Musical form, forms & formenlehre :: three methodological reflections /
The tone of the debates among Caplin, Hepokoski, and Webster (in the form of comments on each author''s essay and then responses to the comments), though tactful, is obliquely blunt and tendentious; like the best of tennis pros, each author strives to serve an ace and defends the net again...
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Hauptverfasser: | , , |
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Weitere Verfasser: | |
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Leuven :
Leuven University Press,
[©2009]
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Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | The tone of the debates among Caplin, Hepokoski, and Webster (in the form of comments on each author''s essay and then responses to the comments), though tactful, is obliquely blunt and tendentious; like the best of tennis pros, each author strives to serve an ace and defends the net against a passing shot (with Caplin, the ace is for formal function; with Hepokoski for Sonata Theory and dialogic form; with Webster for multivalent analysis). But we can trust that this provocative exchange will thoroughly invigorate discussions about classical form and encourage diverse approaches to its analys. |
Beschreibung: | 1 online resource (179 pages) : illustrations, music |
Bibliographie: | Includes bibliographical references (pages 171-175). |
ISBN: | 9789461660046 9461660049 |
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100 | 1 | |a Caplin, William Earl, |d 1948- |e author. |1 https://id.oclc.org/worldcat/entity/E39PBJdCrWhgPR9qFH7B8vMgKd |0 http://id.loc.gov/authorities/names/n90628011 | |
245 | 1 | 0 | |a Musical form, forms & formenlehre : |b three methodological reflections / |c William E. Caplin, James Hepokoski, James Webster ; edited by Pieter Bergé. |
260 | |a Leuven : |b Leuven University Press, |c [©2009] | ||
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504 | |a Includes bibliographical references (pages 171-175). | ||
588 | 0 | |a Print version record. | |
505 | 0 | |a Preface / Ludwig Holtmeier -- Prologue: Considering musical form, forms and formenlehre / Pieter Bergé -- Part I. William E. Caplin & the theory of formal functions -- What are formal functions? / William E. Caplin -- Comments of William E. Caplin's essay "What are formal functions?" / James Hepokoski -- Comments of William E. Caplin's essay "What are formal functions?" / James Webster -- Response to the comments / William E. Caplin. | |
505 | 8 | |a Part II. James Hepokoski & the concept of dialogic form -- Sonata theory and dialogic form / James Hepokoski -- Comments on James Hepokoski's essay "Sonata theory and dialogic form" / William E. Caplin -- Comments on James Hepokoski's essay "Sonata theory and dialogic form" / James Webster -- Response to the comments / James Hepokoski. | |
505 | 8 | |a Part III. James Webster & the doncerpt of multivalent analysis -- Formenlehre in theory and practice / James Webster -- Comments on James Webster's essay "Formenlehre in theory and practice / William E. Caplin -- Comments on James Webster's essay "Formenlehre in theory and practice / James Hepokoski -- Response to the comments / James Webster -- Epilogue: The future of formenlehre / Pieter Bergé -- Bibliography -- About the authors. | |
520 | |a The tone of the debates among Caplin, Hepokoski, and Webster (in the form of comments on each author''s essay and then responses to the comments), though tactful, is obliquely blunt and tendentious; like the best of tennis pros, each author strives to serve an ace and defends the net against a passing shot (with Caplin, the ace is for formal function; with Hepokoski for Sonata Theory and dialogic form; with Webster for multivalent analysis). But we can trust that this provocative exchange will thoroughly invigorate discussions about classical form and encourage diverse approaches to its analys. | ||
546 | |a English. | ||
650 | 0 | |a Musical form. |0 http://id.loc.gov/authorities/subjects/sh85088959 | |
650 | 6 | |a Formes musicales. | |
650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
650 | 7 | |a MUSIC |x General. |2 bisacsh | |
650 | 7 | |a Musical form |2 fast | |
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650 | 1 | 7 | |a Componeren. |2 gtt |
700 | 1 | |a Hepokoski, James A. |q (James Arnold), |d 1946- |e author. |1 https://id.oclc.org/worldcat/entity/E39PBJt44HkK7WtQq8krP8G8md |0 http://id.loc.gov/authorities/names/n83065730 | |
700 | 1 | |a Webster, James, |d 1942- |e author. |1 https://id.oclc.org/worldcat/entity/E39PBJqQrCPJWGRdpT4wRK4THC |0 http://id.loc.gov/authorities/names/n80063375 | |
