Film directors and emotion: an affective turn in contemporary American cinema
Introduction : the affective turn in American cinema -- David Fincher's feelings : from apathy to zest -- Bryan Singer's strange cinema of freaks and outsiders -- Christopher Nolan : mastering fear, rage and death -- Kathryn Bigelow and the war on terror -- Richard Linklater, Barry Jenkins...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Jefferson, North Carolina
McFarland & Company, Inc., Publishers
[2020]
|
| Schlagworte: | |
| Zusammenfassung: | Introduction : the affective turn in American cinema -- David Fincher's feelings : from apathy to zest -- Bryan Singer's strange cinema of freaks and outsiders -- Christopher Nolan : mastering fear, rage and death -- Kathryn Bigelow and the war on terror -- Richard Linklater, Barry Jenkins, Greta Gerwig : cinematic coming-of-age narratives -- Epilogue : Inside out : a major (e)motion picture "Cinema is an affective medium. Films move us to feel wonder, joy, and love as well as fear, anger, and hatred. Today, we are living through a new age of sensibility when emotion is given priority over reason. Hollywood produces movies that employ cheap manipulative tricks to make audiences cry, feel good, or jump in fright. Yet, there is a counter-cultural current in contemporary American cinema that offers a more nuanced treatment of emotion. Both aesthetically and eidetically, this new cinema of affect allows viewers to make up their own minds about what they feel and think. This book focuses on key films by important auteur-directors-David Fincer, Bryan Singer, Christopher Nolan, Kathryn Bigelow, Richard Linklater, Barry Jenkins, Greta Gerwig, and Pete Docter-who are to the forefront of this new cinema. Without ever being dogmatic, these directors' films offer their audiences a glimpse at strategies for relating to, and entering into being with, others in a manner that can be regarded as profoundly ethical. Employing affect theory, Jungian analytical psychology, and Hegelian dialecticism, this book explores how these filmmakers anatomize affect, showing how it functions in the creation or degradation of character and society" |
| Beschreibung: | Includes bibliographical references (pages 181-188), filmography, and index |
| Beschreibung: | vii, 193 Seiten 23 cm |
| ISBN: | 9781476668895 |
Internformat
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| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references (pages 181-188), filmography, and index | ||
| 520 | 3 | |a Introduction : the affective turn in American cinema -- David Fincher's feelings : from apathy to zest -- Bryan Singer's strange cinema of freaks and outsiders -- Christopher Nolan : mastering fear, rage and death -- Kathryn Bigelow and the war on terror -- Richard Linklater, Barry Jenkins, Greta Gerwig : cinematic coming-of-age narratives -- Epilogue : Inside out : a major (e)motion picture | |
| 520 | 3 | |a "Cinema is an affective medium. Films move us to feel wonder, joy, and love as well as fear, anger, and hatred. Today, we are living through a new age of sensibility when emotion is given priority over reason. Hollywood produces movies that employ cheap manipulative tricks to make audiences cry, feel good, or jump in fright. Yet, there is a counter-cultural current in contemporary American cinema that offers a more nuanced treatment of emotion. Both aesthetically and eidetically, this new cinema of affect allows viewers to make up their own minds about what they feel and think. This book focuses on key films by important auteur-directors-David Fincer, Bryan Singer, Christopher Nolan, Kathryn Bigelow, Richard Linklater, Barry Jenkins, Greta Gerwig, and Pete Docter-who are to the forefront of this new cinema. Without ever being dogmatic, these directors' films offer their audiences a glimpse at strategies for relating to, and entering into being with, others in a manner that can be regarded as profoundly ethical. Employing affect theory, Jungian analytical psychology, and Hegelian dialecticism, this book explores how these filmmakers anatomize affect, showing how it functions in the creation or degradation of character and society" | |
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Datensatz im Suchindex
| _version_ | 1826091359888474112 |
|---|---|
| adam_text | |
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| author | Greene, Darragh Price, Graham |
| author_GND | (DE-588)1078461104 (DE-588)1206594705 |
| author_facet | Greene, Darragh Price, Graham |
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| author_variant | d g dg g p gp |
