Botticelli's "Portrait of a Lady known as Smeralda Bandinelli": a technical study von Costaras, Nicola, Richardson, Clare

A recently discovered oil-sketch by John Constable at the Victoria and Albert Museum von Evans, Mark 1954-, Richardson, Clare, Costaras, Nicola

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Early modern blues the smalt patent in context von Costaras, Nicola

A study of the materials and techniques of Johannes Vermeer von Costaras, Nicola

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A technical study of the Apocalypse Triptych by Master Bertram von Costaras, Nicola, Turnbull, Rachel

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The ownership of painted cloths in late medieval England von Costaras, Nicola

The conservation of John Constable's six foot sketches at the V&A von Richardson, Claire, Costaras, Nicola

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The New Paintings Galleries von Costaras, Nicola

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The British Galleries project from a paintings conservation perspective von Costaras, Nicola

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Preparations for "Carl and Karin Larsson, creators of the Swedish style" von Manoli, Tina, Costaras, Nicola

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Tynecastle tapestry the conservation and display of a late nineteenth-century decorative wall covering von Costaras, Nicola, Kelly, Eoin, Lauzon, Marie de

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"These pitchy pigments from their nature never harden" a nineteenth-century perspective on premature cracking in oil paintings von Costaras, Nicola

Richard Redgrave (1804 - 1888) first curator of paintings at the South Kensington Museum von Costaras, Nicola

Master Bertram's apocalypse triptych to clean or not to clean von Costaras, Nicola, Turnbull, Rachel

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Johannes Vermeer's 'Young woman seated at a virginal' von Sheldon, Libby, Costaras, Nicola

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Conserving the copies of the Ajanta cave paintings at the V&A von Patel, Divia, Costaras, Nicola

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A changing art nineteenth-century painting practice and conservation

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Setting the scene European painted cloths from the fourteenth to the twenty-first century

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