The politics of style :: towards a Marxist poetics /
This book develops a Marxist theory of literary style. The first part explains why Raymond Williams, Terry Eagleton and Fredric Jameson came to see style as central to political criticism. It delineates the historical and conceptual preconditions for the emergence of a 'politics of style',...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Leiden ; Boston :
Brill,
[2016]
|
| Schriftenreihe: | Historical Materialism Book Ser.
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This book develops a Marxist theory of literary style. The first part explains why Raymond Williams, Terry Eagleton and Fredric Jameson came to see style as central to political criticism. It delineates the historical and conceptual preconditions for the emergence of a 'politics of style', and uncovers an underground current of stylistics within the Marxist tradition from Marx to Barthes. The second part sets out precisely what each thinker has written on style and demonstrates how this came to figure in their overall intellectual and political projects, focusing above all on a detailed reconstruction of Williams's best-known concept, the 'structure of feeling'. Finally, the third part sets out an independent theory of style and makes an ambitious attempt to establish it as a foundational element of a new Marxist poetics. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9789004287624 9004287620 |
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| 245 | 1 | 4 | |a The politics of style : |b towards a Marxist poetics / |c by Daniel Hartley. |
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| 264 | 1 | |a Leiden ; |a Boston : |b Brill, |c [2016] | |
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| 490 | 1 | |a Historical Materialism Book Ser. ; |v v. 132 | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record and CIP data provided by publisher; resource not viewed. | |
| 505 | 0 | |a Contents; Acknowledgements; Introduction; Part 1. Marxist Poetics in Context; Chapter 1. Why Marxism and Style?; 1. The Concept of Style; 2. Epochal Political Conjuncture: Western Marxism and Beyond; 3. Intellectual Context: the British Anomaly; 4. Internal Debates: Types of Marxist Criticism; Chapter 2. From State Censorship to the Poetry of the Future: Style in the Marxist Tradition; 1. An Overview of Marx's Early Writings; 2. Style in Aristotle's Rhetoric; 3. The Young Marx on Style and Censorship; 4. Marx After Buffon and Fichte; 5. Style and the Philosophy of History | |
| 505 | 8 | |a 6. The End of Style?Chapter 3. Mimesis from Plato to Ricoeur; 1. Mimesis in Plato and Aristotle; 2. On the Threefold Mimesis; 3. Historicising the Threefold Mimesis; 3.1. Mimesis1: Prefiguration; 3.2. Mimesis2: Configuration; 3.3. Mimesis3: Refiguration; Conclusion; Part 2. Theories of Style in Williams, Eagleton and Jameson; Overture: Patricide; or, Reformism Versus Revolution; Eagleton Contra Williams; Williams Strikes Back; Chapter 4. Style in Prose Fiction: A Preliminary Definition; 1. Style as a Social Relationship; 1.1. Abstract Universal Style versus Particular Style | |
| 505 | 8 | |a 1.2. Prose Settled and Unsettled1.3. Williams's Theory of Prose: A Balance-Sheet; 2. Narratology, Voice and Style; 3. A First Definition of Style in Prose Fiction; 4. Possible Elaborations; Chapter 5. Raymond Williams: Style between Immanence and Naturalism; 1. On Williams and Immanence; 1.1. Keywords; 1.2. Language as 'Practical Consciousness'; 1.3. Forms, Techniques and Technology; 1.4. Sociological Perspectivism; 2. Williams's Multiple Approaches to the Problem of Style; 2.1. Language in Naturalist Drama; or, the Relation of 'Structure of Feeling' and Style | |
