Music, sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Così fan tutte /:
Music, Sexuality and the Enlightenment explains how Mozart's music for Le nozze di Figaro, Don Giovanni and Così fan tutte 'sounds' the intentions of Da Ponte's characters and their relationships with one another. Mozart, by way of the infinitely generative and beautiful logic o...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Burlington :
Ashgate,
2012.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Music, Sexuality and the Enlightenment explains how Mozart's music for Le nozze di Figaro, Don Giovanni and Così fan tutte 'sounds' the intentions of Da Ponte's characters and their relationships with one another. Mozart, by way of the infinitely generative and beautiful logic of the sonata principle, did not merely interpret Da Ponte's characterizations but lent them temporal, musical forms. Charles Ford's analytic interpretation of these musical forms concerns processes and structures in detail and at medium- to long-term levels. He addresses the music of a wide range of arias and ensembles. |
| Beschreibung: | 1 online resource (1 online resource) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781409442363 1409442365 |
Internformat
MARC
| LEADER | 00000cam a2200000 a 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn784938623 | ||
| 003 | OCoLC | ||
| 005 | 20240705115654.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 120409s2012 onc ob 001 0deng d | ||
| 040 | |a N$T |b eng |e pn |c N$T |d OCLCQ |d DKDLA |d OCLCQ |d OCLCF |d OCLCO |d OCLCQ |d OCLCO |d OCL |d OCLCQ |d AGLDB |d YDX |d M8D |d EBLCP |d OCLCQ |d OCLCO |d UUM |d OCLCA |d VTS |d WYU |d TKN |d STF |d COO |d AU@ |d UKAHL |d UX1 |d OCLCQ |d AJS |d OCLCQ |d OCLCO |d OCLCQ |d OCLCO |d OCLCL | ||
| 020 | |a 9781409442363 |q (electronic bk.) | ||
| 020 | |a 1409442365 |q (electronic bk.) | ||
| 020 | |z 9780754668893 | ||
| 020 | |z 0754668894 | ||
| 035 | |a (OCoLC)784938623 | ||
| 050 | 4 | |a ML410.M9 |b F7263 2012eb | |
| 072 | 7 | |a MUS |x 028000 |2 bisacsh | |
| 072 | 7 | |a MUS |x 037070 |2 bisacsh | |
| 082 | 7 | |a 782.1092 |2 23 | |
| 084 | |a 9,2 |2 ssgn | ||
| 049 | |a MAIN | ||
| 100 | 1 | |a Ford, Charles |q (Charles C.) |1 https://id.oclc.org/worldcat/entity/E39PCjrB8KdjTFKy74qB3RMkjC |0 http://id.loc.gov/authorities/names/n91014639 | |
| 245 | 1 | 0 | |a Music, sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Così fan tutte / |c Charles Ford. |
| 260 | |a Burlington : |b Ashgate, |c 2012. | ||
| 300 | |a 1 online resource (1 online resource) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Overtures: Introduction ; Enlightenment as negative freedom ; Enlightened music -- Masculine music: Music of enlightened masculinity ; Angry masculine music ; Libertinage and musical libertinage ; The Enlightenment's legitimation of feelings ; Sensitive masculine music ; Conclusions to part II : the differentiation of masculine music -- Feminine music: Music of enlightened femininity ; Sorrowful feminine music ; Hysterical feminine music ; Music of feminine moral frailty ; The musical ridicule of feminine intentions ; Two maids' and a peasant girl's music ; Conclusions to part III : the differentiation of feminine music -- Seductions: Simple musical seductions ; Complex musical seduction : Fiordiligi and Ferrando -- Finales: Five finales ; Don Giovanni and the stone man ; Kant, Sade and Don Giovanni ; Così fan tutte Act II Finale ; The futures of the operas. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Music, Sexuality and the Enlightenment explains how Mozart's music for Le nozze di Figaro, Don Giovanni and Così fan tutte 'sounds' the intentions of Da Ponte's characters and their relationships with one another. Mozart, by way of the infinitely generative and beautiful logic of the sonata principle, did not merely interpret Da Ponte's characterizations but lent them temporal, musical forms. Charles Ford's analytic interpretation of these musical forms concerns processes and structures in detail and at medium- to long-term levels. He addresses the music of a wide range of arias and ensembles. | ||
| 600 | 1 | 0 | |a Mozart, Wolfgang Amadeus, |d 1756-1791. |t Nozze di Figaro. |0 http://id.loc.gov/authorities/names/n81079986 |
| 600 | 1 | 0 | |a Mozart, Wolfgang Amadeus, |d 1756-1791. |t Don Giovanni. |0 http://id.loc.gov/authorities/names/n80008521 |
