Dangerous rhythms: jazz and the underworld
"From T.J. English, the New York Times bestselling author of Havana Nocturne, comes the epic, scintillating narrative of the interconnected worlds of jazz and organized crime in 20th century America"--
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
William Morrow
[2022]
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "From T.J. English, the New York Times bestselling author of Havana Nocturne, comes the epic, scintillating narrative of the interconnected worlds of jazz and organized crime in 20th century America"-- "Dangerous Rhythms tells the symbiotic story of jazz and the underworld: a relationship fostered in some of 20th century America's most notorious vice districts. For the first half of the century mobsters and musicians enjoyed a mutually beneficial partnership. By offering artists like Louis Armstrong, Earl "Fatha" Hines, Fats Waller, Duke Ellington, Billie Holiday, Lena Horne, and Ella Fitzgerald a stage, the mob, including major players Al Capone, Meyer Lansky, and Charlie "Lucky" Luciano, provided opportunities that would not otherwise have existed. Even so, at the heart of this relationship was a festering racial inequity. The musicians were mostly African American, and the clubs and means of production were owned by white men. It was a glorified plantation system that, over time, would find itself out of tune with an emerging Civil Rights movement. Some artists, including Louis Armstrong, believed they were safer and more likely to be paid fairly if they worked in "protected" joints. Others believed that playing in venues outside mob rule would make it easier to have control over their careers." -- Amazon.com |
| Beschreibung: | 437 Seiten, 32 ungezähte Seiten Tafeln Illustrationen, Porträts |
| ISBN: | 9780063031418 9780063031425 |
Internformat
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| 300 | |a 437 Seiten, 32 ungezähte Seiten Tafeln |b Illustrationen, Porträts | ||
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| 505 | 8 | |a I. MAJOR CHORD. Shadow of the demimonde -- Sicilian message -- Kansas City Stomp -- Disfiguration -- Birth of the hipster -- Friends in dark places -- Down on the plantation -- II. FLATTED FIFTH. The crooner -- Swing Street -- "Jazz Provides Background for Death" -- The ghost of Chano Pozo -- Fear and loathing at the Copacabana -- The muck and the mud -- Twilight of the underworld -- Coda | |
| 520 | 3 | |a "From T.J. English, the New York Times bestselling author of Havana Nocturne, comes the epic, scintillating narrative of the interconnected worlds of jazz and organized crime in 20th century America"-- | |
| 520 | 3 | |a "Dangerous Rhythms tells the symbiotic story of jazz and the underworld: a relationship fostered in some of 20th century America's most notorious vice districts. For the first half of the century mobsters and musicians enjoyed a mutually beneficial partnership. By offering artists like Louis Armstrong, Earl "Fatha" Hines, Fats Waller, Duke Ellington, Billie Holiday, Lena Horne, and Ella Fitzgerald a stage, the mob, including major players Al Capone, Meyer Lansky, and Charlie "Lucky" Luciano, provided opportunities that would not otherwise have existed. Even so, at the heart of this relationship was a festering racial inequity. The musicians were mostly African American, and the clubs and means of production were owned by white men. It was a glorified plantation system that, over time, would find itself out of tune with an emerging Civil Rights movement. Some artists, including Louis Armstrong, believed they were safer and more likely to be paid fairly if they worked in "protected" joints. Others believed that playing in venues outside mob rule would make it easier to have control over their careers." -- Amazon.com | |
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| 653 | 0 | |a Organized crime / United States / History / 20th century | |
| 653 | 0 | |a Musique et criminalité | |
| 653 | 0 | |a Crime organisé / États-Unis / Histoire / 20e siècle | |
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Datensatz im Suchindex
| _version_ | 1804184482129903616 |
|---|---|
| adam_text | CONTENTS : : : : : : : : 4 L Intro 1 PARTONE: MAJOR CHORD 1 Shadow of the Demimonde 13 2 Sicilian Message 40 3 Kansas City Stomp 62 4 Disfiguration 89 5 Birth of the Hipster 113 6 Friends in Dark Places 137 7 Down on the Plantation 163 PART TWO: FLATTED FIFTH 8 The Crooner 189 9 Swing Street 219 10 Jazz Provides Background for Death 245 11 The Ghost of Chano Pozo 271 12 Fear and Loathing at the Copacabana 297 13 The Muck and the Mud 327 14 Twilight of the Underworld 350 Coda 372 Acknowledgments 377 Notes Sources Index 381 409 421 _________
|
| adam_txt |
CONTENTS : : : : : : : : 4 L Intro 1 PARTONE: MAJOR CHORD 1 Shadow of the Demimonde 13 2 Sicilian Message 40 3 Kansas City Stomp 62 4 Disfiguration 89 5 Birth of the Hipster 113 6 Friends in Dark Places 137 7 Down on the Plantation 163 PART TWO: FLATTED FIFTH 8 The Crooner 189 9 Swing Street 219 10 'Jazz Provides Background for Death 245 11 The Ghost of Chano Pozo 271 12 Fear and Loathing at the Copacabana 297 13 The Muck and the Mud 327 14 Twilight of the Underworld 350 Coda 372 Acknowledgments 377 Notes Sources Index 381 409 421 _ |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | English, T. J. 1957- |
| author_GND | (DE-588)1011950820 |
| author_facet | English, T. J. 1957- |
| author_role | aut |
| author_sort | English, T. J. 1957- |
| author_variant | t j e tj tje |
| building | Verbundindex |
| bvnumber | BV048507752 |
