Proceedings: Naples, October 5 - 8, 2004
Gespeichert in:
Körperschaft: | |
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Format: | Tagungsbericht Buch |
Sprache: | English |
Veröffentlicht: |
Naples
ACEL, Dep. of Physical Sciences, Univ. of Naples
2004
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
Beschreibung: | VI, 394 S. graph. Darst. |
ISBN: | 8890147903 |
Internformat
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245 | 1 | 0 | |a Proceedings |b Naples, October 5 - 8, 2004 |c 7th International Conference on Digital Audio Effects, DAFx 04 ; organized and supported by Department of Physical Sciences, Federico II University of Naples ... Ed. by Gianpaolo Evangelista ... |
246 | 1 | 3 | |a Digital audio effects DAFx '04 |
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Datensatz im Suchindex
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adam_text | IMAGE 1
7 TH INTERNATIONAL CONFERENCE
ON DIGITAL AUDIO EFFECTS
MAPLES, OCTOBER 5-8, 2004
PROCEEDINGS
EDITED BY QIANPAOLO EVANGELISTA AND ITALO TESTA THE ACOUSTICS AND
ELECTRONICS LAB DEPARTMENT OF PHYSICAL SCIENCES FEDERICO II UNIVERSITY
OF MAPLES
DAFX 04 WAS ORGANIZED AND SUPPORTED BY
DEPARTMENT OF PHYSICAL SCIENCES FEDERICO II UNIVERSITY OF MAPLES
FONDAZIONE CITTA DELLA SCIENZA
ASSOCIAZIONE DI INFORMATICA MUSICALE ITALIANA THE EUROPEAN ASSOCIATION
FOR SIGNAL IMAGE PROCESSING
MM
TOC
TIB/UB HANNOVER 89 127 596 232
PRINTED IN MAPLES, SEPTEMBER 22, 2004
IMAGE 2
CONTENTS
KEYNOTE: GESTURE CONTROL I MULTIMODAL INTERFACES FOR EXPRESSIVE 5OUND
CONTROL ANTONIO CAMURRI
5E55ION: GESTURE CONTROL
5 THE SOUNDING GESTURE: AN OVERVIEW AMALIA DE GOTZEN
I1 EFFECT OF LATENCY ON PLAYING ACCURACY OF TWO GESTURE CONTROLLED
CONTINUOUS SOUND INSTRUMENTS WITHOUT TACTILE FEEDBACK TEEMU MAKI-PATOLA
AND PERTTU HAMALAINEN
17 AUDIO-BASED GESTURE EXTRACTION ON THE E5ITAR CONTROLLER AJAY KAPUR,
GEORGE TZANETAKIS, AND PETER DRIESSEN
5E55ION: TIME-FREQUENCY AND SPECTRAL PROCESSING
22 SPARSE AND STRUCTURED DECOMPOSITIONS OF AUDIO 5IGNALS IN OVERCOMPLETE
SPACES LAURENT DAUDET
27 DETECTION OF CLICKS USING SINUSOIDAL MODELING FOR THE CONFIRMATION OF
THE CLICKS E5TEBAN ALVAREZ, RAFAEL MENDEZ, AND OUILLERMO LANGWAGEN
33 AUDIO ANALYSIS, VISUALIZATION, AND TRANSFORMATION WITH THE MATCHING
PURSUIT ALGORITHM GARRY KLING AND CURTIS ROADS
POSTER 5ESSION I
38 REMOVING CRACKLE FROM AN LP RECORD VIA WAVELET ANALYSIS PAVEL FIAJM/C
AND JAROSLAV KLIMEK
42 SPECTRAL DELAYS WITH FREQUENCY DOMAIN PROCESSING DAVID KIM-BOYLE
45 EXPONENTIAL WEIGHTING METHOD FOR 5AMPLE-BY-5AMPLE UPDATE OF WARPED
AR-MODEL * * KAN ROTH AND ISMO KAUPPINEN
49 EMULATING ROUGH AND GROWL VOICE IN SPECTRAL DOMAIN ALEX LO5COS AND
JORDI BONADA
