Bilder trotz allem von Didi-Huberman, Georges 1953-

Inhaltsverzeichnis

La fabrique des émotions disjointes von Didi-Huberman, Georges 1953-

Pascal Convert von Didi-Huberman, Georges 1953-, Dagen, Philippe 1959-, Laneyrie-Dagen, Nadeije 1957-

Gestes critiques von Didi-Huberman, Georges 1953-

L'être touché, l'horizon du tact Robert Klein et l'exigence éthique von Didi-Huberman, Georges 1953-

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Speaking, through the eyes, with the dead von Didi-Huberman, Georges 1953-

Nudity opened the Venus 'of the Doctors' von Didi-Huberman, Georges 1953-

Changer de radical, ou la faculté de migrer von Didi-Huberman, Georges 1953-

Imaginer, recommencer von Didi-Huberman, Georges 1953-

Brouillards de peine et de colère von Didi-Huberman, Georges 1953-

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A vertical das emoções as crônicas de Clarice Lispector von Didi-Huberman, Georges 1953-

A emoção não diz "eu" von Kluge, Alexander 1932-, Didi-Huberman, Georges 1953-

Emotion doesn't say "I" von Kluge, Alexander 1932-, Didi-Huberman, Georges 1953-

La ressemblance informe ou le gai savoir visuel selon Georges Bataille von Didi-Huberman, Georges 1953-

Désirer, désobéir von Didi-Huberman, Georges 1953-

Historiens öga von Didi-Huberman, Georges 1953-

Journal Brecht, Benjamin, Kraus, and the press : modern literature as a dismantling and a recomposing of actuality von Didi-Huberman, Georges 1953-

Epic the epic form as a method of observation through montage: Walter Benjamin as commentator on Brecht : framings, intervals, and shocks : to take position, to take cognizance, to... von Didi-Huberman, Georges 1953-

Disorder Walter Benjamin in the Brechtian method: document, reframing, disparity, delay : the dialectical work ofthe image in the element of thegesture :tomakeinto a montage/toasse... von Didi-Huberman, Georges 1953-

Position to take position: from message to montage : the operational and political imganination : critique or violence, "destructive character," and political character of expositi... von Didi-Huberman, Georges 1953-