The quintessential seventies picture show Voyage of the Damned (1976) as heritage film between art cinema and disaster flick by Grundmann, Roy 1963-

One shot, two mediums, three centuries by Grundmann, Roy 1963-

A cinema that breathes by Grundmann, Roy 1963-

Populist motifs in John Ford's films by Grundmann, Roy 1963-

New agendas in black filmmaking an Interview with Marlon Riggs by Grundmann, Roy 1963-

Labour in a single shot critical perspectives - editor's introduction by Grundmann, Roy 1963-

Querelle's finality by Grundmann, Roy 1963-

Haneke's anachronism introduction by Grundmann, Roy 1963-

Between Adorno and Lyotard Michael Haneke's aesthetic of fragmentation by Grundmann, Roy 1963-

The passions of Werner Schroeter an introduction by Grundmann, Roy 1963-

"A quivering tremor, a vibration in space" Voicing Utopia in Poussières d'amour - Abfallprodukte der Liebe (1996) by Grundmann, Roy 1963-

Interview with Elfi Mikesch by Brinckmann, Christine N. 1937-, Grundmann, Roy 1963-

Taking stock at war's end gender, genre, and Hollywood labor in The strange love of Martha Ivers by Grundmann, Roy 1963-

The tenderness of Scissors in Haircut (no. 1) by Grundmann, Roy 1963-

Kunst und Schmuddel Warhols Porno-Pop by Grundmann, Roy 1963-

Unsentimental education an Interview with Michael Haneke by Grundmann, Roy 1963-

Andy Warhol's Blow job by Grundmann, Roy 1963-

Labour in a single shot critical perspectives on Antje Ehmann and Harun Farocki's global video project

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Werner Schroeter

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Indexes

A companion to Michael Haneke

Other Authors: “…Grundmann, Roy 1963-…”
Indexes