Goth: Undead Subculture
Since it first emerged from Britain's punk-rock scene in the late 1970s, goth subculture has haunted postmodern culture and society, reinventing itself inside and against the mainstream. Goth: Undead Subculture is the first collection of scholarly essays devoted to this enduring yet little exam...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Durham
Duke University Press
[2007]
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Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
Zusammenfassung: | Since it first emerged from Britain's punk-rock scene in the late 1970s, goth subculture has haunted postmodern culture and society, reinventing itself inside and against the mainstream. Goth: Undead Subculture is the first collection of scholarly essays devoted to this enduring yet little examined cultural phenomenon. Twenty-three essays from various disciplines explore the music, cinema, television, fashion, literature, aesthetics, and fandoms associated with the subculture. They examine goth's many dimensions-including its melancholy, androgyny, spirituality, and perversity-and take readers inside locations in Los Angeles, Austin, Leeds, London, Buffalo, New York City, and Sydney. A number of the contributors are or have been participants in the subculture, and several draw on their own experiences.The volume's editors provide a rich history of goth, describing its play of resistance and consumerism; its impact on class, race, and gender; and its distinctive features as an "undead" subculture in light of post-subculture studies and other critical approaches. The essays include an interview with the distinguished fashion historian Valerie Steele; analyses of novels by Anne Rice, Poppy Z. Brite, and Nick Cave; discussions of goths on the Internet; and readings of iconic goth texts from Bram Stoker's Dracula to James O'Barr's graphic novel The Crow. Other essays focus on gothic music, including seminal precursors such as Joy Division and David Bowie, and goth-influenced performers such as the Cure, Nine Inch Nails, and Marilyn Manson. Gothic sexuality is explored in multiple ways, the subjects ranging from the San Francisco queercore scene of the 1980s to the increasing influence of fetishism and fetish play. Together these essays demonstrate that while its participants are often middle-class suburbanites, goth blurs normalizing boundaries even as it appears as an everlasting shadow of late capitalism.Contributors: Heather Arnet, Michael Bibby, Jessica Burstein, Angel M. Butts, Michael du Plessis, Jason Friedman, Nancy Gagnier, Ken Gelder, Lauren M. E. Goodlad, Joshua Gunn, Trevor Holmes, Paul Hodkinson, David Lenson, Robert Markley, Mark Nowak, Anna Powell, Kristen Schilt, Rebecca Schraffenberger, David Shumway, Carol Siegel, Catherine Spooner, Lauren Stasiak, Jeffrey Andrew Weinstock |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
Beschreibung: | 1 online resource (454 pages) 67 illustrations |
ISBN: | 9780822389705 |
DOI: | 10.1515/9780822389705 |
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520 | |a Since it first emerged from Britain's punk-rock scene in the late 1970s, goth subculture has haunted postmodern culture and society, reinventing itself inside and against the mainstream. Goth: Undead Subculture is the first collection of scholarly essays devoted to this enduring yet little examined cultural phenomenon. Twenty-three essays from various disciplines explore the music, cinema, television, fashion, literature, aesthetics, and fandoms associated with the subculture. They examine goth's many dimensions-including its melancholy, androgyny, spirituality, and perversity-and take readers inside locations in Los Angeles, Austin, Leeds, London, Buffalo, New York City, and Sydney. | ||
520 | |a A number of the contributors are or have been participants in the subculture, and several draw on their own experiences.The volume's editors provide a rich history of goth, describing its play of resistance and consumerism; its impact on class, race, and gender; and its distinctive features as an "undead" subculture in light of post-subculture studies and other critical approaches. The essays include an interview with the distinguished fashion historian Valerie Steele; analyses of novels by Anne Rice, Poppy Z. Brite, and Nick Cave; discussions of goths on the Internet; and readings of iconic goth texts from Bram Stoker's Dracula to James O'Barr's graphic novel The Crow. Other essays focus on gothic music, including seminal precursors such as Joy Division and David Bowie, and goth-influenced performers such as the Cure, Nine Inch Nails, and Marilyn Manson. | ||
520 | |a Gothic sexuality is explored in multiple ways, the subjects ranging from the San Francisco queercore scene of the 1980s to the increasing influence of fetishism and fetish play. Together these essays demonstrate that while its participants are often middle-class suburbanites, goth blurs normalizing boundaries even as it appears as an everlasting shadow of late capitalism.Contributors: Heather Arnet, Michael Bibby, Jessica Burstein, Angel M. Butts, Michael du Plessis, Jason Friedman, Nancy Gagnier, Ken Gelder, Lauren M. E. Goodlad, Joshua Gunn, Trevor Holmes, Paul Hodkinson, David Lenson, Robert Markley, Mark Nowak, Anna Powell, Kristen Schilt, Rebecca Schraffenberger, David Shumway, Carol Siegel, Catherine Spooner, Lauren Stasiak, Jeffrey Andrew Weinstock | ||
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Datensatz im Suchindex
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author2 | Angel M., Butts Anna, Powell Bibby, Michael Carol, Siegel Catherine, Spooner David, Lenson David, Shumway Goodlad, Lauren M. E. Heather, Arnet Jason K., Friedman Jeffrey Andrew, Weinstock Jessica, Burstein Joshua, Gunn Ken, Gelder Kristen, Schilt Lauren M. E., Goodlad Lauren, Stasiak Mark, Nowak Michael, Bibby Michael, du Plessis |
