The sound of Shakespeare /:
"The Sound of Shakespeare reveals the surprising extent to which Shakespeare's art is informed by the various attitudes, beliefs, practices and discourses that pertained to sound and hearing in his culture." "In this study, Wes Folkerth develops listening as a critical practice,...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York :
Routledge,
2002.
|
| Schriftenreihe: | Accents on Shakespeare.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "The Sound of Shakespeare reveals the surprising extent to which Shakespeare's art is informed by the various attitudes, beliefs, practices and discourses that pertained to sound and hearing in his culture." "In this study, Wes Folkerth develops listening as a critical practice, attending to the ways in which Shakespeare's plays express their author's awareness of early modern associations between sound and particular forms of ethical and aesthetic experience. Through readings of the acoustic representation of deep subjectivity in Richard III, of the 'public ear' in Antony and Cleopatra, the receptive ear in Coriolanus, the grotesque ear in A Midsummer Night's Dream, the 'greedy ear' in Othello, and the 'willing ear' in Measure for Measure, Folkerth demonstrates that by listening to Shakespeare himself listening, we derive a fuller understanding of why his works continue to resonate so strongly with us today."--Jacket |
| Beschreibung: | 1 online resource (xii, 147 pages) |
| Bibliographie: | Includes bibliographical references (pages 131-141) and index. |
| ISBN: | 9781317797210 1317797213 |
Internformat
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| 490 | 1 | |a Accents on Shakespeare | |
| 504 | |a Includes bibliographical references (pages 131-141) and index. | ||
| 520 | 1 | |a "The Sound of Shakespeare reveals the surprising extent to which Shakespeare's art is informed by the various attitudes, beliefs, practices and discourses that pertained to sound and hearing in his culture." "In this study, Wes Folkerth develops listening as a critical practice, attending to the ways in which Shakespeare's plays express their author's awareness of early modern associations between sound and particular forms of ethical and aesthetic experience. Through readings of the acoustic representation of deep subjectivity in Richard III, of the 'public ear' in Antony and Cleopatra, the receptive ear in Coriolanus, the grotesque ear in A Midsummer Night's Dream, the 'greedy ear' in Othello, and the 'willing ear' in Measure for Measure, Folkerth demonstrates that by listening to Shakespeare himself listening, we derive a fuller understanding of why his works continue to resonate so strongly with us today."--Jacket | |
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| author | Folkerth, Wes, 1964- |
| author_GND | http://id.loc.gov/authorities/names/n2002034357 |
| author_facet | Folkerth, Wes, 1964- |
| author_role | |
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| collection | ZDB-4-EBA |
| contents | 1. Shakespearience -- 2. The public ear -- 3. Receptivity -- 4. Transformation and continuity -- 5. Shakespearean acoustemologies. |
| ctrlnum | (OCoLC)881183803 |
| dewey-full | 822.3/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.3/3 |
| dewey-search | 822.3/3 |
| dewey-sort | 3822.3 13 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn881183803 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:26:01Z |
| institution | BVB |
| isbn | 9781317797210 1317797213 |
| language | English |
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| series | Accents on Shakespeare. |
| series2 | Accents on Shakespeare |
| spelling | Folkerth, Wes, 1964- http://id.loc.gov/authorities/names/n2002034357 The sound of Shakespeare / Wes Folkerth. London ; New York : Routledge, 2002. 1 online resource (xii, 147 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Accents on Shakespeare Includes bibliographical references (pages 131-141) and index. "The Sound of Shakespeare reveals the surprising extent to which Shakespeare's art is informed by the various attitudes, beliefs, practices and discourses that pertained to sound and hearing in his culture." "In this study, Wes Folkerth develops listening as a critical practice, attending to the ways in which Shakespeare's plays express their author's awareness of early modern associations between sound and particular forms of ethical and aesthetic experience. Through readings of the acoustic representation of deep subjectivity in Richard III, of the 'public ear' in Antony and Cleopatra, the receptive ear in Coriolanus, the grotesque ear in A Midsummer Night's Dream, the 'greedy ear' in Othello, and the 'willing ear' in Measure for Measure, Folkerth demonstrates that by listening to Shakespeare himself listening, we derive a fuller understanding of why his works continue to resonate so strongly with us today."--Jacket 1. Shakespearience -- 2. The public ear -- 3. Receptivity -- 4. Transformation and continuity -- 5. Shakespearean acoustemologies. Print version record. Shakespeare, William, 1564-1616 Technique. http://id.loc.gov/authorities/subjects/sh85121051 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Shakespeare, William. swd Sound in literature. http://id.loc.gov/authorities/subjects/sh94009081 DRAMA English, Irish, Scottish, Welsh. bisacsh Sound in literature fast Technique fast Klang Motiv gnd http://d-nb.info/gnd/4413513-0 Drama gnd http://d-nb.info/gnd/4012899-4 Electronic book. Print version: Folkerth, Wes, 1964- Sound of Shakespeare 0415253764 (DLC) 2002069893 (OCoLC)48753331 Accents on Shakespeare. http://id.loc.gov/authorities/names/n99031541 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=790164 Volltext |
| spellingShingle | Folkerth, Wes, 1964- The sound of Shakespeare / Accents on Shakespeare. 1. Shakespearience -- 2. The public ear -- 3. Receptivity -- 4. Transformation and continuity -- 5. Shakespearean acoustemologies. Shakespeare, William, 1564-1616 Technique. http://id.loc.gov/authorities/subjects/sh85121051 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Shakespeare, William. swd Sound in literature. http://id.loc.gov/authorities/subjects/sh94009081 DRAMA English, Irish, Scottish, Welsh. bisacsh Sound in literature fast Technique fast Klang Motiv gnd http://d-nb.info/gnd/4413513-0 Drama gnd http://d-nb.info/gnd/4012899-4 |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85121051 http://id.loc.gov/authorities/subjects/sh94009081 http://d-nb.info/gnd/4413513-0 http://d-nb.info/gnd/4012899-4 |
| title | The sound of Shakespeare / |
| title_auth | The sound of Shakespeare / |
| title_exact_search | The sound of Shakespeare / |
| title_full | The sound of Shakespeare / Wes Folkerth. |
| title_fullStr | The sound of Shakespeare / Wes Folkerth. |
| title_full_unstemmed | The sound of Shakespeare / Wes Folkerth. |
| title_short | The sound of Shakespeare / |
| title_sort | sound of shakespeare |
| topic | Shakespeare, William, 1564-1616 Technique. http://id.loc.gov/authorities/subjects/sh85121051 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Shakespeare, William. swd Sound in literature. http://id.loc.gov/authorities/subjects/sh94009081 DRAMA English, Irish, Scottish, Welsh. bisacsh Sound in literature fast Technique fast Klang Motiv gnd http://d-nb.info/gnd/4413513-0 Drama gnd http://d-nb.info/gnd/4012899-4 |
| topic_facet | Shakespeare, William, 1564-1616 Technique. Shakespeare, William, 1564-1616 Shakespeare, William. Sound in literature. DRAMA English, Irish, Scottish, Welsh. Sound in literature Technique Klang Motiv Drama Electronic book. |
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