700 | 1 | |a Bergé, Pieter, |e editor. |1 https://id.oclc.org/worldcat/entity/E39PBJcBVWHJRH96BwxPVR3CwC |0 http://id.loc.gov/authorities/names/no2002101120 | |
776 | 0 | 8 | |i Print version: |a Caplin, William Earl, 1948- |t Musical form, forms & formenlehre. |d Leuven : Leuven University Press, [©2009] |w (DLC) 2009430444 |
811 | 2 | |a European Conference of Music Analysis |n (6th : |d 2007 : |c Freiburg, Germany). |t Formenlehre. | |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn715171783 |
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adam_text | |
any_adam_object | |
author | Caplin, William Earl, 1948- Hepokoski, James A. (James Arnold), 1946- Webster, James, 1942- |
author2 | Bergé, Pieter |
author2_role | edt |
author2_variant | p b pb |
author_GND | http://id.loc.gov/authorities/names/n90628011 http://id.loc.gov/authorities/names/n83065730 http://id.loc.gov/authorities/names/n80063375 http://id.loc.gov/authorities/names/no2002101120 |
author_facet | Caplin, William Earl, 1948- Hepokoski, James A. (James Arnold), 1946- Webster, James, 1942- Bergé, Pieter |
author_role | aut aut aut |
author_sort | Caplin, William Earl, 1948- |
author_variant | w e c we wec j a h ja jah j w jw |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | M - Music |
callnumber-label | MT58 |
callnumber-raw | MT58 .C38 2009eb |
callnumber-search | MT58 .C38 2009eb |
callnumber-sort | MT 258 C38 42009EB |
callnumber-subject | MT - Instruction and Study |
collection | ZDB-4-EBA |
contents | Preface / Ludwig Holtmeier -- Prologue: Considering musical form, forms and formenlehre / Pieter Bergé -- Part I. William E. Caplin & the theory of formal functions -- What are formal functions? / William E. Caplin -- Comments of William E. Caplin's essay "What are formal functions?" / James Hepokoski -- Comments of William E. Caplin's essay "What are formal functions?" / James Webster -- Response to the comments / William E. Caplin. Part II. James Hepokoski & the concept of dialogic form -- Sonata theory and dialogic form / James Hepokoski -- Comments on James Hepokoski's essay "Sonata theory and dialogic form" / William E. Caplin -- Comments on James Hepokoski's essay "Sonata theory and dialogic form" / James Webster -- Response to the comments / James Hepokoski. Part III. James Webster & the doncerpt of multivalent analysis -- Formenlehre in theory and practice / James Webster -- Comments on James Webster's essay "Formenlehre in theory and practice / William E. Caplin -- Comments on James Webster's essay "Formenlehre in theory and practice / James Hepokoski -- Response to the comments / James Webster -- Epilogue: The future of formenlehre / Pieter Bergé -- Bibliography -- About the authors. |
ctrlnum | (OCoLC)715171783 |
dewey-full | 781.8 |
dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781.8 |
dewey-search | 781.8 |
dewey-sort | 3781.8 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Electronic eBook |
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William E. Caplin & the theory of formal functions -- What are formal functions? / William E. Caplin -- Comments of William E. Caplin's essay "What are formal functions?" / James Hepokoski -- Comments of William E. Caplin's essay "What are formal functions?" / James Webster -- Response to the comments / William E. Caplin.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Part II. James Hepokoski & the concept of dialogic form -- Sonata theory and dialogic form / James Hepokoski -- Comments on James Hepokoski's essay "Sonata theory and dialogic form" / William E. Caplin -- Comments on James Hepokoski's essay "Sonata theory and dialogic form" / James Webster -- Response to the comments / James Hepokoski.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Part III. James Webster & the doncerpt of multivalent analysis -- Formenlehre in theory and practice / James Webster -- Comments on James Webster's essay "Formenlehre in theory and practice / William E. Caplin -- Comments on James Webster's essay "Formenlehre in theory and practice / James Hepokoski -- Response to the comments / James Webster -- Epilogue: The future of formenlehre / Pieter Bergé -- Bibliography -- About the authors.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The tone of the debates among Caplin, Hepokoski, and Webster (in the form of comments on each author''s essay and then responses to the comments), though tactful, is obliquely blunt and tendentious; like the best of tennis pros, each author strives to serve an ace and defends the net against a passing shot (with Caplin, the ace is for formal function; with Hepokoski for Sonata Theory and dialogic form; with Webster for multivalent analysis). But we can trust that this provocative exchange will thoroughly invigorate discussions about classical form and encourage diverse approaches to its analys.