Repeating ourselves :: American minimal music as cultural practice /
Where did musical minimalism come from--and what does it mean? In this significant revisionist account of minimalist music, Robert Fink connects repetitive music to the postwar evolution of an American mass consumer society. Abandoning the ingrained formalism of minimalist aesthetics, Repeating Ours...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berkeley :
University of California Press,
©2005.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Where did musical minimalism come from--and what does it mean? In this significant revisionist account of minimalist music, Robert Fink connects repetitive music to the postwar evolution of an American mass consumer society. Abandoning the ingrained formalism of minimalist aesthetics, Repeating Ourselves considers the cultural significance of American repetitive music exemplified by composers such as Terry Riley, Steve Reich, and Philip Glass. Fink juxtaposes repetitive minimal music with 1970s disco; assesses it in relation to the selling structure of mass-media advertising campaigns; traces it back to the innovations in hi-fi technology that turned baroque concertos into ambient "easy listening"; and appraises its meditative kinship to the spiritual path of musical mastery offered by Japan's Suzuki Method of Talent Education |
| Beschreibung: | 1 online resource (xvi, 280 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780520938946 0520938941 1423727584 9781423727583 9780520240360 0520240367 9780520245501 0520245504 1598757857 9781598757859 1282358170 9781282358171 9786612358173 6612358173 |
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| 100 | 1 | |a Fink, Robert Wallace, |d 1961- |e author. |1 https://id.oclc.org/worldcat/entity/E39PBJw4Dw3YTmB4bRvRVm9Yyd |0 http://id.loc.gov/authorities/names/nr96009671 | |
| 245 | 1 | 0 | |a Repeating ourselves : |b American minimal music as cultural practice / |c Robert Fink. |
| 260 | |a Berkeley : |b University of California Press, |c ©2005. | ||
| 300 | |a 1 online resource (xvi, 280 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a The culture of eros : repetition as desire creation -- Do it ('til you're satisfied) : repetitive musics and recombinant desires -- "A colorful installment in the twentieth-century drama of consumer subjectivity" : minimalism and the phenomenology of consumer desire -- The media sublime : minimalism, advertising, and television -- The culture of Thanatos : repetition as mood regulation -- "A pox on Manfredini" : the long-playing record, the baroque revival, and the birth of ambient music -- "I did this exercise 100,000 times" : zen, minimalism, and the Suzuki method. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Where did musical minimalism come from--and what does it mean? In this significant revisionist account of minimalist music, Robert Fink connects repetitive music to the postwar evolution of an American mass consumer society. Abandoning the ingrained formalism of minimalist aesthetics, Repeating Ourselves considers the cultural significance of American repetitive music exemplified by composers such as Terry Riley, Steve Reich, and Philip Glass. Fink juxtaposes repetitive minimal music with 1970s disco; assesses it in relation to the selling structure of mass-media advertising campaigns; traces it back to the innovations in hi-fi technology that turned baroque concertos into ambient "easy listening"; and appraises its meditative kinship to the spiritual path of musical mastery offered by Japan's Suzuki Method of Talent Education | ||
| 546 | |a English. | ||
| 650 | 0 | |a Minimal music |x History and criticism. | |
| 650 | 0 | |a Music |x Social aspects. |0 http://id.loc.gov/authorities/subjects/sh85088891 | |
| 650 | 6 | |a Musique répétitive |x Histoire et critique. | |
| 650 | 6 | |a Musique |x Aspect social. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Composition. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x General. |2 bisacsh | |
| 650 | 7 | |a Minimal music |2 fast | |
| 650 | 7 | |a Music |x Social aspects |2 fast | |
| 653 | |a advertising campaigns. | ||
| 653 | |a america. | ||
| 653 | |a american music. | ||
| 653 | |a consumer society. | ||
| 653 | |a cultural practices. | ||
