Drawing: a complete guide
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London
Thames & Hudson
[2019]
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
Beschreibung: | 368 Seiten Illustrationen |
ISBN: | 9780500292389 |
Internformat
MARC
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Datensatz im Suchindex
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adam_text | Contents Preface 10 Part V. Why Draw? 16 Chapter 1 18 Drawing as a Way of Life Everyone Can Draw 19 Drawing throughout History 20 Why Draw? 20 Drawing in the Creative Arts 22 The Creative Process: Ideation and Practical Development 24 In the Studio Projects: Fundamental Project; Writing Project; Research Project 29 The Work of Art: Dawn Clements 21 Drawing at Work: Yves Saint Laurent 27 Gateway to Drawing: Burne-Jones, The Tomb of Tristram and Isoude: The Creative Process 28 Chapter 2 Modes, Sources, and Expressions 30 Considering the Modes of Drawing 31 Sources for Drawings 44 Style and Expression 53 In the Studio Projects: Fundamental Project; Observational Drawing; Non-Observational Drawing 57 The Work of Art: Beatrix Potter 34 Drawing at Work: Edward Hopper 39 Chapter 3 Mark-Making and Media 58 Mark-Making 59 Media: Past and Present 63 Drawing Surfaces 64 Drawing Media 68 Tools 89 Safety Issues 90 In the Studio Projects: Fundamental Project; Observational Drawing; Non-Observational Drawing 91 Gateway to Drawing: Orozco, Man Struggling with Centaur: Mark-Making and Media 62 The Work of Art: Xia Gui 81 Drawing at Work: Kiki Smith 88
Part 2: How to Draw 92 Chapter 4 Composing a Compelling Drawing 94 Chapter8 Shape 170 Shape as Abstraction 171 Shape as Compositional Arrangement 175 95 Geometric and Organic Shapes 177 The Picture Plane and the Ground Plane 96 Positive and Negative Shapes, Figure/Ground Relationships 178 Geometric Divisions of the Picture Plane 98 The Meanings of Shapes 180 Composing a Drawing with the Organizing Principles of Design 101 In the Studio Projects: Fundamental Project; Observational Drawing; Non-Observational Drawing 181 In the Studio Projects: Fundamental Project; Observational Drawing; Non-Observational Drawing 115 The Work of Art: Kara Walker 172 Gateway to Drawing: Heysen, Gum Trees, Hahndorf·. Composing a Compelling Drawing 102 Drawing at Work: Sidney Goodman 174 The Work of Art: Michelangelo 106 Gateway to Drawing: Burne-Jones, The Tomb of Tristram and Isoude: Shape 176 Drawing at Work: Jacob El Hanani 112 Format Chapter9 Value Chapter 5 The Sketchbook 182 116 Conditions that Influence Value 183 117 Techniques to Establish Value 184 Types of Sketchbooks 121 Value Scale, Value Contrast, and Value Schemes 189 Challenges of Keeping a Sketchbook 128 Value Shapes 193 Inside Sketchbooks 129 Depicting Light with Value 194 Drawing at Work: Frida Kahlo 118 Emotional Quality of Value 197 The Work of Art: Théodore Géricault 120 In the Studio Projects: Fundamental Project; Observational Drawing; Non-Observational Drawing 199 In the Studio Projects: Fundamental Project; Observational Drawing; Non-Observational Drawing Chapter б Howto Draw What You See 130 The Work of Art: Martha Alf
187 Gateway to Drawing: Heysen, Gum Trees, Hahndorf: Value 192 Drawing at Work: Caspar David Friedrich 195 Setting Up to Draw 131 A Process for Observational Drawing 132 Step #1: Decide What to Draw 133 Step #2: Compositional Gesture 135 Defining Form 201 Step #3: Introduce Values 140 Line to Describe Form 202 Each Step as an End Result 144 Planes to Describe Form 204 In the Studio Projects: Fundamental Project; Observational Drawing; Research Project Chapter 10 Form 200 147 Value to Describe Form 206 Drawing at Work: Charles Bargue 143 In the Studio Projects: Fundamental Project; Observational Drawing; Non-Observational Drawing 215 The Work of Art: Leonardo da Vinci 144 Part 3: Drawing Elements 148 Chapter7 Line 150 Drawing at Work: Margaret Bowland 207 The Work of Art: Bailey Doogan 212 Chapter 11 Space 216 Using Position on the Picture Plane to Suggest Space 217 Using Overlap to Create Space 218 Descriptive Line 151 Using Diminishing Size to Create Space 220 Emotional Line 153 Using Diagonals to Create Space 222 Outline 154 Atmospheric Perspective 223 Contour Line 156 Linear Perspective 226 Line Weight 162 In the Studio Projects: Fundamental Project; Observational Drawing; Non-Observational Drawing 239 165 The Work of Art: Henry Moore 225 Linear Modeling: Hatching and Cross-Hatching 167 Drawing at Work: Ronald Searle 232 In the Studio Projects: Fundamental Project; ObservationalDrawing; Non-Observational Drawing 169 Soft, Lost, and Implied Lines Drawing at Work: Jenny Saville 158 The Work of Art: Louise Bourgeois Gateway to Drawing: Orozco, Man Struggling with Centaur:
Line 160 163
