpretingchopinanalysisandperformance |