The Body in the Mirror : Shapes of History in Italian Cinema. von Dalle Vacche, Angela

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André Bazin's film theory art, science, religion von Dalle Vacche, Angela 1954-

Science von Dalle Vacche, Angela 1954-

Religion von Dalle Vacche, Angela 1954-

The difference of cinema in the system of the arts von Dalle Vacche, Angela 1954-

Diva defiance and passion in early Italian cinema von Dalle Vacche, Angela 1954-

Inhaltsverzeichnis

The Story of a seamstress the novelette, the sewing machine, and the diva-film von Dalle Vacche, Angela 1954-

Unexplored connections in a New Territory introduction von Dalle Vacche, Angela 1954-

The Diva-Image in 1911 visual form, cultural specificity, perceptual model von Dalle Vacche, Angela 1954-

Cinema and painting how art is used in film von Dalle Vacche, Angela 1954-

André Bazin's art documentary in Saintonge von Dalle Vacche, Angela 1954-

André Bazin's film theory: art, science, religion von Dalle Vacche, Angela 1954-

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The Diva film context, actresses, issues von Dalle Vacche, Angela 1954-

André Bazin's film theory and Olivier Assayas' "Summer Hours" (2008) von Dalle Vacche, Angela 1954-

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Cinéma et musée nouvelles temporalités ; débat entre Érik Bullot, Angela Dalle Vacche et Philippe-Alain Michaud, avec Hervé Joubert-Laurencin von Bullot, Érik 1963-, Dalle Vacche, Angela 1954-, Michaud, Philippe-Alain 1961-, Joubert-Laurencin, Hervé 1945-

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Rethinking the neorealist image von Dalle Vacche, Angela 1954-

1928 - Movies, social conformity, and imminent traumas von Dalle Vacche, Angela 1954-

Le paysage du cinéma italien faibles sujets modernes, forts objets postmodernes von Dalle Vacche, Angela 1954-

Michelangelo Antonioni's Red Desert painting as ventriloquism and color as movement (architecture and painting) von Dalle Vacche, Angela 1954-

Cinema and painting how art is used in film von Dalle Vacche, Angela