Chapter 12 Texture Drawing at Work: Ginny Grayson 240 Visual Texture 241 Replicated Texture 243 S u rfa ce Text u re 246 Invented Texture 247 297 Gateway to Drawing: Burne-Jones, The Tomb of Tristram and Isoude: Figure Drawing for a Stained-Glass Window Chapter 16 Portraiture 299 312 Rubbings and Photo Transfers 248 Approaches to Portraiture 313 Collage 254 The Structure of the Head 318 255 Self-Portraits 323 Narrative Portraits 326 In the Studio Projects: Fundamental Project; Observational Drawing; Non-Observational Drawing 329 In the Studio Projects: Fundamental Project; Observational Drawing; Non-Observational Drawing Gateway to Drawing: Orozco, Man Struggling with Centaur: Implied Sense of Texture 242 Drawing at Work: Alice Leóra Briggs 245 The Work of Art: Jean Dubuffet 250 Chapter 13 Drawing with Color The Work of Art: Alice Neel 314 Drawing at Work: Matthias Grünewald 317 256 Chapter 17 Landscape Drawing 330 The Color Wheel 257 Color-Wheel Relationships 258 Landscape as a Source of Inspiration 331 Color Fundamentals 258 Drawing Outdoors and Studio Landscapes 333 Color Unity and Color Schemes 266 Types of Landscape Drawings 336 Color as an Expressive Force in Drawing 270 In the Studio Projects: Fundamental Project; Observational Drawing; Non-Observational Drawing 343 In the Studio Projects: Fundamental Project; Observational Drawing; Non-Observational Drawing 273 The Work of Art: John Constable 332 The Work of Art: Claude Monet 267 Gateways to Drawing: Heysen, Gum Trees, Hahndorf·. Landscape Drawing 339 Drawing at Work: Wassily Kandinsky 272 Drawing at Work: Claude
342 Part 4: What to Draw 274 Parts 344 Chapter14 Still-Life Drawing 276 Chapter 18 Looking at Drawing: Critical Thinking and Critique 344 Still Life in Western Culture 277 Critical Thinking 345 Types of Objects 279 Examples of Critical Reviews 346 Artistic Practices 282 Critique 350 Symbolic Still Life: Metaphor 284 In the Studio Projects: Fundamental Project; Observational Drawing; Non-Observational Drawing 352 Vanitas Still Life 286 Critical Review Worksheet: Student Drawing 346 In the Studio Projects: Fundamental Project; Observational Drawing; Non-Observational Drawing 289 Critical Review Worksheet: Master Drawing 348 Drawing at Work: Le Corbusier 280 The Work of Art: Audrey Flack 287 Glossary Chapter15 Drawing the Human Figure 290 Communicating Human Experiences 291 Life Drawing 295 Working with a Model 296 Construction of the Figure 298 The Proportions of the Figure 303 Artistic Anatomy 304 In the Studio Projects: Fundamental Project; Observational Drawing; Non-Observational Drawing 311 The Work of Art: Artemisia Gentileschi 294 354 Glossary of Artistic Movements, Styles, and Periods 356 Sources of Quotations 356 Illustration Credits 357 Index 362
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author | Gardner, Stephen C. P. |
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building | Verbundindex |
bvnumber | BV046069840 |
classification_rvk | LH 71040 |
ctrlnum | (OCoLC)1137821583 (DE-599)KXP1666252204 |
discipline | Kunstgeschichte |
format | Book |
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id | DE-604.BV046069840 |
illustrated | Illustrated |
indexdate | 2024-07-10T08:34:25Z |
institution | BVB |
isbn | 9780500292389 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031451022 |
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physical | 368 Seiten Illustrationen |
publishDate | 2019 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
publisher | Thames & Hudson |
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spelling | Gardner, Stephen C. P. Verfasser (DE-588)1190226804 aut Drawing a complete guide Stephen C.P. Gardner London Thames & Hudson [2019] 368 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier Zeichnung (DE-588)4127900-1 gnd rswk-swf Zeichnung (DE-588)4127900-1 s DE-604 V:DE-576;B:DE-14 application/pdf http://swbplus.bsz-bw.de/bsz1666252204inh.htm 20190712153046 Inhaltsverzeichnis Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031451022&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Gardner, Stephen C. P. Drawing a complete guide Zeichnung (DE-588)4127900-1 gnd |
subject_GND | (DE-588)4127900-1 |
title | Drawing a complete guide |
title_auth | Drawing a complete guide |
title_exact_search | Drawing a complete guide |
title_full | Drawing a complete guide Stephen C.P. Gardner |
title_fullStr | Drawing a complete guide Stephen C.P. Gardner |
title_full_unstemmed | Drawing a complete guide Stephen C.P. Gardner |
title_short | Drawing |
title_sort | drawing a complete guide |
title_sub | a complete guide |
topic | Zeichnung (DE-588)4127900-1 gnd |
topic_facet | Zeichnung |
url | http://swbplus.bsz-bw.de/bsz1666252204inh.htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031451022&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT gardnerstephencp drawingacompleteguide |
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