Enrique Ramírez - Los durmientes:
Addressing pain, absence and terror, and to do it poetically, is not simple for a visual artist. To revisit the past with good will or a fierce political commitment is not enough to build a body of work that will move people, and also pose questions to reactivate the past critically and poetically....
Gespeichert in:
| Hauptverfasser: | , , , , |
|---|---|
| Weitere Verfasser: | , |
| Format: | Buch |
| Sprache: | Spanish English |
| Veröffentlicht: |
Santiago de Chile
Ediciones Metales Pesados
2018
|
| Ausgabe: | 1a edición |
| Schlagworte: | |
| Zusammenfassung: | Addressing pain, absence and terror, and to do it poetically, is not simple for a visual artist. To revisit the past with good will or a fierce political commitment is not enough to build a body of work that will move people, and also pose questions to reactivate the past critically and poetically. Usually, slapping a sleeping consciousness with bursts of expressivity and wrath does not yield good results. When horror presents itself as a mirror, without any mediation, without any metaphors, the work will not garner the spectators empathy and he or she, irremediably, will withdraw, hide or escape. Quite on the contrary, the work of Enrique Ramírez is a balm, suggestive, without renouncing the necessary dose of discomfort and perplexity that questions the common place, the certainties and, even, the prejudice about the artistic production that alludes the recent past. For this young Chilean artist the potency of beauty is not in conflict with seriousness and respect for the issues he addresses. Thus, Ramírez reconstructs metaphors about his countrys political history, contemporary migrations and the forced exiles that the power of global capital forces upon people, pushing them outside their nations or inside themselves, changing their identities, pushing unthinkable exchanges and deeply altering the perception and day to day life of millions. His work evidences social issues and his work is a meeting point for political and existential interests, but always being thought from the image, questioning and exploring the power of images to transform reality. In a sense, Enrique seems obsessed with narrating Chiles political history through the landscape, a landscape scarred by loss, by voyages and displacements, but also by personal lucubration, imagination and the erratic wondering of the mind. In his films, the presence of the sea is almost unavoidable, like a condensor of meaning and as main narrative axis of his stories: ±I feel that, for Chileans, the Pacific Ocean is the real memory site, he says . Between "I do not make films," declares Ramírez, "I only occupy discipline as one more form of expression among thousands of narrative, plastic, political and poetictechnical and material procedures. An absolutism that, inherited from the modern autonomy of the media, pretends that they define the distinctive particularity of each category of artistic work, encased in a list of compartments and careful to mark its peculiarity. Thus, each medium, cataloged as "cinema", "video", "photography", "engraving", "installation", "objectual art", etc., claims its sovereign jurisdictions as if the work was not the product of contingent operations that they involve the sense, but the foreseeable result of pure instrumental devices |
| Beschreibung: | "This book has been published on the occasion of the exhibitions: "Los Durmientes", 20 de octubre a 23 de noviembre 2014, premio 'amis Palais de Tokyo', Paris, Francia. "Brisas", 23 de julio al 11 de septiembre, 2009, Galeria Gabriela Mistral. ; "Los Durmientes: el exilio imaginado", 23 de abril a 23 de agosto, 2015, Museo de la Memoria y los Derechos Humanos, Santiago de Chile ; "Los Durmientes: encuentros latinoamericanos n 1, El tiempo, el ámbito, el mundo", 17 de octubre de 2015 a 8 de febrero de 2016, curada por Angeles Alonso, Museo Amparo, Puebla México. ; "Los Durmientes", 26 de junio al 17 de julio, 2016, Espacio HLM, Marsella, Francia. ; "Los Durmientes: mar dulce", 29 de marzo al 14 de mayo 2016, Centro Cultural MATTA, Embajada de Chile en Argentina"--Page [170] |
