Writer, producer, engineer: a handbook for creating contemporary commercial music
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Boston, Mass.
Berklee Press
2006
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliograhpical references (p. 215) and index |
| Beschreibung: | XII, 227 S. Ill., graph. Darst. 23 cm |
| ISBN: | 9780876390535 |
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| 100 | 1 | |a Farquharson, Michael |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Writer, producer, engineer |b a handbook for creating contemporary commercial music |c by Michael Farquharson |
| 264 | 1 | |a Boston, Mass. |b Berklee Press |c 2006 | |
| 300 | |a XII, 227 S. |b Ill., graph. Darst. |c 23 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliograhpical references (p. 215) and index | ||
| 650 | 4 | |a Music trade |x Vocational guidance | |
| 650 | 4 | |a Sound recording industry |x Vocational guidance | |
| 650 | 4 | |a Sound recordings |x Production and direction | |
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Datensatz im Suchindex
| _version_ | 1804136775113768960 |
|---|---|
| adam_text | Contents
Acknowledgments
Introduction: Writer, Producer, and Engineer
PARTI BUSINESS AND PROCESS
Chapter
1
Business Strategy for Writers
Components of an Effective Strategy
1.
Schedule
2.
Research
3.
Mission Statement
4.
Location
5.
Budget
Formal Business Plans
Elements of a Business Plan
Conclusion
Chapter
2
Opportunities for Writing Music
Commercials
Film
Television Programs
Recordings
Multimedia
Sound Design and Other Special Applications
Commercial Music Libraries
Conclusion
Chapter
3
Finding Work
Your Identity
Contacts
Creating a Promo Kit
More About Demos
Marketing Collaborators
Agents
Lawyers
Communicating with Clients
Five Steps to Good Client Relationships
Conclusion
IX
xi
3
5
5
8
10
11
12
15
16
20
21
21
23
24
24
25
26
26
27
29
29
31
31
33
36
36
37
38
38
40
Chapter
4
Chapter
5
Chapter
6
Chapter
7
Getting Paid
41
Negotiating Payment
42
Budgeting for Jobs
44
Creating Contracts
45
Getting and Protecting Your Copyrights
47
Registering Your Copyrights
48
Royalties: Getting Your Share
49
Double Your Money: Become Your Own Publisher
50
Protecting Your Rights: Performance Rights
Organizations (PROs)
51
Conclusion
55
Being Your Own Producer
57
Producing the Perfect Track
59
Ensuring Perfect Tracks through People Skills
60
Preparing for the Recording Session
63
Maintaining Control as the Producer
65
Conclusion
66
Working with Musicians
69
Preparing for Live Musicians at the Session
70
Working with the Unions
73
AFTRA, SAG Artists
74
Effective Communication During the Session
75
Setup and Rehearsal
75
During the Session
76
When Things Go Wrong
77
Producing the Vocal Track
78
Soloists
79
Calling It Quits
79
Conclusion
81
Anatomy of a Writing Gig
83
1.
Groundwork
83
2.
Call for Demos
84
3.
Negotiating a Contract
85
4.
Delivery/Revision
85
5.
Collecting Payment
86
Case Study: Dog Food Commercial
86
Writing for the Client
89
Step
1.
Define the Client s Goal for the Project
90
Step
2.
Plan Your Composition
92
Step
3.
Orchestration: Live Instruments vs. MIDI
94
Honing Your Compositional Skills
95
Versatility
96
Conclusion
97
PART II TECHNOLOGY
99
Chapter
8
Chapter
9
Chapter
10
Chapter
11
Recording Studios
101
The Recording Process
102
Studio Spaces
104
Professional Studios
105
Home Studios
107
Sound Isolation
109
Conclusion
111
Tracking and Microphone Technique
113
Setup
113
Engineering Checklist
114
Microphone Techniques
116
Avoiding Phase Cancellation
117
Close Miking or Distance Miking
117
Miking Individual Instruments
119
General Microphone Tips
122
Getting Sounds
123
The Recording Phase
126
Punching In and Out
127
Conclusion
130
Composing with MIDI
131
Using MIDI
132
Combining MIDI/Audio and Live Instruments
134
Composition Methods
134
MIDI Quantizing
136
MIDI Editing
137
Conclusion
140
Mixing
143
Overview
144
Balance and Panning
146
Types of Sound Modifiers
147
Automation
147
Process
149
Reference Recordings
150
Engineering Your SoundScape: Hearing in
Three Dimensions
151
Fine-Tuning
152
Fader Placement
153
Case Study: Approaching a Mix
153
Ambience in the Mix
155
Monitoring the Mix
156
Delivering the Final Product
156
Ten Mixing Tips
157
Conclusion
159
Chapter
12
Sound Processing
161
Sound-Processing Equipment: Hardware and Software
162
Ambient Effects
163
Reverb and Echo
163
Reverb Tips
169
Digital Delay (Echo)
170
Dynamic Effects
174
Compressors and
Limiters
174
De-essers
178
Expanders
179
Dückers
179
Noise Gates
179
Uses of Noise Gates
182
Equalization (EQ)
182
Types of EQ
185
Psychoacoustic Effects
188
Aphex Aural Exciter
188
BBE Sonic Maximizer
189
Pitch-Based Effects
189
Conclusion
191
Chapter
13
Selecting Equipment
193
Is Hardware Dead?