53 AIDE, A MEW DIGITAL AUDIO EFFECTS DEVELOPMENT ENVIRONMENT VICTOR
LAZZARINI AND RORY WALSH
57 ADAM - A 64 CHANNEL GENERAL PURPOSE REAL-TIME AUDIO SIGNAL PROCESSOR
ROBERT TRAUSMUTH AND MICHAEL KOLLEGGER
61 NON-LINEAR DIGITAL IMPLEMENTATION OF THE MOOG LADDER FILTER ANTTI
HUOVILAINEN
SESSION: 5OUND TRANSFORMATIONS AND AUDIO EFFECTS I
65 A FAST MELLIN TRANSFORM WITH APPLICATIONS IN DAFX ANTONIO DE 5ENA AND
DAVIDE ROCCHESSO
70 TRANSFORMING SINGING VOICE EXPRESSION - THE SWEETNESS EFFECT LARS
FABIG AND JORDI JANER
76 ENHANCED TIME-STRETCHING USING ORDER-2 SINUSOIDAL MODELING 5YLVAIN
MARCHAND AND MARTIN RASPAUD
83 AN EFFICIENT PHASINESS REDUCTION TECHNIQUE FOR MODERATE AUDIO
TIME-SCALE MODIFICATION DAVID DORRAN, ROBERT LAWLOR, AND EUGENE COYLE
DAFX 04 PROCEEDINGS -
IMAGE 3
5ESSION: SYNTHESIS BY PHYSICAL-MODELS
89 A PIANO MODEL INCLUDING LONGITUDINAL STRING VIBRATIONS BALAZS BANK
AND LASZLO 5UJBERT
95 THE FEATHERED CLARINET REED TAMARA SMYTH, JONATHAN ABEL, AND JULIUS
0. 5MLTH
101 DIGITAL 5OUND SYNTHESIS OF BRASS INSTRUMENTS BY PHYSICAL MODELING
BERNHARD KRACH, STEFAN PETRAUSCH, AND RUDOLF RABENSTEIN
107 RECENT ADVANCES IN PHYSICAL MODELING WITH K- AND W-TECHNIQUES MATTI
KARJALAINEN, JYRI PAKARINEN, CUMHUR ERKUT, PAULO A. A. ESQUEF, AND VESA
WALIMAKI
113 COMPUTATION OF NONLINEAR FILTER NETWORKS CONTAINING DELAY-FREE PATHS
FEDERICO FONTANA, FEDERICO AVANZINI, AND DAVIDE ROCCHESSO
119 MODAL-TYPE SYNTHESIS TECHNIQUES FOR NONLINEAR STRINGS WITH AN ENERGY
CONSERVATION PROPERTY 5TEFAN BILBAO
KEYNOTE: SPATIAL AUDIO PROCESSING
125 WAVE FIELD SYNTHESIS - A PROMISING 5PATIAL RENDERING CONCEPT GUNTHER
THEILE
SESSION: SPATIAL AUDIO PROCESSING (INVITED) I
133 WAVE FIELD SYNTHESIS - GENERATION AND REPRODUCTION OF NATURAL SOUND
ENVIRONMENTS THOMAS 5PORER
139 SPATIAL IMPULSE RESPONSE RENDERING JUHA MERIMAA AND WILLE PULKKI
145 BINAURAL SOURCE LOCALIZATION HARALD VISTE AND GIANPAOLO EVANGELISTA
SESSION: SPATIAL AUDIO PROCESSING (INVITED) II
151 PARAMETRIC CODING OF SPATIAL AUDIO QHRISTOF FALLER
157 FROM JOINT STEREO TO SPATIAL AUDIO CODING - RECENT PROGRESS AND
STANDARDIZATION JURGEN HERRE
163 LOW COMPLEXITY PARAMETRIC STEREO CODING IN MPEG-4 HEIKO PURNHAGEN
POSTER SESSION II
169 COMPUTATIONAL REAL-TIME 5OUND SIMULATION OF RAIN STANLEY J.
MIKLAVCIC, ANDREAS ZITA, AND PER ARVIDSSON
173 A STRATEGY FOR THE MODULAR IMPLEMENTATION OF PHYSICS-BASED MODELS
MATTHIAS RATH
177 IMPLEMENTING LOUDNESS MODELS IN MATLAB JOSEPH TIMONEY, THOMAS
LYSAGHT, MARC SCHOENWLESNER^ND LORCAN MAC MANUS
181 TIMBRAL ATTRIBUTES FOR OBJECTIVE QUALITY ASSESSMENT OF THE IRISH TIN
WHISTLE JOSEPH TIMONEY, THOMAS LYSAGHT, LORCAN MAC MANUS, AND ANDREAS
5CHWARZBACHER