| Beschreibung: | 169 Seiten 23 cm |
| ISBN: | 9789569843716 9569843713 |
Internformat
MARC
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| 246 | 1 | 3 | |a Los durmientes |
| 246 | 1 | 3 | |a Brisas |
| 246 | 1 | 3 | |a Los durmientes el exilio imaginado |
| 246 | 1 | 3 | |a Los durmientes : Encuentros Latinoamericanos no. 1 : el tiempo, el ánimo, el mundo |
| 246 | 1 | 3 | |a Los durmientes, Mar dulce |
| 250 | |a 1a edición | ||
| 264 | 1 | |a Santiago de Chile |b Ediciones Metales Pesados |c 2018 | |
| 300 | |a 169 Seiten |c 23 cm | ||
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| 500 | |a "This book has been published on the occasion of the exhibitions: "Los Durmientes", 20 de octubre a 23 de noviembre 2014, premio 'amis Palais de Tokyo', Paris, Francia. "Brisas", 23 de julio al 11 de septiembre, 2009, Galeria Gabriela Mistral. ; "Los Durmientes: el exilio imaginado", 23 de abril a 23 de agosto, 2015, Museo de la Memoria y los Derechos Humanos, Santiago de Chile ; "Los Durmientes: encuentros latinoamericanos n 1, El tiempo, el ámbito, el mundo", 17 de octubre de 2015 a 8 de febrero de 2016, curada por Angeles Alonso, Museo Amparo, Puebla México. ; "Los Durmientes", 26 de junio al 17 de julio, 2016, Espacio HLM, Marsella, Francia. ; "Los Durmientes: mar dulce", 29 de marzo al 14 de mayo 2016, Centro Cultural MATTA, Embajada de Chile en Argentina"--Page [170] | ||
| 505 | 8 | |a Lanzados al mar = Thrown into the sea / Guillermo Cifuentes -- El lecho de los durmientes = The resting place of the railway sleepers / Ticio Escobar -- La historia a la Vuelta de la esquina = History just around the corner / Néstor Olhagaray -- Bell UH-1D Iroquois = Bell UH-1D Iroquois / Coline Davenne -- El mar como lugar de memoria = The sea as a memory site / Florencia Battiti -- La gravedad = La gravedad / Coline Davenne -- Pacifico = Pacifico / Coline Davenne -- Conversación entre Marie-Thérèse Champesme y Enrique Ramírez = Conversation between Marie-Thérèse Champesme and Enrique Ramírez -- Los durmientes: el exilio imaginado = Los durmientes: the imaginary exile / Museo de la Memoria y los Derechos Humanos | |
| 520 | 3 | |a Addressing pain, absence and terror, and to do it poetically, is not simple for a visual artist. To revisit the past with good will or a fierce political commitment is not enough to build a body of work that will move people, and also pose questions to reactivate the past critically and poetically. Usually, slapping a sleeping consciousness with bursts of expressivity and wrath does not yield good results. When horror presents itself as a mirror, without any mediation, without any metaphors, the work will not garner the spectators empathy and he or she, irremediably, will withdraw, hide or escape. Quite on the contrary, the work of Enrique Ramírez is a balm, suggestive, without renouncing the necessary dose of discomfort and perplexity that questions the common place, the certainties and, even, the prejudice about the artistic production that alludes the recent past. | |
| 520 | 3 | |a For this young Chilean artist the potency of beauty is not in conflict with seriousness and respect for the issues he addresses. Thus, Ramírez reconstructs metaphors about his countrys political history, contemporary migrations and the forced exiles that the power of global capital forces upon people, pushing them outside their nations or inside themselves, changing their identities, pushing unthinkable exchanges and deeply altering the perception and day to day life of millions. His work evidences social issues and his work is a meeting point for political and existential interests, but always being thought from the image, questioning and exploring the power of images to transform reality. In a sense, Enrique seems obsessed with narrating Chiles political history through the landscape, a landscape scarred by loss, by voyages and displacements, but also by personal lucubration, imagination and the erratic wondering of the mind. | |
