Peter Dreyer
Peter Richard Dreyer (born November 15, 1939, at Caledon in the Western Cape) is a South African American writer. He is the author of ''A Beast in View'' (London: André Deutsch), ''The Future of Treason'' (New York: Ballantine), ''A Gardener Touched with Genius: The Life of Luther Burbank'' (New York: Coward, McCann & Geoghegan; rev. ed., Berkeley: University of California Press; new, expanded ed., Santa Rosa, CA: Luther Burbank Home & Gardens), ''Martyrs and Fanatics: South Africa and Human Destiny'' (New York: Simon & Schuster; London: Secker & Warburg), and most recently the novel ''Isacq'' (Charlottesville, VA: Hardware River Press, 2017), https://www.amazon.com/Isacq-Peter-Richard-Dreyer/dp/0999288806#. His recent essays and poetry can be found in "A Desk-Drawer Anthology"[http://www.idyssey.online]. Dreyer was born and brought up in South Africa, where he was involved in the anti-apartheid struggle, serving on the Cape Provincial Committee of the Liberal Party, founded and led by Alan Paton, and as secretary of the Western Province Press Association, which published the fortnightly ''The Citizen'' (not to be confused with the pro-apartheid tabloid of the same name launched in 1976), which introduced the concept of nonracial democracy in South Africa. At the time, the Liberal Party was the only unsegregated political party in South Africa. The African National Congress (ANC) restricted its membership to black Africans (excluding not only "whites" but "Coloured" and Indian South Africans too), and did not desegregate itself until many years later. Dreyer put forward the idea of nonracialism in a pamphlet titled ''Against Racial Status and Social Segregation'' (Claremont, Cape Town, 1958; now very rare, but to be found in the Bodleian Library at Oxford University, the Hoover Library at Stanford University and the South African National Library in Cape Town). The Citizen Group also worked to establish nonracial trade unions, resistance to bus apartheid in Cape Town, and a nonracial theater project, which led to a production of Jean Genet's ''The Blacks''. On February 8, 1958, Patrick Duncan launched the Liberal Party fortnightly ''Contact'', with offices on Parliament Street in Cape Town. Dreyer worked closely with Duncan, and in ''Contact'', 1, no. 15, dated August 23, 1958, he published an article about the newly formed nonracial South African Meat Workers Union under the by-line “Contact Special Correspondent.” On the cover of the magazine, Duncan placed the Citizen group slogan “Forward to a South African patriotism based on non-racial democracy”—the first prominent demand for a nonracial answer to apartheid. Provided by Wikipedia
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Methodological approaches towards establishing date of origin in the case of Giambologna's bronze figure of a bathing Venus by Dreyer, Peter 1936-
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Ein paläographischer Nachtrag zu Nicole Hegener "Eine badende Venus im Kreuzfeuer der kunsthistorischen Kritik", in: "Kunstchronik" 73/12, 2020. 588-597 by Dreyer, Peter 1936-
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Das irreführende x Überlegungen zu Paradoxa in symbolischer Sprache und andere Essays zur Logik by Dreyer, Peter 1936-
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Kupferstichkabinett Berlin italienische Zeichnungen by Dreyer, Peter 1936-
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Kupferstichkabinett Berlin by Dreyer, Peter 1936-
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I grandi disegni italiani del Kupferstichkabinett di Berlino by Dreyer, Peter 1936-
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Bruegels Alchimist von 1558 Versuch einer Deutung ad sensum mysticum by Dreyer, Peter 1936-
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Tizian vnd [und] sein Kreis 50 venezianische Holzschnitte aus dem Berliner Kupferstichkabinett, Staatliche Museen Preussischer Kulturbesitz by Dreyer, Peter 1936-
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Römische Barockzeichnungen aus dem Berliner Kupferstichkabinett by Dreyer, Peter 1936-
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Die Entwicklung des jungen Dosso by Dreyer, Peter 1936-
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Der Meister von 1515 und das Bambaja-Skizzenbuch in Berlin by Dreyer, Peter 1936-, Winner, Matthias 1931-
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Das irreführende Wort Überlegungen zu Paradoxa in natürlichen Sprachen = The misleading word by Dreyer, Peter 1936-
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Sandro Botticelli Illustrationen zu Dantes Göttlicher Komödie by Dreyer, Peter 1936-
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Zur Kennzeichnung von Provenienzen im Berliner Kupferstichkabinett by Dreyer, Peter 1936-
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Tizianfälschungen des sechzehnten Jahrhunderts Korrekturen zur Definition der Delineatio bei Tizian und Anmerkungen zur Datierung seiner Holzschnitte by Dreyer, Peter 1936-
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James Durno Beiträge zu seiner Zeichenkunst und zu seinen Entwürfen für die Ausmalung der Sala Grande im Palazzo Ducale in Genua von 1785 by Dreyer, Peter 1936-
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Ein paläographischer Nachtrag zu Nicole Hegener "Eine badende Venus im Kreuzfeuer der kunsthistorischen Kritik" in Kunstchronik 73/12, 2020, 588- 597 by Dreyer, Peter 1936-
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Vignolas Planungen für eine befestigte Villa Cervini by Dreyer, Peter 1936-
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Giulio Mazzoni as a draughtsman by Dreyer, Peter 1936-
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Landschaftszeichnungen des Giovanni Battista Gaulli genannt Baciccio im Berliner Kupferstichkabinett by Dreyer, Peter 1936-
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