Tejaswini Ganti

Tejaswini Ganti is an Indian anthropological and film scholar and associate professor at the New York University, specializing in South Asian culture. She is an alumna from the University of Pennsylvania, the Northwestern University, and the New York University. Provided by Wikipedia
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  1. 1
    Risky business the structure and practice of Formal film distribution in the Hindi Film Industry

    Risky business the structure and practice of Formal film distribution in the Hindi Film Industry by Ganti, Tejaswini

    Published 2022
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  2. 2
    Fair and lovely class, gender, and colorism in Bollywood song sequences

    Fair and lovely class, gender, and colorism in Bollywood song sequences by Ganti, Tejaswini

    Published 2017
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  3. 3
    Producing Bollywood inside the contemporary Hindi film industry

    Producing Bollywood inside the contemporary Hindi film industry by Ganti, Tejaswini

    Published 2012
    Electronic eBook Interlibrary loan Place Request


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  4. 4
    Bollywood a guidebook to popular Hindi cinema

    Bollywood a guidebook to popular Hindi cinema by Ganti, Tejaswini

    Published 2007
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  5. 5
    "And yet my heart is still Indian" the Bombay film industry and the (h)indianization of Hollywood

    "And yet my heart is still Indian" the Bombay film industry and the (h)indianization of Hollywood by Ganti, Tejaswini

    Published 2007
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  6. 6
    Bollywood a guidebook to popular Hindi cinema

    Bollywood a guidebook to popular Hindi cinema by Ganti, Tejaswini

    Published 2005
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  7. 7
    The value of surprise ethnography of media industries

    The value of surprise ethnography of media industries by Ganti, Tejaswini

    Published 2020
    Article Interlibrary loan Place Request


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  8. 8
    Bollywood a guidebook to popular Hindi cinema

    Bollywood a guidebook to popular Hindi cinema by Ganti, Tejaswini

    Published 2013
    Indexes
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  9. 9
    Bollywood a guidebook to popular Hindi cinema

    Bollywood a guidebook to popular Hindi cinema by Ganti, Tejaswini

    Published 2004
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  10. 10
    English is so precise, and hindi can be so heavy language ideologies and audience imaginiaries in a dubbing Studio in Mumbai

    English is so precise, and hindi can be so heavy language ideologies and audience imaginiaries in a dubbing Studio in Mumbai by Ganti, Tejaswini

    Published 2021
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  11. 11
    Corporatization and the Hindi film industry

    Corporatization and the Hindi film industry by Ganti, Tejaswini

    Published 2018
    Article Interlibrary loan Place Request


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  12. 12
    "No one thinks in Hindi here" language hierarchies in Bollywood

    "No one thinks in Hindi here" language hierarchies in Bollywood by Ganti, Tejaswini

    Published 2016
    Article Interlibrary loan Place Request


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  13. 13
    Bollywood a guidebook to popular Hindi cinema

    Bollywood a guidebook to popular Hindi cinema by Ganti, Tejaswini

    Published 2013
    Electronic eBook Interlibrary loan Place Request


    Saved in:
  14. 14
    Producing Bollywood inside the contemporary Hindi film industry

    Producing Bollywood inside the contemporary Hindi film industry by Ganti, Tejaswini

    Published 2012
    Indexes
    Book Interlibrary loan Place Request


    Saved in:
  15. 15
    Producing Bollywood Inside the Contemporary Hindi Film Industry

    Producing Bollywood Inside the Contemporary Hindi Film Industry by Ganti, Tejaswini

    Published 2012
    Get full text
    Electronic eBook Interlibrary loan Place Request


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  16. 16
    The limits of decency and the decency of limits censorshop and the Bombay Film Industry

    The limits of decency and the decency of limits censorshop and the Bombay Film Industry by Ganti, Tejaswini

    Published 2009
    Article Interlibrary loan Place Request


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  17. 17
    "And yet my heart is still Indian" the Bombay Film Industry and the (H)Indianziation of Hollywood

    "And yet my heart is still Indian" the Bombay Film Industry and the (H)Indianziation of Hollywood by Ganti, Tejaswini

    Published 2002
    Article Interlibrary loan Place Request


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