| 520 | 3 | |a In his films, the presence of the sea is almost unavoidable, like a condensor of meaning and as main narrative axis of his stories: ±I feel that, for Chileans, the Pacific Ocean is the real memory site, he says . Between "I do not make films," declares Ramírez, "I only occupy discipline as one more form of expression among thousands of narrative, plastic, political and poetictechnical and material procedures. An absolutism that, inherited from the modern autonomy of the media, pretends that they define the distinctive particularity of each category of artistic work, encased in a list of compartments and careful to mark its peculiarity. Thus, each medium, cataloged as "cinema", "video", "photography", "engraving", "installation", "objectual art", etc., claims its sovereign jurisdictions as if the work was not the product of contingent operations that they involve the sense, but the foreseeable result of pure instrumental devices | |
| 546 | |a Text spanisch und englisch | ||
| 600 | 1 | 7 | |a Ramírez, Enrique |d 1979- |0 (DE-588)1062968468 |2 gnd |9 rswk-swf |
| 653 | 1 | |a Ramírez, Enrique / 1979- / Exhibitions | |
| 653 | 1 | |a Ramírez, Enrique / 1979- / Criticism and interpretation | |
| 653 | 0 | |a Video art / Chile / Exhibitions | |
| 653 | 0 | |a Installations (Art) / Chile / Exhibitions | |
| 653 | 0 | |a Art, Chilean / Themes, motives | |
| 653 | 0 | |a Installations (Art) | |
| 653 | 0 | |a Video art | |
| 653 | 2 | |a Chile | |
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| 655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x Museo de la Memoria y los Derechos Humanos |y 21.04.2015-23.08.2015 |z Santiago de Chile |2 gnd-content | |
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| 655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x Espacio HLM |y 26.06.2015-17.07.2015 |z Marseille |2 gnd-content | |
| 655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x Centro Cultural MATTA |y 29.03.2016-14.05.2016 |z Buenos Aires |2 gnd-content | |
| 655 | 7 | |0 (DE-588)4145395-5 |a Bildband |2 gnd-content | |
| 689 | 0 | 0 | |a Ramírez, Enrique |d 1979- |0 (DE-588)1062968468 |D p |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Cifuentes, Guillermo |d 1968- |0 (DE-588)138750947 |4 aut | |
| 700 | 1 | |a Escobar, Ticio |d 1947- |0 (DE-588)1057111627 |4 aut | |
| 700 | 1 | |a Olhagaray, Néstor |4 aut | |
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Datensatz im Suchindex
| _version_ | 1804179544401248256 |
|---|---|
| any_adam_object | |
| author | Cifuentes, Guillermo 1968- Escobar, Ticio 1947- Olhagaray, Néstor Davenne, Coline Battiti, Florencia |
| author2 | Ramírez, Enrique 1979- Champesme, Marie-Thérèse |
| author2_role | pht ivr |
| author2_variant | e r er m t c mtc |
| author_GND | (DE-588)1062968468 (DE-588)138750947 (DE-588)1057111627 (DE-588)188357963 |
| author_facet | Cifuentes, Guillermo 1968- Escobar, Ticio 1947- Olhagaray, Néstor Davenne, Coline Battiti, Florencia Ramírez, Enrique 1979- Champesme, Marie-Thérèse |
| author_role | aut aut aut aut aut |
| author_sort | Cifuentes, Guillermo 1968- |
| author_variant | g c gc t e te n o no c d cd f b fb |
| building | Verbundindex |
| bvnumber | BV045561365 |
| contents | Lanzados al mar = Thrown into the sea / Guillermo Cifuentes -- El lecho de los durmientes = The resting place of the railway sleepers / Ticio Escobar -- La historia a la Vuelta de la esquina = History just around the corner / Néstor Olhagaray -- Bell UH-1D Iroquois = Bell UH-1D Iroquois / Coline Davenne -- El mar como lugar de memoria = The sea as a memory site / Florencia Battiti -- La gravedad = La gravedad / Coline Davenne -- Pacifico = Pacifico / Coline Davenne -- Conversación entre Marie-Thérèse Champesme y Enrique Ramírez = Conversation between Marie-Thérèse Champesme and Enrique Ramírez -- Los durmientes: el exilio imaginado = Los durmientes: the imaginary exile / Museo de la Memoria y los Derechos Humanos |
| ctrlnum | (OCoLC)1098192583 (DE-599)BVBBV045561365 |
| edition | 1a edición |
| format | Book |
