Web(s) of life: Tomás Saraceno in collaboration
This publication is released on the occasion of Tomás Saraceno’s first major UK solo exhibition, ‘Web(s) of Life’, where the artist invited participants to consider different forms of knowledge and non-human perspectives through a range of artworks, prompts and experiences which extend past the wall...
Gespeichert in:
| Hauptverfasser: | , , , , , , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Madrid
Ivorypress
[2023]
|
| Schlagworte: | |
| Zusammenfassung: | This publication is released on the occasion of Tomás Saraceno’s first major UK solo exhibition, ‘Web(s) of Life’, where the artist invited participants to consider different forms of knowledge and non-human perspectives through a range of artworks, prompts and experiences which extend past the walls of Serpentine South, into The Royal Parks and beyond. ‘Web(s) of Life’ is a book, but also the title of the exhibition held at the Serpentine between 1 June and 10 September 2023. This co-publication of the Serpentine and Ivorypress drawes from and expands on the exhibition and includes as well as new essays from writers, artists and researchers, including Graciela Speranza, Maristella Svampa, Marisol de la Cadena, Eduardo Kohn, Arturo Escobar, Yuk Hui and James Bridle and an new, insightful text by Tomás Saraceno. Two visual essays (about the projects of Aerocene and the Ngam Dù Spider Diviner), a middle section which visually reflects on the dimension of the woven encounters before, during and beyond the exhibition and a close look to the works included in and around the Serpentine further invite the reader to get trapped in Saraceno’s Web(s) of Life. The book has been produced with a minimum carbon footprint. It’s format is thought to produce minimum paper waste and it uses recycled paper stock and compostable shrink-wrap. The cover contains seventeen Cantueso non-GMO seeds, which are aromatic (and can thus be perceived not only by human beings, but also other species). The reader is invited to tear off parts of the cover and and plant it. As Tomás Saraceno comments about the exhibition (and the book): ‘With the image of a dormant seed, in a latent state of hope, myself and many others have tried to make a small contribution to the movement of degrowth, by appending to it the notion of re-growth – a marker of regeneration rather than negation |
| Beschreibung: | Impressum: This publication is conceived as a complement to the exhibition "Tomás Saraceno in Collaboration: Web(s) of Life" held at Serpentine, London, 1 June - 10 September 2023 Zusätzliches Online-Angebot unter QR-Codes abrufbar |
| Beschreibung: | 195 Seiten, 13 ungezählte Seiten |
| ISBN: | 9788412279221 8412279220 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049429435 | ||
| 003 | DE-604 | ||
| 005 | 20240226 | ||
| 007 | t | ||
| 008 | 231124s2023 |||| 00||| eng d | ||
| 020 | |a 9788412279221 |9 978-84-1227-922-1 | ||
| 020 | |a 8412279220 |9 84-1227-922-0 | ||
| 035 | |a (OCoLC)1423099915 | ||
| 035 | |a (DE-599)BVBBV049429435 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-255 | ||
| 245 | 1 | 0 | |a Web(s) of life |b Tomás Saraceno in collaboration |c contributors: James Bridle, Marisol de la Cadena, Arturo Escobar, Fiona Glen, Yuk Hui, Eduardo Kohn, Graciela Speranza, Maristella Svampa |
| 246 | 1 | 3 | |a Web of life |
| 246 | 1 | 3 | |a Tomás Saraceno in collaboration |
| 264 | 1 | |a Madrid |b Ivorypress |c [2023] | |
| 300 | |a 195 Seiten, 13 ungezählte Seiten | ||
| 336 | |b txt |2 rdacontent | ||
| 336 | |b sti |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Impressum: This publication is conceived as a complement to the exhibition "Tomás Saraceno in Collaboration: Web(s) of Life" held at Serpentine, London, 1 June - 10 September 2023 | ||
| 500 | |a Zusätzliches Online-Angebot unter QR-Codes abrufbar | ||
