Formalism and Pragmatism in American Law. von Grey, Thomas C.

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Richard Wagner and his world /

Weitere Verfasser: “… Grey, Thomas S. …”
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"Picture - Curtain." Music and the Dynamics of the Theatrical Tableau in 19th-Century Opera von Grey, Thomas S. ca. 20./21. Jh

Formalism and pragmatism in American law von Grey, Thomas C.

Eine Kapitulation: aristophanic operetta as cultural warfare in 1870 von Grey, Thomas S.

Recollections of Villa Wahnfried from Wagner's American dentist von Grey, Thomas S.

Wagner admires Meyerbeer (Les Huguenots) von Grey, Thomas S.

Hanslick contra Wagner "The Ring cycle comes to Vienna" and "Parsifal literature" von Grey, Thomas S.

Music as natural language in the moral order of Wagner's "Ring: Siegfried", Act 2, Scene 3 von Grey, Thomas S.

Leading motives and narrative threads notes on the "Leitfaden" metaphor and the critical pre-history of the Wagnerian "Leitmotiv" von Grey, Thomas S.

The compleat horseman and expert ferrier In two bookes. The first, shewing the best manner of breeding good horses, with their choyce, nature, riding and dyeting ... The second, di... von De Grey, Thomas

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Dresden von Grey, Thomas S. ca. 20./21. Jh

Das Ewig-Musische: Mathilde Wesendonck und die Spuren von Goethes Faust in Isoldes 'Verklärung' von Grey, Thomas S. ca. 20./21. Jh

The "splendid and shameful art" dancing in and around the Wagnerian Gesamtkunstwerk von Grey, Thomas S. ca. 20./21. Jh

Catulle Mendès visits Tribschen von Grey, Thomas S.

Hans von Bülow on Richard Wagner's Faust overture von Grey, Thomas

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Richard Wagner and His World von Grey, Thomas S. ca. 20./21. Jh

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Magnificent obsession "Tristan und Isolde" as the object of musical analysis von Grey, Thomas

Masters and their critics Wagner, Hanslick, Beckmesser, and "Die Meistersinger" von Grey, Thomas S.

Wagner's "Die Meistersinger" as National Opera (1868 - 1945) von Grey, Thomas S.