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"Brisas", 23 de julio al 11 de septiembre, 2009, Galeria Gabriela Mistral. ; "Los Durmientes: el exilio imaginado", 23 de abril a 23 de agosto, 2015, Museo de la Memoria y los Derechos Humanos, Santiago de Chile ; "Los Durmientes: encuentros latinoamericanos n 1, El tiempo, el ámbito, el mundo", 17 de octubre de 2015 a 8 de febrero de 2016, curada por Angeles Alonso, Museo Amparo, Puebla México. ; "Los Durmientes", 26 de junio al 17 de julio, 2016, Espacio HLM, Marsella, Francia. ; "Los Durmientes: mar dulce", 29 de marzo al 14 de mayo 2016, Centro Cultural MATTA, Embajada de Chile en Argentina"--Page [170]</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Lanzados al mar = Thrown into the sea / Guillermo Cifuentes -- El lecho de los durmientes = The resting place of the railway sleepers / Ticio Escobar -- La historia a la Vuelta de la esquina = History just around the corner / Néstor Olhagaray -- Bell UH-1D Iroquois = Bell UH-1D Iroquois / Coline Davenne -- El mar como lugar de memoria = The sea as a memory site / Florencia Battiti -- La gravedad = La gravedad / Coline Davenne -- Pacifico = Pacifico / Coline Davenne -- Conversación entre Marie-Thérèse Champesme y Enrique Ramírez = Conversation between Marie-Thérèse Champesme and Enrique Ramírez -- Los durmientes: el exilio imaginado = Los durmientes: the imaginary exile / Museo de la Memoria y los Derechos Humanos</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Addressing pain, absence and terror, and to do it poetically, is not simple for a visual artist. 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Thus, Ramírez reconstructs metaphors about his countrys political history, contemporary migrations and the forced exiles that the power of global capital forces upon people, pushing them outside their nations or inside themselves, changing their identities, pushing unthinkable exchanges and deeply altering the perception and day to day life of millions. His work evidences social issues and his work is a meeting point for political and existential interests, but always being thought from the image, questioning and exploring the power of images to transform reality. 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| genre | (DE-588)4135467-9 Ausstellungskatalog Palais de Tokyo 20.10.2014-23.11.2014 Paris gnd-content (DE-588)4135467-9 Ausstellungskatalog Galería Gabriela Mistral 23.07.2009-11.09.2009 Santiago de Chile gnd-content (DE-588)4135467-9 Ausstellungskatalog Museo de la Memoria y los Derechos Humanos 21.04.2015-23.08.2015 Santiago de Chile gnd-content (DE-588)4135467-9 Ausstellungskatalog Museo Amparo 17.10.2015-08.02.2016 Puebla, Stadt gnd-content (DE-588)4135467-9 Ausstellungskatalog Espacio HLM 26.06.2015-17.07.2015 Marseille gnd-content (DE-588)4135467-9 Ausstellungskatalog Centro Cultural MATTA 29.03.2016-14.05.2016 Buenos Aires gnd-content (DE-588)4145395-5 Bildband gnd-content |
| genre_facet | Ausstellungskatalog Palais de Tokyo 20.10.2014-23.11.2014 Paris Ausstellungskatalog Galería Gabriela Mistral 23.07.2009-11.09.2009 Santiago de Chile Ausstellungskatalog Museo de la Memoria y los Derechos Humanos 21.04.2015-23.08.2015 Santiago de Chile Ausstellungskatalog Museo Amparo 17.10.2015-08.02.2016 Puebla, Stadt Ausstellungskatalog Espacio HLM 26.06.2015-17.07.2015 Marseille Ausstellungskatalog Centro Cultural MATTA 29.03.2016-14.05.2016 Buenos Aires Bildband |
| id | DE-604.BV045561365 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:21:33Z |
| institution | BVB |
| isbn | 9789569843716 9569843713 |
| language | Spanish English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030945139 |
| oclc_num | 1098192583 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 169 Seiten 23 cm |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Ediciones Metales Pesados |
| record_format | marc |