| 505 | 8 | |a 2.2. Historical Temporality and Stylistic Inheritance: Against the Ideology of Modernism2.3. Stylistic Integration; 2.4. Transindividual Subjectivity: Style and 'Total Expression'; 2.5. Style and Cultural Materialism; Conclusion; Intermezzo: Style and the Meaning of 'Politics' and 'Culture'; Eagleton Contra Jameson; Jameson's Reply; Chapter 6. Terry Eagleton: The Political Theology of Style; 1. The Body as Language; 2. Leavis 2.0?; 3. The Close Reading of Styles; 4. The Problems of Stylistic Ideals; 5. Tragic Styles; Chapter 7. Fredric Jameson: Epic Poet of Postmodernity | |
| 505 | 8 | |a 1. Narrative and Praxis2. Jameson as Epic Poet of Postmodernity; 3. Jameson, the Epic Contemplator?; 4. Style and Modernity; 4.1. Rhetoric versus Style; 4.2. The Extinction of the Narrative Categories of Experience; 4.3. Narrative versus Style; 4.4. The Utopian Vocation of Style; 5. Postmodernity and the End of Style; 6. Jameson's Theory of Style: A Balance-Sheet; Coda: New Styles for New Social Relations; Part 3. Style in Marxist Poetics; Chapter 8. A General Marxist Theory of Style; 1. Mimesis1; 1.1. Linguistic Situation; 1.2. Linguistic Ideology; 1.3. Experience | |
| 520 | |a This book develops a Marxist theory of literary style. The first part explains why Raymond Williams, Terry Eagleton and Fredric Jameson came to see style as central to political criticism. It delineates the historical and conceptual preconditions for the emergence of a 'politics of style', and uncovers an underground current of stylistics within the Marxist tradition from Marx to Barthes. The second part sets out precisely what each thinker has written on style and demonstrates how this came to figure in their overall intellectual and political projects, focusing above all on a detailed reconstruction of Williams's best-known concept, the 'structure of feeling'. Finally, the third part sets out an independent theory of style and makes an ambitious attempt to establish it as a foundational element of a new Marxist poetics. | ||
| 600 | 1 | 0 | |a Williams, Raymond. |
| 600 | 1 | 0 | |a Eagleton, Terry, |d 1943- |0 http://id.loc.gov/authorities/names/n50030201 |
| 600 | 1 | 0 | |a Jameson, Fredric. |
| 600 | 1 | 7 | |a Eagleton, Terry, |d 1943- |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJd86JqJvJkYKqTwtk4Xh3 |
| 600 | 1 | 7 | |a Jameson, Fredric |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJd89qjXxrK4hFphFPj3cP |
| 600 | 1 | 7 | |a Williams, Raymond |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJcR6BGhq6tTQw8QDCYF8C |
| 650 | 0 | |a Socialism and literature. |0 http://id.loc.gov/authorities/subjects/sh85124131 | |
| 650 | 6 | |a Socialisme et littérature. | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Composition & Creative Writing. |2 bisacsh | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Rhetoric. |2 bisacsh | |
| 650 | 7 | |a REFERENCE |x Writing Skills. |2 bisacsh | |
| 650 | 7 | |a Socialism and literature |2 fast | |
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| contents | Contents; Acknowledgements; Introduction; Part 1. Marxist Poetics in Context; Chapter 1. Why Marxism and Style?; 1. The Concept of Style; 2. Epochal Political Conjuncture: Western Marxism and Beyond; 3. Intellectual Context: the British Anomaly; 4. Internal Debates: Types of Marxist Criticism; Chapter 2. From State Censorship to the Poetry of the Future: Style in the Marxist Tradition; 1. An Overview of Marx's Early Writings; 2. Style in Aristotle's Rhetoric; 3. The Young Marx on Style and Censorship; 4. Marx After Buffon and Fichte; 5. Style and the Philosophy of History 6. The End of Style?Chapter 3. Mimesis from Plato to Ricoeur; 1. Mimesis in Plato and Aristotle; 2. On the Threefold Mimesis; 3. Historicising the Threefold Mimesis; 3.1. Mimesis1: Prefiguration; 3.2. Mimesis2: Configuration; 3.3. Mimesis3: Refiguration; Conclusion; Part 2. Theories of