Looking Past the Screen: Case Studies in American Film History and Method
Film scholarship has long been dominated by textual interpretations of specific films. Looking Past the Screen advances a more expansive American film studies in which cinema is understood to be a social, political, and cultural phenomenon extending far beyond the screen. Presenting a model of film...
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| Weitere Verfasser: | , , , , , , , , , , , , , |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2007]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 URL des Erstveröffentlichers |
| Zusammenfassung: | Film scholarship has long been dominated by textual interpretations of specific films. Looking Past the Screen advances a more expansive American film studies in which cinema is understood to be a social, political, and cultural phenomenon extending far beyond the screen. Presenting a model of film studies in which films themselves are only one source of information among many, this volume brings together film histories that draw on primary sources including collections of personal papers, popular and trade journalism, fan magazines, studio publications, and industry records.Focusing on Hollywood cinema from the teens to the 1970s, these case studies show the value of this extraordinary range of historical materials in developing interdisciplinary approaches to film stardom, regulation, reception, and production. The contributors examine State Department negotiations over the content of American films shown abroad; analyze the star image of Clara Smith Hamon, who was notorious for having murdered her lover; and consider film journalists' understanding of the arrival of auteurist cinema in Hollywood as it was happening during the early 1970s. One contributor chronicles the development of film studies as a scholarly discipline; another offers a sociopolitical interpretation of the origins of film noir. Still another brings to light Depression-era film reviews and Production Code memos so sophisticated in their readings of representations of sexuality that they undermine the perception that queer interpretations of film are a recent development. Looking Past the Screen suggests methods of historical research, and it encourages further thought about the modes of inquiry that structure the discipline of film studies.Contributors. Mark Lynn Anderson, Janet Bergstrom, Richard deCordova, Kathryn Fuller-Seeley, Sumiko Higashi, Jon Lewis, David M. Lugowski, Dana Polan, Eric Schaefer, Andrea Slane, Eric Smoodin, Shelley Stamp |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Beschreibung: | 1 online resource (400 pages) 26 illustrations |
| ISBN: | 9780822390138 |
| DOI: | 10.1515/9780822390138 |
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| spelling | Looking Past the Screen Case Studies in American Film History and Method Jon Lewis, Eric Smoodin Durham Duke University Press [2007] © 2007 1 online resource (400 pages) 26 illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) Film scholarship has long been dominated by textual interpretations of specific films. Looking Past the Screen advances a more expansive American film studies in which cinema is understood to be a social, political, and cultural phenomenon extending far beyond the screen. Presenting a model of film studies in which films themselves are only one source of information among many, this volume brings together film histories that draw on primary sources including collections of personal papers, popular and trade journalism, fan magazines, studio publications, and industry records.Focusing on Hollywood cinema from the teens to the 1970s, these case studies show the value of this extraordinary range of historical materials in developing interdisciplinary approaches to film stardom, regulation, reception, and production. The contributors examine State Department negotiations over the content of American films shown abroad; analyze the star image of Clara Smith Hamon, who was notorious for having murdered her lover; and consider film journalists' understanding of the arrival of auteurist cinema in Hollywood as it was happening during the early 1970s. One contributor chronicles the development of film studies as a scholarly discipline; another offers a sociopolitical interpretation of the origins of film noir. Still another brings to light Depression-era film reviews and Production Code memos so sophisticated in their readings of representations of sexuality that they undermine the perception that queer interpretations of film are a recent development. Looking Past the Screen suggests methods of historical research, and it encourages further thought about the modes of inquiry that structure the discipline of film studies.Contributors. Mark Lynn Anderson, Janet Bergstrom, Richard deCordova, Kathryn Fuller-Seeley, Sumiko Higashi, Jon Lewis, David M. Lugowski, Dana Polan, Eric Schaefer, Andrea Slane, Eric Smoodin, Shelley Stamp In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film criticism United States History Motion pictures United States History Andrea, Slane ctb Dana, Polan ctb David M., Lugowski ctb Eric, Schaefer ctb Eric, Smoodin ctb Janet, Bergstrom ctb Jon, Lewis ctb Kathryn H., Fuller-Seeley ctb Lewis, Jon edt Mark, Lynn Anderson ctb Polan, Dana Sonstige oth Richard, deCordova ctb Shelley, Stamp ctb Smoodin, Eric edt Stamp, Shelley Sonstige oth Sumiko, Higashi ctb https://doi.org/10.1515/9780822390138 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Looking Past the Screen Case Studies in American Film History and Method PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film criticism United States History Motion pictures United States History |
| title | Looking Past the Screen Case Studies in American Film History and Method |
| title_auth | Looking Past the Screen Case Studies in American Film History and Method |
| title_exact_search | Looking Past the Screen Case Studies in American Film History and Method |
| title_exact_search_txtP | Looking Past the Screen Case Studies in American Film History and Method |
| title_full | Looking Past the Screen Case Studies in American Film History and Method Jon Lewis, Eric Smoodin |
| title_fullStr | Looking Past the Screen Case Studies in American Film History and Method Jon Lewis, Eric Smoodin |
| title_full_unstemmed | Looking Past the Screen Case Studies in American Film History and Method Jon Lewis, Eric Smoodin |
| title_short | Looking Past the Screen |
| title_sort | looking past the screen case studies in american film history and method |
| title_sub | Case Studies in American Film History and Method |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film criticism United States History Motion pictures United States History |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Film criticism United States History Motion pictures United States History |
| url | https://doi.org/10.1515/9780822390138 |
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