194
Recording Devices: Multitracking
195
Digital Multitrack Recorders
195
Analog/Digital Converters
196
2-Track Machines
196
Amplifiers and Loudspeakers
197
Amplifiers
197
Loudspeakers
199
Microphones
201
Types of Microphones
202
Microphone Directional Response
204
Headphones, Direct Boxes, Cables, Splitter Boxes,
Video Monitors
208
Headphones
208
Direct Boxes
208
Cables
209
Video Monitor
210
Splitter Box
210
Conclusion
211
Afterword The Drive to Create Music
213
Appendix Resources
215
About the Author
217
Index
218
|
| adam_txt |
Contents
Acknowledgments
Introduction: Writer, Producer, and Engineer
PARTI BUSINESS AND PROCESS
Chapter
1
Business Strategy for Writers
Components of an Effective Strategy
1.
Schedule
2.
Research
3.
Mission Statement
4.
Location
5.
Budget
Formal Business Plans
Elements of a Business Plan
Conclusion
Chapter
2
Opportunities for Writing Music
Commercials
Film
Television Programs
Recordings
Multimedia
Sound Design and Other Special Applications
Commercial Music Libraries
Conclusion
Chapter
3
Finding Work
Your Identity
Contacts
Creating a Promo Kit
More About Demos
Marketing Collaborators
Agents
Lawyers
Communicating with Clients
Five Steps to Good Client Relationships
Conclusion
IX
xi
3
5
5
8
10
11
12
15
16
20
21
21
23
24
24
25
26
26
27
29
29
31
31
33
36
36
37
38
38
40
Chapter
4
Chapter
5
Chapter
6
Chapter
7
Getting Paid
41
Negotiating Payment
42
Budgeting for Jobs
44
Creating Contracts
45
Getting and Protecting Your Copyrights
47
Registering Your Copyrights
48
Royalties: Getting Your Share
49
Double Your Money: Become Your Own Publisher
50
Protecting Your Rights: Performance Rights
Organizations (PROs)
51
Conclusion
55
Being Your Own Producer
57
Producing the "Perfect" Track
59
Ensuring Perfect Tracks through People Skills
60
Preparing for the Recording Session
63
Maintaining Control as the Producer
65
Conclusion
66
Working with Musicians
69
Preparing for Live Musicians at the Session
70
Working with the Unions
73
AFTRA, SAG Artists
74
Effective Communication During the Session
75
Setup and Rehearsal
75
During the Session
76
When Things Go Wrong
77
Producing the Vocal Track
78
Soloists
79
Calling It Quits
79
Conclusion
81
Anatomy of a Writing Gig
83
1.
Groundwork
83
2.
Call for Demos
84
3.
Negotiating a Contract
85
4.
Delivery/Revision
85
5.
Collecting Payment
86
Case Study: Dog Food Commercial
86
Writing for the Client
89
Step
1.
Define the Client's Goal for the Project
90
Step
2.
Plan Your Composition
92
Step
3.
Orchestration: Live Instruments vs. MIDI
94
Honing Your Compositional Skills
95
Versatility
96
Conclusion
97
PART II TECHNOLOGY
99
Chapter
8
Chapter
9
Chapter
10
Chapter
11
Recording Studios
101
The Recording Process
102
Studio Spaces
104
Professional Studios
105
Home Studios
107
Sound Isolation
109
Conclusion
111
Tracking and Microphone Technique
113
Setup
113
Engineering Checklist
114
Microphone Techniques
116
Avoiding Phase Cancellation
117
Close Miking or Distance Miking
117
Miking Individual Instruments
119
General Microphone Tips
122
Getting Sounds
123
The Recording Phase
126
Punching In and Out
127
Conclusion
130
Composing with MIDI
131
Using MIDI
132
Combining MIDI/Audio and Live Instruments
134
Composition Methods
134
MIDI Quantizing
136
MIDI Editing
137
Conclusion
140
Mixing
143
Overview
144
Balance and Panning
146
Types of Sound Modifiers
147
Automation
147
Process
149
Reference Recordings
150
Engineering Your SoundScape: Hearing in
Three Dimensions
151
Fine-Tuning
152
Fader Placement
153
Case Study: Approaching a Mix
153
Ambience in the Mix
155
Monitoring the Mix
156
Delivering the Final Product
156
Ten Mixing Tips
157
Conclusion
159
Chapter
12
Sound Processing
161
Sound-Processing Equipment: Hardware and Software
162
Ambient Effects
163
Reverb and Echo
163
Reverb Tips
169
Digital Delay (Echo)
170
Dynamic Effects
174
Compressors and
Limiters
174
De-essers
178
Expanders
179
Dückers
179
Noise Gates
179
Uses of Noise Gates
182
Equalization (EQ)
182
Types of EQ
185
Psychoacoustic Effects
188
Aphex Aural Exciter
188
BBE Sonic Maximizer
189
Pitch-Based Effects
189
Conclusion
191
Chapter
13
Selecting Equipment
193
Is Hardware Dead?
