First steps in Vermeer's creative process new findings from the National Gallery of Art von Gifford, E. Melanie, Anchin, Dina, Libby, Alexandra, Wieseman, Marjorie E. 1958-, Dooley, Kathryn A., Glinsman, Lisha Deming, Delaney, John K.

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Leonardo Da Vinci's Ginevra de' Benci technical findings in light of the artist's notes on painting von Berrie, Barbara H., Delaney, John K., Dooley, Kathryn A., Glinsman, Lisha D.

Investigating Mark Rothko's water-based paintings on construction paper from the 1930s von Facini, Michelle, Dooley, Kathryn A., Maines, Christopher, Morales, Kathryn, Delaney, John K.

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Techincal examination of Francesco del Cossa's Saint Florian underdrawing and pigments von Delaney, John K., Gabrieli, Francesca, Dooley, Kathryn A.

Technical exploration of Edgar Degas's "Ballet Scene" a late pastel on tracing paper von Facini, Michelle, Dooley, Kathryn A., Delaney, John K., Lomax, Suzanne Quillen, Palmer, Michael

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The underdrawing of the Lamentation of Christ revisited von Pottasch, Carol 1958-, Derks, Kirsten 1992-, Dooley, Kathryn A., Delaney, John K.

Leonardo da Vinci's "Ginevra de' Benci" the palette and further observatons on underdrawing and undermodeling von Delaney, John K., Dooley, Kathryn A., Glinsman, Lisha Deming, Ricciardi, Paola 1979-, Berrie, Barbara H.

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Experimentation and innovation in Vermeer's "Girl with the Red Hat" new findings from the National Gallery of Art von Gifford, E. Melanie, Anchin, Dina, Libby, Alexandra, Wieseman, Marjorie E. 1958-, Dooley, Kathryn A., Glinsman, Lisha Deming, Delaney, John K.

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Methodology & resources new findings from the National Gallery of Art von Gifford, E. Melanie, Dooley, Kathryn A., Delaney, John K.

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Mapping and identification of the pigments used in two illuminations from the Laudario of Sant'Agnese attributed to the Master of the Dominican effigies von Delaney, John K., Dooley, Kathryn A., Facini, Michelle, Gabrieli, Francesca

Paolo Veneziano art & devotion in 14th-century Venice

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