Flesh and fabric: the raiment of the Passion in a "Crucifixion" by Pietro Lorenzetti
Although the works of Pietro Lorenzetti (1280–1348) rank among the most famous of the fourteenth century, one of his panels, a small Crucifixion, has remained largely overlooked, despite its unique imagery. Combining three temporal horizons—past, present, and eschatological future—within an unparall...
Gespeichert in:
| Hauptverfasser: | , , , , , , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Rome
Officia Libraria
2024
|
| Schriftenreihe: | Villa I Tatti series
37 |
| Zusammenfassung: | Although the works of Pietro Lorenzetti (1280–1348) rank among the most famous of the fourteenth century, one of his panels, a small Crucifixion, has remained largely overlooked, despite its unique imagery. Combining three temporal horizons—past, present, and eschatological future—within an unparalleled allegorical presentation of the Crucifixion, this panel grants precedence to Clare of Assisi over Francis, founder of the Franciscan Order. Probably created for a nun, Lorenzetti’s painting turns abstruse allegory into a vehicle for a self-conscious meditation on the power of painting itself. In Flesh and Fabric: The Raiment of the Passion in a Crucifixion by Pietro Lorenzetti, Jeffrey F. Hamburger explores the historical context of this panel as well as the subtleties of Pietro’s painting technique and iconographic imagination, enriching not only our understanding of one of the most innovative artists of the Trecento but also of Italian painting during one of its most generative periods. In addition to an iconographical analysis and historical contextualization of the panel, this volume includes a technical analysis that reveals the subtleties of the painting’s technique and reconstructs its original format, demonstrating that, from the start, this panel was a freestanding devotional image |
| Beschreibung: | 175 Seiten Illustrationen |
| ISBN: | 9788833672946 9780674299825 |
Internformat
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| 245 | 1 | 0 | |a Flesh and fabric |b the raiment of the Passion in a "Crucifixion" by Pietro Lorenzetti |c Jeffrey H. Hamburger ; with a technical examination by Cristina Morilla, Alan Miller, and Kristin Holder ; and a scientific analysis by Georgina Rayner, Celia S. Chari, Katherine Eremin, and Arthur McClelland |
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| 520 | 3 | |a Although the works of Pietro Lorenzetti (1280–1348) rank among the most famous of the fourteenth century, one of his panels, a small Crucifixion, has remained largely overlooked, despite its unique imagery. Combining three temporal horizons—past, present, and eschatological future—within an unparalleled allegorical presentation of the Crucifixion, this panel grants precedence to Clare of Assisi over Francis, founder of the Franciscan Order. Probably created for a nun, Lorenzetti’s painting turns abstruse allegory into a vehicle for a self-conscious meditation on the power of painting itself. In Flesh and Fabric: The Raiment of the Passion in a Crucifixion by Pietro Lorenzetti, Jeffrey F. Hamburger explores the historical context of this panel as well as the subtleties of Pietro’s painting technique and iconographic imagination, enriching not only our understanding of one of the most innovative artists of the Trecento but also of Italian painting during one of its most generative periods. In addition to an iconographical analysis and historical contextualization of the panel, this volume includes a technical analysis that reveals the subtleties of the painting’s technique and reconstructs its original format, demonstrating that, from the start, this panel was a freestanding devotional image | |
| 700 | 1 | |a Morilla, Cristina |4 aut | |
| 700 | 1 | |a Miller, Alan |d 1942- |0 (DE-588)1011801663 |4 aut | |
| 700 | 1 | |a Holder, Kristin |4 aut | |
| 700 | 1 | |a Rayner, Georgina |4 aut | |
| 700 | 1 | |a Chari, Celia S. |4 aut | |
| 700 | 1 | |a Eremin, Katherine |4 aut | |
| 700 | 1 | |a McClelland, Arthur |0 (DE-588)1172112444 |4 aut | |
| 830 | 0 | |a Villa I Tatti series |v 37 |w (DE-604)BV037477584 |9 37 | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035227895 | |
Datensatz im Suchindex
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| author | Hamburger, Jeffrey F. 1957- Morilla, Cristina Miller, Alan 1942- Holder, Kristin Rayner, Georgina Chari, Celia S. Eremin, Katherine McClelland, Arthur |
| author2 | Morilla, Cristina Miller, Alan 1942- Holder, Kristin Rayner, Georgina Chari, Celia S. Eremin, Katherine McClelland, Arthur |