| 653 | |a disco. | ||
| 653 | |a easy listening. | ||
| 653 | |a hi fi technology. | ||
| 653 | |a mass consumerism. | ||
| 653 | |a mass media. | ||
| 653 | |a minimal music. | ||
| 653 | |a minimalism. | ||
| 653 | |a minimalist aesthetics. | ||
| 653 | |a music and culture. | ||
| 653 | |a music historians. | ||
| 653 | |a music studies. | ||
| 653 | |a musical minimalism. | ||
| 653 | |a musicians. | ||
| 653 | |a musicology. | ||
| 653 | |a nonfiction. | ||
| 653 | |a philip glass. | ||
| 653 | |a popular music studies. | ||
| 653 | |a postwar america. | ||
| 653 | |a repetitive music. | ||
| 653 | |a revisionist account. | ||
| 653 | |a steve reich. | ||
| 653 | |a terry riley. | ||
| 653 | |a united states. | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Repeating ourselves (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGdx4KqqTXxgMMxj4qGDVP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Fink, Robert Wallace, 1961- |t Repeating ourselves. |d Berkeley : University of California Press, ©2005 |z 0520240367 |z 0520245504 |w (DLC) 2005006616 |w (OCoLC)58451755 |
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Datensatz im Suchindex
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| _version_ | 1816881630577426432 |
| adam_text | |
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| author | Fink, Robert Wallace, 1961- |
| author_GND | http://id.loc.gov/authorities/names/nr96009671 |
| author_facet | Fink, Robert Wallace, 1961- |
| author_role | aut |
| author_sort | Fink, Robert Wallace, 1961- |
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| callnumber-raw | ML197 .F54 2005eb |
| callnumber-search | ML197 .F54 2005eb |
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| collection | ZDB-4-EBA |
| contents | The culture of eros : repetition as desire creation -- Do it ('til you're satisfied) : repetitive musics and recombinant desires -- "A colorful installment in the twentieth-century drama of consumer subjectivity" : minimalism and the phenomenology of consumer desire -- The media sublime : minimalism, advertising, and television -- The culture of Thanatos : repetition as mood regulation -- "A pox on Manfredini" : the long-playing record, the baroque revival, and the birth of ambient music -- "I did this exercise 100,000 times" : zen, minimalism, and the Suzuki method. |
| ctrlnum | (OCoLC)61730530 |
| dewey-full | 781.3 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.3 |
| dewey-search | 781.3 |
| dewey-sort | 3781.3 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocm61730530 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:15:46Z |
| institution | BVB |
| isbn | 9780520938946 0520938941 1423727584 9781423727583 9780520240360 0520240367 9780520245501 0520245504 1598757857 9781598757859 1282358170 9781282358171 9786612358173 6612358173 |
| language | English |
| oclc_num | 61730530 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xvi, 280 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2005 |
| publishDateSearch | 2005 |
| publishDateSort | 2005 |
| publisher | University of California Press, |
| record_format | marc |
| spelling | Fink, Robert Wallace, 1961- author. https://id.oclc.org/worldcat/entity/E39PBJw4Dw3YTmB4bRvRVm9Yyd http://id.loc.gov/authorities/names/nr96009671 Repeating ourselves : American minimal music as cultural practice / Robert Fink. Berkeley : University of California Press, ©2005. 1 online resource (xvi, 280 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Includes bibliographical references and index. The culture of eros : repetition as desire creation -- Do it ('til you're satisfied) : repetitive musics and recombinant desires -- "A colorful installment in the twentieth-century drama of consumer subjectivity" : minimalism and the phenomenology of consumer desire -- The media sublime : minimalism, advertising, and television -- The culture of Thanatos : repetition as mood regulation -- "A pox on Manfredini" : the long-playing record, the baroque revival, and the birth of ambient music -- "I did this exercise 100,000 times" : zen, minimalism, and the Suzuki method. Print version record. Where did musical minimalism come from--and what does it mean? In this significant revisionist account of minimalist music, Robert Fink connects repetitive music to