185 SINGLE-NOTE ORNAMENTATION TRANSCRIPTION FOR THE IRISH TIN WHISTLE
BASED ON ONSET DETECTION MIKEL GAINZA, EUGENE COYLE, AND ROBERT LAWLOR
189 EFFICIENTLY COMPUTABLE SIMILARITY MEASURES FOR QUERY BY TAPPING
SYSTEMS GUNNAR EISENBERG, JAN-MARK BATKE, AND THOMAS 5LKORA
193 AN OPEN 5OURCE TOOL FOR 5EMI-AUTOMATLC RHYTHMIC ANNOTATION FABIEN
GOUYON, MICOLAS WACK, AND 5LMON DLXON
197 A SPECTRAL-FILTERING APPROACH TO MUSIC SIGNAL SEPARATION MARK EVERY
AND JOHN SZYMANSKI
IV - DAFX 04 PROCEEDINGS -
IMAGE 4
SESSION: SOUND ANALYSIS AND INFORMATION RETRIEVAL
201 AUDIO PROCESSING USING HASKELL HENNING THIELEMANN
207 A COMPARISON BETWEEN FIXED AND MULTIRESOLUTION ANALYSIS FOR ONSET
DETECTION IN MUSICAL SIGNALS CHRIS DUXBURY, JUAN PABLO BELLO, MARK
SANDIER, AND MIKE DAVIES
212 PIANO TRANSCRIPTION USING PATTERN RECOGNITION: ASPECTS ON PARAMETER
EXTRACTION LUIS I. ORTIZ-BERENGUER, F. JAVIER CASAJUS-QULRDS, MARISOL
TORRES-GUIJARRO, AND JON ANDER BERACOECHEA
217 ON FINDING MELODIC LINES IN AUDIO RECORDINGS MATIJA MAROLT
222 MUSICAL INSTRUMENT IDENTIFICATION IN CONTINUOUS RECORDINGS ARIE
LIVSHIN AND XAVIER RODET
228 BAYESIAN IDENTIFICATION OF CLOSELY-SPACED CHORDS FROM SINGLE-FRAME
5TFT PEAKS RANDAL LELSTIKOW, HARVEY THORNBURG, JULIUS O. SMITH, AND
JONATHAN BERGER
234 A NEW SCORE FUNCTION FOR JOINT EVALUATION OF MULTIPLE F0 HYPOTHESES
CHUNGHSIN YEH AND AXEL ROBEL
SESSION: ROOM ACOUSTICS AND WAVE FIELD SYNTHESIS I
240 SOUND SOURCE SEPARATION: AZIMUTH DISCRIMINATION AND RESYNTHESIS DAN
BARRY, ROBERT LAWLOR, AND EUGENE COYLE
245 SOURCE SEPARATION FOR WF5 ACOUSTIC OPENING APPLICATIONS JON ANDER
BERACOECHEA, MARISOL TORRES-GUIJARRO, LUIS I. ORTIZ-BERENGUER, AND F.
JAVIER CASAJUS-QUIROS
250 ANALYSIS OF CERTAIN CHALLENGES FOR THE USE OF WAVE FIELD SYNTHESIS
IN CONCERT-BASED APPLICATIONS TERENCE CAULKINS, ETIENNE CORTEEL, AND
OLIVIER WARUSFEL
256 A MAXIMUM LIKELIHOOD APPROACH TO BLIND AUDIO DE-REVERBERATION
MASSLMILLANO TONELLI, HLKOLAOS MITIANOUDIS, AND MIKE DAVIES
5ESSION: ROOM ACOUSTICS AND WAVE FIELD SYNTHESIS II
262 PRACTICAL IMPLEMENTATION OF THE 3D TETRAHEDRAI TLM METHOD AND
VISUALIZATION OF ROOM ACOUSTICS STANLEY J. MIKLAVCIC AND JOHAN ERICSSON
268 ROOMWEAVER: A DIGITAL WAVEGUIDE MESH BASED ROOM ACOUSTICS RESEARCH
TOOL MARK BEESON AND DAMIAN MURPHY
274 REAL TIME MODELING OF ACOUSTIC PROPAGATION IN COMPLEX ENVIRONMENTS
FABIO ANTONACCI, MARCO FOCO, AUGUSTA SARTI, AND STEFANO TUBARO
280 DECORRELATION TECHNIQUES FOR THE RENDERING OF APPARENT SOUND SOURCE
WIDTH IN 3D AUDIO DISPLAYS GUILLAUME POTARD AND IAN BURNETT
SESSION: SOUND TRANSFORMATIONS AND AUDIO EFFECTS II
285 DIGITAL EMULATION OF ANALOG COMPANDING ALGORITHMS FOR FM-RA CJIO
TRANSMISSION JURGEN PELSSIG, JAN REMMER TER HASEBORG, FLORIAN KELLER,
