Preface to Plato.:
Plato's frontal attack on poetry has always been a problem for sympathetic students, who have often minimized or avoided it. Beginning with the premise that the attack must be taken seriously, Mr. Havelock shows that Plato's hostility is explained by the continued domination of the poetic...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge,
Belknap Press, Harvard University Press,
1963.
|
Schriftenreihe: | History of the Greek mind ;
v. 1. |
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Plato's frontal attack on poetry has always been a problem for sympathetic students, who have often minimized or avoided it. Beginning with the premise that the attack must be taken seriously, Mr. Havelock shows that Plato's hostility is explained by the continued domination of the poetic tradition in contemporary Greek thought. The reason for the dominance of this tradition was technological. In a nonliterate culture, stored experience necessary to cultural stability had to be preserved as poetry in order to be memorized. Plato attacks poets, particularly Homer, as the sole source of Greek moral and technical instruction--Mr. Havelock shows how the Illiad acted as an oral encyclopedia. Under the label of mimesis, Plato condemns the poetic process of emotional identification and the necessity of presenting content as a series of specific images in a continued narrative. The second part of the book discusses the Platonic Forms as an aspect of an increasingly rational culture. Literate Greece demanded, instead of poetic discourse, a vocabulary and a sentence structure both abstract and explicit in which experience could be described normatively and analytically: in short a language of ethics and science. |
Beschreibung: | 1 online resource (xiv, 328 pages) |
Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
Bibliographie: | Includes bibliographical references (pages 312-315). |
ISBN: | 9780674038431 0674038436 0674699068 9780674699069 |
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505 | 0 | |a FOREWORD -- Contents -- Part One: The Image-Thinkers -- I. Plato on Poetry -- II. Mimesis -- III. Poetry as Preserved Communication -- IV. The Homeric Encyclopedia -- V. Epic as Record versus Epic as Narrative -- VI. Hesiod on Poetry -- VII. The Oral Sources of the Hellenic Intelligence -- VIII. The Homeric State of Mind -- IX. The Psychology of the Poetic Performance -- X. The Content and Quality of the Poetised Statement -- Part Two: The Necessity of Platonism -- XI. Psyche or the Separation of the Knower from the Known | |
505 | 8 | |a XII. The Recognition of the Known as ObjectXIII. Poetry as Opinion -- XIV. The Origin of the Theory of Forms -- XV. �The Supreme Music is Philosophy� | |
520 | |a Plato's frontal attack on poetry has always been a problem for sympathetic students, who have often minimized or avoided it. Beginning with the premise that the attack must be taken seriously, Mr. Havelock shows that Plato's hostility is explained by the continued domination of the poetic tradition in contemporary Greek thought. The reason for the dominance of this tradition was technological. In a nonliterate culture, stored experience necessary to cultural stability had to be preserved as poetry in order to be memorized. Plato attacks poets, particularly Homer, as the sole source of Greek moral and technical instruction--Mr. Havelock shows how the Illiad acted as an oral encyclopedia. Under the label of mimesis, Plato condemns the poetic process of emotional identification and the necessity of presenting content as a series of specific images in a continued narrative. The second part of the book discusses the Platonic Forms as an aspect of an increasingly rational culture. Literate Greece demanded, instead of poetic discourse, a vocabulary and a sentence structure both abstract and explicit in which experience could be described normatively and analytically: in short a language of ethics and science. | ||
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600 | 0 | 6 | |a Platon. |
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650 | 0 | |a Greek poetry |x History and criticism. | |
650 | 6 | |a Philosophie ancienne. | |