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Musical form.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85088959</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Formes musicales.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Instruction & Study</subfield><subfield code="x">Theory.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Musical form</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1="1" ind2="7"><subfield code="a">Vormleer (muziek)</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1="1" ind2="7"><subfield code="a">Componeren.</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hepokoski, James A.</subfield><subfield code="q">(James Arnold),</subfield><subfield code="d">1946-</subfield><subfield code="e">author.</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJt44HkK7WtQq8krP8G8md</subfield><subfield code="0">http://id.loc.gov/authorities/names/n83065730</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Webster, James,</subfield><subfield code="d">1942-</subfield><subfield code="e">author.</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJqQrCPJWGRdpT4wRK4THC</subfield><subfield code="0">http://id.loc.gov/authorities/names/n80063375</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bergé, Pieter,</subfield><subfield code="e">editor.</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJcBVWHJRH96BwxPVR3CwC</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2002101120</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Caplin, William Earl, 1948-</subfield><subfield code="t">Musical form, forms & formenlehre.</subfield><subfield code="d">Leuven : Leuven University Press, [©2009]</subfield><subfield code="w">(DLC) 2009430444</subfield></datafield><datafield tag="811" ind1="2" ind2=" "><subfield code="a">European Conference of Music Analysis</subfield><subfield code="n">(6th :</subfield><subfield code="d">2007 :</subfield><subfield code="c">Freiburg, Germany).</subfield><subfield code="t">Formenlehre.</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=437114</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="936" ind1=" " ind2=" "><subfield code="a">BATCHLOAD</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL1762960</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ebrary</subfield><subfield code="b">EBRY</subfield><subfield code="n">ebr10452823</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">437114</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Project MUSE</subfield><subfield code="b">MUSE</subfield><subfield code="n">muse29503</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">4372462</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
id | ZDB-4-EBA-ocn715171783 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:17:47Z |
institution | BVB |
isbn | 9789461660046 9461660049 |
language | English |
oclc_num | 715171783 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (179 pages) : illustrations, music |
psigel | ZDB-4-EBA |
publishDate | 2009 |
publishDateSearch | 2009 |
publishDateSort | 2009 |
publisher | Leuven University Press, |
record_format | marc |
spelling | Caplin, William Earl, 1948- author. https://id.oclc.org/worldcat/entity/E39PBJdCrWhgPR9qFH7B8vMgKd http://id.loc.gov/authorities/names/n90628011 Musical form, forms & formenlehre : three methodological reflections / William E. Caplin, James Hepokoski, James Webster ; edited by Pieter Bergé. Leuven : Leuven University Press, [©2009] 1 online resource (179 pages) : illustrations, music text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 171-175). Print version record. Preface / Ludwig Holtmeier -- Prologue: Considering musical form, forms and formenlehre / Pieter Bergé -- Part I. William E. Caplin & the theory of formal functions -- What are formal functions? / William E. Caplin -- Comments of William E. Caplin's essay "What are formal functions?" / James Hepokoski -- Comments of William E. Caplin's essay "What are formal functions?" / James Webster -- Response to the comments / William E. Caplin. Part II. James Hepokoski & the concept of dialogic form -- Sonata theory and dialogic form / James Hepokoski -- Comments on James Hepokoski's essay "Sonata theory and dialogic form" / William E. Caplin -- Comments on James Hepokoski's essay "Sonata theory and dialogic form" / James Webster -- Response to the comments / James Hepokoski. Part III. James Webster & the doncerpt of multivalent analysis -- Formenlehre in theory and practice / James Webster -- Comments on James Webster's essay "Formenlehre in theory and practice / William E. Caplin -- Comments on James Webster's essay "Formenlehre in theory and practice / James