AND UDO ZOLZER
291 HIGH QUALITY VOICE TRANSFORMATIONS BASED ON MODELING RADIATED VOICE
PULSES IN FREQUENCY DOMAIN JORDL BONADA
296 ADAPTIVE EFFECTS BASED ON 5TFT, USING A SOURCE-FILTER MODEL VINCENT
VERFAILLE AND PHILIPPE DEPALLE
KEYNOTE: GRANULAR SYNTHESIS
302 GABOR S LEGACY: NEW DEVELOPMENTS IN GRANULAR ANALYSIS AND SYNTHESIS
CURT/5 ROADS
- DAFX 04 PROCEEDINGS -
IMAGE 5
POSTER SESSION III
303 SOFTWARE FOR MEASURING AND IMPROVING ESOPHAGEAL VOICES BEGONA GARCIA
AND JAVIER VICENTE
307 IMPROVEMENT OF ESOPHAGEAL VOICES PITCH BEGONA GARCIA, JAVIER
VICENTE, IBON RUIZ, ASIER ALONSO, AND ESTIVALLZ LOYO
311 ACOUSTICAL SIMULATIONS OF THE HUMAN VOCAL TRACT USING THE ID AND 2D
DIGITAL WAVEGUIDE SOFTWARE MODEL JACK MULLEN, DAVID HOWARD, AND DAMIAN
MURPHY
315 ROOM IMPULSE RESPONSE SHAPING FOR ENHANCEMENT OF PERCEIVED
SPACIOUSNESS AND AUDITORY DISTANCE DAE-YOUNG JANG, HAN-GIL MOON,
KYEONGOK KANG, AND HOE-KYUNG JUNG
319 SEMI-AUTOMATIC AMBIENCE GENERATION PEDRO CANO, LARS FABIG, FABIEN
GOUYON, MARKUS KOPPENBERGER, ALEX LOSCOS, AND ALVARO BARBOSA
323 MATCONCAT: AN APPLICATION FOR EXPLORING CONCATENATIVE SOUND
SYNTHESIS USING MATLAB BOB L. STURM
327 5ONIFICATION OF THE FISSION MODEL AS AN EVENT GENERATION 5YSTEM
SINAN BOKESOY
331 MEMORY REDUCTION TECHNIQUE OF SPREADING FUNCTION IN MPEG AAC ENCODER
SHIH-WAY HUANG, LIANG-GEE CHEN, AND TSUNG-HAN TSAI
335 AN MDCT-BASED PSYCHOACOUSTIC MODEL CO-PROCESSOR DESIGN FOR MPEG-2/4
AAC AUDIO ENCODER TSUNG-HAN TSAI, YI-WEN WANG, AND SHIH-WAY HUANG
SESSION: SOUND MODELS
339 SYNTHESIS BY MATHEMATICAL MODELS DOMENICO VICINANZA AND VLTTORIO
QAFAGNA
345 SOUND TEXTURE MODELING AND TIME-FREQUENCY LPC KMGLEI ZHU AND LONCE
WYSE
SESSION: COMPOSITIONAL ISSUES
350 MAKING SOUND WITH NUMBERS, SIX YEARS LATER HICOLA BERNARDINI, DAMIEN
QIROTTEAU, FREE EKANAYAKA, AND ANDREA GLORLOSO
356 COMPUTER INSTRUMENT DEVELOPMENT AND THE COMPOSITION PROCESS VICTOR
LAZZARINI
361 EVENT-5YNCHRONOU5 MUSIC SYNTHESIS TRISTAN JEHAN
SESSION: AUDIO FOR MULTIMEDIA
367 MUSICAL COMPUTER GAMES PLAYED BY 5INGING PERTTU HAMALAINEN, TEEMU
MAKI-PATOLA, VILLE PULKKI, AND MATTI AIRAS
372 DIGITAL AUDIO EFFECTS APPLIED DIRECTLY ON A DSD BITSTREAM JOSH RE/55
AND MARK SANDIER
378 HIERARCHICAL ORGANIZATION AND VISUALIZATION OF DRUM SAMPLE LIBRARIES
ELLAS PAMPALK, PETER HLAVAC, AND PERFECTO HERRERA
SESSION: SONIFICATION AND AUDITORY DISPLAYS
384 SPATIAL AUDITORY DISPLAYS - A STUDY ON THE USE OF VIRTUAL AUDIO
ENVIRONMENTS AS INTERFACES FOR USERS WITH VISUAL DISABILITIES
CHRISTOPHER FRAUENBERGER, VERONIKA PUTZ, AND ROBERT HOLDRICH
390 VISUALIZATION OF SOUND AS A CONTROL INTERFACE ANNE SEDES, BENOTT
COURRIBET, AND JEAN-BAPTISTE THIEBAUT
AUTHORS INDEX (INSIDE BACK COVER)