| building | Verbundindex |
| bvnumber | BV047114513 |
| ctrlnum | (OCoLC)1226332404 (DE-599)KXP1702982777 |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/653 |
| dewey-search | 791.43/653 |
| dewey-sort | 3791.43 3653 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| format | Book |
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| spelling | Greene, Darragh Verfasser (DE-588)1078461104 aut Film directors and emotion an affective turn in contemporary American cinema Darragh Greene and Graham Price Jefferson, North Carolina McFarland & Company, Inc., Publishers [2020] vii, 193 Seiten 23 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (pages 181-188), filmography, and index Introduction : the affective turn in American cinema -- David Fincher's feelings : from apathy to zest -- Bryan Singer's strange cinema of freaks and outsiders -- Christopher Nolan : mastering fear, rage and death -- Kathryn Bigelow and the war on terror -- Richard Linklater, Barry Jenkins, Greta Gerwig : cinematic coming-of-age narratives -- Epilogue : Inside out : a major (e)motion picture "Cinema is an affective medium. Films move us to feel wonder, joy, and love as well as fear, anger, and hatred. Today, we are living through a new age of sensibility when emotion is given priority over reason. Hollywood produces movies that employ cheap manipulative tricks to make audiences cry, feel good, or jump in fright. Yet, there is a counter-cultural current in contemporary American cinema that offers a more nuanced treatment of emotion. Both aesthetically and eidetically, this new cinema of affect allows viewers to make up their own minds about what they feel and think. This book focuses on key films by important auteur-directors-David Fincer, Bryan Singer, Christopher Nolan, Kathryn Bigelow, Richard Linklater, Barry Jenkins, Greta Gerwig, and Pete Docter-who are to the forefront of this new cinema. Without ever being dogmatic, these directors' films offer their audiences a glimpse at strategies for relating to, and entering into being with, others in a manner that can be regarded as profoundly ethical. Employing affect theory, Jungian analytical psychology, and Hegelian dialecticism, this book explores how these filmmakers anatomize affect, showing how it functions in the creation or degradation of character and society" Affekt (DE-588)4135470-9 gnd rswk-swf Gefühl Motiv (DE-588)4207378-9 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf University of South Alabama Bibel Emotions in motion pictures Motion pictures / United States / Psychological aspects Motion pictures / Production and direction / United States Affect (Psychology) in the performing arts Motion picture producers and directors Motion pictures Motion pictures ; Production and direction Gefühl Affekt History United States USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Gefühl Motiv (DE-588)4207378-9 s Affekt (DE-588)4135470-9 s DE-604 Price, Graham Verfasser (DE-588)1206594705 aut Erscheint auch als Online-Ausgabe 978-1-4766-4008-2 |
| spellingShingle | Greene, Darragh Price, Graham Film directors and emotion an affective turn in contemporary American cinema Affekt (DE-588)4135470-9 gnd Gefühl Motiv (DE-588)4207378-9 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4135470-9 (DE-588)4207378-9 (DE-588)4017102-4 (DE-588)4078704-7 |
| title | Film directors and emotion an affective turn in contemporary American cinema |
| title_auth | Film directors and emotion an affective turn in contemporary American cinema |
| title_exact_search | Film directors and emotion an affective turn in contemporary American cinema |
| title_exact_search_txtP | Film directors and emotion an affective turn in contemporary American cinema |
| title_full | Film directors and emotion an affective turn in contemporary American cinema Darragh Greene and Graham Price |
| title_fullStr | Film directors and emotion an affective turn in contemporary American cinema Darragh Greene and Graham Price |
| title_full_unstemmed | Film directors and emotion an affective turn in contemporary American cinema Darragh Greene and Graham Price |
| title_short | Film directors and emotion |
| title_sort | film directors and emotion an affective turn in contemporary american cinema |
| title_sub | an affective turn in contemporary American cinema |
| topic | Affekt (DE-588)4135470-9 gnd Gefühl Motiv (DE-588)4207378-9 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Affekt Gefühl Motiv Film USA |
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