| spelling | Ramírez, Enrique 1979- (DE-588)1062968468 pht ive Enrique Ramírez - Los durmientes con textos de/with texts by Guillermo Cifuentes, Ticio Escobar, Néstor Olhagaray, Coline Davenne, Florencia Battiti, Marie-Thérèse Champesme Los durmientes Brisas Los durmientes el exilio imaginado Los durmientes : Encuentros Latinoamericanos no. 1 : el tiempo, el ánimo, el mundo Los durmientes, Mar dulce 1a edición Santiago de Chile Ediciones Metales Pesados 2018 169 Seiten 23 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier "This book has been published on the occasion of the exhibitions: "Los Durmientes", 20 de octubre a 23 de noviembre 2014, premio 'amis Palais de Tokyo', Paris, Francia. "Brisas", 23 de julio al 11 de septiembre, 2009, Galeria Gabriela Mistral. ; "Los Durmientes: el exilio imaginado", 23 de abril a 23 de agosto, 2015, Museo de la Memoria y los Derechos Humanos, Santiago de Chile ; "Los Durmientes: encuentros latinoamericanos n 1, El tiempo, el ámbito, el mundo", 17 de octubre de 2015 a 8 de febrero de 2016, curada por Angeles Alonso, Museo Amparo, Puebla México. ; "Los Durmientes", 26 de junio al 17 de julio, 2016, Espacio HLM, Marsella, Francia. ; "Los Durmientes: mar dulce", 29 de marzo al 14 de mayo 2016, Centro Cultural MATTA, Embajada de Chile en Argentina"--Page [170] Lanzados al mar = Thrown into the sea / Guillermo Cifuentes -- El lecho de los durmientes = The resting place of the railway sleepers / Ticio Escobar -- La historia a la Vuelta de la esquina = History just around the corner / Néstor Olhagaray -- Bell UH-1D Iroquois = Bell UH-1D Iroquois / Coline Davenne -- El mar como lugar de memoria = The sea as a memory site / Florencia Battiti -- La gravedad = La gravedad / Coline Davenne -- Pacifico = Pacifico / Coline Davenne -- Conversación entre Marie-Thérèse Champesme y Enrique Ramírez = Conversation between Marie-Thérèse Champesme and Enrique Ramírez -- Los durmientes: el exilio imaginado = Los durmientes: the imaginary exile / Museo de la Memoria y los Derechos Humanos Addressing pain, absence and terror, and to do it poetically, is not simple for a visual artist. To revisit the past with good will or a fierce political commitment is not enough to build a body of work that will move people, and also pose questions to reactivate the past critically and poetically. Usually, slapping a sleeping consciousness with bursts of expressivity and wrath does not yield good results. When horror presents itself as a mirror, without any mediation, without any metaphors, the work will not garner the spectators empathy and he or she, irremediably, will withdraw, hide or escape. Quite on the contrary, the work of Enrique Ramírez is a balm, suggestive, without renouncing the necessary dose of discomfort and perplexity that questions the common place, the certainties and, even, the prejudice about the artistic production that alludes the recent past. For this young Chilean artist the potency of beauty is not in conflict with seriousness and respect for the issues he addresses. Thus, Ramírez reconstructs metaphors about his countrys political history, contemporary migrations and the forced exiles that the power of global capital forces upon people, pushing them outside their nations or inside themselves, changing their identities, pushing unthinkable exchanges and deeply altering the perception and day to day life of millions. His work evidences social issues and his work is a meeting point for political and existential interests, but always being thought from the image, questioning and exploring the power of images to transform reality. In a sense, Enrique seems obsessed with narrating Chiles political history through the landscape, a landscape scarred by loss, by voyages and displacements, but also by personal lucubration, imagination and the erratic wondering of the mind. In his films, the presence of the sea is almost unavoidable, like a condensor of meaning and as main narrative axis of his stories: ±I feel that, for Chileans, the Pacific Ocean is the real memory site, he says . Between "I do not make films," declares Ramírez, "I only occupy discipline as one more form of expression among thousands of narrative, plastic, political and poetictechnical and material procedures. An absolutism that, inherited from the modern autonomy of the media, pretends that they define the distinctive particularity of each category of artistic work, encased in a list of compartments and careful to mark its peculiarity. Thus, each medium, cataloged as "cinema", "video", "photography", "engraving", "installation", "objectual