| 600 | 1 | 0 | |a Mozart, Wolfgang Amadeus, |d 1756-1791. |t Così fan tutte. |0 http://id.loc.gov/authorities/names/n79105968 |
| 630 | 0 | 7 | |a Così fan tutte (Mozart, Wolfgang Amadeus) |2 fast |
| 630 | 0 | 7 | |a Don Giovanni (Mozart, Wolfgang Amadeus) |2 fast |
| 630 | 0 | 7 | |a Nozze di Figaro (Mozart, Wolfgang Amadeus) |2 fast |
| 650 | 0 | |a Sex in music. |0 http://id.loc.gov/authorities/subjects/sh90002947 | |
| 650 | 0 | |a Opera |y 18th century. | |
| 650 | 6 | |a Sexualité dans la musique. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Opera. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Printed Music |x Opera & Classical Scores. |2 bisacsh | |
| 650 | 7 | |a Opera |2 fast | |
| 650 | 7 | |a Sex in music |2 fast | |
| 648 | 7 | |a 1700-1799 |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Ford, Charles (Charles C.). |t Music, sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Così fan tutte. |d Burlington : Ashgate, 2012 |z 9780754668893 |w (DLC) 2011035398 |w (OCoLC)748941756 |
| 856 | 1 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=444358 |3 Volltext | |
| 856 | 1 | |l CBO01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=444358 |3 Volltext | |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH23094545 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH30616968 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH30616969 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL5294065 | ||
| 938 | |a EBSCOhost |b EBSC |n 444358 | ||
| 938 | |a YBP Library Services |b YANK |n 7586240 | ||
| 938 | |a YBP Library Services |b YANK |n 14691533 | ||
| 938 | |a YBP Library Services |b YANK |n 14931280 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn784938623 |
|---|---|
| _version_ | 1813903432540487680 |
| adam_text | |
| any_adam_object | |
| author | Ford, Charles (Charles C.) |
| author_GND | http://id.loc.gov/authorities/names/n91014639 |
| author_facet | Ford, Charles (Charles C.) |
| author_role | |
| author_sort | Ford, Charles |
| author_variant | c f cf |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML410 |
| callnumber-raw | ML410.M9 F7263 2012eb |
| callnumber-search | ML410.M9 F7263 2012eb |
| callnumber-sort | ML 3410 M9 F7263 42012EB |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Overtures: Introduction ; Enlightenment as negative freedom ; Enlightened music -- Masculine music: Music of enlightened masculinity ; Angry masculine music ; Libertinage and musical libertinage ; The Enlightenment's legitimation of feelings ; Sensitive masculine music ; Conclusions to part II : the differentiation of masculine music -- Feminine music: Music of enlightened femininity ; Sorrowful feminine music ; Hysterical feminine music ; Music of feminine moral frailty ; The musical ridicule of feminine intentions ; Two maids' and a peasant girl's music ; Conclusions to part III : the differentiation of feminine music -- Seductions: Simple musical seductions ; Complex musical seduction : Fiordiligi and Ferrando -- Finales: Five finales ; Don Giovanni and the stone man ; Kant, Sade and Don Giovanni ; Così fan tutte Act II Finale ; The futures of the operas. |
| ctrlnum | (OCoLC)784938623 |
| dewey-full | 782.1092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.1092 |
| dewey-search | 782.1092 |
| dewey-sort | 3782.1092 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1700-1799 fast |
| era_facet | 1700-1799 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04682cam a2200673 a 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn784938623</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20240705115654.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">120409s2012 onc ob 001 0deng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">DKDLA</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCF</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">AGLDB</subfield><subfield code="d">YDX</subfield><subfield code="d">M8D</subfield><subfield code="d">EBLCP</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">UUM</subfield><subfield code="d">OCLCA</subfield><subfield code="d">VTS</subfield><subfield code="d">WYU</subfield><subfield code="d">TKN</subfield><subfield code="d">STF</subfield><subfield code="d">COO</subfield><subfield code="d">AU@</subfield><subfield code="d">UKAHL</subfield><subfield