Re-issue, re-imagine, re-make: appropriation in contemporary furniture design
In recent years, there has been a great deal of interest in "design classics", both in their increased availability and affordability through re-issues, and in their widespread re-interpretation by contemporary designers and artists. Focusing on chairs, this book examines this significant...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Lund Humphries
2020
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| Schlagworte: | |
| Zusammenfassung: | In recent years, there has been a great deal of interest in "design classics", both in their increased availability and affordability through re-issues, and in their widespread re-interpretation by contemporary designers and artists. Focusing on chairs, this book examines this significant aspect of contemporary design practice. It does so, not only in terms of works by well-known designers, but also relative to ubiquitous designs such as the monobloc, Thonet number 14, and Ming chairs. These varied examples of re-imagining and re-working are examined from an international perspective as designers and artists across the globe seek to bring new formal, material, and narrative interpretations to these iconic designs.00Renewed interest in do-it-yourself, together with the growth of hacking, open-source design and digital fabrication, have all contributed to an expansion of the concepts of re-imagine and re-make in the new millennium. Embraced by professionals, amateurs and companies alike, these developments further attest to the diverse practice of re-interpretation in contemporary design |
| Beschreibung: | 152 Seiten Illustrationen 26 cm |
| ISBN: | 9781848222618 |
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| 520 | 3 | |a In recent years, there has been a great deal of interest in "design classics", both in their increased availability and affordability through re-issues, and in their widespread re-interpretation by contemporary designers and artists. Focusing on chairs, this book examines this significant aspect of contemporary design practice. It does so, not only in terms of works by well-known designers, but also relative to ubiquitous designs such as the monobloc, Thonet number 14, and Ming chairs. These varied examples of re-imagining and re-working are examined from an international perspective as designers and artists across the globe seek to bring new formal, material, and narrative interpretations to these iconic designs.00Renewed interest in do-it-yourself, together with the growth of hacking, open-source design and digital fabrication, have all contributed to an expansion of the concepts of re-imagine and re-make in the new millennium. Embraced by professionals, amateurs and companies alike, these developments further attest to the diverse practice of re-interpretation in contemporary design | |
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| spelling | Darby, Elisabeth 1951- Verfasser (DE-588)1219169706 aut Re-issue, re-imagine, re-make appropriation in contemporary furniture design Elisabeth Darby Reissue, reimagine, remake London Lund Humphries 2020 152 Seiten Illustrationen 26 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier In recent years, there has been a great deal of interest in "design classics", both in their increased availability and affordability through re-issues, and in their widespread re-interpretation by contemporary designers and artists. Focusing on chairs, this book examines this significant aspect of contemporary design practice. It does so, not only in terms of works by well-known designers, but also relative to ubiquitous designs such as the monobloc, Thonet number 14, and Ming chairs. These varied examples of re-imagining and re-working are examined from an international perspective as designers and artists across the globe seek to bring new formal, material, and narrative interpretations to these iconic designs.00Renewed interest in do-it-yourself, together with the growth of hacking, open-source design and digital fabrication, have all contributed to an expansion of the concepts of re-imagine and re-make in the new millennium. Embraced by professionals, amateurs and companies alike, these developments further attest to the diverse practice of re-interpretation in contemporary design Geschichte 1920-2020 gnd rswk-swf Design (DE-588)4011510-0 gnd rswk-swf Stuhl (DE-588)4058247-4 gnd rswk-swf Chair design Chairs Stuhl (DE-588)4058247-4 s Design (DE-588)4011510-0 s Geschichte 1920-2020 z DE-604 |
| spellingShingle | Darby, Elisabeth 1951- Re-issue, re-imagine, re-make appropriation in contemporary furniture design Design (DE-588)4011510-0 gnd Stuhl (DE-588)4058247-4 gnd |
| subject_GND | (DE-588)4011510-0 (DE-588)4058247-4 |
| title | Re-issue, re-imagine, re-make appropriation in contemporary furniture design |
| title_alt | Reissue, reimagine, remake |
| title_auth | Re-issue, re-imagine, re-make appropriation in contemporary furniture design |
| title_exact_search | Re-issue, re-imagine, re-make appropriation in contemporary furniture design |
| title_exact_search_txtP | Re-issue, re-imagine, re-make appropriation in contemporary furniture design |
| title_full | Re-issue, re-imagine, re-make appropriation in contemporary furniture design Elisabeth Darby |
| title_fullStr | Re-issue, re-imagine, re-make appropriation in contemporary furniture design Elisabeth Darby |
| title_full_unstemmed | Re-issue, re-imagine, re-make appropriation in contemporary furniture design Elisabeth Darby |
| title_short | Re-issue, re-imagine, re-make |
| title_sort | re issue re imagine re make appropriation in contemporary furniture design |
| title_sub | appropriation in contemporary furniture design |
| topic | Design (DE-588)4011510-0 gnd Stuhl (DE-588)4058247-4 gnd |
| topic_facet | Design Stuhl |
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