Hepokoski -- Response to the comments / James Webster -- Epilogue: The future of formenlehre / Pieter Bergé -- Bibliography -- About the authors. The tone of the debates among Caplin, Hepokoski, and Webster (in the form of comments on each author''s essay and then responses to the comments), though tactful, is obliquely blunt and tendentious; like the best of tennis pros, each author strives to serve an ace and defends the net against a passing shot (with Caplin, the ace is for formal function; with Hepokoski for Sonata Theory and dialogic form; with Webster for multivalent analysis). But we can trust that this provocative exchange will thoroughly invigorate discussions about classical form and encourage diverse approaches to its analys. English. Musical form. http://id.loc.gov/authorities/subjects/sh85088959 Formes musicales. MUSIC Instruction & Study Theory. bisacsh MUSIC General. bisacsh Musical form fast Vormleer (muziek) gtt Componeren. gtt Hepokoski, James A. (James Arnold), 1946- author. https://id.oclc.org/worldcat/entity/E39PBJt44HkK7WtQq8krP8G8md http://id.loc.gov/authorities/names/n83065730 Webster, James, 1942- author. https://id.oclc.org/worldcat/entity/E39PBJqQrCPJWGRdpT4wRK4THC http://id.loc.gov/authorities/names/n80063375 Bergé, Pieter, editor. https://id.oclc.org/worldcat/entity/E39PBJcBVWHJRH96BwxPVR3CwC http://id.loc.gov/authorities/names/no2002101120 Print version: Caplin, William Earl, 1948- Musical form, forms & formenlehre. Leuven : Leuven University Press, [©2009] (DLC) 2009430444 European Conference of Music Analysis (6th : 2007 : Freiburg, Germany). Formenlehre. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=437114 Volltext |
spellingShingle | Caplin, William Earl, 1948- Hepokoski, James A. (James Arnold), 1946- Webster, James, 1942- Musical form, forms & formenlehre : three methodological reflections / Preface / Ludwig Holtmeier -- Prologue: Considering musical form, forms and formenlehre / Pieter Bergé -- Part I. William E. Caplin & the theory of formal functions -- What are formal functions? / William E. Caplin -- Comments of William E. Caplin's essay "What are formal functions?" / James Hepokoski -- Comments of William E. Caplin's essay "What are formal functions?" / James Webster -- Response to the comments / William E. Caplin. Part II. James Hepokoski & the concept of dialogic form -- Sonata theory and dialogic form / James Hepokoski -- Comments on James Hepokoski's essay "Sonata theory and dialogic form" / William E. Caplin -- Comments on James Hepokoski's essay "Sonata theory and dialogic form" / James Webster -- Response to the comments / James Hepokoski. Part III. James Webster & the doncerpt of multivalent analysis -- Formenlehre in theory and practice / James Webster -- Comments on James Webster's essay "Formenlehre in theory and practice / William E. Caplin -- Comments on James Webster's essay "Formenlehre in theory and practice / James Hepokoski -- Response to the comments / James Webster -- Epilogue: The future of formenlehre / Pieter Bergé -- Bibliography -- About the authors. Musical form. http://id.loc.gov/authorities/subjects/sh85088959 Formes musicales. MUSIC Instruction & Study Theory. bisacsh MUSIC General. bisacsh Musical form fast Vormleer (muziek) gtt Componeren. gtt |
subject_GND | http://id.loc.gov/authorities/subjects/sh85088959 |
title | Musical form, forms & formenlehre : three methodological reflections / |
title_auth | Musical form, forms & formenlehre : three methodological reflections / |
title_exact_search | Musical form, forms & formenlehre : three methodological reflections / |
title_full | Musical form, forms & formenlehre : three methodological reflections / William E. Caplin, James Hepokoski, James Webster ; edited by Pieter Bergé. |
title_fullStr | Musical form, forms & formenlehre : three methodological reflections / William E. Caplin, James Hepokoski, James Webster ; edited by Pieter Bergé. |
title_full_unstemmed | Musical form, forms & formenlehre : three methodological reflections / William E. Caplin, James Hepokoski, James Webster ; edited by Pieter Bergé. |
title_short | Musical form, forms & formenlehre : |
title_sort | musical form forms formenlehre three methodological reflections |
title_sub | three methodological reflections / |
topic | Musical form. http://id.loc.gov/authorities/subjects/sh85088959 Formes musicales. MUSIC Instruction & Study Theory. bisacsh MUSIC General. bisacsh Musical form fast Vormleer (muziek) gtt Componeren. gtt |
topic_facet | Musical form. Formes musicales. MUSIC Instruction & Study Theory. MUSIC General. Musical form Vormleer (muziek) Componeren. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=437114 |
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