- DAFX 04 PROCEEDINGS - VI
|
adam_txt |
IMAGE 1
7 TH INTERNATIONAL CONFERENCE
ON DIGITAL AUDIO EFFECTS
MAPLES, OCTOBER 5-8, 2004
PROCEEDINGS
EDITED BY QIANPAOLO EVANGELISTA AND ITALO TESTA THE ACOUSTICS AND
ELECTRONICS LAB DEPARTMENT OF PHYSICAL SCIENCES FEDERICO II UNIVERSITY
OF MAPLES
DAFX'04 WAS ORGANIZED AND SUPPORTED BY
DEPARTMENT OF PHYSICAL SCIENCES FEDERICO II UNIVERSITY OF MAPLES
FONDAZIONE CITTA DELLA SCIENZA
ASSOCIAZIONE DI INFORMATICA MUSICALE ITALIANA THE EUROPEAN ASSOCIATION
FOR SIGNAL IMAGE PROCESSING
MM
TOC
TIB/UB HANNOVER 89 127 596 232
PRINTED IN MAPLES, SEPTEMBER 22, 2004
IMAGE 2
CONTENTS
KEYNOTE: GESTURE CONTROL I MULTIMODAL INTERFACES FOR EXPRESSIVE 5OUND
CONTROL ANTONIO CAMURRI
5E55ION: GESTURE CONTROL
5 THE SOUNDING GESTURE: AN OVERVIEW AMALIA DE GOTZEN
I1 EFFECT OF LATENCY ON PLAYING ACCURACY OF TWO GESTURE CONTROLLED
CONTINUOUS SOUND INSTRUMENTS WITHOUT TACTILE FEEDBACK TEEMU MAKI-PATOLA
AND PERTTU HAMALAINEN
17 AUDIO-BASED GESTURE EXTRACTION ON THE E5ITAR CONTROLLER AJAY KAPUR,
GEORGE TZANETAKIS, AND PETER DRIESSEN
5E55ION: TIME-FREQUENCY AND SPECTRAL PROCESSING
22 SPARSE AND STRUCTURED DECOMPOSITIONS OF AUDIO 5IGNALS IN OVERCOMPLETE
SPACES LAURENT DAUDET
27 DETECTION OF CLICKS USING SINUSOIDAL MODELING FOR THE CONFIRMATION OF
THE CLICKS E5TEBAN ALVAREZ, RAFAEL MENDEZ, AND OUILLERMO LANGWAGEN
33 AUDIO ANALYSIS, VISUALIZATION, AND TRANSFORMATION WITH THE MATCHING
PURSUIT ALGORITHM GARRY KLING AND CURTIS ROADS
POSTER 5ESSION I
38 REMOVING CRACKLE FROM AN LP RECORD VIA WAVELET ANALYSIS PAVEL FIAJM/C
AND JAROSLAV KLIMEK
42 SPECTRAL DELAYS WITH FREQUENCY DOMAIN PROCESSING DAVID KIM-BOYLE
45 EXPONENTIAL WEIGHTING METHOD FOR 5AMPLE-BY-5AMPLE UPDATE OF WARPED
AR-MODEL *"* KAN ROTH AND ISMO KAUPPINEN
49 EMULATING ROUGH AND GROWL VOICE IN SPECTRAL DOMAIN ALEX LO5COS AND
JORDI BONADA
53 AIDE, A MEW DIGITAL AUDIO EFFECTS DEVELOPMENT ENVIRONMENT VICTOR
LAZZARINI AND RORY WALSH
57 ADAM - A 64 CHANNEL GENERAL PURPOSE REAL-TIME AUDIO SIGNAL PROCESSOR
ROBERT TRAUSMUTH AND MICHAEL KOLLEGGER
61 NON-LINEAR DIGITAL IMPLEMENTATION OF THE MOOG LADDER FILTER ANTTI
HUOVILAINEN
SESSION: 5OUND TRANSFORMATIONS AND AUDIO EFFECTS I
65 A FAST MELLIN TRANSFORM WITH APPLICATIONS IN DAFX ANTONIO DE 5ENA AND
DAVIDE ROCCHESSO
70 TRANSFORMING SINGING VOICE EXPRESSION - THE SWEETNESS EFFECT LARS
FABIG AND JORDI JANER
76 ENHANCED TIME-STRETCHING USING ORDER-2 SINUSOIDAL MODELING 5YLVAIN
MARCHAND AND MARTIN RASPAUD
83 AN EFFICIENT PHASINESS REDUCTION TECHNIQUE FOR MODERATE AUDIO
TIME-SCALE MODIFICATION DAVID DORRAN, ROBERT LAWLOR, AND EUGENE COYLE
DAFX'04 PROCEEDINGS -
IMAGE 3
5ESSION: SYNTHESIS BY PHYSICAL-MODELS
89 A PIANO MODEL INCLUDING LONGITUDINAL STRING VIBRATIONS BALAZS BANK
AND LASZLO 5UJBERT
95 THE FEATHERED CLARINET REED TAMARA SMYTH, JONATHAN ABEL, AND JULIUS
0. 5MLTH
101 DIGITAL 5OUND SYNTHESIS OF BRASS INSTRUMENTS BY PHYSICAL MODELING
BERNHARD KRACH, STEFAN PETRAUSCH, AND RUDOLF RABENSTEIN
107 RECENT ADVANCES IN PHYSICAL MODELING WITH K- AND W-TECHNIQUES MATTI
KARJALAINEN, JYRI PAKARINEN, CUMHUR ERKUT, PAULO A. A. ESQUEF, AND VESA