Style in Williams, Eagleton and Jameson; Overture: Patricide; or, Reformism Versus Revolution; Eagleton Contra Williams; Williams Strikes Back; Chapter 4. Style in Prose Fiction: A Preliminary Definition; 1. Style as a Social Relationship; 1.1. Abstract Universal Style versus Particular Style 1.2. Prose Settled and Unsettled1.3. Williams's Theory of Prose: A Balance-Sheet; 2. Narratology, Voice and Style; 3. A First Definition of Style in Prose Fiction; 4. Possible Elaborations; Chapter 5. Raymond Williams: Style between Immanence and Naturalism; 1. On Williams and Immanence; 1.1. Keywords; 1.2. Language as 'Practical Consciousness'; 1.3. Forms, Techniques and Technology; 1.4. Sociological Perspectivism; 2. Williams's Multiple Approaches to the Problem of Style; 2.1. Language in Naturalist Drama; or, the Relation of 'Structure of Feeling' and Style 2.2. Historical Temporality and Stylistic Inheritance: Against the Ideology of Modernism2.3. Stylistic Integration; 2.4. Transindividual Subjectivity: Style and 'Total Expression'; 2.5. Style and Cultural Materialism; Conclusion; Intermezzo: Style and the Meaning of 'Politics' and 'Culture'; Eagleton Contra Jameson; Jameson's Reply; Chapter 6. Terry Eagleton: The Political Theology of Style; 1. The Body as Language; 2. Leavis 2.0?; 3. The Close Reading of Styles; 4. The Problems of Stylistic Ideals; 5. Tragic Styles; Chapter 7. Fredric Jameson: Epic Poet of Postmodernity 1. Narrative and Praxis2. Jameson as Epic Poet of Postmodernity; 3. Jameson, the Epic Contemplator?; 4. Style and Modernity; 4.1. Rhetoric versus Style; 4.2. The Extinction of the Narrative Categories of Experience; 4.3. Narrative versus Style; 4.4. The Utopian Vocation of Style; 5. Postmodernity and the End of Style; 6. Jameson's Theory of Style: A Balance-Sheet; Coda: New Styles for New Social Relations; Part 3. Style in Marxist Poetics; Chapter 8. A General Marxist Theory of Style; 1. Mimesis1; 1.1. Linguistic Situation; 1.2. Linguistic Ideology; 1.3. Experience |
| ctrlnum | (OCoLC)958876703 |
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 808 - Rhetoric & collections of literature |
| dewey-raw | 808 |
| dewey-search | 808 |
| dewey-sort | 3808 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| format | Electronic eBook |
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Theories of Style in Williams, Eagleton and Jameson; Overture: Patricide; or, Reformism Versus Revolution; Eagleton Contra Williams; Williams Strikes Back; Chapter 4. Style in Prose Fiction: A Preliminary Definition; 1. Style as a Social Relationship; 1.1. Abstract Universal Style versus Particular Style</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">1.2. Prose Settled and Unsettled1.3. Williams's Theory of Prose: A Balance-Sheet; 2. Narratology, Voice and Style; 3. A First Definition of Style in Prose Fiction; 4. Possible Elaborations; Chapter 5. Raymond Williams: Style between Immanence and Naturalism; 1. On Williams and Immanence; 1.1. Keywords; 1.2. Language as 'Practical Consciousness'; 1.3. Forms, Techniques and Technology; 1.4. Sociological Perspectivism; 2. Williams's Multiple Approaches to the Problem of Style; 2.1. Language in Naturalist Drama; or, the Relation of 'Structure of Feeling' and Style</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">2.2. Historical Temporality and Stylistic Inheritance: Against the Ideology of Modernism2.3. Stylistic Integration; 2.4. Transindividual Subjectivity: Style and 'Total Expression'; 2.5. Style and Cultural Materialism; Conclusion; Intermezzo: Style and the Meaning of 'Politics' and 'Culture'; Eagleton Contra Jameson; Jameson's Reply; Chapter 6. Terry Eagleton: The Political Theology of Style; 1. The Body as Language; 2. Leavis 2.0?; 3. The Close Reading of Styles; 4. The Problems of Stylistic Ideals; 5. Tragic Styles; Chapter 7. Fredric Jameson: Epic Poet of Postmodernity</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">1. Narrative and Praxis2. Jameson as Epic Poet of Postmodernity; 3. Jameson, the Epic Contemplator?; 4. Style and Modernity; 4.1. Rhetoric versus Style; 4.2. 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| id | ZDB-4-EBA-ocn958876703 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:24Z |