code="d">UX1</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">AJS</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781409442363</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1409442365</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780754668893</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0754668894</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)784938623</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ML410.M9</subfield><subfield code="b">F7263 2012eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">028000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">037070</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">782.1092</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Ford, Charles</subfield><subfield code="q">(Charles C.)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCjrB8KdjTFKy74qB3RMkjC</subfield><subfield code="0">http://id.loc.gov/authorities/names/n91014639</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Music, sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Così fan tutte /</subfield><subfield code="c">Charles Ford.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Burlington :</subfield><subfield code="b">Ashgate,</subfield><subfield code="c">2012.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (1 online resource)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Overtures: Introduction ; Enlightenment as negative freedom ; Enlightened music -- Masculine music: Music of enlightened masculinity ; Angry masculine music ; Libertinage and musical libertinage ; The Enlightenment's legitimation of feelings ; Sensitive masculine music ; Conclusions to part II : the differentiation of masculine music -- Feminine music: Music of enlightened femininity ; Sorrowful feminine music ; Hysterical feminine music ; Music of feminine moral frailty ; The musical ridicule of feminine intentions ; Two maids' and a peasant girl's music ; Conclusions to part III : the differentiation of feminine music -- Seductions: Simple musical seductions ; Complex musical seduction : Fiordiligi and Ferrando -- Finales: Five finales ; Don Giovanni and the stone man ; Kant, Sade and Don Giovanni ; Così fan tutte Act II Finale ; The futures of the operas.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Music, Sexuality and the Enlightenment explains how Mozart's music for Le nozze di Figaro, Don Giovanni and Così fan tutte 'sounds' the intentions of Da Ponte's characters and their relationships with one another. Mozart, by way of the infinitely generative and beautiful logic of the sonata principle, did not merely interpret Da Ponte's characterizations but lent them temporal, musical forms. Charles Ford's analytic interpretation of these musical forms concerns processes and structures in detail and at medium- to long-term levels. He addresses the music of a wide range of arias and ensembles.</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Mozart, Wolfgang Amadeus,</subfield><subfield code="d">1756-1791.</subfield><subfield code="t">Nozze di Figaro.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n81079986</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Mozart, Wolfgang Amadeus,</subfield><subfield code="d">1756-1791.</subfield><subfield code="t">Don Giovanni.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n80008521</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Mozart, Wolfgang Amadeus,</subfield><subfield code="d">1756-1791.</subfield><subfield code="t">Così fan tutte.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n79105968</subfield></datafield><datafield tag="630" ind1="0" ind2="7"><subfield code="a">Così fan tutte (Mozart, Wolfgang Amadeus)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="630" ind1="0" ind2="7"><subfield code="a">Don Giovanni (Mozart, Wolfgang Amadeus)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="630" ind1="0" ind2="7"><subfield code="a">Nozze di Figaro (Mozart, Wolfgang Amadeus)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Sex in music.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh90002947</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Opera</subfield><subfield code="y">18th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Sexualité dans la musique.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Genres & Styles</subfield><subfield code="x">Opera.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Printed Music</subfield><subfield code="x">Opera & Classical Scores.