WALIMAKI
113 COMPUTATION OF NONLINEAR FILTER NETWORKS CONTAINING DELAY-FREE PATHS
FEDERICO FONTANA, FEDERICO AVANZINI, AND DAVIDE ROCCHESSO
119 MODAL-TYPE SYNTHESIS TECHNIQUES FOR NONLINEAR STRINGS WITH AN ENERGY
CONSERVATION PROPERTY 5TEFAN BILBAO
KEYNOTE: SPATIAL AUDIO PROCESSING
125 WAVE FIELD SYNTHESIS - A PROMISING 5PATIAL RENDERING CONCEPT GUNTHER
THEILE
SESSION: SPATIAL AUDIO PROCESSING (INVITED) I
133 WAVE FIELD SYNTHESIS - GENERATION AND REPRODUCTION OF NATURAL SOUND
ENVIRONMENTS THOMAS 5PORER
139 SPATIAL IMPULSE RESPONSE RENDERING JUHA MERIMAA AND WILLE PULKKI
145 BINAURAL SOURCE LOCALIZATION HARALD VISTE AND GIANPAOLO EVANGELISTA
SESSION: SPATIAL AUDIO PROCESSING (INVITED) II
151 PARAMETRIC CODING OF SPATIAL AUDIO QHRISTOF FALLER
157 FROM JOINT STEREO TO SPATIAL AUDIO CODING - RECENT PROGRESS AND
STANDARDIZATION JURGEN HERRE
163 LOW COMPLEXITY PARAMETRIC STEREO CODING IN MPEG-4 HEIKO PURNHAGEN
POSTER SESSION II
169 COMPUTATIONAL REAL-TIME 5OUND SIMULATION OF RAIN STANLEY J.
MIKLAVCIC, ANDREAS ZITA, AND PER ARVIDSSON
173 A STRATEGY FOR THE MODULAR IMPLEMENTATION OF PHYSICS-BASED MODELS
MATTHIAS RATH
177 IMPLEMENTING LOUDNESS MODELS IN MATLAB JOSEPH TIMONEY, THOMAS
LYSAGHT, MARC SCHOENWLESNER^ND LORCAN MAC MANUS
181 TIMBRAL ATTRIBUTES FOR OBJECTIVE QUALITY ASSESSMENT OF THE IRISH TIN
WHISTLE JOSEPH TIMONEY, THOMAS LYSAGHT, LORCAN MAC MANUS, AND ANDREAS
5CHWARZBACHER
185 SINGLE-NOTE ORNAMENTATION TRANSCRIPTION FOR THE IRISH TIN WHISTLE
BASED ON ONSET DETECTION MIKEL GAINZA, EUGENE COYLE, AND ROBERT LAWLOR
189 EFFICIENTLY COMPUTABLE SIMILARITY MEASURES FOR QUERY BY TAPPING
SYSTEMS GUNNAR EISENBERG, JAN-MARK BATKE, AND THOMAS 5LKORA
193 AN OPEN 5OURCE TOOL FOR 5EMI-AUTOMATLC RHYTHMIC ANNOTATION FABIEN
GOUYON, MICOLAS WACK, AND 5LMON DLXON
197 A SPECTRAL-FILTERING APPROACH TO MUSIC SIGNAL SEPARATION MARK EVERY
AND JOHN SZYMANSKI
IV - DAFX'04 PROCEEDINGS -
IMAGE 4
SESSION: SOUND ANALYSIS AND INFORMATION RETRIEVAL
201 AUDIO PROCESSING USING HASKELL HENNING THIELEMANN
207 A COMPARISON BETWEEN FIXED AND MULTIRESOLUTION ANALYSIS FOR ONSET
DETECTION IN MUSICAL SIGNALS CHRIS DUXBURY, JUAN PABLO BELLO, MARK
SANDIER, AND MIKE DAVIES
212 PIANO TRANSCRIPTION USING PATTERN RECOGNITION: ASPECTS ON PARAMETER
EXTRACTION LUIS I. ORTIZ-BERENGUER, F. JAVIER CASAJUS-QULRDS, MARISOL
TORRES-GUIJARRO, AND JON ANDER BERACOECHEA
217 ON FINDING MELODIC LINES IN AUDIO RECORDINGS MATIJA MAROLT
222 MUSICAL INSTRUMENT IDENTIFICATION IN CONTINUOUS RECORDINGS ARIE
LIVSHIN AND XAVIER RODET
228 BAYESIAN IDENTIFICATION OF CLOSELY-SPACED CHORDS FROM SINGLE-FRAME
5TFT PEAKS RANDAL LELSTIKOW, HARVEY THORNBURG, JULIUS O. SMITH, AND
JONATHAN BERGER
234 A NEW SCORE FUNCTION FOR JOINT EVALUATION OF MULTIPLE F0 HYPOTHESES
CHUNGHSIN YEH AND AXEL ROBEL
SESSION: ROOM ACOUSTICS AND WAVE FIELD SYNTHESIS I
240 SOUND SOURCE SEPARATION: AZIMUTH DISCRIMINATION AND RESYNTHESIS DAN
BARRY, ROBERT LAWLOR, AND EUGENE COYLE
245 SOURCE SEPARATION FOR WF5 ACOUSTIC OPENING APPLICATIONS JON ANDER
BERACOECHEA, MARISOL TORRES-GUIJARRO, LUIS I. ORTIZ-BERENGUER, AND F.
