The workshops on the recognition scene and chorus von Hartigan, Karelisa V. 1943-, March, Jennifer R.

Ambiguity and self-deception the Apollo and Artemis plays of Euripides von Hartigan, Karelisa V.

Ambiguity and self-deception the Apollo and Artemis plays of Euripides von Hartigan, Karelisa V.

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Ambiguity and self-deception the Apollo and Artemis plays of Euripides von Hartigan, Karelisa V.

Sophocles: Oedipus Tyrannus 293 von Hartigan, Karelisa V. 1943-

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An Appendix. Ion: A Quest von Hartigan, Karelisa V. 1943-

Word and Deed von Hartigan, Karelisa V. 1943-

Resolution without victory/victory without resolution: the identification scene in Sophocles' Elektra von Hartigan, Karelisa V. 1943-

Greek tragedy on the American stage ancient drama in the commercial theater, 1882 - 1994 von Hartigan, Karelisa V.

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Euripidean Madness: Herakles and Orestes von Hartigan, Karelisa V. 1943-

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Greek Tragedy on the American Commercial Stage von Hartigan, Karelisa V. 1943-

Word and Deed in Action von Hartigan, Karelisa V. 1943-

Drama and healing: ancient and modern von Hartigan, Karelisa V. 1943-

Why "Phoenician" Women? von Hartigan, Karelisa V. 1943-

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Greek Drama in a Field of Dreams von Hartigan, Karelisa V. 1943-

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[Rezension von: Lloyd: The Agon in Euripides. Oxford: Clarendon Press (1992)] von Hartigan, Karelisa V. 1943-

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Directors' reports on the classical summer school von Craig, Chris, Jr., James L. Franklin, Hartigan, Karelisa V., Polley, J. Patrick, Jr., Albert P. Steiner

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The poets and the cities selections from the anthology about Greek cities von Hartigan, Karelisa V.

Julian The Egyptian von Hartigan, Karelisa V. 1943-

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From the bard to Broadway

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