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author_facet | Angel M., Butts Anna, Powell Bibby, Michael Carol, Siegel Catherine, Spooner David, Lenson David, Shumway Goodlad, Lauren M. E. Heather, Arnet Jason K., Friedman Jeffrey Andrew, Weinstock Jessica, Burstein Joshua, Gunn Ken, Gelder Kristen, Schilt Lauren M. E., Goodlad Lauren, Stasiak Mark, Nowak Michael, Bibby Michael, du Plessis |
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dewey-ones | 306 - Culture and institutions |
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dewey-tens | 300 - Social sciences |
discipline | Soziologie |
discipline_str_mv | Soziologie |
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id | DE-604.BV047048795 |
illustrated | Illustrated |
index_date | 2024-07-03T16:07:29Z |
indexdate | 2024-07-10T09:01:08Z |
institution | BVB |
isbn | 9780822389705 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032456191 |
oclc_num | 1226706385 |
open_access_boolean | |
owner | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 |
owner_facet | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 |
physical | 1 online resource (454 pages) 67 illustrations |
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publishDate | 2007 |
publishDateSearch | 2007 |
publishDateSort | 2007 |
publisher | Duke University Press |
record_format | marc |
spelling | Goth Undead Subculture Michael Bibby, Lauren M. E. Goodlad Durham Duke University Press [2007] © 2007 1 online resource (454 pages) 67 illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) Since it first emerged from Britain's punk-rock scene in the late 1970s, goth subculture has haunted postmodern culture and society, reinventing itself inside and against the mainstream. Goth: Undead Subculture is the first collection of scholarly essays devoted to this enduring yet little examined cultural phenomenon. Twenty-three essays from various disciplines explore the music, cinema, television, fashion, literature, aesthetics, and fandoms associated with the subculture. They examine goth's many dimensions-including its melancholy, androgyny, spirituality, and perversity-and take readers inside locations in Los Angeles, Austin, Leeds, London, Buffalo, New York City, and Sydney. A number of the contributors are or have been participants in the subculture, and several draw on their own experiences.The volume's editors provide a rich history of goth, describing its play of resistance and consumerism; its impact on class, race, and gender; and its distinctive features as an "undead" subculture in light of post-subculture studies and other critical approaches. The essays include an interview with the distinguished fashion historian Valerie Steele; analyses of novels by Anne Rice, Poppy Z. Brite, and Nick Cave; discussions of goths on the Internet; and readings of iconic goth texts from Bram Stoker's Dracula to James O'Barr's graphic novel The Crow. Other essays focus on gothic music, including seminal precursors such as Joy Division and David Bowie, and goth-influenced performers such as the Cure, Nine Inch Nails, and Marilyn Manson. Gothic sexuality is explored in multiple ways, the subjects ranging from the San Francisco queercore scene of the 1980s to the increasing influence of fetishism and fetish play. Together these essays demonstrate that while its participants are often middle-class suburbanites, goth blurs normalizing boundaries even as it appears as an everlasting shadow of late capitalism.Contributors: Heather Arnet, Michael Bibby, Jessica Burstein, Angel M. Butts, Michael du Plessis, Jason Friedman, Nancy Gagnier, Ken Gelder, Lauren M. E. Goodlad, Joshua Gunn, Trevor Holmes, Paul Hodkinson, David Lenson, Robert Markley, Mark Nowak, Anna Powell, Kristen Schilt, Rebecca Schraffenberger, David Shumway, Carol Siegel, Catherine Spooner, Lauren Stasiak, Jeffrey Andrew Weinstock In English SOCIAL SCIENCE / Popular Culture bisacsh Goth culture (Subculture) Angel M., Butts ctb Anna, Powell ctb Bibby, Michael edt Carol, Siegel ctb Catherine, Spooner ctb David, Lenson ctb David, Shumway ctb Goodlad, Lauren M. E. edt Gunn, Joshua Sonstige oth Heather, Arnet ctb Jason K., Friedman ctb Jeffrey Andrew, Weinstock ctb Jessica, Burstein ctb Joshua, Gunn ctb Ken, Gelder ctb Kristen, Schilt ctb Lauren M. E., Goodlad ctb Lauren, Stasiak ctb Mark, Nowak ctb Michael, Bibby ctb Michael, du Plessis ctb Nancy, GagnierXXecontributorXX4ctbXX4https://id.loc.gov/vocabulary/relators/ctb Sonstige oth Paul, HodkinsonXXecontributorXX4ctbXX4https://id.loc.gov/vocabulary/relators/ctb Sonstige oth Rebecca, SchraffenbergerXXecontributorXX4ctbXX4https://id.loc.gov/vocabulary/relators/ctb Sonstige oth Robert, MarkleyXXecontributorXX4ctbXX4https://id.loc.gov/vocabulary/relators/ctb Sonstige oth https://doi.org/10.1515/9780822389705 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Goth Undead Subculture SOCIAL SCIENCE / Popular Culture bisacsh Goth culture (Subculture) |
title | Goth Undead Subculture |
title_auth | Goth Undead Subculture |
title_exact_search | Goth Undead Subculture |
title_exact_search_txtP | Goth Undead Subculture |
title_full | Goth Undead Subculture Michael Bibby, Lauren M. E. Goodlad |
title_fullStr | Goth Undead Subculture Michael Bibby, Lauren M. E. Goodlad |
title_full_unstemmed | Goth Undead Subculture Michael Bibby, Lauren M. E. Goodlad |
title_short | Goth |
title_sort | goth undead subculture |
title_sub | Undead Subculture |
topic | SOCIAL SCIENCE / Popular Culture bisacsh Goth culture (Subculture) |
topic_facet | SOCIAL SCIENCE / Popular Culture Goth culture (Subculture) |
url | https://doi.org/10.1515/9780822389705 |
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