| institution | BVB |
| isbn | 9789004287624 9004287620 |
| language | English |
| lccn | 2016043078 |
| oclc_num | 958876703 |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Brill, |
| record_format | marc |
| series | Historical Materialism Book Ser. |
| series2 | Historical Materialism Book Ser. ; |
| spelling | Hartley, Daniel (Lecturer in English and American literature), author. https://id.oclc.org/worldcat/entity/E39PCjxbYV3kcMbtWvgBPgVJrC http://id.loc.gov/authorities/names/nb2016001397 The politics of style : towards a Marxist poetics / by Daniel Hartley. 1610 Leiden ; Boston : Brill, [2016] 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Historical Materialism Book Ser. ; v. 132 Includes bibliographical references and index. Print version record and CIP data provided by publisher; resource not viewed. Contents; Acknowledgements; Introduction; Part 1. Marxist Poetics in Context; Chapter 1. Why Marxism and Style?; 1. The Concept of Style; 2. Epochal Political Conjuncture: Western Marxism and Beyond; 3. Intellectual Context: the British Anomaly; 4. Internal Debates: Types of Marxist Criticism; Chapter 2. From State Censorship to the Poetry of the Future: Style in the Marxist Tradition; 1. An Overview of Marx's Early Writings; 2. Style in Aristotle's Rhetoric; 3. The Young Marx on Style and Censorship; 4. Marx After Buffon and Fichte; 5. Style and the Philosophy of History 6. The End of Style?Chapter 3. Mimesis from Plato to Ricoeur; 1. Mimesis in Plato and Aristotle; 2. On the Threefold Mimesis; 3. Historicising the Threefold Mimesis; 3.1. Mimesis1: Prefiguration; 3.2. Mimesis2: Configuration; 3.3. Mimesis3: Refiguration; Conclusion; Part 2. Theories of Style in Williams, Eagleton and Jameson; Overture: Patricide; or, Reformism Versus Revolution; Eagleton Contra Williams; Williams Strikes Back; Chapter 4. Style in Prose Fiction: A Preliminary Definition; 1. Style as a Social Relationship; 1.1. Abstract Universal Style versus Particular Style 1.2. Prose Settled and Unsettled1.3. Williams's Theory of Prose: A Balance-Sheet; 2. Narratology, Voice and Style; 3. A First Definition of Style in Prose Fiction; 4. Possible Elaborations; Chapter 5. Raymond Williams: Style between Immanence and Naturalism; 1. On Williams and Immanence; 1.1. Keywords; 1.2. Language as 'Practical Consciousness'; 1.3. Forms, Techniques and Technology; 1.4. Sociological Perspectivism; 2. Williams's Multiple Approaches to the Problem of Style; 2.1. Language in Naturalist Drama; or, the Relation of 'Structure of Feeling' and Style 2.2. Historical Temporality and Stylistic Inheritance: Against the Ideology of Modernism2.3. Stylistic Integration; 2.4. Transindividual Subjectivity: Style and 'Total Expression'; 2.5. Style and Cultural Materialism; Conclusion; Intermezzo: Style and the Meaning of 'Politics' and 'Culture'; Eagleton Contra Jameson; Jameson's Reply; Chapter 6. Terry Eagleton: The Political Theology of Style; 1. The Body as Language; 2. Leavis 2.0?; 3. The Close Reading of Styles; 4. The Problems of Stylistic Ideals; 5. Tragic Styles; Chapter 7. Fredric Jameson: Epic Poet of Postmodernity 1. Narrative and Praxis2. Jameson as Epic Poet of Postmodernity; 3. Jameson, the Epic Contemplator?; 4. Style and Modernity; 4.1. Rhetoric versus Style; 4.2. The Extinction of the Narrative Categories of Experience; 4.3. Narrative versus Style; 4.4. The Utopian