Framing the fifties : cinema in a divided Germany /

Other Authors: “…Davidson, John E.…”
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Law and reasonable disorder. Spilling over the banks in Alexander Kluges's Der starke Ferdinand (1976) by Davidson, John E.

"A kind of species memory" the time of the elephants in the space of Alexander Kluge's cinematic principle by Davidson, John E.

Deterritorializing the new German cinema by Davidson, John E.

The University of British Columbia Botanical Gardens by Davidson, John E.

Playing hide-and-seek with traditions games, aesthetic form, and critique in german cinema following the Wende by Davidson, John E.

Deterritorializing the new German cinema by Davidson, John E.

Indexes

The veil between Werner Herzog's american TV documentaries by Davidson, John E.

Framing the fifties cinema in a divided Germany by Davidson, John E.

Hegemony and Cinematic Strategy by Davidson, John E.

Eberhard Fechner's History of Suffering TV Talk, Temporal Distance, Spatial Displacement by Davidson, John E.

Working for the Man, Whoever That May Be the Vocation of Wolfgang Liebeneiner by Davidson, John E.

Crime and the cynical solution black comedy, critique and the spirit of self-concern in recent german film by Davidson, John E.

The Mourning of Labor work in german film in the wake of the really existing economic miracle by Davidson, John E.

Shades of grey coming to terms with german film since unification by Davidson, John E.