Framing the fifties : cinema in a divided Germany /

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Law and reasonable disorder. Spilling over the banks in Alexander Kluges's Der starke Ferdinand (1976) von Davidson, John E.

"A kind of species memory" the time of the elephants in the space of Alexander Kluge's cinematic principle von Davidson, John E.

Deterritorializing the new German cinema von Davidson, John E.

The University of British Columbia Botanical Gardens von Davidson, John E.

Playing hide-and-seek with traditions games, aesthetic form, and critique in german cinema following the Wende von Davidson, John E.

Deterritorializing the new German cinema von Davidson, John E.

Inhaltsverzeichnis

The veil between Werner Herzog's american TV documentaries von Davidson, John E.

Framing the fifties cinema in a divided Germany von Davidson, John E.

Hegemony and Cinematic Strategy von Davidson, John E.

Eberhard Fechner's History of Suffering TV Talk, Temporal Distance, Spatial Displacement von Davidson, John E.

Working for the Man, Whoever That May Be the Vocation of Wolfgang Liebeneiner von Davidson, John E.

Crime and the cynical solution black comedy, critique and the spirit of self-concern in recent german film von Davidson, John E.

The Mourning of Labor work in german film in the wake of the really existing economic miracle von Davidson, John E.

Shades of grey coming to terms with german film since unification von Davidson, John E.