art", etc., claims its sovereign jurisdictions as if the work was not the product of contingent operations that they involve the sense, but the foreseeable result of pure instrumental devices Text spanisch und englisch Ramírez, Enrique 1979- (DE-588)1062968468 gnd rswk-swf Ramírez, Enrique / 1979- / Exhibitions Ramírez, Enrique / 1979- / Criticism and interpretation Video art / Chile / Exhibitions Installations (Art) / Chile / Exhibitions Art, Chilean / Themes, motives Installations (Art) Video art Chile 2000-2099 Criticism, interpretation, etc Exhibition catalogs (DE-588)4135467-9 Ausstellungskatalog Palais de Tokyo 20.10.2014-23.11.2014 Paris gnd-content (DE-588)4135467-9 Ausstellungskatalog Galería Gabriela Mistral 23.07.2009-11.09.2009 Santiago de Chile gnd-content (DE-588)4135467-9 Ausstellungskatalog Museo de la Memoria y los Derechos Humanos 21.04.2015-23.08.2015 Santiago de Chile gnd-content (DE-588)4135467-9 Ausstellungskatalog Museo Amparo 17.10.2015-08.02.2016 Puebla, Stadt gnd-content (DE-588)4135467-9 Ausstellungskatalog Espacio HLM 26.06.2015-17.07.2015 Marseille gnd-content (DE-588)4135467-9 Ausstellungskatalog Centro Cultural MATTA 29.03.2016-14.05.2016 Buenos Aires gnd-content (DE-588)4145395-5 Bildband gnd-content Ramírez, Enrique 1979- (DE-588)1062968468 p DE-604 Cifuentes, Guillermo 1968- (DE-588)138750947 aut Escobar, Ticio 1947- (DE-588)1057111627 aut Olhagaray, Néstor aut Davenne, Coline aut Battiti, Florencia aut Champesme, Marie-Thérèse (DE-588)188357963 ivr |
| spellingShingle | Cifuentes, Guillermo 1968- Escobar, Ticio 1947- Olhagaray, Néstor Davenne, Coline Battiti, Florencia Enrique Ramírez - Los durmientes Lanzados al mar = Thrown into the sea / Guillermo Cifuentes -- El lecho de los durmientes = The resting place of the railway sleepers / Ticio Escobar -- La historia a la Vuelta de la esquina = History just around the corner / Néstor Olhagaray -- Bell UH-1D Iroquois = Bell UH-1D Iroquois / Coline Davenne -- El mar como lugar de memoria = The sea as a memory site / Florencia Battiti -- La gravedad = La gravedad / Coline Davenne -- Pacifico = Pacifico / Coline Davenne -- Conversación entre Marie-Thérèse Champesme y Enrique Ramírez = Conversation between Marie-Thérèse Champesme and Enrique Ramírez -- Los durmientes: el exilio imaginado = Los durmientes: the imaginary exile / Museo de la Memoria y los Derechos Humanos Ramírez, Enrique 1979- (DE-588)1062968468 gnd |
| subject_GND | (DE-588)1062968468 (DE-588)4135467-9 (DE-588)4145395-5 |
| title | Enrique Ramírez - Los durmientes |
| title_alt | Los durmientes Brisas Los durmientes el exilio imaginado Los durmientes : Encuentros Latinoamericanos no. 1 : el tiempo, el ánimo, el mundo Los durmientes, Mar dulce |
| title_auth | Enrique Ramírez - Los durmientes |
| title_exact_search | Enrique Ramírez - Los durmientes |
| title_full | Enrique Ramírez - Los durmientes con textos de/with texts by Guillermo Cifuentes, Ticio Escobar, Néstor Olhagaray, Coline Davenne, Florencia Battiti, Marie-Thérèse Champesme |
| title_fullStr | Enrique Ramírez - Los durmientes con textos de/with texts by Guillermo Cifuentes, Ticio Escobar, Néstor Olhagaray, Coline Davenne, Florencia Battiti, Marie-Thérèse Champesme |
| title_full_unstemmed | Enrique Ramírez - Los durmientes con textos de/with texts by Guillermo Cifuentes, Ticio Escobar, Néstor Olhagaray, Coline Davenne, Florencia Battiti, Marie-Thérèse Champesme |
| title_short | Enrique Ramírez - Los durmientes |
| title_sort | enrique ramirez los durmientes |
| topic | Ramírez, Enrique 1979- (DE-588)1062968468 gnd |
| topic_facet | Ramírez, Enrique 1979- Ausstellungskatalog Palais de Tokyo 20.10.2014-23.11.2014 Paris Ausstellungskatalog Galería Gabriela Mistral 23.07.2009-11.09.2009 Santiago de Chile Ausstellungskatalog Museo de la Memoria y los Derechos Humanos 21.04.2015-23.08.2015 Santiago de Chile Ausstellungskatalog Museo Amparo 17.10.2015-08.02.2016 Puebla, Stadt Ausstellungskatalog Espacio HLM 26.06.2015-17.07.2015 Marseille Ausstellungskatalog Centro Cultural MATTA 29.03.2016-14.05.2016 Buenos Aires Bildband |
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