| 520 | 3 | |a This publication is released on the occasion of Tomás Saraceno’s first major UK solo exhibition, ‘Web(s) of Life’, where the artist invited participants to consider different forms of knowledge and non-human perspectives through a range of artworks, prompts and experiences which extend past the walls of Serpentine South, into The Royal Parks and beyond. ‘Web(s) of Life’ is a book, but also the title of the exhibition held at the Serpentine between 1 June and 10 September 2023. This co-publication of the Serpentine and Ivorypress drawes from and expands on the exhibition and includes as well as new essays from writers, artists and researchers, including Graciela Speranza, Maristella Svampa, Marisol de la Cadena, Eduardo Kohn, Arturo Escobar, Yuk Hui and James Bridle and an new, insightful text by Tomás Saraceno. Two visual essays (about the projects of Aerocene and the Ngam Dù Spider Diviner), a middle section which visually reflects on the dimension of the woven encounters before, during and beyond the exhibition and a close look to the works included in and around the Serpentine further invite the reader to get trapped in Saraceno’s Web(s) of Life. The book has been produced with a minimum carbon footprint. It’s format is thought to produce minimum paper waste and it uses recycled paper stock and compostable shrink-wrap. The cover contains seventeen Cantueso non-GMO seeds, which are aromatic (and can thus be perceived not only by human beings, but also other species). The reader is invited to tear off parts of the cover and and plant it. As Tomás Saraceno comments about the exhibition (and the book): ‘With the image of a dormant seed, in a latent state of hope, myself and many others have tried to make a small contribution to the movement of degrowth, by appending to it the notion of re-growth – a marker of regeneration rather than negation | |
| 600 | 1 | 7 | |a Saraceno, Tomás |d 1973- |0 (DE-588)137310722 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x Serpentine |y 01.06.2023-10.09.2023 |z London |2 gnd-content | |
| 689 | 0 | 0 | |a Saraceno, Tomás |d 1973- |0 (DE-588)137310722 |D p |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Saraceno, Tomás |d 1973- |0 (DE-588)137310722 |4 art | |
| 700 | 1 | |a Bridle, James |d 1980- |0 (DE-588)1082098744 |4 aut | |
| 700 | 1 | |a Cadena, Marisol de la |d 1957- |0 (DE-588)173721656 |4 aut | |
| 700 | 1 | |a Escobar, Arturo |d 1951- |0 (DE-588)170495892 |4 aut | |
| 700 | 1 | |a Glen, Fiona |4 aut | |
| 700 | 1 | |a Hui, Yuk |d 1985- |0 (DE-588)1074970977 |4 aut | |
| 700 | 1 | |a Kohn, Eduardo |d 1968- |0 (DE-588)1042403473 |4 aut | |
| 700 | 1 | |a Speranza, Graciela |d 1957- |0 (DE-588)105626991X |4 aut | |
| 700 | 1 | |a Svampa, Maristella |d 1961- |0 (DE-588)132694085 |4 aut | |
| 710 | 1 | |a The Serpentine (London) |e Sonstige |0 (DE-588)1058927329 |4 oth | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034775587 | ||
Datensatz im Suchindex
| _version_ | 1804186170516570112 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Bridle, James 1980- Cadena, Marisol de la 1957- Escobar, Arturo 1951- Glen, Fiona Hui, Yuk 1985- Kohn, Eduardo 1968- Speranza, Graciela 1957- Svampa, Maristella 1961- |
| author_GND | (DE-588)137310722 (DE-588)1082098744 (DE-588)173721656 (DE-588)170495892 (DE-588)1074970977 (DE-588)1042403473 (DE-588)105626991X (DE-588)132694085 |
| author_facet | Bridle, James 1980- Cadena, Marisol de la 1957- Escobar, Arturo 1951- Glen, Fiona Hui, Yuk 1985- Kohn, Eduardo 1968- Speranza, Graciela 1957- Svampa, Maristella 1961- |
| author_role | aut aut aut aut aut aut aut aut |
| author_sort | Bridle, James 1980- |
| author_variant | j b jb m d l c mdl mdlc a e ae f g fg y h yh e k ek g s gs m s ms |
| building | Verbundindex |
| bvnumber | BV049429435 |