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Opera</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Sex in music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">1700-1799</subfield><subfield code="2">fast</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Ford, Charles (Charles C.).</subfield><subfield code="t">Music, sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Così fan tutte.</subfield><subfield code="d">Burlington : Ashgate, 2012</subfield><subfield code="z">9780754668893</subfield><subfield code="w">(DLC) 2011035398</subfield><subfield code="w">(OCoLC)748941756</subfield></datafield><datafield tag="856" ind1="1" ind2=" "><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=444358</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="856" ind1="1" ind2=" "><subfield code="l">CBO01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=444358</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH23094545</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH30616968</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH30616969</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL5294065</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">444358</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">7586240</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">14691533</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">14931280</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield></record></collection> |
| id | ZDB-4-EBA-ocn784938623 |
| illustrated | Not Illustrated |
| indexdate | 2024-10-25T16:18:35Z |
| institution | BVB |
| isbn | 9781409442363 1409442365 |
| language | English |
| oclc_num | 784938623 |
| open_access_boolean | |
| owner | MAIN |
| owner_facet | MAIN |
| physical | 1 online resource (1 online resource) |
| psigel | ZDB-4-EBA |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Ashgate, |
| record_format | marc |
| spelling | Ford, Charles (Charles C.) https://id.oclc.org/worldcat/entity/E39PCjrB8KdjTFKy74qB3RMkjC http://id.loc.gov/authorities/names/n91014639 Music, sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Così fan tutte / Charles Ford. Burlington : Ashgate, 2012. 1 online resource (1 online resource) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Overtures: Introduction ; Enlightenment as negative freedom ; Enlightened music -- Masculine music: Music of enlightened masculinity ; Angry masculine music ; Libertinage and musical libertinage ; The Enlightenment's legitimation of feelings ; Sensitive masculine music ; Conclusions to part II : the differentiation of masculine music -- Feminine music: Music of enlightened femininity ; Sorrowful feminine music ; Hysterical feminine music ; Music of feminine moral frailty ; The musical ridicule of feminine intentions ; Two maids' and a peasant girl's music ; Conclusions to part III : the differentiation of feminine music -- Seductions: Simple musical seductions ; Complex musical seduction : Fiordiligi and Ferrando -- Finales: Five finales ; Don Giovanni and the stone man ; Kant, Sade and Don Giovanni ; Così fan tutte Act II Finale ; The futures of the operas. Print version record. Music, Sexuality and the Enlightenment explains how Mozart's music for Le nozze di Figaro, Don Giovanni and Così fan tutte 'sounds' the intentions of Da Ponte's characters and their relationships with one another. Mozart, by way of the infinitely generative and beautiful logic of the sonata principle, did not merely interpret Da Ponte's characterizations but lent them temporal, musical forms. Charles Ford's analytic interpretation of these musical forms concerns processes and structures in detail and at medium- to long-term levels. He addresses the music of a wide range of arias and ensembles. Mozart, Wolfgang Amadeus, 1756-1791. Nozze di Figaro. http://id.loc.gov/authorities/names/n81079986 Mozart, Wolfgang Amadeus, 1756-1791. Don Giovanni. http://id.loc.gov/authorities/names/n80008521 Mozart, Wolfgang Amadeus, 1756-1791. Così fan tutte. http://id.loc.gov/authorities/names/n79105968 Così fan tutte (Mozart, Wolfgang Amadeus) fast Don Giovanni (Mozart, Wolfgang Amadeus) fast Nozze di Figaro (Mozart, Wolfgang Amadeus) fast Sex in music. http://id.loc.gov/authorities/subjects/sh90002947 Opera 18th century. Sexualité dans la musique. MUSIC Genres & Styles Opera. bisacsh MUSIC Printed Music Opera & Classical Scores. bisacsh Opera fast Sex in music fast 1700-1799 fast Print version: Ford, Charles (Charles C.). Music, sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Così fan tutte. Burlington : Ashgate, 2012 9780754668893 (DLC) 2011035398 (OCoLC)748941756 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=444358 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=444358 Volltext |
