Early Italian painting /:
"Vacillating between the majesty of the Greco-Byzantine heritage and the modernity forecasted by Giotto, Early Italian painting summarises the first steps that led to the Renaissance. Trying out new media, those first artists left frescoes for removable panels. If the sacred faces shock us novi...
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Parkstone Press International,
©2011.
|
| Schriftenreihe: | Art of century collection.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Vacillating between the majesty of the Greco-Byzantine heritage and the modernity forecasted by Giotto, Early Italian painting summarises the first steps that led to the Renaissance. Trying out new media, those first artists left frescoes for removable panels. If the sacred faces shock us novices, this distance was more than wanted during this era and in order to emphasise the divinity of the characters; it highlighted their divinity and comforted the sanctified with a background covered with gold leaves. The elegance of the line and the colour choice was combined to reinforce the symbolic choices. The half-confessed ultimate goal of the early Italian artists was to make the invisible ... visible. In this magnificent book, the author emphasises the importance that the rivalry between the Siennese and Florentine schools played for the evolution of art history. And the reader, in the course of these forgotten masterworks, will discover how, little by little, the sacred became incarnate and more human ... opening a discrete but definitive door through the use of anthropomorphism, as was cherished by the Renaissance."-- |
| Beschreibung: | "The following passages originally constituted sections of two books ... both written in 1864-one by Anna Jameson and the other by Giovanni Cavalcaselle and Arthur Crowe"--Note from the editor Includes index. |
| Beschreibung: | 1 online resource (199 pages) : color illustrations |
| ISBN: | 9781780428055 1780428057 |
Internformat
MARC
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| 049 | |a MAIN | ||
| 100 | 1 | |a Crowe, J. A. |q (Joseph Archer), |d 1825-1896. |1 https://id.oclc.org/worldcat/entity/E39PBJg4m9KHPy6wtQbXf7ppT3 |0 http://id.loc.gov/authorities/names/n79122341 | |
| 245 | 1 | 0 | |a Early Italian painting / |c Joseph Archer Crowe & Giovanni Battista Cavalcaselle, Anna Jameson. |
| 260 | |a New York : |b Parkstone Press International, |c ©2011. | ||
| 300 | |a 1 online resource (199 pages) : |b color illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 490 | 1 | |a Art of century collection | |
| 500 | |a "The following passages originally constituted sections of two books ... both written in 1864-one by Anna Jameson and the other by Giovanni Cavalcaselle and Arthur Crowe"--Note from the editor | ||
| 500 | |a Includes index. | ||
| 505 | 0 | |a Introduction : Something about pictures and painters -- Revival of art in Siena. Fundamental difference between Sienese and Florentine art -- Early Christianity and art -- Memoirs of the early Italian painters. Guido da Siena -- Giovanni Cimabue -- Cimabue and the Ruccelai Madonna -- Duccio di Buoninsegna -- Ugolino di Nerio -- Segna di Bonaventura -- Giotto di Bondone -- Pietro Cavallini -- The Campo Santo -- Andrea Orcagna -- Taddeo Gaddi -- Simone Martini (Simone Memmi) -- Conclusion. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a "Vacillating between the majesty of the Greco-Byzantine heritage and the modernity forecasted by Giotto, Early Italian painting summarises the first steps that led to the Renaissance. Trying out new media, those first artists left frescoes for removable panels. If the sacred faces shock us novices, this distance was more than wanted during this era and in order to emphasise the divinity of the characters; it highlighted their divinity and comforted the sanctified with a background covered with gold leaves. The elegance of the line and the colour choice was combined to reinforce the symbolic choices. The half-confessed ultimate goal of the early Italian artists was to make the invisible ... visible. In this magnificent book, the author emphasises the importance that the rivalry between the Siennese and Florentine schools played for the evolution of art history. And the reader, in the course of these forgotten masterworks, will discover how, little by little, the sacred became incarnate and more human ... opening a discrete but definitive door through the use of anthropomorphism, as was cherished by the Renaissance."-- |c Publisher's website | ||
| 650 | 0 | |a Painting, Italian. |0 http://id.loc.gov/authorities/subjects/sh85096758 | |
| 650 | 0 | |a Painting, Medieval |z Italy. | |
| 650 | 6 | |a Peinture italienne. | |
| 650 | 6 | |a Peinture médiévale |z Italie. | |