| ctrlnum | (OCoLC)1423099915 (DE-599)BVBBV049429435 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04025nam a2200493 c 4500</leader><controlfield tag="001">BV049429435</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240226 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">231124s2023 |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9788412279221</subfield><subfield code="9">978-84-1227-922-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">8412279220</subfield><subfield code="9">84-1227-922-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1423099915</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049429435</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Web(s) of life</subfield><subfield code="b">Tomás Saraceno in collaboration</subfield><subfield code="c">contributors: James Bridle, Marisol de la Cadena, Arturo Escobar, Fiona Glen, Yuk Hui, Eduardo Kohn, Graciela Speranza, Maristella Svampa</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Web of life</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Tomás Saraceno in collaboration</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Madrid</subfield><subfield code="b">Ivorypress</subfield><subfield code="c">[2023]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">195 Seiten, 13 ungezählte Seiten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Impressum: This publication is conceived as a complement to the exhibition "Tomás Saraceno in Collaboration: Web(s) of Life" held at Serpentine, London, 1 June - 10 September 2023</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Zusätzliches Online-Angebot unter QR-Codes abrufbar</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">This publication is released on the occasion of Tomás Saraceno’s first major UK solo exhibition, ‘Web(s) of Life’, where the artist invited participants to consider different forms of knowledge and non-human perspectives through a range of artworks, prompts and experiences which extend past the walls of Serpentine South, into The Royal Parks and beyond. ‘Web(s) of Life’ is a book, but also the title of the exhibition held at the Serpentine between 1 June and 10 September 2023. This co-publication of the Serpentine and Ivorypress drawes from and expands on the exhibition and includes as well as new essays from writers, artists and researchers, including Graciela Speranza, Maristella Svampa, Marisol de la Cadena, Eduardo Kohn, Arturo Escobar, Yuk Hui and James Bridle and an new, insightful text by Tomás Saraceno. Two visual essays (about the projects of Aerocene and the Ngam Dù Spider Diviner), a middle section which visually reflects on the dimension of the woven encounters before, during and beyond the exhibition and a close look to the works included in and around the Serpentine further invite the reader to get trapped in Saraceno’s Web(s) of Life. The book has been produced with a minimum carbon footprint. It’s format is thought to produce minimum paper waste and it uses recycled paper stock and compostable shrink-wrap. The cover contains seventeen Cantueso non-GMO seeds, which are aromatic (and can thus be perceived not only by human beings, but also other species). The reader is invited to tear off parts of the cover and and plant it. As Tomás Saraceno comments about the exhibition (and the book): ‘With the image of a dormant seed, in a latent state of hope, myself and many others have tried to make a small contribution to the movement of degrowth, by appending to it the notion of re-growth – a marker of regeneration rather than negation</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Saraceno, Tomás</subfield><subfield code="d">1973-</subfield><subfield code="0">(DE-588)137310722</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4135467-9</subfield><subfield code="a">Ausstellungskatalog</subfield><subfield code="x">Serpentine</subfield><subfield code="y">01.06.2023-10.09.2023</subfield><subfield code="z">London</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Saraceno, Tomás</subfield><subfield code="d">1973-</subfield><subfield code="0">(DE-588)137310722</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Saraceno, Tomás</subfield><subfield code="d">1973-</subfield><subfield code="0">(DE-588)137310722</subfield><subfield code="4">art</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bridle, James</subfield><subfield code="d">1980-</subfield><subfield code="0">(DE-588)1082098744</subfield><subfield code="4">aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cadena, Marisol