the postwar evolution of an American mass consumer society. Abandoning the ingrained formalism of minimalist aesthetics, Repeating Ourselves considers the cultural significance of American repetitive music exemplified by composers such as Terry Riley, Steve Reich, and Philip Glass. Fink juxtaposes repetitive minimal music with 1970s disco; assesses it in relation to the selling structure of mass-media advertising campaigns; traces it back to the innovations in hi-fi technology that turned baroque concertos into ambient "easy listening"; and appraises its meditative kinship to the spiritual path of musical mastery offered by Japan's Suzuki Method of Talent Education English. Minimal music History and criticism. Music Social aspects. http://id.loc.gov/authorities/subjects/sh85088891 Musique répétitive Histoire et critique. Musique Aspect social. MUSIC Instruction & Study Composition. bisacsh MUSIC General. bisacsh Minimal music fast Music Social aspects fast advertising campaigns. america. american music. consumer society. cultural practices. disco. easy listening. hi fi technology. mass consumerism. mass media. minimal music. minimalism. minimalist aesthetics. music and culture. music historians. music studies. musical minimalism. musicians. musicology. nonfiction. philip glass. popular music studies. postwar america. repetitive music. revisionist account. steve reich. terry riley. united states. Criticism, interpretation, etc. fast has work: Repeating ourselves (Text) https://id.oclc.org/worldcat/entity/E39PCGdx4KqqTXxgMMxj4qGDVP https://id.oclc.org/worldcat/ontology/hasWork Print version: Fink, Robert Wallace, 1961- Repeating ourselves. Berkeley : University of California Press, ©2005 0520240367 0520245504 (DLC) 2005006616 (OCoLC)58451755 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=140644 Volltext |
| spellingShingle | Fink, Robert Wallace, 1961- Repeating ourselves : American minimal music as cultural practice / The culture of eros : repetition as desire creation -- Do it ('til you're satisfied) : repetitive musics and recombinant desires -- "A colorful installment in the twentieth-century drama of consumer subjectivity" : minimalism and the phenomenology of consumer desire -- The media sublime : minimalism, advertising, and television -- The culture of Thanatos : repetition as mood regulation -- "A pox on Manfredini" : the long-playing record, the baroque revival, and the birth of ambient music -- "I did this exercise 100,000 times" : zen, minimalism, and the Suzuki method. Minimal music History and criticism. Music Social aspects. http://id.loc.gov/authorities/subjects/sh85088891 Musique répétitive Histoire et critique. Musique Aspect social. MUSIC Instruction & Study Composition. bisacsh MUSIC General. bisacsh Minimal music fast Music Social aspects fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088891 |
| title | Repeating ourselves : American minimal music as cultural practice / |
| title_auth | Repeating ourselves : American minimal music as cultural practice / |
| title_exact_search | Repeating ourselves : American minimal music as cultural practice / |
| title_full | Repeating ourselves : American minimal music as cultural practice / Robert Fink. |
| title_fullStr | Repeating ourselves : American minimal music as cultural practice / Robert Fink. |
| title_full_unstemmed | Repeating ourselves : American minimal music as cultural practice / Robert Fink. |
| title_short | Repeating ourselves : |
| title_sort | repeating ourselves american minimal music as cultural practice |
| title_sub | American minimal music as cultural practice / |
| topic | Minimal music History and criticism. Music Social aspects. http://id.loc.gov/authorities/subjects/sh85088891 Musique répétitive Histoire et critique. Musique Aspect social. MUSIC Instruction & Study Composition. bisacsh MUSIC General. bisacsh Minimal music fast Music Social aspects fast |
| topic_facet | Minimal music History and criticism. Music Social aspects. Musique répétitive Histoire et critique. Musique Aspect social. MUSIC Instruction & Study Composition. MUSIC General. Minimal music Music Social aspects Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=140644 |
| work_keys_str_mv | AT finkrobertwallace repeatingourselvesamericanminimalmusicasculturalpractice |