Vocation of Style; 5. Postmodernity and the End of Style; 6. Jameson's Theory of Style: A Balance-Sheet; Coda: New Styles for New Social Relations; Part 3. Style in Marxist Poetics; Chapter 8. A General Marxist Theory of Style; 1. Mimesis1; 1.1. Linguistic Situation; 1.2. Linguistic Ideology; 1.3. Experience This book develops a Marxist theory of literary style. The first part explains why Raymond Williams, Terry Eagleton and Fredric Jameson came to see style as central to political criticism. It delineates the historical and conceptual preconditions for the emergence of a 'politics of style', and uncovers an underground current of stylistics within the Marxist tradition from Marx to Barthes. The second part sets out precisely what each thinker has written on style and demonstrates how this came to figure in their overall intellectual and political projects, focusing above all on a detailed reconstruction of Williams's best-known concept, the 'structure of feeling'. Finally, the third part sets out an independent theory of style and makes an ambitious attempt to establish it as a foundational element of a new Marxist poetics. Williams, Raymond. Eagleton, Terry, 1943- http://id.loc.gov/authorities/names/n50030201 Jameson, Fredric. Eagleton, Terry, 1943- fast https://id.oclc.org/worldcat/entity/E39PBJd86JqJvJkYKqTwtk4Xh3 Jameson, Fredric fast https://id.oclc.org/worldcat/entity/E39PBJd89qjXxrK4hFphFPj3cP Williams, Raymond fast https://id.oclc.org/worldcat/entity/E39PBJcR6BGhq6tTQw8QDCYF8C Socialism and literature. http://id.loc.gov/authorities/subjects/sh85124131 Socialisme et littérature. LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. bisacsh LANGUAGE ARTS & DISCIPLINES Rhetoric. bisacsh REFERENCE Writing Skills. bisacsh Socialism and literature fast has work: The politics of style (Text) https://id.oclc.org/worldcat/entity/E39PCFK3vjKkp4J4mPM6yPhbkC https://id.oclc.org/worldcat/ontology/hasWork Print version: Hartley, Daniel (Lecturer in English and American literature). Politics of style. Leiden ; Boston : Brill, [2016] 9789004287617 (DLC) 2016033399 Historical Materialism Book Ser. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1456079 Volltext |
| spellingShingle | Hartley, Daniel (Lecturer in English and American literature) The politics of style : towards a Marxist poetics / Historical Materialism Book Ser. Contents; Acknowledgements; Introduction; Part 1. Marxist Poetics in Context; Chapter 1. Why Marxism and Style?; 1. The Concept of Style; 2. Epochal Political Conjuncture: Western Marxism and Beyond; 3. Intellectual Context: the British Anomaly; 4. Internal Debates: Types of Marxist Criticism; Chapter 2. From State Censorship to the Poetry of the Future: Style in the Marxist Tradition; 1. An Overview of Marx's Early Writings; 2. Style in Aristotle's Rhetoric; 3. The Young Marx on Style and Censorship; 4. Marx After Buffon and Fichte; 5. Style and the Philosophy of History 6. The End of Style?Chapter 3. Mimesis from Plato to Ricoeur; 1. Mimesis in Plato and Aristotle; 2. On the Threefold Mimesis; 3. Historicising the Threefold Mimesis; 3.1. Mimesis1: Prefiguration; 3.2. Mimesis2: Configuration; 3.3. Mimesis3: Refiguration; Conclusion; Part 2. Theories of Style in Williams, Eagleton and Jameson; Overture: Patricide; or, Reformism Versus Revolution; Eagleton Contra Williams; Williams Strikes Back; Chapter 4. Style in Prose Fiction: A Preliminary Definition; 1. Style as a Social Relationship; 1.1. Abstract Universal Style versus Particular Style 1.2. Prose Settled and Unsettled1.3. Williams's Theory of Prose: A Balance-Sheet; 2. Narratology, Voice and Style; 3. A First Definition of Style in Prose Fiction; 4. Possible Elaborations; Chapter 5. Raymond Williams: Style between Immanence and Naturalism; 1. On Williams and Immanence; 1.1. Keywords; 