de la</subfield><subfield code="d">1957-</subfield><subfield code="0">(DE-588)173721656</subfield><subfield code="4">aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Escobar, Arturo</subfield><subfield code="d">1951-</subfield><subfield code="0">(DE-588)170495892</subfield><subfield code="4">aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Glen, Fiona</subfield><subfield code="4">aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hui, Yuk</subfield><subfield code="d">1985-</subfield><subfield code="0">(DE-588)1074970977</subfield><subfield code="4">aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Kohn, Eduardo</subfield><subfield code="d">1968-</subfield><subfield code="0">(DE-588)1042403473</subfield><subfield code="4">aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Speranza, Graciela</subfield><subfield code="d">1957-</subfield><subfield code="0">(DE-588)105626991X</subfield><subfield code="4">aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Svampa, Maristella</subfield><subfield code="d">1961-</subfield><subfield code="0">(DE-588)132694085</subfield><subfield code="4">aut</subfield></datafield><datafield tag="710" ind1="1" ind2=" "><subfield code="a">The Serpentine (London)</subfield><subfield code="e">Sonstige</subfield><subfield code="0">(DE-588)1058927329</subfield><subfield code="4">oth</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034775587</subfield></datafield></record></collection> |
| genre | (DE-588)4135467-9 Ausstellungskatalog Serpentine 01.06.2023-10.09.2023 London gnd-content |
| genre_facet | Ausstellungskatalog Serpentine 01.06.2023-10.09.2023 London |
| id | DE-604.BV049429435 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T23:09:53Z |
| indexdate | 2024-07-10T10:06:52Z |
| institution | BVB |
| institution_GND | (DE-588)1058927329 |
| isbn | 9788412279221 8412279220 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034775587 |
| oclc_num | 1423099915 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 195 Seiten, 13 ungezählte Seiten |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Ivorypress |
| record_format | marc |
| spelling | Web(s) of life Tomás Saraceno in collaboration contributors: James Bridle, Marisol de la Cadena, Arturo Escobar, Fiona Glen, Yuk Hui, Eduardo Kohn, Graciela Speranza, Maristella Svampa Web of life Tomás Saraceno in collaboration Madrid Ivorypress [2023] 195 Seiten, 13 ungezählte Seiten txt rdacontent sti rdacontent n rdamedia nc rdacarrier Impressum: This publication is conceived as a complement to the exhibition "Tomás Saraceno in Collaboration: Web(s) of Life" held at Serpentine, London, 1 June - 10 September 2023 Zusätzliches Online-Angebot unter QR-Codes abrufbar This publication is released on the occasion of Tomás Saraceno’s first major UK solo exhibition, ‘Web(s) of Life’, where the artist invited participants to consider different forms of knowledge and non-human perspectives through a range of artworks, prompts and experiences which extend past the walls of Serpentine South, into The Royal Parks and beyond. ‘Web(s) of Life’ is a book, but also the title of the exhibition held at the Serpentine between 1 June and 10 September 2023. This co-publication of the Serpentine and Ivorypress drawes from and expands on the exhibition and includes as well as new essays from writers, artists and researchers, including Graciela Speranza, Maristella Svampa, Marisol de la Cadena, Eduardo Kohn, Arturo Escobar, Yuk Hui and James Bridle and an new, insightful text by Tomás Saraceno. Two visual essays (about the projects of Aerocene and the Ngam Dù Spider Diviner), a middle section which visually reflects on the dimension of the woven encounters before, during and beyond the exhibition and a close look to the works included in and around the Serpentine further invite the reader to get trapped in Saraceno’s Web(s) of Life. The book has been produced with a minimum carbon footprint. It’s format is thought to produce minimum paper waste and it uses recycled paper stock and