| 650 | 7 | |a ART |x History |x General. |2 bisacsh | |
| 650 | 7 | |a Painting, Italian. |2 cct | |
| 650 | 7 | |a Painting, Medieval |y Italy. |2 cct | |
| 650 | 7 | |a Painting, Italian |2 fast | |
| 650 | 7 | |a Painting, Medieval |2 fast | |
| 651 | 7 | |a Italy |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJvd8mVMcRhwVmbtcqCPcP | |
| 700 | 1 | |a Cavalcaselle, G. B. |q (Giovanni Battista), |d 1819-1897. |1 https://id.oclc.org/worldcat/entity/E39PBJfWVKGYF7hY9VGGh8MHG3 |0 http://id.loc.gov/authorities/names/n79121687 | |
| 700 | 1 | |a Jameson, |c Mrs. |q (Anna), |d 1794-1860. |1 https://id.oclc.org/worldcat/entity/E39PBJdmhwcvBGH46xhfYdWCcP |0 http://id.loc.gov/authorities/names/n50028986 | |
| 700 | 1 | |a Crowe, J. A. |q (Joseph Archer), |d 1825-1896. |t History of painting in Italy. | |
| 700 | 1 | |a Jameson, |c Mrs. |q (Anna), |d 1794-1860. |t Memoirs of early Italian painters. | |
| 758 | |i has work: |a Early Italian painting (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGd4pGMXgWWfM7trBJ8hwP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Crowe, J.A. (Joseph Archer), 1825-1896. |t Early Italian painting. |d New York : Parkstone Press International, ©2011 |z 9781844848485 |w (DLC) 2011033708 |w (OCoLC)644683471 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn777401484 |
|---|---|
| _version_ | 1816881786839367681 |
| adam_text | |
| any_adam_object | |
| author | Crowe, J. A. (Joseph Archer), 1825-1896 |
| author2 | Cavalcaselle, G. B. (Giovanni Battista), 1819-1897 Jameson, Mrs. (Anna), 1794-1860 Crowe, J. A. (Joseph Archer), 1825-1896 Jameson, Mrs. (Anna), 1794-1860 |
| author2_role | |
| author2_variant | g b c gb gbc j j a c ja jac j |
| author_GND | http://id.loc.gov/authorities/names/n79122341 http://id.loc.gov/authorities/names/n79121687 http://id.loc.gov/authorities/names/n50028986 |
| author_facet | Crowe, J. A. (Joseph Archer), 1825-1896 Cavalcaselle, G. B. (Giovanni Battista), 1819-1897 Jameson, Mrs. (Anna), 1794-1860 Crowe, J. A. (Joseph Archer), 1825-1896 Jameson, Mrs. (Anna), 1794-1860 |
| author_role | |
| author_sort | Crowe, J. A. 1825-1896 |
| author_variant | j a c ja jac |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | ND613 |
| callnumber-raw | ND613 .C76 2011eb |
| callnumber-search | ND613 .C76 2011eb |
| callnumber-sort | ND 3613 C76 42011EB |
| callnumber-subject | ND - Painting |
| collection | ZDB-4-EBA |
| contents | Introduction : Something about pictures and painters -- Revival of art in Siena. Fundamental difference between Sienese and Florentine art -- Early Christianity and art -- Memoirs of the early Italian painters. Guido da Siena -- Giovanni Cimabue -- Cimabue and the Ruccelai Madonna -- Duccio di Buoninsegna -- Ugolino di Nerio -- Segna di Bonaventura -- Giotto di Bondone -- Pietro Cavallini -- The Campo Santo -- Andrea Orcagna -- Taddeo Gaddi -- Simone Martini (Simone Memmi) -- Conclusion. |
| ctrlnum | (OCoLC)777401484 |
| dewey-full | 759.5 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 759 - History, geographic treatment, biography |
| dewey-raw | 759.5 |
| dewey-search | 759.5 |
| dewey-sort | 3759.5 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| geographic | Italy fast https://id.oclc.org/worldcat/entity/E39PBJvd8mVMcRhwVmbtcqCPcP |
| geographic_facet | Italy |
| id | ZDB-4-EBA-ocn777401484 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:18:15Z |
| institution | BVB |
| isbn | 9781780428055 1780428057 |
| language | English |
| oclc_num | 777401484 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (199 pages) : color illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | Parkstone Press International, |
| record_format | marc |
| series | Art of century collection. |
| series2 | Art of century collection |
| spelling | Crowe, J. A. (Joseph Archer), 1825-1896. https://id.oclc.org/worldcat/entity/E39PBJg4m9KHPy6wtQbXf7ppT3 http://id.loc.gov/authorities/names/n79122341 Early Italian painting / Joseph Archer Crowe & Giovanni Battista Cavalcaselle, Anna Jameson. New York : Parkstone Press International, ©2011. 