| spellingShingle | Ford, Charles (Charles C.) Music, sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Così fan tutte / Overtures: Introduction ; Enlightenment as negative freedom ; Enlightened music -- Masculine music: Music of enlightened masculinity ; Angry masculine music ; Libertinage and musical libertinage ; The Enlightenment's legitimation of feelings ; Sensitive masculine music ; Conclusions to part II : the differentiation of masculine music -- Feminine music: Music of enlightened femininity ; Sorrowful feminine music ; Hysterical feminine music ; Music of feminine moral frailty ; The musical ridicule of feminine intentions ; Two maids' and a peasant girl's music ; Conclusions to part III : the differentiation of feminine music -- Seductions: Simple musical seductions ; Complex musical seduction : Fiordiligi and Ferrando -- Finales: Five finales ; Don Giovanni and the stone man ; Kant, Sade and Don Giovanni ; Così fan tutte Act II Finale ; The futures of the operas. Mozart, Wolfgang Amadeus, 1756-1791. Nozze di Figaro. http://id.loc.gov/authorities/names/n81079986 Mozart, Wolfgang Amadeus, 1756-1791. Don Giovanni. http://id.loc.gov/authorities/names/n80008521 Mozart, Wolfgang Amadeus, 1756-1791. Così fan tutte. http://id.loc.gov/authorities/names/n79105968 Così fan tutte (Mozart, Wolfgang Amadeus) fast Don Giovanni (Mozart, Wolfgang Amadeus) fast Nozze di Figaro (Mozart, Wolfgang Amadeus) fast Sex in music. http://id.loc.gov/authorities/subjects/sh90002947 Opera 18th century. Sexualité dans la musique. MUSIC Genres & Styles Opera. bisacsh MUSIC Printed Music Opera & Classical Scores. bisacsh Opera fast Sex in music fast |
| subject_GND | http://id.loc.gov/authorities/names/n81079986 http://id.loc.gov/authorities/names/n80008521 http://id.loc.gov/authorities/names/n79105968 http://id.loc.gov/authorities/subjects/sh90002947 |
| title | Music, sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Così fan tutte / |
| title_auth | Music, sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Così fan tutte / |
| title_exact_search | Music, sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Così fan tutte / |
| title_full | Music, sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Così fan tutte / Charles Ford. |
| title_fullStr | Music, sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Così fan tutte / Charles Ford. |
| title_full_unstemmed | Music, sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Così fan tutte / Charles Ford. |
| title_short | Music, sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Così fan tutte / |
| title_sort | music sexuality and the enlightenment in mozart s figaro don giovanni and cosi fan tutte |
| topic | Mozart, Wolfgang Amadeus, 1756-1791. Nozze di Figaro. http://id.loc.gov/authorities/names/n81079986 Mozart, Wolfgang Amadeus, 1756-1791. Don Giovanni. http://id.loc.gov/authorities/names/n80008521 Mozart, Wolfgang Amadeus, 1756-1791. Così fan tutte. http://id.loc.gov/authorities/names/n79105968 Così fan tutte (Mozart, Wolfgang Amadeus) fast Don Giovanni (Mozart, Wolfgang Amadeus) fast Nozze di Figaro (Mozart, Wolfgang Amadeus) fast Sex in music. http://id.loc.gov/authorities/subjects/sh90002947 Opera 18th century. Sexualité dans la musique. MUSIC Genres & Styles Opera. bisacsh MUSIC Printed Music Opera & Classical Scores. bisacsh Opera fast Sex in music fast |
| topic_facet | Mozart, Wolfgang Amadeus, 1756-1791. Nozze di Figaro. Mozart, Wolfgang Amadeus, 1756-1791. Don Giovanni. Mozart, Wolfgang Amadeus, 1756-1791. Così fan tutte. Così fan tutte (Mozart, Wolfgang Amadeus) Don Giovanni (Mozart, Wolfgang Amadeus) Nozze di Figaro (Mozart, Wolfgang Amadeus) Sex in music. Opera 18th century. Sexualité dans la musique. MUSIC Genres & Styles Opera. MUSIC Printed Music Opera & Classical Scores. Opera Sex in music |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=444358 |
| work_keys_str_mv | AT fordcharles musicsexualityandtheenlightenmentinmozartsfigarodongiovanniandcosifantutte |