compostable shrink-wrap. The cover contains seventeen Cantueso non-GMO seeds, which are aromatic (and can thus be perceived not only by human beings, but also other species). The reader is invited to tear off parts of the cover and and plant it. As Tomás Saraceno comments about the exhibition (and the book): ‘With the image of a dormant seed, in a latent state of hope, myself and many others have tried to make a small contribution to the movement of degrowth, by appending to it the notion of re-growth – a marker of regeneration rather than negation Saraceno, Tomás 1973- (DE-588)137310722 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog Serpentine 01.06.2023-10.09.2023 London gnd-content Saraceno, Tomás 1973- (DE-588)137310722 p DE-604 Saraceno, Tomás 1973- (DE-588)137310722 art Bridle, James 1980- (DE-588)1082098744 aut Cadena, Marisol de la 1957- (DE-588)173721656 aut Escobar, Arturo 1951- (DE-588)170495892 aut Glen, Fiona aut Hui, Yuk 1985- (DE-588)1074970977 aut Kohn, Eduardo 1968- (DE-588)1042403473 aut Speranza, Graciela 1957- (DE-588)105626991X aut Svampa, Maristella 1961- (DE-588)132694085 aut The Serpentine (London) Sonstige (DE-588)1058927329 oth |
| spellingShingle | Bridle, James 1980- Cadena, Marisol de la 1957- Escobar, Arturo 1951- Glen, Fiona Hui, Yuk 1985- Kohn, Eduardo 1968- Speranza, Graciela 1957- Svampa, Maristella 1961- Web(s) of life Tomás Saraceno in collaboration Saraceno, Tomás 1973- (DE-588)137310722 gnd |
| subject_GND | (DE-588)137310722 (DE-588)4135467-9 |
| title | Web(s) of life Tomás Saraceno in collaboration |
| title_alt | Web of life Tomás Saraceno in collaboration |
| title_auth | Web(s) of life Tomás Saraceno in collaboration |
| title_exact_search | Web(s) of life Tomás Saraceno in collaboration |
| title_exact_search_txtP | Web(s) of life Tomás Saraceno in collaboration |
| title_full | Web(s) of life Tomás Saraceno in collaboration contributors: James Bridle, Marisol de la Cadena, Arturo Escobar, Fiona Glen, Yuk Hui, Eduardo Kohn, Graciela Speranza, Maristella Svampa |
| title_fullStr | Web(s) of life Tomás Saraceno in collaboration contributors: James Bridle, Marisol de la Cadena, Arturo Escobar, Fiona Glen, Yuk Hui, Eduardo Kohn, Graciela Speranza, Maristella Svampa |
| title_full_unstemmed | Web(s) of life Tomás Saraceno in collaboration contributors: James Bridle, Marisol de la Cadena, Arturo Escobar, Fiona Glen, Yuk Hui, Eduardo Kohn, Graciela Speranza, Maristella Svampa |
| title_short | Web(s) of life |
| title_sort | web s of life tomas saraceno in collaboration |
| title_sub | Tomás Saraceno in collaboration |
| topic | Saraceno, Tomás 1973- (DE-588)137310722 gnd |
| topic_facet | Saraceno, Tomás 1973- Ausstellungskatalog Serpentine 01.06.2023-10.09.2023 London |
| work_keys_str_mv | AT saracenotomas websoflifetomassaracenoincollaboration AT bridlejames websoflifetomassaracenoincollaboration AT cadenamarisoldela websoflifetomassaracenoincollaboration AT escobararturo websoflifetomassaracenoincollaboration AT glenfiona websoflifetomassaracenoincollaboration AT huiyuk websoflifetomassaracenoincollaboration AT kohneduardo websoflifetomassaracenoincollaboration AT speranzagraciela websoflifetomassaracenoincollaboration AT svampamaristella websoflifetomassaracenoincollaboration AT theserpentinelondon websoflifetomassaracenoincollaboration AT saracenotomas weboflife AT bridlejames weboflife AT cadenamarisoldela weboflife AT escobararturo weboflife AT glenfiona weboflife AT huiyuk weboflife AT kohneduardo weboflife AT speranzagraciela weboflife AT svampamaristella weboflife AT theserpentinelondon weboflife AT saracenotomas tomassaracenoincollaboration AT bridlejames tomassaracenoincollaboration AT cadenamarisoldela tomassaracenoincollaboration AT escobararturo tomassaracenoincollaboration AT glenfiona tomassaracenoincollaboration AT huiyuk tomassaracenoincollaboration AT kohneduardo tomassaracenoincollaboration AT speranzagraciela tomassaracenoincollaboration AT svampamaristella tomassaracenoincollaboration AT theserpentinelondon tomassaracenoincollaboration |