1.2. Language as 'Practical Consciousness'; 1.3. Forms, Techniques and Technology; 1.4. Sociological Perspectivism; 2. Williams's Multiple Approaches to the Problem of Style; 2.1. Language in Naturalist Drama; or, the Relation of 'Structure of Feeling' and Style 2.2. Historical Temporality and Stylistic Inheritance: Against the Ideology of Modernism2.3. Stylistic Integration; 2.4. Transindividual Subjectivity: Style and 'Total Expression'; 2.5. Style and Cultural Materialism; Conclusion; Intermezzo: Style and the Meaning of 'Politics' and 'Culture'; Eagleton Contra Jameson; Jameson's Reply; Chapter 6. Terry Eagleton: The Political Theology of Style; 1. The Body as Language; 2. Leavis 2.0?; 3. The Close Reading of Styles; 4. The Problems of Stylistic Ideals; 5. Tragic Styles; Chapter 7. Fredric Jameson: Epic Poet of Postmodernity 1. Narrative and Praxis2. Jameson as Epic Poet of Postmodernity; 3. Jameson, the Epic Contemplator?; 4. Style and Modernity; 4.1. Rhetoric versus Style; 4.2. The Extinction of the Narrative Categories of Experience; 4.3. Narrative versus Style; 4.4. The Utopian Vocation of Style; 5. Postmodernity and the End of Style; 6. Jameson's Theory of Style: A Balance-Sheet; Coda: New Styles for New Social Relations; Part 3. Style in Marxist Poetics; Chapter 8. A General Marxist Theory of Style; 1. Mimesis1; 1.1. Linguistic Situation; 1.2. Linguistic Ideology; 1.3. Experience Williams, Raymond. Eagleton, Terry, 1943- http://id.loc.gov/authorities/names/n50030201 Jameson, Fredric. Eagleton, Terry, 1943- fast https://id.oclc.org/worldcat/entity/E39PBJd86JqJvJkYKqTwtk4Xh3 Jameson, Fredric fast https://id.oclc.org/worldcat/entity/E39PBJd89qjXxrK4hFphFPj3cP Williams, Raymond fast https://id.oclc.org/worldcat/entity/E39PBJcR6BGhq6tTQw8QDCYF8C Socialism and literature. http://id.loc.gov/authorities/subjects/sh85124131 Socialisme et littérature. LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. bisacsh LANGUAGE ARTS & DISCIPLINES Rhetoric. bisacsh REFERENCE Writing Skills. bisacsh Socialism and literature fast |
| subject_GND | http://id.loc.gov/authorities/names/n50030201 http://id.loc.gov/authorities/subjects/sh85124131 |
| title | The politics of style : towards a Marxist poetics / |
| title_auth | The politics of style : towards a Marxist poetics / |
| title_exact_search | The politics of style : towards a Marxist poetics / |
| title_full | The politics of style : towards a Marxist poetics / by Daniel Hartley. |
| title_fullStr | The politics of style : towards a Marxist poetics / by Daniel Hartley. |
| title_full_unstemmed | The politics of style : towards a Marxist poetics / by Daniel Hartley. |
| title_short | The politics of style : |
| title_sort | politics of style towards a marxist poetics |
| title_sub | towards a Marxist poetics / |
| topic | Williams, Raymond. Eagleton, Terry, 1943- http://id.loc.gov/authorities/names/n50030201 Jameson, Fredric. Eagleton, Terry, 1943- fast https://id.oclc.org/worldcat/entity/E39PBJd86JqJvJkYKqTwtk4Xh3 Jameson, Fredric fast https://id.oclc.org/worldcat/entity/E39PBJd89qjXxrK4hFphFPj3cP Williams, Raymond fast https://id.oclc.org/worldcat/entity/E39PBJcR6BGhq6tTQw8QDCYF8C Socialism and literature. http://id.loc.gov/authorities/subjects/sh85124131 Socialisme et littérature. LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. bisacsh LANGUAGE ARTS & DISCIPLINES Rhetoric. bisacsh REFERENCE Writing Skills. bisacsh Socialism and literature fast |
| topic_facet | Williams, Raymond. Eagleton, Terry, 1943- Jameson, Fredric. Jameson, Fredric Williams, Raymond Socialism and literature. Socialisme et littérature. LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. LANGUAGE ARTS & DISCIPLINES Rhetoric. REFERENCE Writing Skills. Socialism and literature |
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