194
Recording Devices: Multitracking
195
Digital Multitrack Recorders
195
Analog/Digital Converters
196
2-Track Machines
196
Amplifiers and Loudspeakers
197
Amplifiers
197
Loudspeakers
199
Microphones
201
Types of Microphones
202
Microphone Directional Response
204
Headphones, Direct Boxes, Cables, Splitter Boxes,
Video Monitors
208
Headphones
208
Direct Boxes
208
Cables
209
Video Monitor
210
Splitter Box
210
Conclusion
211
Afterword The Drive to Create Music
213
Appendix Resources
215
About the Author
217
Index
218 |
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| index_date | 2024-07-02T18:18:29Z |
| indexdate | 2024-07-09T21:01:45Z |
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| isbn | 9780876390535 |
| language | English |
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| spelling | Farquharson, Michael Verfasser aut Writer, producer, engineer a handbook for creating contemporary commercial music by Michael Farquharson Boston, Mass. Berklee Press 2006 XII, 227 S. Ill., graph. Darst. 23 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliograhpical references (p. 215) and index Music trade Vocational guidance Sound recording industry Vocational guidance Sound recordings Production and direction Berufsberatung (DE-588)4005878-5 gnd rswk-swf Musikproduzent (DE-588)4572889-6 gnd rswk-swf Tonträgerindustrie (DE-588)4267529-7 gnd rswk-swf Musikwirtschaft (DE-588)4268614-3 gnd rswk-swf (DE-588)4048476-2 Ratgeber gnd-content Musikwirtschaft (DE-588)4268614-3 s Berufsberatung (DE-588)4005878-5 s DE-604 Tonträgerindustrie (DE-588)4267529-7 s Musikproduzent (DE-588)4572889-6 s Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015822971&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Farquharson, Michael Writer, producer, engineer a handbook for creating contemporary commercial music Music trade Vocational guidance Sound recording industry Vocational guidance Sound recordings Production and direction Berufsberatung (DE-588)4005878-5 gnd Musikproduzent (DE-588)4572889-6 gnd Tonträgerindustrie (DE-588)4267529-7 gnd Musikwirtschaft (DE-588)4268614-3 gnd |
| subject_GND | (DE-588)4005878-5 (DE-588)4572889-6 (DE-588)4267529-7 (DE-588)4268614-3 (DE-588)4048476-2 |
| title | Writer, producer, engineer a handbook for creating contemporary commercial music |
| title_auth | Writer, producer, engineer a handbook for creating contemporary commercial music |
| title_exact_search | Writer, producer, engineer a handbook for creating contemporary commercial music |
| title_exact_search_txtP | Writer, producer, engineer a handbook for creating contemporary commercial music |
| title_full | Writer, producer, engineer a handbook for creating contemporary commercial music by Michael Farquharson |
| title_fullStr | Writer, producer, engineer a handbook for creating contemporary commercial music by Michael Farquharson |
| title_full_unstemmed | Writer, producer, engineer a handbook for creating contemporary commercial music by Michael Farquharson |
| title_short | Writer, producer, engineer |
| title_sort | writer producer engineer a handbook for creating contemporary commercial music |
| title_sub | a handbook for creating contemporary commercial music |
| topic | Music trade Vocational guidance Sound recording industry Vocational guidance Sound recordings Production and direction Berufsberatung (DE-588)4005878-5 gnd Musikproduzent (DE-588)4572889-6 gnd Tonträgerindustrie (DE-588)4267529-7 gnd Musikwirtschaft (DE-588)4268614-3 gnd |
| topic_facet | Music trade Vocational guidance Sound recording industry Vocational guidance Sound recordings Production and direction Berufsberatung Musikproduzent Tonträgerindustrie Musikwirtschaft Ratgeber |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015822971&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT farquharsonmichael writerproducerengineerahandbookforcreatingcontemporarycommercialmusic |