Women making modernism:
Writing modernist women: towards a poetics of insubstantiality / Emily Ridge -- Modernism and the middlebrow through the eyes of object studies / Celia Marshik -- The haunting of Mary Hutchinson / Jane Garrity -- Peggy Guggenheim's and Bryher's investment: how financial speculation created...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Gainesville ; Tallahassee ; Tampa
University Press of Florida
2020
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | Writing modernist women: towards a poetics of insubstantiality / Emily Ridge -- Modernism and the middlebrow through the eyes of object studies / Celia Marshik -- The haunting of Mary Hutchinson / Jane Garrity -- Peggy Guggenheim's and Bryher's investment: how financial speculation created a female modernist tradition / Julie Vandivere -- Bringing women together, in theory / Allison Pease -- Emma Goldman among the avant-garde / Catherine W. Hollis -- Fantasies of belonging, fears of precarity / Melissa Bradshaw -- Virginia Woolf and Mina Loy: modernist affiliations / Erica Gene Delsandro -- Iconic shade and other professional hazards of Woolf scholarship / Madelyn Detloff Challenging the tendency of scholars to view women writers of the modernist era as isolated artists who competed with one another for critical and cultural acceptance, Women Making Modernism reveals the robust networks women created and maintained that served as platforms and support for women's literary careers. The essays in this volume highlight both familiar and lesser-known writers including Virginia Woolf, Mina Loy, Dorothy Richardson, Emma Goldman, May Sinclair, and Mary Hutchinson. Their examples show how women's writing communities interconnected to generate a current of energy, innovation, and ambition that was central to the modernist movement. Amplifying the reality of women's contributions to modernism, this volume advocates for an "orientation of openness" in reading and teaching literature from the period, helping to ease the tensions between feminist and modernist studies |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 238 Seiten Illustrationen |
| ISBN: | 9780813066172 |
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Datensatz im Suchindex
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| adam_text | CONTENTS List of Figures vii Introduction: Making a Feminist Modernist Studies i Erica Gene Dekandro 1. Writing Modernist Women: Toward a Poetics of Insubstantiality Emily Ridge 2. Modernism and Middlebrow through the Eyes of Object Studies 40 Celia Marshik 3. The Flaunting of Mary Hutchinson 55 Jane Garrity 4. Peggy Guggenheim’s and Bryher s Investment: How Financial Speculation Created a Female Modernist Tradition 97 Julie Vandivere 5. Bringing Women Together, in Theory 118 Allison Pease 6. Emma Goldman among the Avant-Garde 130 Catherine W. Hollis 7. Fantasies of Belonging, Fears of Precarity 157 Melissa Bradshaw 8. Virginia Woolf and Mina Loy: Modernist Affiliations 174 Erica Gene Dekandro 9. Iconic Shade . . . and Other Professional Hazards of Woolf Scholarship 203 Madelyn Detlojf Acknowledgments List of Contributors Index 229 221 225
C HALLENGING THE TENDENCY OF SCHOLARS tO View women writers of the modernist era as isolated artists who competed with one another for critical and cultural acceptance, Women Making Modernism reveals the robust networks women created and maintained that served as platforms and support for womens literary careers. The essays in this volume highlight both familiar and lesser-known writers, including Emma Goldman, Mary Hutchinson, Mina Loy, Dorothy Richardson, May Sinclair, and Virginia Woolf. For these writers, relationships and correspon dences with other women were key to navigating a literary culture that not only privileged male voices but also reserved most financial and educational opportuni ties for men. Their examples show how womens writing communities intercon nected to generate a current of energy, innovation, and ambition that was central to the modernist movement. Contributors to this volume argue that the move ment’s prominent intellectual networks were dependent on the invisible work of women artists, a fact that the field of modernist studies has too long overlooked. Amplifying the reality of women’s contributions to modernism, this volume advocates for an “orientation of openness” in reading and teaching literature from the period, helping to ease the tensions between feminist and modernist studies through scholarly introspection and critical metacommentary.
|
| adam_txt |
CONTENTS List of Figures vii Introduction: Making a Feminist Modernist Studies i Erica Gene Dekandro 1. Writing Modernist Women: Toward a Poetics of Insubstantiality Emily Ridge 2. Modernism and Middlebrow through the Eyes of Object Studies 40 Celia Marshik 3. The Flaunting of Mary Hutchinson 55 Jane Garrity 4. Peggy Guggenheim’s and Bryher s Investment: How Financial Speculation Created a Female Modernist Tradition 97 Julie Vandivere 5. Bringing Women Together, in Theory 118 Allison Pease 6. Emma Goldman among the Avant-Garde 130 Catherine W. Hollis 7. Fantasies of Belonging, Fears of Precarity 157 Melissa Bradshaw 8. Virginia Woolf and Mina Loy: Modernist Affiliations 174 Erica Gene Dekandro 9. Iconic Shade . . . and Other Professional Hazards of Woolf Scholarship 203 Madelyn Detlojf Acknowledgments List of Contributors Index 229 221 225
C HALLENGING THE TENDENCY OF SCHOLARS tO View women writers of the modernist era as isolated artists who competed with one another for critical and cultural acceptance, Women Making Modernism reveals the robust networks women created and maintained that served as platforms and support for womens literary careers. The essays in this volume highlight both familiar and lesser-known writers, including Emma Goldman, Mary Hutchinson, Mina Loy, Dorothy Richardson, May Sinclair, and Virginia Woolf. For these writers, relationships and correspon dences with other women were key to navigating a literary culture that not only privileged male voices but also reserved most financial and educational opportuni ties for men. Their examples show how womens writing communities intercon nected to generate a current of energy, innovation, and ambition that was central to the modernist movement. Contributors to this volume argue that the move ment’s prominent intellectual networks were dependent on the invisible work of women artists, a fact that the field of modernist studies has too long overlooked. Amplifying the reality of women’s contributions to modernism, this volume advocates for an “orientation of openness” in reading and teaching literature from the period, helping to ease the tensions between feminist and modernist studies through scholarly introspection and critical metacommentary. |
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