1 online resource (199 pages) : color illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Art of century collection "The following passages originally constituted sections of two books ... both written in 1864-one by Anna Jameson and the other by Giovanni Cavalcaselle and Arthur Crowe"--Note from the editor Includes index. Introduction : Something about pictures and painters -- Revival of art in Siena. Fundamental difference between Sienese and Florentine art -- Early Christianity and art -- Memoirs of the early Italian painters. Guido da Siena -- Giovanni Cimabue -- Cimabue and the Ruccelai Madonna -- Duccio di Buoninsegna -- Ugolino di Nerio -- Segna di Bonaventura -- Giotto di Bondone -- Pietro Cavallini -- The Campo Santo -- Andrea Orcagna -- Taddeo Gaddi -- Simone Martini (Simone Memmi) -- Conclusion. Print version record. "Vacillating between the majesty of the Greco-Byzantine heritage and the modernity forecasted by Giotto, Early Italian painting summarises the first steps that led to the Renaissance. Trying out new media, those first artists left frescoes for removable panels. If the sacred faces shock us novices, this distance was more than wanted during this era and in order to emphasise the divinity of the characters; it highlighted their divinity and comforted the sanctified with a background covered with gold leaves. The elegance of the line and the colour choice was combined to reinforce the symbolic choices. The half-confessed ultimate goal of the early Italian artists was to make the invisible ... visible. In this magnificent book, the author emphasises the importance that the rivalry between the Siennese and Florentine schools played for the evolution of art history. And the reader, in the course of these forgotten masterworks, will discover how, little by little, the sacred became incarnate and more human ... opening a discrete but definitive door through the use of anthropomorphism, as was cherished by the Renaissance."-- Publisher's website Painting, Italian. http://id.loc.gov/authorities/subjects/sh85096758 Painting, Medieval Italy. Peinture italienne. Peinture médiévale Italie. ART History General. bisacsh Painting, Italian. cct Painting, Medieval Italy. cct Painting, Italian fast Painting, Medieval fast Italy fast https://id.oclc.org/worldcat/entity/E39PBJvd8mVMcRhwVmbtcqCPcP Cavalcaselle, G. B. (Giovanni Battista), 1819-1897. https://id.oclc.org/worldcat/entity/E39PBJfWVKGYF7hY9VGGh8MHG3 http://id.loc.gov/authorities/names/n79121687 Jameson, Mrs. (Anna), 1794-1860. https://id.oclc.org/worldcat/entity/E39PBJdmhwcvBGH46xhfYdWCcP http://id.loc.gov/authorities/names/n50028986 Crowe, J. A. (Joseph Archer), 1825-1896. History of painting in Italy. Jameson, Mrs. (Anna), 1794-1860. Memoirs of early Italian painters. has work: Early Italian painting (Text) https://id.oclc.org/worldcat/entity/E39PCGd4pGMXgWWfM7trBJ8hwP https://id.oclc.org/worldcat/ontology/hasWork Print version: Crowe, J.A. (Joseph Archer), 1825-1896. Early Italian painting. New York : Parkstone Press International, ©2011 9781844848485 (DLC) 2011033708 (OCoLC)644683471 Art of century collection. http://id.loc.gov/authorities/names/no2009197219 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=436191 Volltext |
| spellingShingle | Crowe, J. A. (Joseph Archer), 1825-1896 Early Italian painting / Art of century collection. Introduction : Something about pictures and painters -- Revival of art in Siena. Fundamental difference between Sienese and Florentine art -- Early Christianity and art -- Memoirs of the early Italian painters. Guido da Siena -- Giovanni Cimabue -- Cimabue and the Ruccelai Madonna -- Duccio di Buoninsegna -- Ugolino di Nerio -- Segna di Bonaventura -- Giotto di Bondone -- Pietro Cavallini -- The Campo Santo -- Andrea Orcagna -- Taddeo Gaddi -- Simone Martini (Simone Memmi) -- Conclusion. Painting, Italian. http://id.loc.gov/authorities/subjects/sh85096758 Painting, Medieval Italy. Peinture italienne. Peinture médiévale Italie. ART History General. bisacsh Painting, Italian. cct Painting, Medieval Italy. cct Painting, Italian fast Painting, Medieval fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85096758 |
| title | Early Italian painting / |
| title_alt | History of painting in Italy. Memoirs of early Italian painters. |
| title_auth | Early Italian painting / |
| title_exact_search | Early Italian painting / |
| title_full | Early Italian painting / Joseph Archer Crowe & Giovanni Battista Cavalcaselle, Anna Jameson. |
| title_fullStr | Early Italian painting / Joseph Archer Crowe & Giovanni Battista Cavalcaselle, Anna Jameson. |
| title_full_unstemmed | Early Italian painting / Joseph Archer Crowe & Giovanni Battista Cavalcaselle, Anna Jameson. |
| title_short | Early Italian painting / |
| title_sort | early italian painting |
| topic | Painting, Italian. http://id.loc.gov/authorities/subjects/sh85096758 Painting, Medieval Italy. Peinture italienne. Peinture médiévale Italie. ART History General. bisacsh Painting, Italian. cct Painting, Medieval Italy. cct Painting, Italian fast Painting, Medieval fast |
| topic_facet | Painting, Italian. Painting, Medieval Italy. Peinture italienne. Peinture médiévale Italie. ART History General. Painting, Italian Painting, Medieval Italy |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=436191 |
| work_keys_str_mv | AT croweja earlyitalianpainting AT cavalcasellegb earlyitalianpainting AT jameson earlyitalianpainting |