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650 | 7 | |a PHILOSOPHY |x History & Surveys |x Ancient & Classical. |2 bisacsh | |
650 | 7 | |a LITERARY CRITICISM |x Poetry. |2 bisacsh | |
650 | 7 | |a Greek poetry |2 fast | |
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author | Havelock, Eric A. (Eric Alfred), 1903-1988 |
author_facet | Havelock, Eric A. (Eric Alfred), 1903-1988 |
author_role | |
author_sort | Havelock, Eric A. 1903-1988 |
author_variant | e a h ea eah |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | B - Philosophy, Psychology, Religion |
callnumber-label | B398 |
callnumber-raw | B398.P6 H3 |
callnumber-search | B398.P6 H3 |
callnumber-sort | B 3398 P6 H3 |
callnumber-subject | B - Philosophy |
classification_rvk | CD 3067 FH 28715 |
collection | ZDB-4-EBA |
contents | FOREWORD -- Contents -- Part One: The Image-Thinkers -- I. Plato on Poetry -- II. Mimesis -- III. Poetry as Preserved Communication -- IV. The Homeric Encyclopedia -- V. Epic as Record versus Epic as Narrative -- VI. Hesiod on Poetry -- VII. The Oral Sources of the Hellenic Intelligence -- VIII. The Homeric State of Mind -- IX. The Psychology of the Poetic Performance -- X. The Content and Quality of the Poetised Statement -- Part Two: The Necessity of Platonism -- XI. Psyche or the Separation of the Knower from the Known XII. The Recognition of the Known as ObjectXIII. Poetry as Opinion -- XIV. The Origin of the Theory of Forms -- XV. �The Supreme Music is Philosophy� |
ctrlnum | (OCoLC)646525260 |
dewey-full | 184 |
dewey-hundreds | 100 - Philosophy & psychology |
dewey-ones | 184 - Platonic philosophy |
dewey-raw | 184 |
dewey-search | 184 |
dewey-sort | 3184 |
dewey-tens | 180 - Ancient, medieval, eastern philosophy |
discipline | Philosophie Philologie / Byzantinistik / Neulatein |
format | Electronic eBook |
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genre | Criticism, interpretation, etc. fast |
genre_facet | Criticism, interpretation, etc. |
id | ZDB-4-EBA-ocn646525260 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:17:16Z |
institution | BVB |
isbn | 9780674038431 0674038436 0674699068 9780674699069 |
language | English |
oclc_num | 646525260 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (xiv, 328 pages) |
psigel | ZDB-4-EBA |
publishDate | 1963 |
publishDateSearch | 1963 |
publishDateSort | 1963 |
publisher | Belknap Press, Harvard University Press, |
record_format | marc |
series | History of the Greek mind ; |
series2 | A History of the Greek mind, |
spelling | Havelock, Eric A. (Eric Alfred), 1903-1988. https://id.oclc.org/worldcat/entity/E39PBJdM8RrJbwdVfPh33gVXBP Preface to Plato. Cambridge, Belknap Press, Harvard University Press, 1963. 1 online resource (xiv, 328 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier polychrome. rdacc http://rdaregistry.info/termList/RDAColourContent/1003 data file A History of the Greek mind, v. 1 Includes bibliographical references (pages 312-315). Print version record. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL FOREWORD -- Contents -- Part One: The Image-Thinkers -- I. Plato on Poetry -- II. Mimesis -- III. Poetry as Preserved Communication -- IV. The Homeric Encyclopedia -- V. Epic as Record versus Epic as Narrative -- VI. Hesiod on Poetry -- VII. The Oral Sources of the Hellenic Intelligence -- VIII. The Homeric State of Mind -- IX. The Psychology of the Poetic Performance -- X. The Content and Quality of the Poetised Statement -- Part Two: The Necessity of Platonism -- XI. Psyche or the Separation of the Knower from the Known XII. The Recognition of the Known as ObjectXIII. Poetry as Opinion -- XIV. The Origin of the Theory of Forms -- XV. â€?The Supreme Music is Philosophyâ€? Plato's frontal attack on poetry has always been a problem for sympathetic students, who have often minimized or avoided it. Beginning with the premise that the attack must be taken seriously, Mr. Havelock shows that Plato's hostility is explained by the continued domination of the poetic tradition in contemporary Greek thought. The reason for the dominance of this tradition was technological. In a nonliterate culture, stored experience necessary to cultural stability had to be