Deadwood / von Hark, Ina Rae

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Glamour in a golden age : movie stars of the 1930s /

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The road movie book /

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Screening the male : exploring masculinities in Hollywood cinema /

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In extremis John Boorman's cinema of dislocation von Hark, Ina Rae 1949-

The Erotics of the Galley Slave. Male Desire and Christian Sacrifice in the 1959 Film Version of Ben-Hur von Hark, Ina Rae 1949-

"Today is the longest day of my life" 24 as Mirror narrative of 9/11 von Hark, Ina Rae 1949-

The "Theater Man" and "The Girl in the Box Office" von Hark, Ina Rae 1949-

The Wrath of the original cast translating embodied television characters to other media von Hark, Ina Rae 1949-

'We might even get in the newsreels' the press and democracy in Hitchcock's World War II anti-fascist films von Hark, Ina Rae 1949-

Revalidating patriarchy Why Hitchcock remade The Man who knew too much von Hark, Ina Rae 1949-

The toxic intertwining of small-town lives in Happy Valley von Hark, Ina Rae 1949-

Deadwood von Hark, Ina Rae

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Movies and the resistance to Tyranny von Hark, Ina Rae 1949-

Crazy like a prof mad science and the transgressions of the rational von Hark, Ina Rae 1949-

Moviegoing, "home-leaving," and the problematic girl protagonist of The Wizard of Oz von Hark, Ina Rae 1949-

"Daddy, where's the FBI warning?" constructing the video spectator von Hark, Ina Rae 1949-

Fear of flying yuppie critique and the buddy-road movie in the 1980s von Hark, Ina Rae 1949-

Animals or romans looking at masculinity in Spartacus von Hark, Ina Rae 1949-

Bernard Shaw and Victorian satiric inversion von Hark, Ina Rae 1949-