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| author_role | aut aut aut aut aut aut aut aut |
| author_sort | Hamburger, Jeffrey F. 1957- |
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| id | DE-604.BV049888687 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T17:00:24Z |
| institution | BVB |
| isbn | 9788833672946 9780674299825 |
| language | English |
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| physical | 175 Seiten Illustrationen |
| publishDate | 2024 |
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| publisher | Officia Libraria |
| record_format | marc |
| series | Villa I Tatti series |
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| spelling | Hamburger, Jeffrey F. 1957- Verfasser (DE-588)11448208X aut Flesh and fabric the raiment of the Passion in a "Crucifixion" by Pietro Lorenzetti Jeffrey H. Hamburger ; with a technical examination by Cristina Morilla, Alan Miller, and Kristin Holder ; and a scientific analysis by Georgina Rayner, Celia S. Chari, Katherine Eremin, and Arthur McClelland Rome Officia Libraria 2024 175 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier Villa I Tatti series 37 Although the works of Pietro Lorenzetti (1280–1348) rank among the most famous of the fourteenth century, one of his panels, a small Crucifixion, has remained largely overlooked, despite its unique imagery. Combining three temporal horizons—past, present, and eschatological future—within an unparalleled allegorical presentation of the Crucifixion, this panel grants precedence to Clare of Assisi over Francis, founder of the Franciscan Order. Probably created for a nun, Lorenzetti’s painting turns abstruse allegory into a vehicle for a self-conscious meditation on the power of painting itself. In Flesh and Fabric: The Raiment of the Passion in a Crucifixion by Pietro Lorenzetti, Jeffrey F. Hamburger explores the historical context of this panel as well as the subtleties of Pietro’s painting technique and iconographic imagination, enriching not only our understanding of one of the most innovative artists of the Trecento but also of Italian painting during one of its most generative periods. In addition to an iconographical analysis and historical contextualization of the panel, this volume includes a technical analysis that reveals the subtleties of the painting’s technique and reconstructs its original format, demonstrating that, from the start, this panel was a freestanding devotional image Morilla, Cristina aut Miller, Alan 1942- (DE-588)1011801663 aut Holder, Kristin aut Rayner, Georgina aut Chari, Celia S. aut Eremin, Katherine aut McClelland, Arthur (DE-588)1172112444 aut Villa I Tatti series 37 (DE-604)BV037477584 37 |
| spellingShingle | Hamburger, Jeffrey F. 1957- Morilla, Cristina Miller, Alan 1942- Holder, Kristin Rayner, Georgina Chari, Celia S. Eremin, Katherine McClelland, Arthur Flesh and fabric the raiment of the Passion in a "Crucifixion" by Pietro Lorenzetti Villa I Tatti series |
| title | Flesh and fabric the raiment of the Passion in a "Crucifixion" by Pietro Lorenzetti |
| title_auth | Flesh and fabric the raiment of the Passion in a "Crucifixion" by Pietro Lorenzetti |
| title_exact_search | Flesh and fabric the raiment of the Passion in a "Crucifixion" by Pietro Lorenzetti |
| title_full | Flesh and fabric the raiment of the Passion in a "Crucifixion" by Pietro Lorenzetti Jeffrey H. Hamburger ; with a technical examination by Cristina Morilla, Alan Miller, and Kristin Holder ; and a scientific analysis by Georgina Rayner, Celia S. Chari, Katherine Eremin, and Arthur McClelland |
| title_fullStr | Flesh and fabric the raiment of the Passion in a "Crucifixion" by Pietro Lorenzetti Jeffrey H. Hamburger ; with a technical examination by Cristina Morilla, Alan Miller, and Kristin Holder ; and a scientific analysis by Georgina Rayner, Celia S. Chari, Katherine Eremin, and Arthur McClelland |
| title_full_unstemmed | Flesh and fabric the raiment of the Passion in a "Crucifixion" by Pietro Lorenzetti Jeffrey H. Hamburger ; with a technical examination by Cristina Morilla, Alan Miller, and Kristin Holder ; and a scientific analysis by Georgina Rayner, Celia S. Chari, Katherine Eremin, and Arthur McClelland |
| title_short | Flesh and fabric |
| title_sort | flesh and fabric the raiment of the passion in a crucifixion by pietro lorenzetti |
| title_sub | the raiment of the Passion in a "Crucifixion" by Pietro Lorenzetti |
| volume_link | (DE-604)BV037477584 |
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