JAVIER CASAJUS-QUIROS
250 ANALYSIS OF CERTAIN CHALLENGES FOR THE USE OF WAVE FIELD SYNTHESIS
IN CONCERT-BASED APPLICATIONS TERENCE CAULKINS, ETIENNE CORTEEL, AND
OLIVIER WARUSFEL
256 A MAXIMUM LIKELIHOOD APPROACH TO BLIND AUDIO DE-REVERBERATION
MASSLMILLANO TONELLI, HLKOLAOS MITIANOUDIS, AND MIKE DAVIES
5ESSION: ROOM ACOUSTICS AND WAVE FIELD SYNTHESIS II
262 PRACTICAL IMPLEMENTATION OF THE 3D TETRAHEDRAI TLM METHOD AND
VISUALIZATION OF ROOM ACOUSTICS STANLEY J. MIKLAVCIC AND JOHAN ERICSSON
268 ROOMWEAVER: A DIGITAL WAVEGUIDE MESH BASED ROOM ACOUSTICS RESEARCH
TOOL MARK BEESON AND DAMIAN MURPHY
274 REAL TIME MODELING OF ACOUSTIC PROPAGATION IN COMPLEX ENVIRONMENTS
FABIO ANTONACCI, MARCO FOCO, AUGUSTA SARTI, AND STEFANO TUBARO
280 DECORRELATION TECHNIQUES FOR THE RENDERING OF APPARENT SOUND SOURCE
WIDTH IN 3D AUDIO DISPLAYS GUILLAUME POTARD AND IAN BURNETT
SESSION: SOUND TRANSFORMATIONS AND AUDIO EFFECTS II
285 DIGITAL EMULATION OF ANALOG COMPANDING ALGORITHMS FOR FM-RA"CJIO
TRANSMISSION JURGEN PELSSIG, JAN REMMER TER HASEBORG, FLORIAN KELLER,
AND UDO ZOLZER
291 HIGH QUALITY VOICE TRANSFORMATIONS BASED ON MODELING RADIATED VOICE
PULSES IN FREQUENCY DOMAIN JORDL BONADA
296 ADAPTIVE EFFECTS BASED ON 5TFT, USING A SOURCE-FILTER MODEL VINCENT
VERFAILLE AND PHILIPPE DEPALLE
KEYNOTE: GRANULAR SYNTHESIS
302 GABOR'S LEGACY: NEW DEVELOPMENTS IN GRANULAR ANALYSIS AND SYNTHESIS
CURT/5 ROADS
- DAFX'04 PROCEEDINGS -
IMAGE 5
POSTER SESSION III
303 SOFTWARE FOR MEASURING AND IMPROVING ESOPHAGEAL VOICES BEGONA GARCIA
AND JAVIER VICENTE
307 IMPROVEMENT OF ESOPHAGEAL VOICES' PITCH BEGONA GARCIA, JAVIER
VICENTE, IBON RUIZ, ASIER ALONSO, AND ESTIVALLZ LOYO
311 ACOUSTICAL SIMULATIONS OF THE HUMAN VOCAL TRACT USING THE ID AND 2D
DIGITAL WAVEGUIDE SOFTWARE MODEL JACK MULLEN, DAVID HOWARD, AND DAMIAN
MURPHY
315 ROOM IMPULSE RESPONSE SHAPING FOR ENHANCEMENT OF PERCEIVED
SPACIOUSNESS AND AUDITORY DISTANCE DAE-YOUNG JANG, HAN-GIL MOON,
KYEONGOK KANG, AND HOE-KYUNG JUNG
319 SEMI-AUTOMATIC AMBIENCE GENERATION PEDRO CANO, LARS FABIG, FABIEN
GOUYON, MARKUS KOPPENBERGER, ALEX LOSCOS, AND ALVARO BARBOSA
323 MATCONCAT: AN APPLICATION FOR EXPLORING CONCATENATIVE SOUND
SYNTHESIS USING MATLAB BOB L. STURM
327 5ONIFICATION OF THE FISSION MODEL AS AN EVENT GENERATION 5YSTEM
SINAN BOKESOY
331 MEMORY REDUCTION TECHNIQUE OF SPREADING FUNCTION IN MPEG AAC ENCODER
SHIH-WAY HUANG, LIANG-GEE CHEN, AND TSUNG-HAN TSAI
335 AN MDCT-BASED PSYCHOACOUSTIC MODEL CO-PROCESSOR DESIGN FOR MPEG-2/4
AAC AUDIO ENCODER TSUNG-HAN TSAI, YI-WEN WANG, AND SHIH-WAY HUANG
SESSION: SOUND MODELS
339 SYNTHESIS BY MATHEMATICAL MODELS DOMENICO VICINANZA AND VLTTORIO
QAFAGNA
345 SOUND TEXTURE MODELING AND TIME-FREQUENCY LPC KMGLEI ZHU AND LONCE
WYSE
SESSION: COMPOSITIONAL ISSUES
350 MAKING SOUND WITH NUMBERS, SIX YEARS LATER HICOLA BERNARDINI, DAMIEN
QIROTTEAU, FREE EKANAYAKA, AND ANDREA GLORLOSO
356 COMPUTER INSTRUMENT DEVELOPMENT AND THE COMPOSITION PROCESS VICTOR
LAZZARINI
361 EVENT-5YNCHRONOU5 MUSIC SYNTHESIS TRISTAN JEHAN
SESSION: AUDIO FOR MULTIMEDIA
367 MUSICAL COMPUTER GAMES PLAYED BY 5INGING PERTTU HAMALAINEN, TEEMU
MAKI-PATOLA, VILLE PULKKI, AND MATTI AIRAS
372 DIGITAL AUDIO EFFECTS APPLIED DIRECTLY ON A DSD BITSTREAM JOSH RE/55
AND MARK SANDIER
378 HIERARCHICAL ORGANIZATION AND VISUALIZATION OF DRUM SAMPLE LIBRARIES
ELLAS PAMPALK, PETER HLAVAC, AND PERFECTO HERRERA
SESSION: SONIFICATION AND AUDITORY DISPLAYS
384 SPATIAL AUDITORY DISPLAYS - A STUDY ON THE USE OF VIRTUAL AUDIO
ENVIRONMENTS AS INTERFACES FOR USERS WITH VISUAL DISABILITIES
CHRISTOPHER FRAUENBERGER, VERONIKA PUTZ, AND ROBERT HOLDRICH