| contents | I. MAJOR CHORD. Shadow of the demimonde -- Sicilian message -- Kansas City Stomp -- Disfiguration -- Birth of the hipster -- Friends in dark places -- Down on the plantation -- II. FLATTED FIFTH. The crooner -- Swing Street -- "Jazz Provides Background for Death" -- The ghost of Chano Pozo -- Fear and loathing at the Copacabana -- The muck and the mud -- Twilight of the underworld -- Coda |
| ctrlnum | (OCoLC)1342553258 (DE-599)BVBBV048507752 |
| edition | First edition |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| index_date | 2024-07-03T20:46:37Z |
| indexdate | 2024-07-10T09:40:02Z |
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| publisher | William Morrow |
| record_format | marc |
| spelling | English, T. J. 1957- Verfasser (DE-588)1011950820 aut Dangerous rhythms jazz and the underworld T. J. English First edition New York, NY William Morrow [2022] © 2022 437 Seiten, 32 ungezähte Seiten Tafeln Illustrationen, Porträts txt rdacontent n rdamedia nc rdacarrier I. MAJOR CHORD. Shadow of the demimonde -- Sicilian message -- Kansas City Stomp -- Disfiguration -- Birth of the hipster -- Friends in dark places -- Down on the plantation -- II. FLATTED FIFTH. The crooner -- Swing Street -- "Jazz Provides Background for Death" -- The ghost of Chano Pozo -- Fear and loathing at the Copacabana -- The muck and the mud -- Twilight of the underworld -- Coda "From T.J. English, the New York Times bestselling author of Havana Nocturne, comes the epic, scintillating narrative of the interconnected worlds of jazz and organized crime in 20th century America"-- "Dangerous Rhythms tells the symbiotic story of jazz and the underworld: a relationship fostered in some of 20th century America's most notorious vice districts. For the first half of the century mobsters and musicians enjoyed a mutually beneficial partnership. By offering artists like Louis Armstrong, Earl "Fatha" Hines, Fats Waller, Duke Ellington, Billie Holiday, Lena Horne, and Ella Fitzgerald a stage, the mob, including major players Al Capone, Meyer Lansky, and Charlie "Lucky" Luciano, provided opportunities that would not otherwise have existed. Even so, at the heart of this relationship was a festering racial inequity. The musicians were mostly African American, and the clubs and means of production were owned by white men. It was a glorified plantation system that, over time, would find itself out of tune with an emerging Civil Rights movement. Some artists, including Louis Armstrong, believed they were safer and more likely to be paid fairly if they worked in "protected" joints. Others believed that playing in venues outside mob rule would make it easier to have control over their careers." -- Amazon.com Geschichte gnd rswk-swf Underground Kultur (DE-588)4997921-8 gnd rswk-swf Kriminalität (DE-588)4033178-7 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Organisiertes Verbrechen (DE-588)4043830-2 gnd rswk-swf Jazz (DE-588)4028532-7 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Jazz / Social aspects / United States / History / 20th century Jazz / History and criticism Music and crime Organized crime / United States / History / 20th century Musique et criminalité Crime organisé / États-Unis / Histoire / 20e siècle TRUE CRIME / Organized Crime HISTORY / United States / 20th Century MUSIC / Genres & Styles / Jazz Jazz Jazz / Social aspects Organized crime United States 1900-1999 Criticism, interpretation, etc History USA (DE-588)4078704-7 g Jazz (DE-588)4028532-7 s Musikleben (DE-588)4075128-4 s Underground Kultur (DE-588)4997921-8 s Kriminalität (DE-588)4033178-7 s Organisiertes Verbrechen (DE-588)4043830-2 s Geschichte z DE-604 Äquivalent Druck-Ausgabe, Paperback 978-0-06-303142-5 Erscheint auch als Online-Ausgabe 978-0-06-303143-2 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033884869&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | English, T. J. 1957- Dangerous rhythms jazz and the underworld I. MAJOR CHORD. Shadow of the demimonde -- Sicilian message -- Kansas City Stomp -- Disfiguration -- Birth of the hipster -- Friends in dark places -- Down on the plantation -- II. FLATTED FIFTH. The crooner -- Swing Street -- "Jazz Provides Background for Death" -- The ghost of Chano Pozo -- Fear and loathing at the Copacabana -- The muck and the mud -- Twilight of the underworld -- Coda Underground Kultur (DE-588)4997921-8 gnd Kriminalität (DE-588)4033178-7 gnd Musikleben (DE-588)4075128-4 gnd Organisiertes Verbrechen (DE-588)4043830-2 gnd Jazz (DE-588)4028532-7 gnd |
| subject_GND | (DE-588)4997921-8 (DE-588)4033178-7 (DE-588)4075128-4 (DE-588)4043830-2 (DE-588)4028532-7 (DE-588)4078704-7 |
| title | Dangerous rhythms jazz and the underworld |
| title_auth | Dangerous rhythms jazz and the underworld |
| title_exact_search | Dangerous rhythms jazz and the underworld |
| title_exact_search_txtP | Dangerous rhythms jazz and the underworld |
| title_full | Dangerous rhythms jazz and the underworld T. J. English |
| title_fullStr | Dangerous rhythms jazz and the underworld T. J. English |
| title_full_unstemmed | Dangerous rhythms jazz and the underworld T. J. English |
| title_short | Dangerous rhythms |
| title_sort | dangerous rhythms jazz and the underworld |
| title_sub | jazz and the underworld |
| topic | Underground Kultur (DE-588)4997921-8 gnd Kriminalität (DE-588)4033178-7 gnd Musikleben (DE-588)4075128-4 gnd Organisiertes Verbrechen (DE-588)4043830-2 gnd Jazz (DE-588)4028532-7 gnd |
| topic_facet | Underground Kultur Kriminalität Musikleben Organisiertes Verbrechen Jazz USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033884869&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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