preserved as poetry in order to be memorized. Plato attacks poets, particularly Homer, as the sole source of Greek moral and technical instruction--Mr. Havelock shows how the Illiad acted as an oral encyclopedia. Under the label of mimesis, Plato condemns the poetic process of emotional identification and the necessity of presenting content as a series of specific images in a continued narrative. The second part of the book discusses the Platonic Forms as an aspect of an increasingly rational culture. Literate Greece demanded, instead of poetic discourse, a vocabulary and a sentence structure both abstract and explicit in which experience could be described normatively and analytically: in short a language of ethics and science. Plato. Platon. Plato fast Flaemmings, Friederich gnd http://d-nb.info/gnd/116587288 Plato. swd Philosophy, Ancient. http://id.loc.gov/authorities/subjects/sh85100861 Greek poetry History and criticism. Philosophie ancienne. Poésie grecque Histoire et critique. PHILOSOPHY History & Surveys Ancient & Classical. bisacsh LITERARY CRITICISM Poetry. bisacsh Greek poetry fast Philosophy, Ancient fast Filosofie. gtt Filosofía antigua. lemb Ancient philosophy. sears Criticism, interpretation, etc. fast has work: Preface to Plato (Text) https://id.oclc.org/worldcat/entity/E39PCGPwRRg6PFb3966WtKtyv3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Havelock, Eric Alfred. Preface to Plato. Cambridge, Belknap Press, Harvard University Press, 1963 (DLC) 62013859 (OCoLC)373566 History of the Greek mind ; v. 1. http://id.loc.gov/authorities/names/no2005014764 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=282865 Volltext |
spellingShingle | Havelock, Eric A. (Eric Alfred), 1903-1988 Preface to Plato. History of the Greek mind ; FOREWORD -- Contents -- Part One: The Image-Thinkers -- I. Plato on Poetry -- II. Mimesis -- III. Poetry as Preserved Communication -- IV. The Homeric Encyclopedia -- V. Epic as Record versus Epic as Narrative -- VI. Hesiod on Poetry -- VII. The Oral Sources of the Hellenic Intelligence -- VIII. The Homeric State of Mind -- IX. The Psychology of the Poetic Performance -- X. The Content and Quality of the Poetised Statement -- Part Two: The Necessity of Platonism -- XI. Psyche or the Separation of the Knower from the Known XII. The Recognition of the Known as ObjectXIII. Poetry as Opinion -- XIV. The Origin of the Theory of Forms -- XV. â€?The Supreme Music is Philosophyâ€? Plato. Platon. Plato fast Flaemmings, Friederich gnd http://d-nb.info/gnd/116587288 Plato. swd Philosophy, Ancient. http://id.loc.gov/authorities/subjects/sh85100861 Greek poetry History and criticism. Philosophie ancienne. Poésie grecque Histoire et critique. PHILOSOPHY History & Surveys Ancient & Classical. bisacsh LITERARY CRITICISM Poetry. bisacsh Greek poetry fast Philosophy, Ancient fast Filosofie. gtt Filosofía antigua. lemb Ancient philosophy. sears |
subject_GND | http://d-nb.info/gnd/116587288 http://id.loc.gov/authorities/subjects/sh85100861 |
title | Preface to Plato. |
title_auth | Preface to Plato. |
title_exact_search | Preface to Plato. |
title_full | Preface to Plato. |
title_fullStr | Preface to Plato. |
title_full_unstemmed | Preface to Plato. |
title_short | Preface to Plato. |
title_sort | preface to plato |
topic | Plato. Platon. Plato fast Flaemmings, Friederich gnd http://d-nb.info/gnd/116587288 Plato. swd Philosophy, Ancient. http://id.loc.gov/authorities/subjects/sh85100861 Greek poetry History and criticism. Philosophie ancienne. Poésie grecque Histoire et critique. PHILOSOPHY History & Surveys Ancient & Classical. bisacsh LITERARY CRITICISM Poetry. bisacsh Greek poetry fast Philosophy, Ancient fast Filosofie. gtt Filosofía antigua. lemb Ancient philosophy. sears |
topic_facet | Plato. Platon. Plato Flaemmings, Friederich Philosophy, Ancient. Greek poetry History and criticism. Philosophie ancienne. Poésie grecque Histoire et critique. PHILOSOPHY History & Surveys Ancient & Classical. LITERARY CRITICISM Poetry. Greek poetry Philosophy, Ancient Filosofie. Filosofía antigua. Ancient philosophy. Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=282865 |
work_keys_str_mv | AT havelockerica prefacetoplato |