390 VISUALIZATION OF SOUND AS A CONTROL INTERFACE ANNE SEDES, BENOTT
COURRIBET, AND JEAN-BAPTISTE THIEBAUT
AUTHORS' INDEX (INSIDE BACK COVER)
- DAFX'04 PROCEEDINGS - VI |
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author_corporate | DAFx Neapel |
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author_facet | DAFx Neapel |
author_sort | DAFx Neapel |
building | Verbundindex |
bvnumber | BV023321325 |
ctrlnum | (OCoLC)633492197 (DE-599)GBV479701253 |
format | Conference Proceeding Book |
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genre_facet | Konferenzschrift 2004 Neapel |
id | DE-604.BV023321325 |
illustrated | Illustrated |
index_date | 2024-07-02T20:53:57Z |
indexdate | 2024-07-09T21:15:49Z |
institution | BVB |
institution_GND | (DE-588)6045493-3 |
isbn | 8890147903 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016505418 |
oclc_num | 633492197 |
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owner | DE-29T |
owner_facet | DE-29T |
physical | VI, 394 S. graph. Darst. |
publishDate | 2004 |
publishDateSearch | 2004 |
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spelling | DAFx 7 2004 Neapel Verfasser (DE-588)6045493-3 aut Proceedings Naples, October 5 - 8, 2004 7th International Conference on Digital Audio Effects, DAFx 04 ; organized and supported by Department of Physical Sciences, Federico II University of Naples ... Ed. by Gianpaolo Evangelista ... Digital audio effects DAFx '04 Naples ACEL, Dep. of Physical Sciences, Univ. of Naples 2004 VI, 394 S. graph. Darst. txt rdacontent n rdamedia nc rdacarrier Audiotechnik (DE-588)4140445-2 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2004 Neapel gnd-content Audiotechnik (DE-588)4140445-2 s DE-604 Evangelista, Gianpaolo Sonstige oth http://www.gbv.de/dms/tib-ub-hannover/479701253.pdf lizenzfrei Inhaltsverzeichnis GBV Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016505418&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Proceedings Naples, October 5 - 8, 2004 Audiotechnik (DE-588)4140445-2 gnd |
subject_GND | (DE-588)4140445-2 (DE-588)1071861417 |
title | Proceedings Naples, October 5 - 8, 2004 |
title_alt | Digital audio effects DAFx '04 |
title_auth | Proceedings Naples, October 5 - 8, 2004 |
title_exact_search | Proceedings Naples, October 5 - 8, 2004 |
title_exact_search_txtP | Proceedings Naples, October 5 - 8, 2004 |
title_full | Proceedings Naples, October 5 - 8, 2004 7th International Conference on Digital Audio Effects, DAFx 04 ; organized and supported by Department of Physical Sciences, Federico II University of Naples ... Ed. by Gianpaolo Evangelista ... |
title_fullStr | Proceedings Naples, October 5 - 8, 2004 7th International Conference on Digital Audio Effects, DAFx 04 ; organized and supported by Department of Physical Sciences, Federico II University of Naples ... Ed. by Gianpaolo Evangelista ... |
title_full_unstemmed | Proceedings Naples, October 5 - 8, 2004 7th International Conference on Digital Audio Effects, DAFx 04 ; organized and supported by Department of Physical Sciences, Federico II University of Naples ... Ed. by Gianpaolo Evangelista ... |
title_short | Proceedings |
title_sort | proceedings naples october 5 8 2004 |
title_sub | Naples, October 5 - 8, 2004 |
topic | Audiotechnik (DE-588)4140445-2 gnd |
topic_facet | Audiotechnik Konferenzschrift 2004 Neapel |
url | http://www.gbv.de/dms/tib-ub-hannover/479701253.pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016505418&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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